Songs like Symphony No. 94 G Major "Mit dem Paukenschlag": IV. Finale: Allegro molto by Heribert Beissel
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Two Elegaic Melodies, Op. 34: I. Heart's...
138 bpm • G# Maj • 03:15 • -19.55db
4% Popularity • 17% Danceability • 8% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 8% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Heribert Beissel
Symphony No. 94 G Major "Mit dem Paukens...
137 bpm • G Maj • 04:05 • -21.67db
0% Popularity • 44% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
0% Popularity • 44% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Dance of the Blessed ...
138 bpm • F Maj • 06:08 • -27.25db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
136 bpm • C Maj • 03:40 • -21db
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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South German Philharmonic Orchestra
Traumerei Op.15/7 (Dreaming from Scenes ...
136 bpm • F Maj • 02:05 • -29db
26% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
26% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Heribert Beissel
Symphony No. 94 G Major "Mit dem Paukens...
138 bpm • G Maj • 06:43 • -21.16db
0% Popularity • 39% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 22% Positiveness
0% Popularity • 39% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 22% Positiveness
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Aram Khachaturian
Khachaturian: Suite from Spartacus No. 2...
138 bpm • C# min • 05:30 • -20.83db
7% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
The Bartered Bride, Overture
138 bpm • C Maj • 04:21 • -16.07db
8% Popularity • 27% Danceability • 29% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 29% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Anton Nanut
Serenade In B-Flat For 13 Winds, K. 361/...
138 bpm • D# Maj • 06:07 • -22.62db
12% Popularity • 15% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Vladimir Fedoseyev
Symphony No. 7 in A Major, Op. 92: II. A...
139 bpm • E min • 09:03 • -23.19db
8% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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The Royal Festival Orchestra
Peer Gynt Suite No. 1, Op. 46: Anitra’...
139 bpm • A Maj • 04:01 • -30.28db
11% Popularity • 33% Danceability • 3% Energy • 28% Liveness
34% Instrumentalness • 8% Positiveness
11% Popularity • 33% Danceability • 3% Energy • 28% Liveness
34% Instrumentalness • 8% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: 2. Ad...
135 bpm • C# Maj • 06:18 • -26.76db
20% Popularity • 22% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
20% Popularity • 22% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto For Violin And Strings In F Min...
139 bpm • A# Maj • 02:09 • -23.48db
15% Popularity • 22% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 21% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 21% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 3 in C Minor, Op. 37:...
135 bpm • E Maj • 10:03 • -27.18db
9% Popularity • 25% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Jules Massenet
Herodiade, Act II: Ce breuvage pourrait�...
135 bpm • C# Maj • 04:47 • -15.84db
0% Popularity • 24% Danceability • 17% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 17% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
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The Royal Festival Orchestra
Grieg: Peer Gynt Suite No. 1, Op. 46 - 1...
139 bpm • E Maj • 03:56 • -18.31db
13% Popularity • 15% Danceability • 6% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48 : IV. Pie Jesu (...
134 bpm • A# Maj • 03:19 • -17.84db
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
33% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Maurice Ravel
Boléro
140 bpm • C Maj • 09:48 • -22.43db
24% Popularity • 20% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 23% Positiveness
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Dmitry Kabalevsky
Violin concerto No.1 in C major, Op.48: ...
134 bpm • G# min • 05:37 • -29.73db
14% Popularity • 17% Danceability • 3% Energy • 20% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 20% Liveness
30% Instrumentalness • 4% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
140 bpm • E Maj • 04:29 • -23.16db
44% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
44% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
133 bpm • D# Maj • 08:38 • -23.45db
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56: I. Berceuse
140 bpm • E Maj • 02:37 • -21.85db
25% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Howard Hanson
The Stars And Stripes Forever
134 bpm • D Maj • 03:19 • -9.52db
2% Popularity • 46% Danceability • 57% Energy • 5% Liveness
32% Instrumentalness • 69% Positiveness
2% Popularity • 46% Danceability • 57% Energy • 5% Liveness
32% Instrumentalness • 69% Positiveness
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Antonio Vivaldi
The Four Seasons (Le Quattro Stagioni): ...
140 bpm • G min • 02:56 • -14.95db
25% Popularity • 25% Danceability • 47% Energy • 13% Liveness
83% Instrumentalness • 35% Positiveness
25% Popularity • 25% Danceability • 47% Energy • 13% Liveness
83% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16: I...
141 bpm • G min • 03:31 • -28.76db
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra in E-...
133 bpm • D# Maj • 04:46 • -17.58db
8% Popularity • 48% Danceability • 17% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 17% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
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Sylvia Capova
Liebestraum No.3 A Flat Major Op.62
141 bpm • G# Maj • 04:15 • -23db
20% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: III. Re...
132 bpm • D Maj • 07:18 • -25db
15% Popularity • 23% Danceability • 3% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 3% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Johann Nepomuk Hummel
Piano Concerto No. 4 in E Major, Op. 110...
142 bpm • B Maj • 11:03 • -23.83db
7% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
7% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1: Carillon
132 bpm • E Maj • 04:40 • -17.92db
10% Popularity • 25% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Franz Schubert
Symphony No. 6 In C Major, D. 589: II. A...
143 bpm • C Maj • 09:04 • -22.42db
0% Popularity • 39% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
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London Philharmonic Orchestra
Peer Gynt Suite No. 1, Op. 46: Morning M...
132 bpm • E Maj • 03:44 • -15.16db
41% Popularity • 18% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
143 bpm • D# Maj • 03:03 • -27.04db
13% Popularity • 14% Danceability • 2% Energy • 22% Liveness
96% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 22% Liveness
96% Instrumentalness • 6% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
131 bpm • C Maj • 09:30 • -17.58db
14% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
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Friedrich Kalkbrenner
Piano Concerto No. 1 in D Minor, Op. 61:...
131 bpm • D min • 09:24 • -23.26db
8% Popularity • 37% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 26% Positiveness
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Rik
Bagatelle No. 25 in a Minor, WoO 59 : "F...
131 bpm • D min • 03:15 • -25db
38% Popularity • 35% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
38% Popularity • 35% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
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Sylvia Capova
Klaviersolo " Kinderszenen " , Op. 15, N...
131 bpm • F Maj • 03:08 • -33db
23% Popularity • 56% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
23% Popularity • 56% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
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Ketevan Badridze
Waltz No.6 in D flat major, Minute Waltz...
130 bpm • C# Maj • 01:51 • -24db
28% Popularity • 32% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 31% Positiveness
28% Popularity • 32% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 31% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Praludium (All...
144 bpm • G Maj • 02:44 • -20.89db
26% Popularity • 28% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 35% Positiveness
26% Popularity • 28% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 35% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cello & Pian...
144 bpm • D Maj • 03:03 • -24.24db
22% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Jean Sibelius
Sibelius: Finlandia, Op. 26
144 bpm • G# Maj • 08:31 • -14.64db
11% Popularity • 21% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E minor, Op. 27: 3. Ad...
130 bpm • A Maj • 03:51 • -19.4db
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Franz Schubert
Symphony No. 6 In C Major, D. 589: I. Ad...
130 bpm • C Maj • 09:23 • -22.59db
0% Popularity • 36% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
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Claude Debussy
Préludes, Book 1, L. 117: No. 8, La fil...
130 bpm • B Maj • 02:38 • -36.01db
24% Popularity • 38% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
24% Popularity • 38% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Overture: Andante ...
145 bpm • C Maj • 08:06 • -22.68db
0% Popularity • 34% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
0% Popularity • 34% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Carl Maria von Weber
Klarinettenkonzert Nr. 1 f-Moll: III. Ro...
145 bpm • F Maj • 05:40 • -22db
16% Popularity • 44% Danceability • 12% Energy • 6% Liveness
75% Instrumentalness • 30% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 6% Liveness
75% Instrumentalness • 30% Positiveness
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Hollywood Strings Orchestra
The Marriage Of Figaro, Overture K. 492
145 bpm • D Maj • 04:05 • -13.88db
19% Popularity • 33% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
19% Popularity • 33% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Suite No. 3 in D, BWV 1068: 2. Air
146 bpm • D Maj • 04:06 • -32.12db
18% Popularity • 13% Danceability • 2% Energy • 12% Liveness
20% Instrumentalness • 12% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 12% Liveness
20% Instrumentalness • 12% Positiveness
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Robert Schumann
Cello Concerto in A Minor, Op. 129: III....
128 bpm • C Maj • 08:06 • -25.26db
17% Popularity • 33% Danceability • 8% Energy • 17% Liveness
88% Instrumentalness • 35% Positiveness
17% Popularity • 33% Danceability • 8% Energy • 17% Liveness
88% Instrumentalness • 35% Positiveness
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Claude Debussy
Rêverie, L. 68
129 bpm • F Maj • 03:46 • -31.98db
15% Popularity • 33% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
15% Popularity • 33% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: VI. Danse Boh...
128 bpm • A min • 04:33 • -22.38db
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Edward Elgar
Salute D'Amour
128 bpm • E Maj • 03:08 • -19.51db
25% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
25% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Septet in E-Flat Major, Op. 20: II. Adag...
127 bpm • G# Maj • 08:41 • -25db
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
16% Instrumentalness • 6% Positiveness
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
16% Instrumentalness • 6% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
128 bpm • C min • 07:39 • -16.87db
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Johann Strauss II
Neue Pizicatopolka Op. 449
149 bpm • C Maj • 03:19 • -31.3db
0% Popularity • 47% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 47% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Gabriel Fauré
Berceuse Op. 16
127 bpm • D Maj • 05:25 • -27.11db
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Friedrich Kalkbrenner
Piano Concerto No. 1 in D Minor, Op. 61:...
126 bpm • A# Maj • 13:20 • -21.47db
5% Popularity • 36% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
5% Popularity • 36% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Sylvia Capova
Prelude für Klavier in E Minor, Op. 28,...
126 bpm • A min • 01:56 • -30db
31% Popularity • 44% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
31% Popularity • 44% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
150 bpm • F min • 03:29 • -19db
21% Popularity • 36% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 35% Positiveness
21% Popularity • 36% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 35% Positiveness
► Preview
Alexander Pitamic
Serenade für Streicher Nr. 13, G-Dur, K...
125 bpm • C Maj • 06:44 • -25.89db
16% Popularity • 34% Danceability • 2% Energy • 7% Liveness
47% Instrumentalness • 22% Positiveness
16% Popularity • 34% Danceability • 2% Energy • 7% Liveness
47% Instrumentalness • 22% Positiveness
► Preview
Slovak State Philharmonic Orchestra
Ungarischer Tanz in G Minor, WoO, No. 5
151 bpm • G min • 02:45 • -22.91db
17% Popularity • 25% Danceability • 7% Energy • 12% Liveness
31% Instrumentalness • 22% Positiveness
17% Popularity • 25% Danceability • 7% Energy • 12% Liveness
31% Instrumentalness • 22% Positiveness
► Preview
The Royal Festival Orchestra
Étude No. 3 "Un sospiro" in D-Flat Majo...
125 bpm • C# Maj • 05:15 • -22.6db
13% Popularity • 33% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 33% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
124 bpm • D# Maj • 08:08 • -22db
13% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
124 bpm • F# Maj • 04:43 • -14.75db
16% Popularity • 49% Danceability • 61% Energy • 18% Liveness
82% Instrumentalness • 95% Positiveness
16% Popularity • 49% Danceability • 61% Energy • 18% Liveness
82% Instrumentalness • 95% Positiveness
► Preview
Franz Liszt
Liebestraum No. 3 in A flat, S.541 No. 3
124 bpm • G# Maj • 05:08 • -19.98db
21% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
London Philharmonic Orchestra
Thaïs: Méditation
124 bpm • D Maj • 05:01 • -17db
36% Popularity • 19% Danceability • 20% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 20% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Slovak State Philharmonic Orchestra
Peer Gynt Suite, Op. 55, No. 2: Solveigs...
123 bpm • A min • 05:10 • -31db
2% Popularity • 17% Danceability • 2% Energy • 5% Liveness
28% Instrumentalness • 3% Positiveness
2% Popularity • 17% Danceability • 2% Energy • 5% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 3 in G Major, HWV ...
123 bpm • G min • 03:33 • -27.25db
10% Popularity • 50% Danceability • 1% Energy • 37% Liveness
8% Instrumentalness • 55% Positiveness
10% Popularity • 50% Danceability • 1% Energy • 37% Liveness
8% Instrumentalness • 55% Positiveness
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Johann Strauss II
New Pizzicato-Polka
153 bpm • C Maj • 03:29 • -34.12db
0% Popularity • 45% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
152 bpm • C Maj • 03:11 • -16.14db
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Slovak Philharmonic
Leise flehen meine Lieder, D. 957
123 bpm • D Maj • 04:12 • -18.32db
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Gioachino Rossini
La scala di seta (The Silken Ladder): Ov...
122 bpm • C Maj • 06:28 • -20db
17% Popularity • 41% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 37% Positiveness
17% Popularity • 41% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 37% Positiveness
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CHA Medical Center
Mozart: Symphony No.40 in g minor, K550 ...
123 bpm • G min • 06:33 • -13.58db
19% Popularity • 35% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
19% Popularity • 35% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
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Carl Reinecke
Symphony No. 3 in G Minor, Op. 227: III....
154 bpm • D# Maj • 06:50 • -16.75db
0% Popularity • 30% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Prelude and Fugue in C Major, BWV 846: I...
121 bpm • C Maj • 02:28 • -19db
21% Popularity • 18% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
21% Popularity • 18% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Johann Strauss II
Pizzicato Polka, Op. 234
155 bpm • C Maj • 02:41 • -34db
17% Popularity • 59% Danceability • 2% Energy • 12% Liveness
33% Instrumentalness • 36% Positiveness
17% Popularity • 59% Danceability • 2% Energy • 12% Liveness
33% Instrumentalness • 36% Positiveness
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The Royal Festival Orchestra
"Für Elise" Bagatelle No. 25 in A Minor
121 bpm • A min • 03:31 • -20.17db
30% Popularity • 36% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
30% Popularity • 36% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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Claude Debussy
Debussy / Arr Hartmann: Préludes, L. 63...
120 bpm • G Maj • 02:38 • -28.12db
18% Popularity • 25% Danceability • 4% Energy • 7% Liveness
9% Instrumentalness • 13% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 7% Liveness
9% Instrumentalness • 13% Positiveness
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London Festival Orchestra
Grieg: Piano Concerto In A Minor
121 bpm • A min • 05:19 • -19.56db
21% Popularity • 39% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Franz Schubert
Rosamunde, D.797 (Incidental music to He...
120 bpm • A# Maj • 07:42 • -27.88db
9% Popularity • 18% Danceability • 3% Energy • 20% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 20% Liveness
92% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Suite for Orchestra No. 2 in B Minor, BW...
121 bpm • B min • 02:40 • -27.69db
15% Popularity • 44% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 56% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
120 bpm • E Maj • 02:11 • -31db
22% Popularity • 21% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
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RR
Violin Concerto No.5 in A major, K. 219 ...
120 bpm • A Maj • 09:24 • -19db
10% Popularity • 42% Danceability • 11% Energy • 12% Liveness
66% Instrumentalness • 39% Positiveness
10% Popularity • 42% Danceability • 11% Energy • 12% Liveness
66% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
156 bpm • C Maj • 03:50 • -17.23db
33% Popularity • 48% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
33% Popularity • 48% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Bonn Classical Philharmonic
La Traviata: Prelude to Act I
120 bpm • B Maj • 03:49 • -29db
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Johann Strauss II
Perpetuum Mobile, Op. 257
157 bpm • D# Maj • 02:58 • -21.88db
11% Popularity • 42% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 72% Positiveness
11% Popularity • 42% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
119 bpm • B min • 01:28 • -17db
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 93% Positiveness
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 93% Positiveness
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Royal Philharmonic Orchestra
Waltz in A Flat Major Op.39/15
118 bpm • G# Maj • 01:29 • -28db
37% Popularity • 44% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
37% Popularity • 44% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Milan Horvat
Slavonic Dance Op. 46 / 1 in C major, Pr...
118 bpm • G Maj • 03:56 • -18.65db
13% Popularity • 39% Danceability • 19% Energy • 26% Liveness
85% Instrumentalness • 58% Positiveness
13% Popularity • 39% Danceability • 19% Energy • 26% Liveness
85% Instrumentalness • 58% Positiveness
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George Frideric Handel
Handel: Coronation Anthem No. 1, HWV 258...
118 bpm • D Maj • 06:04 • -12.51db
14% Popularity • 41% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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Michael Braunfels
Concerto a tre für konzertierendes Stre...
117 bpm • A min • 06:39 • -19.07db
0% Popularity • 42% Danceability • 28% Energy • 7% Liveness
80% Instrumentalness • 35% Positiveness
0% Popularity • 42% Danceability • 28% Energy • 7% Liveness
80% Instrumentalness • 35% Positiveness
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Georges Bizet
Carmen, Opera Suite No. 2: Habanera (Act...
116 bpm • D Maj • 02:11 • -27db
14% Popularity • 57% Danceability • 1% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
14% Popularity • 57% Danceability • 1% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
117 bpm • G Maj • 02:39 • -19.13db
7% Popularity • 21% Danceability • 16% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
7% Popularity • 21% Danceability • 16% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
