Songs like Symphony No.5 in B flat Major: I. Introduktion. Adagio - Allegro by Anton Bruckner
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Copland
Appalachian Spring: V. Subito allegro
92 bpm • C Maj • 03:43 • -15.28db
27% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: II. Glori...
92 bpm • C Maj • 05:44 • -19.3db
12% Popularity • 19% Danceability • 4% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
92 bpm • A# Maj • 04:54 • -25db
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
String Quartet No. 14 in D Minor, D. 810...
92 bpm • D min • 09:03 • -16.98db
20% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
20% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
91 bpm • D Maj • 07:05 • -23.84db
19% Popularity • 13% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
93 bpm • G# Maj • 10:11 • -27.67db
21% Popularity • 18% Danceability • 3% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
21% Popularity • 18% Danceability • 3% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
93 bpm • D# Maj • 11:02 • -21db
18% Popularity • 11% Danceability • 11% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 11% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No. 2 in C Minor, Op. 29: V. Ma...
93 bpm • C Maj • 07:53 • -17.46db
10% Popularity • 18% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
10% Popularity • 18% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
93 bpm • D min • 03:44 • -26db
21% Popularity • 39% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 39% Positiveness
21% Popularity • 39% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 39% Positiveness
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Anton Bruckner
Symphony No. 6 in A Major, WAB 106: III....
91 bpm • F Maj • 07:55 • -17.96db
0% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 10% Positiveness
0% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: II. A...
94 bpm • F Maj • 08:24 • -29db
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Jean Sibelius
Cortege, JS 54
94 bpm • D Maj • 06:49 • -21.37db
13% Popularity • 27% Danceability • 13% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
7% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
7% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Anton Bruckner
Slow Strings
93 bpm • C# min • 02:31 • -35.11db
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Jean Sibelius
Humoresque No. 1 in D Minor, Op. 87
94 bpm • A# Maj • 03:33 • -24.4db
21% Popularity • 32% Danceability • 10% Energy • 29% Liveness
56% Instrumentalness • 9% Positiveness
21% Popularity • 32% Danceability • 10% Energy • 29% Liveness
56% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
90 bpm • A min • 08:16 • -18.4db
25% Popularity • 22% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 4 in E-Flat Major...
94 bpm • C# Maj • 11:20 • -20.4db
10% Popularity • 28% Danceability • 14% Energy • 7% Liveness
78% Instrumentalness • 9% Positiveness
10% Popularity • 28% Danceability • 14% Energy • 7% Liveness
78% Instrumentalness • 9% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
95 bpm • A min • 07:44 • -25.18db
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria: VI. Qui sedes ad dexteram Patris
89 bpm • G Maj • 06:13 • -20.4db
20% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 9 in D Minor, WAB...
94 bpm • D min • 10:57 • -16.68db
11% Popularity • 38% Danceability • 18% Energy • 5% Liveness
86% Instrumentalness • 8% Positiveness
11% Popularity • 38% Danceability • 18% Energy • 5% Liveness
86% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: III. ...
89 bpm • C Maj • 01:48 • -21.43db
19% Popularity • 29% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 64% Positiveness
19% Popularity • 29% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 64% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: IV. Chines...
95 bpm • E min • 03:15 • -25db
23% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24 (Orchestral Ver...
89 bpm • G# Maj • 06:29 • -26.42db
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
String Quartet No. 2 in A Minor, Op. 13,...
89 bpm • A min • 04:43 • -32.19db
17% Popularity • 38% Danceability • 10% Energy • 7% Liveness
12% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 10% Energy • 7% Liveness
12% Instrumentalness • 42% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
89 bpm • A Maj • 01:43 • -13.8db
30% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
30% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Anton Bruckner
String Quintet in F Major, WAB 112: III....
90 bpm • F# Maj • 13:14 • -21.26db
10% Popularity • 14% Danceability • 7% Energy • 26% Liveness
77% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 26% Liveness
77% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
88 bpm • C min • 04:47 • -22.49db
29% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
29% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
25% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Anton Bruckner
Te Deum, WAB. 45: IV. Salvum fac
89 bpm • F min • 06:00 • -21db
11% Popularity • 11% Danceability • 10% Energy • 25% Liveness
52% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 10% Energy • 25% Liveness
52% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Samuel Barber
III. Presto in moto perpetuo
96 bpm • A min • 03:48 • -25.2db
7% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
7% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
88 bpm • E min • 09:42 • -18.94db
19% Popularity • 18% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Andan...
88 bpm • C Maj • 02:39 • -31.74db
9% Popularity • 18% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 9% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
97 bpm • A min • 03:49 • -16db
19% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
19% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
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Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
97 bpm • A Maj • 05:45 • -22.81db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Anton Bruckner
Te Deum, WAB. 45: V. In te, Domine, sper...
96 bpm • C Maj • 05:52 • -15db
11% Popularity • 18% Danceability • 24% Energy • 23% Liveness
31% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 23% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Mathis Der Maler, 6th Tableau, Scene 1: ...
87 bpm • G min • 03:34 • -22.76db
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
► Preview
Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: II. ...
87 bpm • G Maj • 08:42 • -19db
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
► Preview
Anton Bruckner
Bruckner: Helgoland
96 bpm • G# Maj • 11:13 • -17.74db
1% Popularity • 18% Danceability • 21% Energy • 39% Liveness
32% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 21% Energy • 39% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
21% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
21% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
► Preview
Anton Bruckner
Requiem in D Minor, WAB 39: I. Introitus...
97 bpm • G min • 04:58 • -22.76db
14% Popularity • 14% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
String Quintet in C Major, D. 956: IV. A...
97 bpm • G Maj • 09:23 • -17.66db
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
97 bpm • A# Maj • 05:05 • -23.09db
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: II. Canzonetta
87 bpm • C Maj • 03:19 • -24db
13% Popularity • 10% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
87 bpm • A# Maj • 08:50 • -21db
13% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Anton Bruckner
Symphony No. 9 in D Minor, WAB 109 (Nowa...
97 bpm • F# min • 10:20 • -20.45db
5% Popularity • 36% Danceability • 9% Energy • 21% Liveness
78% Instrumentalness • 5% Positiveness
5% Popularity • 36% Danceability • 9% Energy • 21% Liveness
78% Instrumentalness • 5% Positiveness
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Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: II. Ballade (Temp...
87 bpm • A min • 06:01 • -28db
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22,...
98 bpm • G min • 07:10 • -20.99db
9% Popularity • 38% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 38% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Anton Bruckner
Erinnerung in A-Flat Major, WAB 117
97 bpm • G# Maj • 05:16 • -22db
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 1 in G Minor, Op. 13, TH 24...
86 bpm • F min • 11:32 • -30.58db
20% Popularity • 9% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: II. Danza Rustica: ...
98 bpm • A Maj • 03:56 • -21.71db
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: Overture
86 bpm • D min • 03:35 • -20.84db
8% Popularity • 18% Danceability • 16% Energy • 6% Liveness
93% Instrumentalness • 24% Positiveness
8% Popularity • 18% Danceability • 16% Energy • 6% Liveness
93% Instrumentalness • 24% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: V. In te, Domine, spera...
98 bpm • F Maj • 05:54 • -16.85db
13% Popularity • 21% Danceability • 17% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 17% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Wind in D Minor, Op. 44: IV...
86 bpm • G Maj • 05:42 • -22db
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Violin Concerto in D Major, O...
86 bpm • D Maj • 10:05 • -21.4db
20% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
20% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 3. Alleg...
86 bpm • G Maj • 01:25 • -31db
41% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
41% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • C Maj • 03:09 • -24db
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Anton Bruckner
Symphony No. 2 in C Minor, WAB 102: III....
99 bpm • G Maj • 06:37 • -16.69db
1% Popularity • 28% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
1% Popularity • 28% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Bagatelles, Op. 47, B. 79: No. 1 in G Mi...
99 bpm • G min • 03:05 • -20db
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
25% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: II....
85 bpm • D Maj • 10:36 • -20.71db
7% Popularity • 13% Danceability • 9% Energy • 27% Liveness
68% Instrumentalness • 7% Positiveness
7% Popularity • 13% Danceability • 9% Energy • 27% Liveness
68% Instrumentalness • 7% Positiveness
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Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
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Alexander Borodin
Prince Igor / Act 2: Dance of the Polovt...
100 bpm • F Maj • 02:10 • -25db
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
