Songs like Symphony No.9 in D Minor: III. Adagio. Langsam, feierlich by Anton Bruckner
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: I. Pavane ...
65 bpm • A min • 01:52 • -40.34db
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 3. Der Nussbaum
65 bpm • G Maj • 03:32 • -28.2db
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Requiem, Op. 48: II. Kyrie
65 bpm • A# Maj • 05:00 • -23.65db
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
66 bpm • C Maj • 13:04 • -18.69db
11% Popularity • 9% Danceability • 7% Energy • 18% Liveness
57% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 7% Energy • 18% Liveness
57% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58, B.71: 3. Coro "Eia...
64 bpm • C min • 07:49 • -19.74db
11% Popularity • 6% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
11% Popularity • 6% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Max Bruch
Concerto for 2 Pianos and Orchestra, Op....
66 bpm • B Maj • 07:28 • -16db
10% Popularity • 19% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
3 Romanzen, Op. 94: III. Nicht schnell
64 bpm • E Maj • 04:37 • -23.48db
13% Popularity • 16% Danceability • 5% Energy • 4% Liveness
93% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 4% Liveness
93% Instrumentalness • 15% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Francis Poulenc
Oboe Sonata, FP 185: Deploration: Tres c...
64 bpm • D# min • 04:42 • -25db
16% Popularity • 23% Danceability • 3% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB. 45: III. Aeterna fac
64 bpm • A# Maj • 01:26 • -13.54db
21% Popularity • 18% Danceability • 40% Energy • 20% Liveness
43% Instrumentalness • 11% Positiveness
21% Popularity • 18% Danceability • 40% Energy • 20% Liveness
43% Instrumentalness • 11% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: II. Pavane de la ...
63 bpm • E min • 02:21 • -43db
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: V. Songe ...
63 bpm • C min • 09:53 • -17.73db
13% Popularity • 29% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
13% Popularity • 29% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58: II. Quis est homo,...
68 bpm • E min • 09:27 • -25.15db
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
String Quintet in F Major, WAB 112: IV. ...
66 bpm • C# Maj • 10:12 • -19db
6% Popularity • 22% Danceability • 12% Energy • 9% Liveness
46% Instrumentalness • 10% Positiveness
6% Popularity • 22% Danceability • 12% Energy • 9% Liveness
46% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: III. ...
62 bpm • C Maj • 06:06 • -17db
35% Popularity • 39% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
35% Popularity • 39% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# Maj • 02:03 • -36.26db
32% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: III. ...
69 bpm • C min • 09:01 • -30.27db
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C, Op. 48: 3. El...
69 bpm • D Maj • 09:26 • -23.14db
9% Popularity • 6% Danceability • 8% Energy • 49% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 8% Energy • 49% Liveness
79% Instrumentalness • 4% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
36% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
36% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Anton Bruckner
Te Deum in C Major, WAB 45: I. Te deum
67 bpm • D# Maj • 06:23 • -17.92db
2% Popularity • 27% Danceability • 11% Energy • 20% Liveness
20% Instrumentalness • 4% Positiveness
2% Popularity • 27% Danceability • 11% Energy • 20% Liveness
20% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
69 bpm • G min • 02:38 • -18db
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
69 bpm • F min • 03:10 • -18.51db
24% Popularity • 12% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VI. Agnus Dei
69 bpm • D min • 05:39 • -20db
36% Popularity • 6% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
36% Popularity • 6% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Anton Bruckner
Symphony No. 3 in D Minor, WAB 103 (1888...
67 bpm • A# Maj • 07:02 • -18.86db
7% Popularity • 20% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
7% Popularity • 20% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Max Reger
Variation 3: Con moto
70 bpm • A min • 01:22 • -29.94db
27% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Robert Schumann
Konzertstück for 4 Horns and Orchestra ...
70 bpm • F Maj • 07:16 • -21.36db
15% Popularity • 32% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
15% Popularity • 32% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Leoš Janáček
Lachian Dances, JW VI/17: No. 2. Pozehna...
60 bpm • F Maj • 02:12 • -21.79db
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 3 in F Minor, WAB 28: Gloria
68 bpm • D min • 11:43 • -18db
9% Popularity • 14% Danceability • 16% Energy • 4% Liveness
20% Instrumentalness • 7% Positiveness
9% Popularity • 14% Danceability • 16% Energy • 4% Liveness
20% Instrumentalness • 7% Positiveness
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Alexander Borodin
Requiem
60 bpm • A min • 05:33 • -23.72db
14% Popularity • 21% Danceability • 10% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 10% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
60 bpm • E Maj • 02:12 • -20db
37% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
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Edward Elgar
Elegy, Op. 58
70 bpm • F min • 04:27 • -36.89db
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: I...
60 bpm • F Maj • 10:00 • -21db
11% Popularity • 6% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introït
71 bpm • A# Maj • 02:00 • -24db
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: III. Cred...
69 bpm • C Maj • 09:41 • -19db
10% Popularity • 15% Danceability • 4% Energy • 21% Liveness
39% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 21% Liveness
39% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
71 bpm • D# Maj • 05:58 • -25.75db
10% Popularity • 32% Danceability • 10% Energy • 31% Liveness
91% Instrumentalness • 20% Positiveness
10% Popularity • 32% Danceability • 10% Energy • 31% Liveness
91% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
71 bpm • B min • 01:56 • -19.18db
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: II...
72 bpm • G Maj • 06:19 • -38db
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Requiem in C Minor: V. Sanctus
72 bpm • G# Maj • 01:35 • -18.37db
25% Popularity • 17% Danceability • 9% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
25% Popularity • 17% Danceability • 9% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Anton Bruckner
Aequali No. 1, WAB 114
69 bpm • C min • 01:41 • -31.81db
18% Popularity • 16% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria: 1. Gloria
72 bpm • G Maj • 02:26 • -18db
11% Popularity • 31% Danceability • 11% Energy • 24% Liveness
76% Instrumentalness • 14% Positiveness
11% Popularity • 31% Danceability • 11% Energy • 24% Liveness
76% Instrumentalness • 14% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: I. Introït et ...
72 bpm • D min • 06:34 • -25.09db
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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César Franck
Symphony in D Minor, FWV 48 (Remastered)...
72 bpm • D# min • 10:37 • -25.22db
15% Popularity • 7% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, H. 48: V...
72 bpm • C min • 02:14 • -21.07db
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
70 bpm • D min • 01:06 • -27.22db
37% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sinfonietta, FP 141: I. Allegro con fuoc...
72 bpm • F Maj • 07:54 • -21db
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Frederick Delius
Fantastic Dance
72 bpm • G Maj • 03:36 • -19db
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu (I)
72 bpm • A# Maj • 03:49 • -38.3db
26% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sibelius: Lemminkäinen Suite, Op. 22: I...
72 bpm • C min • 06:30 • -18db
0% Popularity • 30% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 07:56 • -25.32db
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 3 in F Minor, WAB 28: Benedictu...
70 bpm • G# Maj • 07:52 • -24db
0% Popularity • 8% Danceability • 6% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 6% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Requiem in C Minor: I. Introitus
58 bpm • G# Maj • 09:55 • -27.47db
14% Popularity • 6% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
73 bpm • E min • 05:05 • -27db
11% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Felix Mendelssohn
Elias, Op. 70, MWV A25, Part I: Introduc...
74 bpm • A# Maj • 00:58 • -24.28db
22% Popularity • 33% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 33% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Max Reger
Variation 6: Sostenuto (quasi adagietto)
74 bpm • D Maj • 02:07 • -26db
18% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
18% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
► Preview
Edward Elgar
The Wand of Youth (Music to a Child's Pl...
74 bpm • A# Maj • 01:35 • -19.57db
8% Popularity • 33% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
8% Popularity • 33% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
► Preview
Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Karelia, JS 115: Tableau 4 - Karl Knutss...
75 bpm • A min • 09:13 • -32.14db
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Libera me, WAB 21
72 bpm • F min • 05:48 • -24db
13% Popularity • 6% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Max Reger
Variations and Fugue on a Theme of Mozar...
75 bpm • A Maj • 02:25 • -28db
17% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
17% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
75 bpm • C Maj • 04:35 • -14.68db
9% Popularity • 7% Danceability • 21% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 21% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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New Zealand Symphony Orchestra
Symphony No. 6 In A Major, WAB 106: II. ...
75 bpm • F Maj • 18:53 • -26db
19% Popularity • 7% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Anton Bruckner
Mass No. 1 in D Minor, WAB 26: Kyrie
72 bpm • G min • 06:36 • -27db
11% Popularity • 6% Danceability • 3% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 6% Danceability • 3% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Vítězslav Novák
Slovak Suite, Op. 32: III. The Lovers. A...
76 bpm • D# Maj • 04:16 • -24.12db
13% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale
76 bpm • E min • 04:49 • -22.27db
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 3 in D Minor "Wag...
72 bpm • D min • 06:12 • -17.42db
1% Popularity • 17% Danceability • 18% Energy • 22% Liveness
81% Instrumentalness • 11% Positiveness
1% Popularity • 17% Danceability • 18% Energy • 22% Liveness
81% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: III. Offertoire
76 bpm • D Maj • 08:18 • -25.75db
37% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
77 bpm • F Maj • 02:19 • -28.37db
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: V. Benedi...
59 bpm • C Maj • 06:04 • -25.57db
10% Popularity • 6% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
10% Popularity • 6% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Claude Debussy
Nocturnes, L. 91: 1. Nuages
77 bpm • C Maj • 07:49 • -37.93db
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
78 bpm • A# Maj • 05:58 • -17.95db
17% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
17% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: So...
78 bpm • D Maj • 06:50 • -31.41db
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Anton Bruckner
Psalm 150 for Soprano, Chorus and Orches...
78 bpm • C Maj • 08:44 • -15.34db
2% Popularity • 16% Danceability • 28% Energy • 7% Liveness
18% Instrumentalness • 5% Positiveness
2% Popularity • 16% Danceability • 28% Energy • 7% Liveness
18% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
78 bpm • F# Maj • 06:41 • -29db
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
14% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
