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Symphony
Songs like
Symphony
by
Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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Maggie Rogers
Symphony
130 bpm • B Maj • 05:11 • -6db
42% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
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The Aces
Attention
130 bpm • G Maj • 02:49 • -5.59db
39% Popularity • 65% Danceability • 78% Energy • 9% Liveness
34% Instrumentalness • 64% Positiveness
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Indigo De Souza
Smog
130 bpm • E min • 03:14 • -9db
44% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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King Princess
Winter is Hopeful
130 bpm • C Maj • 03:01 • -6.99db
31% Popularity • 59% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Chappell Roan
School Nights
130 bpm • F# min • 04:09 • -10db
56% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Maggie Rogers
On + Off
130 bpm • E Maj • 03:41 • -6.16db
54% Popularity • 59% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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quinnie
shape (flounder bonus track)
130 bpm • G# Maj • 02:45 • -10.48db
28% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dora Jar
Hill
131 bpm • A Maj • 02:32 • -10.95db
26% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
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King Princess
Sex Shop
130 bpm • C# min • 03:34 • -8.72db
28% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
64% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Haley Blais
Body
129 bpm • G Maj • 05:18 • -11.52db
31% Popularity • 66% Danceability • 44% Energy • 7% Liveness
9% Instrumentalness • 25% Positiveness
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Maggie Rogers
Resonant Body
129 bpm • D Maj • 03:21 • -7db
43% Popularity • 52% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte Clark
Lilypad
129 bpm • D Maj • 02:38 • -6db
28% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Peach Fuzz
Mary's Gone Crackers
132 bpm • G Maj • 03:34 • -8.5db
17% Popularity • 59% Danceability • 67% Energy • 16% Liveness
4% Instrumentalness • 37% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
77% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Sophie Holohan
Cognitive Dissonance
128 bpm • C# min • 02:56 • -7.09db
57% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Maggie Rogers
Never Going Home
128 bpm • G# Maj • 03:30 • -4.58db
58% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sophie May
Cadillac
132 bpm • A Maj • 02:51 • -6.39db
42% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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Marcus Mumford
Better Angels
128 bpm • D Maj • 03:25 • -8.65db
39% Popularity • 76% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
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Phoebe Bridgers
Goodbye To Love
128 bpm • F# Maj • 04:02 • -12.11db
41% Popularity • 33% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Trousdale
Sometimes
128 bpm • G Maj • 02:53 • -8.25db
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Aoife O'Donovan
Passengers
133 bpm • D Maj • 03:32 • -16db
45% Popularity • 62% Danceability • 35% Energy • 12% Liveness
16% Instrumentalness • 43% Positiveness
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Boyish
Congratulations
133 bpm • C# Maj • 02:57 • -8.43db
30% Popularity • 36% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 53% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
62% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jade Bird
Punchline
127 bpm • C# Maj • 03:14 • -7.36db
19% Popularity • 60% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Katie Gregson-MacLeod
Second Single Bed
127 bpm • E Maj • 03:40 • -11.54db
35% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
37% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Claud
Crumbs
134 bpm • G Maj • 02:10 • -12.66db
28% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Holly Humberstone
I Would Die 4 U
126 bpm • D Maj • 02:20 • -12.61db
49% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Uwade
Do You See The Light Around Me?
126 bpm • C# Maj • 03:24 • -9.77db
32% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jade Bird
Trick Mirror
133 bpm • F# Maj • 02:33 • -6.65db
24% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Del Water Gap
Coping on Unemployment
134 bpm • B Maj • 03:48 • -7.17db
46% Popularity • 58% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Claud
Tommy
126 bpm • C# Maj • 03:33 • -11.5db
35% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mallrat
I’m Not My Body, It’s Mine
135 bpm • G Maj • 03:35 • -12.63db
19% Popularity • 45% Danceability • 28% Energy • 12% Liveness
5% Instrumentalness • 10% Positiveness
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quinnie
jake's car
135 bpm • D Maj • 01:33 • -10.43db
31% Popularity • 48% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
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Maggie Rogers
I've Got a Friend
135 bpm • G Maj • 03:12 • -7.77db
42% Popularity • 74% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 45% Positiveness
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Peach Fuzz
Shaking the Can
135 bpm • C Maj • 02:44 • -9db
29% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
45% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
42% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Chappell Roan
Femininomenon
125 bpm • C min • 03:39 • -4.93db
73% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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buffchick
Over & Again
136 bpm • B Maj • 03:07 • -7db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mallrat
Heart Guitar
136 bpm • E Maj • 04:15 • -9.91db
21% Popularity • 47% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Sjowgren
Dreams
124 bpm • C# Maj • 02:55 • -7.15db
39% Popularity • 73% Danceability • 77% Energy • 7% Liveness
34% Instrumentalness • 74% Positiveness
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Chappell Roan
Guilty Pleasure
124 bpm • D Maj • 03:44 • -3.97db
63% Popularity • 56% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Claud
A Good Thing
124 bpm • B Maj • 02:45 • -6.49db
43% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Medium Build
Gimme Back My Soul
124 bpm • C Maj • 03:16 • -6.33db
45% Popularity • 74% Danceability • 64% Energy • 39% Liveness
40% Instrumentalness • 65% Positiveness
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Maggie Rogers
Begging for Rain
124 bpm • F# Maj • 04:13 • -6.17db
47% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Indigo De Souza
Parking Lot
124 bpm • A# Maj • 02:25 • -5.68db
43% Popularity • 67% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Del Water Gap
Beach House
124 bpm • G min • 03:56 • -4.92db
45% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Claud
All Over
124 bpm • G# Maj • 03:09 • -7.17db
18% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Stolen Jars
Won’t Stay Gone Forever
137 bpm • B min • 02:52 • -9.07db
19% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Harriette
i heart the internet
137 bpm • E Maj • 03:15 • -7.11db
26% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Maggie Rogers
Anywhere With You
123 bpm • A Maj • 04:57 • -5.33db
53% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Carly Rae Jepsen
Go Find Yourself or Whatever
137 bpm • C# Maj • 04:44 • -9db
41% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Suki Waterhouse
My Mind
123 bpm • B Maj • 03:10 • -11db
54% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
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Caroline Culver
Maggie Told Me You Got A New Girl
123 bpm • C Maj • 02:53 • -8.4db
33% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Kacy Hill
Another You
123 bpm • E Maj • 03:38 • -11.61db
13% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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Annie DiRusso
Frisco Forever
123 bpm • E Maj • 03:21 • -7.6db
26% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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quinnie
emblem
123 bpm • C Maj • 03:25 • -8.17db
31% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Phoebe Go
The Kid
138 bpm • F Maj • 03:33 • -12.51db
23% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
37% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Indigo De Souza
The Water
138 bpm • D Maj • 03:23 • -6.55db
41% Popularity • 58% Danceability • 69% Energy • 8% Liveness
4% Instrumentalness • 46% Positiveness
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Georgia Harmer
Top Down
122 bpm • D Maj • 03:18 • -5.33db
21% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tegan and Sara
Pretty Shitty Time
122 bpm • A Maj • 03:29 • -9.47db
28% Popularity • 67% Danceability • 50% Energy • 39% Liveness
6% Instrumentalness • 21% Positiveness
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Beau
Dreamer
122 bpm • G Maj • 03:26 • -8.49db
10% Popularity • 60% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 17% Positiveness
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Caroline Kingsbury
Kissing Someone Else
122 bpm • D# min • 03:46 • -5.74db
32% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Greeting Committee
Hopscotch
122 bpm • C# Maj • 02:54 • -6.38db
27% Popularity • 72% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Susannah Joffe
Good Sex
122 bpm • E Maj • 03:09 • -7db
32% Popularity • 56% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Boyish
Smithereens
122 bpm • D Maj • 02:20 • -9db
36% Popularity • 64% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Dora Jar
Tiger Face
122 bpm • A Maj • 01:48 • -5.32db
29% Popularity • 76% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Miel
Call You Out
122 bpm • C# Maj • 02:50 • -6.51db
26% Popularity • 71% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Caroline Rose
Tell Me What You Want
121 bpm • G Maj • 04:02 • -8.18db
19% Popularity • 55% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Anna Shoemaker
Holly
121 bpm • F# Maj • 02:47 • -6.19db
47% Popularity • 62% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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King Princess
Dotted Lines
140 bpm • F min • 03:42 • -6db
29% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tegan and Sara
Whatever That Was
140 bpm • A Maj • 03:40 • -11.32db
23% Popularity • 65% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 51% Positiveness
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Plains
No Record of Wrongs
140 bpm • E Maj • 03:07 • -4.64db
32% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Gatlin
Being Alone
121 bpm • D Maj • 03:31 • -5.95db
24% Popularity • 63% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Jensen McRae
Take It Easy
140 bpm • A Maj • 03:04 • -6.81db
36% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Martin Luke Brown
elsie
140 bpm • E Maj • 03:23 • -6.54db
32% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
26% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tommy Lefroy
Slick
120 bpm • F Maj • 02:24 • -12.99db
38% Popularity • 77% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Graveyard Club
Witchcraft
120 bpm • C Maj • 04:28 • -7.98db
34% Popularity • 48% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Symphony