Songs like Synchro System - Complete Original Version by King Sunny Ade
Based on a tempo of (+/- 10%) and a similar genre
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Celestine Ukwu
Iio Oyi
86 bpm • C Maj • 03:44 • -9.23db
15% Popularity • 53% Danceability • 52% Energy • 19% Liveness
83% Instrumentalness • 82% Positiveness
15% Popularity • 53% Danceability • 52% Energy • 19% Liveness
83% Instrumentalness • 82% Positiveness
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Grand Kalle
Mama Ngai Habanera
86 bpm • D Maj • 02:55 • -6.9db
14% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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High Life Kings Vol1
Omo Pupa
86 bpm • G Maj • 02:47 • -3.77db
15% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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King Sunny Ade
Synchro System - Complete Original Versi...
86 bpm • C Maj • 18:12 • -12.08db
16% Popularity • 66% Danceability • 57% Energy • 29% Liveness
11% Instrumentalness • 88% Positiveness
16% Popularity • 66% Danceability • 57% Energy • 29% Liveness
11% Instrumentalness • 88% Positiveness
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Victor Olaiya
Omopupa
86 bpm • G Maj • 02:44 • -6.31db
21% Popularity • 63% Danceability • 52% Energy • 16% Liveness
4% Instrumentalness • 88% Positiveness
21% Popularity • 63% Danceability • 52% Energy • 16% Liveness
4% Instrumentalness • 88% Positiveness
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Grand Kallé & L'African Jazz
Bacara
87 bpm • G# Maj • 02:48 • -14.82db
27% Popularity • 58% Danceability • 41% Energy • 15% Liveness
18% Instrumentalness • 92% Positiveness
27% Popularity • 58% Danceability • 41% Energy • 15% Liveness
18% Instrumentalness • 92% Positiveness
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Celestine Ukwu
Ife Si Na Chi
86 bpm • F Maj • 05:10 • -7db
24% Popularity • 66% Danceability • 54% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
24% Popularity • 66% Danceability • 54% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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Saxon Lee and The Shadows International
Special Secret of Baby
87 bpm • A# min • 08:44 • -6.34db
9% Popularity • 75% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 75% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Dembena Singers
Embwa
87 bpm • D min • 03:55 • -6.04db
5% Popularity • 61% Danceability • 66% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 61% Danceability • 66% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Frank And His Sisters
Mwanangu Lala
87 bpm • F# Maj • 02:46 • -14.46db
21% Popularity • 70% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 70% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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C.K. Mann Big Band
Etuei
87 bpm • A# Maj • 06:26 • -6.02db
14% Popularity • 57% Danceability • 82% Energy • 34% Liveness
58% Instrumentalness • 75% Positiveness
14% Popularity • 57% Danceability • 82% Energy • 34% Liveness
58% Instrumentalness • 75% Positiveness
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Victor Olaiya
Opataricious (Victor Olaiyas Incantation...
87 bpm • F min • 03:16 • -6.8db
13% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Busi Mhlongo
We Baba Omncane (If You Don't Listen To ...
85 bpm • G# Maj • 05:40 • -10.03db
16% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Moussa Doumbia
Femme d'aujourd'hui
87 bpm • E Maj • 05:47 • -5.87db
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
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Grand Kallé & L'African Jazz
Batela mwana na biso
87 bpm • C Maj • 02:51 • -12db
20% Popularity • 58% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Cardinal Rex Jim Lawson
So Ala Temen
87 bpm • G# min • 03:01 • -11.49db
27% Popularity • 48% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
27% Popularity • 48% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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High Life Kings Vol1
Okwudili
84 bpm • G# Maj • 03:33 • -5.57db
16% Popularity • 77% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
16% Popularity • 77% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
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Victor Olaiya
Pariboto Riboto
88 bpm • E min • 03:03 • -10.49db
14% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Adanèh Tèka
Bob Marley
84 bpm • G# Maj • 04:48 • -10.24db
9% Popularity • 55% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 55% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Popular Cooper and His All Beats Band
Arraino
88 bpm • G# Maj • 03:04 • -5.66db
11% Popularity • 61% Danceability • 81% Energy • 26% Liveness
1% Instrumentalness • 97% Positiveness
11% Popularity • 61% Danceability • 81% Energy • 26% Liveness
1% Instrumentalness • 97% Positiveness
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Etoile De Dakar
Sama Guenth-Gui
84 bpm • E min • 07:18 • -10.91db
8% Popularity • 64% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 82% Positiveness
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Docteur Nico
Biantondi Kasanda
83 bpm • C# Maj • 02:33 • -13.98db
26% Popularity • 70% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 70% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Sir Victor Uwaifo
Dododo - (Ekassa No. 1)
89 bpm • F Maj • 05:20 • -8.32db
18% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Victor Olaiya
Moonlight Highlife
84 bpm • A min • 03:13 • -6.6db
23% Popularity • 50% Danceability • 48% Energy • 25% Liveness
55% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 25% Liveness
55% Instrumentalness • 37% Positiveness
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Celestine Ukwu
Ije Enu
89 bpm • C Maj • 04:07 • -6.43db
17% Popularity • 41% Danceability • 89% Energy • 66% Liveness
86% Instrumentalness • 84% Positiveness
17% Popularity • 41% Danceability • 89% Energy • 66% Liveness
86% Instrumentalness • 84% Positiveness
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Tabu Ley Rochereau
Kelya
89 bpm • F Maj • 04:44 • -14.08db
11% Popularity • 63% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 63% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Salif Keita
Seydou Bathily
89 bpm • C Maj • 09:19 • -11db
9% Popularity • 63% Danceability • 47% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
9% Popularity • 63% Danceability • 47% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Balla Et Ses Balladins
Fadakudu
89 bpm • G min • 05:45 • -8.31db
7% Popularity • 65% Danceability • 72% Energy • 9% Liveness
19% Instrumentalness • 93% Positiveness
7% Popularity • 65% Danceability • 72% Energy • 9% Liveness
19% Instrumentalness • 93% Positiveness
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Les Mangalepa
Nyako Konya
90 bpm • C Maj • 08:58 • -9.58db
13% Popularity • 50% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 50% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Victor Olaiya
Trumpet Highlife
90 bpm • A# Maj • 05:06 • -5db
13% Popularity • 65% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 65% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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King Sunny Ade
Chief George Oyedele
90 bpm • D Maj • 07:44 • -12.59db
23% Popularity • 49% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 49% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
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Mulatu Astatke
Lanchi Biye with Tilahun Gessesse
90 bpm • D# Maj • 03:08 • -15.22db
33% Popularity • 59% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 59% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Celestine Ukwu & His Philosophers National
Okwukwe Na Nchekwube
90 bpm • A min • 06:10 • -8.23db
24% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Sir Victor Uwaifo
Kirikisi
90 bpm • F Maj • 04:19 • -1.62db
8% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Shina Williams & His African Percussionists
Gboro Mi Ro
90 bpm • A min • 07:43 • -10.61db
9% Popularity • 51% Danceability • 74% Energy • 18% Liveness
16% Instrumentalness • 95% Positiveness
9% Popularity • 51% Danceability • 74% Energy • 18% Liveness
16% Instrumentalness • 95% Positiveness
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Victor Olaiya
So Fun Mi
82 bpm • C Maj • 05:14 • -5.57db
10% Popularity • 69% Danceability • 55% Energy • 10% Liveness
12% Instrumentalness • 58% Positiveness
10% Popularity • 69% Danceability • 55% Energy • 10% Liveness
12% Instrumentalness • 58% Positiveness
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King Sunny Adé
Easy Motion Tourist
90 bpm • F Maj • 06:03 • -10.29db
16% Popularity • 54% Danceability • 73% Energy • 36% Liveness
28% Instrumentalness • 85% Positiveness
16% Popularity • 54% Danceability • 73% Energy • 36% Liveness
28% Instrumentalness • 85% Positiveness
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Mulatu Astatke
Wubit with Muluken Melesse
91 bpm • C# Maj • 05:31 • -11.05db
27% Popularity • 43% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 43% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Admiral Dele Abiodun
Abanije
90 bpm • D Maj • 04:06 • -11.45db
14% Popularity • 56% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 75% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 75% Positiveness
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The Otarus
Omohupa
91 bpm • F min • 03:35 • -7.55db
10% Popularity • 66% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 66% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Gasper Lawal
Awon-Oise-Oluwa
91 bpm • G min • 06:23 • -9.74db
13% Popularity • 52% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 52% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Sir Victor Uwaifo
Ekassa 28
81 bpm • A# min • 05:20 • -8.41db
10% Popularity • 65% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 65% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Docteur Nico
Sanza Zomi Na Mibale
81 bpm • C# Maj • 03:47 • -12.69db
25% Popularity • 53% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Super Biton de Segou
Tcha-tcho
91 bpm • D min • 04:32 • -13.94db
8% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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King Sunny Ade
O-wo-wo Obele
91 bpm • D Maj • 03:09 • -12.79db
20% Popularity • 42% Danceability • 63% Energy • 65% Liveness
1% Instrumentalness • 82% Positiveness
20% Popularity • 42% Danceability • 63% Energy • 65% Liveness
1% Instrumentalness • 82% Positiveness
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Alemayehu Eshete
Tashamanaletch
91 bpm • C min • 04:07 • -5.71db
11% Popularity • 69% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 69% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Batsumi
Emampondweni
92 bpm • C Maj • 05:09 • -12.49db
12% Popularity • 41% Danceability • 62% Energy • 13% Liveness
59% Instrumentalness • 93% Positiveness
12% Popularity • 41% Danceability • 62% Energy • 13% Liveness
59% Instrumentalness • 93% Positiveness
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Ofege
Ofege
92 bpm • D Maj • 03:58 • -9.38db
20% Popularity • 51% Danceability • 77% Energy • 16% Liveness
10% Instrumentalness • 96% Positiveness
20% Popularity • 51% Danceability • 77% Energy • 16% Liveness
10% Instrumentalness • 96% Positiveness
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Orchestra Baobab
Seeri Koko
81 bpm • A Maj • 06:33 • -4.84db
5% Popularity • 60% Danceability • 68% Energy • 14% Liveness
13% Instrumentalness • 65% Positiveness
5% Popularity • 60% Danceability • 68% Energy • 14% Liveness
13% Instrumentalness • 65% Positiveness
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Celestine Ukwu
Igede
92 bpm • C# Maj • 04:04 • -5.45db
21% Popularity • 73% Danceability • 80% Energy • 8% Liveness
30% Instrumentalness • 90% Positiveness
21% Popularity • 73% Danceability • 80% Energy • 8% Liveness
30% Instrumentalness • 90% Positiveness
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Alex Konadu
W'awu Do Ho No
92 bpm • F min • 03:11 • -6.46db
16% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
16% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
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Ebo Taylor
Obra
92 bpm • C Maj • 05:36 • -7.99db
20% Popularity • 68% Danceability • 75% Energy • 8% Liveness
4% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 75% Energy • 8% Liveness
4% Instrumentalness • 89% Positiveness
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Grand Kalle
Jamais Kolonga
92 bpm • D min • 02:26 • -10db
29% Popularity • 64% Danceability • 63% Energy • 14% Liveness
4% Instrumentalness • 97% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 14% Liveness
4% Instrumentalness • 97% Positiveness
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Ofege
Nobody Fails
92 bpm • E min • 04:20 • -11.19db
28% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Victor Olaiya
Kinrinjingbin
80 bpm • F# Maj • 04:27 • -7.86db
15% Popularity • 76% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 76% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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E.T. Mensah
Ghana-Guinea-Mali
92 bpm • F Maj • 02:45 • -9db
21% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Slim Ali
Watoto Nyara
93 bpm • C Maj • 05:13 • -9db
13% Popularity • 74% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
13% Popularity • 74% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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Mulatu Astatke
Ebo Lala with Seifu Yohannes
93 bpm • C min • 03:34 • -11.89db
33% Popularity • 54% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
33% Popularity • 54% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
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Sir Victor Uwaifo
Siwo Siwo
93 bpm • C Maj • 02:50 • -8db
13% Popularity • 61% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 61% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Gyedu-Blay Ambolley
Fa no dem ara
93 bpm • G# Maj • 04:40 • -16.53db
12% Popularity • 78% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 78% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rail Band
Sinsimba
93 bpm • A Maj • 08:06 • -7.04db
8% Popularity • 71% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
8% Popularity • 71% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
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Franklin Boukaka
Etumba
93 bpm • C Maj • 03:08 • -14.98db
25% Popularity • 78% Danceability • 30% Energy • 19% Liveness
8% Instrumentalness • 92% Positiveness
25% Popularity • 78% Danceability • 30% Energy • 19% Liveness
8% Instrumentalness • 92% Positiveness
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Getatchew Mekurya
Antchi hoye
79 bpm • E Maj • 03:51 • -6.08db
23% Popularity • 36% Danceability • 39% Energy • 10% Liveness
79% Instrumentalness • 62% Positiveness
23% Popularity • 36% Danceability • 39% Energy • 10% Liveness
79% Instrumentalness • 62% Positiveness
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Nana Kwame Ampadu
Kofi Nkrabea
94 bpm • C# min • 03:58 • -14.48db
24% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Philip Tabane and Malombo
Ke A Bereka
94 bpm • E min • 06:04 • -13.44db
10% Popularity • 54% Danceability • 34% Energy • 12% Liveness
40% Instrumentalness • 37% Positiveness
10% Popularity • 54% Danceability • 34% Energy • 12% Liveness
40% Instrumentalness • 37% Positiveness
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Peter King
Eda
94 bpm • C min • 03:02 • -9.5db
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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Soki Ohale's Uzzi
Bisi's Beat
94 bpm • F min • 05:17 • -10.61db
10% Popularity • 48% Danceability • 57% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 57% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
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Leo Fadaka and The Heroes
Black Sound
95 bpm • G Maj • 04:56 • -6.92db
9% Popularity • 66% Danceability • 77% Energy • 26% Liveness
14% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 77% Energy • 26% Liveness
14% Instrumentalness • 84% Positiveness
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King Sunny Ade
Ogidan O Ni Se Barber
95 bpm • D Maj • 07:11 • -9.37db
25% Popularity • 85% Danceability • 65% Energy • 16% Liveness
43% Instrumentalness • 69% Positiveness
25% Popularity • 85% Danceability • 65% Energy • 16% Liveness
43% Instrumentalness • 69% Positiveness
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Fatai Rolling Dollar
She Go Run Away
96 bpm • G Maj • 04:53 • -10db
19% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Victor Olaiya
Ilu Le O
96 bpm • G Maj • 05:17 • -4db
11% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 78% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mary Afi Usuah
Ima Mma Uyem
96 bpm • F min • 05:02 • -18.07db
12% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
12% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
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Sir Shina Peters
Afro Juju
96 bpm • D min • 02:55 • -6.09db
29% Popularity • 64% Danceability • 85% Energy • 17% Liveness
9% Instrumentalness • 97% Positiveness
29% Popularity • 64% Danceability • 85% Energy • 17% Liveness
9% Instrumentalness • 97% Positiveness
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Ali Mohammed Birra
Imiman Jalaala
96 bpm • B Maj • 05:00 • -8.31db
20% Popularity • 30% Danceability • 44% Energy • 26% Liveness
73% Instrumentalness • 62% Positiveness
20% Popularity • 30% Danceability • 44% Energy • 26% Liveness
73% Instrumentalness • 62% Positiveness
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Misrak Mammo
Gizié biyasayègnem / nanu nanu nèh
96 bpm • F# min • 04:37 • -5.84db
10% Popularity • 69% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
10% Popularity • 69% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Bola Johnson
Hot Pants
96 bpm • F# min • 02:51 • -7.34db
14% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Youssou N'Dour
Pitche Mi
76 bpm • E min • 09:28 • -7.53db
16% Popularity • 53% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 53% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Orchestra Super Mazembe
Shauri Yako
97 bpm • E Maj • 09:26 • -8db
31% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Mercury Dance Band
Envy No Good
98 bpm • C min • 04:52 • -5.44db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Lijadu Sisters
Orin Aro
98 bpm • C Maj • 07:18 • -10.55db
12% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Balla Et Ses Balladins
Sakhodougou
98 bpm • D min • 05:06 • -10.44db
15% Popularity • 54% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
15% Popularity • 54% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
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Bola Johnson
Hot Pants
97 bpm • C# Maj • 02:48 • -7.68db
31% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
31% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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Busi Mhlongo
Yehlisan'umoya Ma Africa
98 bpm • A# min • 05:25 • -8.49db
20% Popularity • 71% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 71% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Do 7 Band
H.O. Ongili
75 bpm • A# Maj • 04:47 • -9.57db
8% Popularity • 42% Danceability • 54% Energy • 27% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 42% Danceability • 54% Energy • 27% Liveness
1% Instrumentalness • 96% Positiveness
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Victor Olaiya
Iye Jemila
76 bpm • A min • 07:13 • -4.18db
9% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Tunji Oyelana
Ifa
99 bpm • C# Maj • 05:01 • -8.14db
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Balla Et Ses Balladins
Bambo
98 bpm • A min • 07:36 • -16.96db
33% Popularity • 63% Danceability • 36% Energy • 18% Liveness
4% Instrumentalness • 83% Positiveness
33% Popularity • 63% Danceability • 36% Energy • 18% Liveness
4% Instrumentalness • 83% Positiveness
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Femi Kuti
Wonder Wonder
98 bpm • F min • 06:06 • -7.74db
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Ebo Taylor
Ohye Atar Gyan
99 bpm • G# Maj • 06:05 • -7.63db
17% Popularity • 74% Danceability • 74% Energy • 9% Liveness
69% Instrumentalness • 65% Positiveness
17% Popularity • 74% Danceability • 74% Energy • 9% Liveness
69% Instrumentalness • 65% Positiveness
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The Lijadu Sisters
Gbwomo Mi
99 bpm • C min • 04:48 • -12.7db
24% Popularity • 59% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
24% Popularity • 59% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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Hedzoleh Soundz
Edinya Benya
99 bpm • G Maj • 03:17 • -6.39db
12% Popularity • 70% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 70% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Mlimani Park Orchestra
Taxi Driver
99 bpm • F Maj • 06:22 • -8.55db
9% Popularity • 50% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 50% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Anansa Professionals
Enwan
100 bpm • D# min • 05:31 • -5.31db
23% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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King Sunny Ade
Odun Titun
100 bpm • G Maj • 05:24 • -10.41db
14% Popularity • 65% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 65% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Ebo Taylor
Ohye Atar Gyan
99 bpm • G# Maj • 06:08 • -5.92db
18% Popularity • 77% Danceability • 82% Energy • 24% Liveness
33% Instrumentalness • 69% Positiveness
18% Popularity • 77% Danceability • 82% Energy • 24% Liveness
33% Instrumentalness • 69% Positiveness
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Sir Victor Uwaifo
Akuyan Ekassa
100 bpm • A Maj • 03:09 • -4.64db
26% Popularity • 61% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 61% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Balla Et Ses Balladins
Limania
100 bpm • D Maj • 04:45 • -9.32db
8% Popularity • 61% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
8% Popularity • 61% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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Pat Thomas
Amaehu
100 bpm • E min • 05:40 • -7.02db
20% Popularity • 72% Danceability • 78% Energy • 9% Liveness
20% Instrumentalness • 96% Positiveness
20% Popularity • 72% Danceability • 78% Energy • 9% Liveness
20% Instrumentalness • 96% Positiveness
