Songs like Syv Cirkler by Else Marie Pade
Based on a tempo of (+/- 10%) and a similar genre
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Haruomi Hosono
WINDY LAND/風の国
70 bpm • C Maj • 05:10 • -29.64db
8% Popularity • 21% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Deux Filles
Shackleford Breeze - Remastered
70 bpm • B min • 02:43 • -29.74db
11% Popularity • 20% Danceability • 2% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 2% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
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KNOXVILLETRACKZ
HFDBMQ
70 bpm • D min • 01:04 • -48.77db
19% Popularity • 21% Danceability • 0% Energy • 16% Liveness
99% Instrumentalness • 50% Positiveness
19% Popularity • 21% Danceability • 0% Energy • 16% Liveness
99% Instrumentalness • 50% Positiveness
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Laurie Spiegel
The Hollows
70 bpm • C# Maj • 04:51 • -23.5db
10% Popularity • 14% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
10% Popularity • 14% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Edgard Varèse
Poème Electronique
70 bpm • G# Maj • 08:02 • -40.26db
22% Popularity • 20% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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Kali Malone
Sacer Profanare
70 bpm • F min • 08:48 • -31.5db
23% Popularity • 6% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Delia Derbyshire
Time on Our Hands
70 bpm • C# Maj • 01:13 • -31.18db
9% Popularity • 35% Danceability • 0% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
9% Popularity • 35% Danceability • 0% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
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Risto Holopainen
Origami
70 bpm • A# min • 03:09 • -18.74db
11% Popularity • 27% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Vanessa Amara
Piano & Accordion, Pt. 1
70 bpm • G# min • 07:35 • -20.16db
8% Popularity • 36% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 10% Positiveness
8% Popularity • 36% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 10% Positiveness
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Sarah Davachi
Or Something
70 bpm • B min • 01:12 • -27.48db
34% Popularity • 15% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Deux Filles
Birds - Remastered
70 bpm • G Maj • 01:24 • -31.55db
22% Popularity • 18% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Michel P.s
Light among the Leaves
69 bpm • C Maj • 03:15 • -16.42db
10% Popularity • 34% Danceability • 29% Energy • 16% Liveness
54% Instrumentalness • 14% Positiveness
10% Popularity • 34% Danceability • 29% Energy • 16% Liveness
54% Instrumentalness • 14% Positiveness
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Chillstic
Ambient Dreamscapes
71 bpm • F# Maj • 01:19 • -37.35db
30% Popularity • 32% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
30% Popularity • 32% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Pauline Oliveros
Bye Bye Butterfly
71 bpm • F# Maj • 08:09 • -16.03db
13% Popularity • 7% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Trem 77
Low Slant of the Light
69 bpm • G Maj • 03:29 • -25.34db
14% Popularity • 26% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Maja Ratkje
Intro
69 bpm • F# Maj • 04:20 • -15.97db
14% Popularity • 27% Danceability • 36% Energy • 42% Liveness
37% Instrumentalness • 21% Positiveness
14% Popularity • 27% Danceability • 36% Energy • 42% Liveness
37% Instrumentalness • 21% Positiveness
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Daphne Oram
Pulse Persephone
69 bpm • B Maj • 04:03 • -23.45db
11% Popularity • 32% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 32% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Loren Connors
Voice Of The Ocean, "Despair Not!"
71 bpm • G# min • 04:45 • -25.29db
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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White Noise
Movement II
69 bpm • F min • 07:57 • -23.65db
8% Popularity • 16% Danceability • 6% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Else Marie Pade
Cirrostratus
69 bpm • A Maj • 08:16 • -22.28db
1% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 2% Positiveness
1% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 2% Positiveness
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FlyingOcto
ColdIn
71 bpm • A# Maj • 01:56 • -44.78db
19% Popularity • 22% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Kali Malone
Rose Wreath Crown (for CW)
69 bpm • F# min • 10:26 • -25.52db
23% Popularity • 16% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Sanseti Sabaru
Jasmine Dreams
69 bpm • F min • 02:32 • -28.94db
11% Popularity • 10% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 6% Positiveness
11% Popularity • 10% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 6% Positiveness
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John Cage
Imaginary Landscape No. 1 (1939)
71 bpm • B Maj • 08:45 • -24.06db
11% Popularity • 25% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Kei Tainaka
弐
69 bpm • A Maj • 03:02 • -15.98db
24% Popularity • 18% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Else Marie Pade
Syv cirkler
71 bpm • C# Maj • 07:22 • -17.48db
0% Popularity • 22% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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justine lee hooper
little sunflower
72 bpm • A# Maj • 06:46 • -19db
9% Popularity • 19% Danceability • 17% Energy • 70% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 17% Energy • 70% Liveness
90% Instrumentalness • 7% Positiveness
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Vanessa Amara
Accordion
72 bpm • F# min • 06:52 • -21.67db
7% Popularity • 8% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 3% Positiveness
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Roedelius
Regenwurm
68 bpm • E min • 04:02 • -23.53db
11% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
11% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Delia Derbyshire
Falling, From the Dreams - Radio Version...
72 bpm • A# min • 08:46 • -15.67db
8% Popularity • 23% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
8% Popularity • 23% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
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Taku Sugimoto
Mirrors
72 bpm • D Maj • 01:08 • -31.99db
10% Popularity • 42% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 42% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Else Marie Pade
Syv Cirkler (1958)
69 bpm • C# Maj • 07:17 • -17.2db
6% Popularity • 25% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 25% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Oren Ambarchi
Corkscrew
72 bpm • C Maj • 09:43 • -24.04db
13% Popularity • 33% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
13% Popularity • 33% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Paradoxical Puppets
The Crystalline Hummingbird's Lullaby
72 bpm • G# Maj • 01:05 • -20db
16% Popularity • 22% Danceability • 19% Energy • 26% Liveness
6% Instrumentalness • 27% Positiveness
16% Popularity • 22% Danceability • 19% Energy • 26% Liveness
6% Instrumentalness • 27% Positiveness
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Kali Malone
Fifth Worship II
68 bpm • F# Maj • 07:50 • -24.07db
19% Popularity • 5% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
19% Popularity • 5% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Astrid Sonne
Waw
68 bpm • F min • 05:00 • -20.47db
10% Popularity • 22% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Stuart Dempster
Invocation
72 bpm • A Maj • 10:54 • -28.84db
7% Popularity • 11% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
7% Popularity • 11% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Else Marie Pade
Hjertets underfulde rytme
72 bpm • F# min • 03:10 • -26.29db
3% Popularity • 32% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 32% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Coil
Corybantic Ennui
67 bpm • C# Maj • 01:40 • -13.1db
12% Popularity • 41% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
12% Popularity • 41% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
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Cavern of Anti-Matter
Nocturne-upon-Thames
73 bpm • D# min • 00:58 • -13.39db
15% Popularity • 28% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Kali Malone
Sacrificial Code
68 bpm • F# min • 05:29 • -24.44db
30% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 98% Positiveness
30% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 98% Positiveness
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Laurie Spiegel
Music for Dance II
67 bpm • G# Maj • 06:20 • -19.23db
16% Popularity • 8% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Deux Filles
Air Tube - Remastered
73 bpm • D Maj • 01:09 • -36.19db
17% Popularity • 25% Danceability • 0% Energy • 5% Liveness
71% Instrumentalness • 5% Positiveness
17% Popularity • 25% Danceability • 0% Energy • 5% Liveness
71% Instrumentalness • 5% Positiveness
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Else Marie Pade
Illustrationer: Havkongens Slot
72 bpm • D# min • 07:06 • -22.84db
3% Popularity • 14% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Vesper Hawthorne
Journey
73 bpm • E Maj • 01:00 • -26.25db
41% Popularity • 40% Danceability • 0% Energy • 33% Liveness
85% Instrumentalness • 4% Positiveness
41% Popularity • 40% Danceability • 0% Energy • 33% Liveness
85% Instrumentalness • 4% Positiveness
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Cluster
Tristan in der Bar
67 bpm • A Maj • 02:55 • -21.88db
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
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Irena And Vojtech Havlovi
Through The Strange World Of The Churche...
73 bpm • B Maj • 01:16 • -34.43db
20% Popularity • 21% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 21% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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kenzielh
sample4kenzie
73 bpm • C Maj • 01:00 • -15.78db
14% Popularity • 16% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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David Congo
Prisms I
67 bpm • B Maj • 11:54 • -20.09db
19% Popularity • 9% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 3
74 bpm • C# Maj • 02:56 • -46db
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Oraison
74 bpm • E Maj • 07:42 • -25db
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Daniel Schmidt
In My Arms, Many Flowers
66 bpm • D# min • 07:16 • -19.77db
9% Popularity • 16% Danceability • 10% Energy • 39% Liveness
52% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 39% Liveness
52% Instrumentalness • 4% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
26% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
26% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Maria W Horn
Atropa
66 bpm • G min • 02:46 • -16.58db
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 3% Positiveness
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Courtney L.
Staring At My Showcase
74 bpm • D Maj • 03:27 • -18.72db
14% Popularity • 14% Danceability • 40% Energy • 55% Liveness
89% Instrumentalness • 13% Positiveness
14% Popularity • 14% Danceability • 40% Energy • 55% Liveness
89% Instrumentalness • 13% Positiveness
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Pauline Oliveros
Nike
74 bpm • C Maj • 10:37 • -32db
17% Popularity • 8% Danceability • 15% Energy • 40% Liveness
51% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 15% Energy • 40% Liveness
51% Instrumentalness • 3% Positiveness
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Jean Michel P.s
Mirage of Hope
66 bpm • D# Maj • 03:20 • -15.53db
12% Popularity • 27% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 4% Positiveness
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Terry Riley
Slow Melody In Bhairavi
74 bpm • D Maj • 03:16 • -16.19db
10% Popularity • 15% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Deux Filles
Albert the Mud Fish - Remastered
66 bpm • A# min • 01:47 • -22.03db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 2% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 2% Positiveness
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Karlheinz Stockhausen
Wassermann
66 bpm • G# Maj • 01:46 • -27.71db
31% Popularity • 46% Danceability • 19% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 46% Danceability • 19% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Levi Rhowe
NEXT
74 bpm • D# Maj • 00:54 • -14.7db
14% Popularity • 56% Danceability • 86% Energy • 28% Liveness
32% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 86% Energy • 28% Liveness
32% Instrumentalness • 72% Positiveness
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Holger Czukay
Epilogue
74 bpm • D min • 02:13 • -23.3db
18% Popularity • 52% Danceability • 17% Energy • 14% Liveness
86% Instrumentalness • 85% Positiveness
18% Popularity • 52% Danceability • 17% Energy • 14% Liveness
86% Instrumentalness • 85% Positiveness
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Pauline Oliveros
Suiren
66 bpm • G Maj • 10:01 • -44db
33% Popularity • 6% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 2% Positiveness
33% Popularity • 6% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 2% Positiveness
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Laurie Spiegel
Appalachian Grove II
74 bpm • A# min • 07:56 • -18db
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Else Marie Pade
Nimbostratus
74 bpm • D Maj • 05:01 • -44.97db
0% Popularity • 13% Danceability • 0% Energy • 28% Liveness
52% Instrumentalness • 96% Positiveness
0% Popularity • 13% Danceability • 0% Energy • 28% Liveness
52% Instrumentalness • 96% Positiveness
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Null
Catorce
74 bpm • C Maj • 00:59 • -27.75db
10% Popularity • 51% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
10% Popularity • 51% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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Fred Frith
A Single Street Stretched Tight By the W...
66 bpm • A min • 01:36 • -29.54db
21% Popularity • 39% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 18% Positiveness
21% Popularity • 39% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 18% Positiveness
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Daphne Oram
Amphitryon 38
75 bpm • G# min • 00:49 • -26.4db
17% Popularity • 30% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
17% Popularity • 30% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Pauline Oliveros
A Love Song
75 bpm • A Maj • 05:00 • -19.8db
11% Popularity • 6% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Stuart Dempster
Mairzy Doats
66 bpm • G# Maj • 01:12 • -30.11db
11% Popularity • 37% Danceability • 11% Energy • 22% Liveness
73% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 11% Energy • 22% Liveness
73% Instrumentalness • 30% Positiveness
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Else Marie Pade
Parametre: III. —
74 bpm • E Maj • 02:33 • -23.65db
0% Popularity • 30% Danceability • 1% Energy • 5% Liveness
80% Instrumentalness • 9% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 5% Liveness
80% Instrumentalness • 9% Positiveness
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Deux Filles
The Sun on the Sea - Remastered
66 bpm • B min • 02:55 • -18.15db
8% Popularity • 32% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
8% Popularity • 32% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Loren Connors
Two Paths
66 bpm • C# Maj • 03:02 • -34.03db
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jocy de Oliveira
Onírico
65 bpm • G# Maj • 08:37 • -18.76db
8% Popularity • 30% Danceability • 9% Energy • 8% Liveness
67% Instrumentalness • 3% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 8% Liveness
67% Instrumentalness • 3% Positiveness
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Campana Tibetana
Ricerca
75 bpm • D# Maj • 03:09 • -22.35db
11% Popularity • 44% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 44% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Valentina Magaletti
Viaggio inverso - reprise
65 bpm • A min • 01:18 • -20.56db
11% Popularity • 36% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 36% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Morton Feldman
Christian Wolff in Cambridge
75 bpm • F# min • 03:48 • -39db
10% Popularity • 14% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Stephan Mathieu
Turkey Song
75 bpm • A min • 02:22 • -27.49db
8% Popularity • 44% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
8% Popularity • 44% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Laurie Spiegel
Pentachrome
75 bpm • A min • 07:18 • -18db
15% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Daphne Oram
Rhythmic Variations i
75 bpm • C# min • 00:52 • -15db
9% Popularity • 60% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
9% Popularity • 60% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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David Peccas
Espacio Infinito
65 bpm • F Maj • 02:25 • -17.54db
11% Popularity • 48% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 6% Positiveness
11% Popularity • 48% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 6% Positiveness
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Akira Rabelais
Aposiopesis
75 bpm • C Maj • 05:16 • -33.44db
8% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Maria W Horn
Ångermanländska Bilder
75 bpm • G Maj • 10:12 • -17.2db
8% Popularity • 6% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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Stephan Mathieu
Rauch
76 bpm • C Maj • 01:43 • -28.78db
20% Popularity • 11% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Lisieanne
Lost
65 bpm • B min • 01:00 • -27.47db
35% Popularity • 32% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 32% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Daphne Oram
Contrasts Essconic
76 bpm • G# Maj • 08:20 • -17.1db
10% Popularity • 21% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Men on white
Spanish Hearts
76 bpm • A Maj • 01:00 • -14.75db
13% Popularity • 57% Danceability • 16% Energy • 16% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 57% Danceability • 16% Energy • 16% Liveness
92% Instrumentalness • 11% Positiveness
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Arkow
Chasin
76 bpm • D# min • 01:15 • -23.37db
13% Popularity • 47% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 47% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 21% Positiveness
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Jean Michel P.s
Silent Winds
76 bpm • D Maj • 03:30 • -14.78db
22% Popularity • 22% Danceability • 42% Energy • 40% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 42% Energy • 40% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Russolo
Awakening of a City
64 bpm • C# Maj • 03:49 • -23.38db
11% Popularity • 34% Danceability • 32% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
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Simon Fisher Turner
How Blue Sky Was
77 bpm • F# min • 02:58 • -18.78db
10% Popularity • 43% Danceability • 22% Energy • 65% Liveness
14% Instrumentalness • 14% Positiveness
10% Popularity • 43% Danceability • 22% Energy • 65% Liveness
14% Instrumentalness • 14% Positiveness
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Daphne Oram
Melodic Group Shapes iii
76 bpm • C min • 00:38 • -37db
24% Popularity • 51% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 51% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Dali Muru & The Polyphonic Swarm
Swaddledidaf
77 bpm • C min • 02:31 • -26.58db
20% Popularity • 22% Danceability • 9% Energy • 64% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 64% Liveness
93% Instrumentalness • 7% Positiveness
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Else Marie Pade
Musik til Jydsk Telefon
77 bpm • A# min • 07:21 • -19.77db
0% Popularity • 14% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Akira Rabelais
Pe Loc
64 bpm • F min • 01:17 • -27db
25% Popularity • 20% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Toshimaru Nakamura
NIMB #1
64 bpm • G# Maj • 07:00 • -20.29db
9% Popularity • 29% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
9% Popularity • 29% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
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Ghédalia Tazartès
Un Amour Si Grand Qu'il Nie Son Objet
77 bpm • F min • 09:38 • -16db
11% Popularity • 16% Danceability • 29% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
11% Popularity • 16% Danceability • 29% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
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Nature Breeze
Blicking Up
77 bpm • G min • 01:02 • -27.49db
10% Popularity • 16% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
