Songs like Tabu by Percy Faith & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Syd Dale
Yester-Me, Yester-You, Yesterday
114 bpm • A# Maj • 02:48 • -18db
18% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
18% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Murry Wilson
The Warmth Of The Sun
114 bpm • C# Maj • 02:48 • -17.79db
37% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
37% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
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Mantovani y Su Gran Orquesta
Amapola
114 bpm • A min • 02:52 • -10.11db
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Wayne Newton
Summer Wind - Remastered
115 bpm • F# Maj • 02:37 • -15.18db
38% Popularity • 47% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 47% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Tony Mottola y Su Orquesta
Anna
115 bpm • G Maj • 02:06 • -9.74db
30% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Frankie Avalon
Venus
115 bpm • A# Maj • 02:24 • -18.85db
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
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Bebu Silvetti
Lluvia de Primavera
113 bpm • C Maj • 05:53 • -7.97db
51% Popularity • 68% Danceability • 79% Energy • 23% Liveness
91% Instrumentalness • 94% Positiveness
51% Popularity • 68% Danceability • 79% Energy • 23% Liveness
91% Instrumentalness • 94% Positiveness
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Ballroom Dance Orchestra
Red Roses for a Blue Lady
115 bpm • C Maj • 02:24 • -11.97db
42% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
42% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Al Martino
Speak Softly Love (The Godfather Theme)
113 bpm • F# Maj • 03:05 • -11.86db
36% Popularity • 38% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Cuerdas y Metales
Amor, Amor, Amor
115 bpm • G# Maj • 02:44 • -17.92db
28% Popularity • 71% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 86% Positiveness
28% Popularity • 71% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 86% Positiveness
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Nino Rota
Ev'ry Time I Look In Your Eyes/After The...
113 bpm • G# Maj • 02:33 • -12.67db
26% Popularity • 24% Danceability • 28% Energy • 21% Liveness
40% Instrumentalness • 21% Positiveness
26% Popularity • 24% Danceability • 28% Energy • 21% Liveness
40% Instrumentalness • 21% Positiveness
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Tony Mottola
Anna
115 bpm • G Maj • 02:04 • -20db
20% Popularity • 69% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
20% Popularity • 69% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Percy Faith & His Orchestra
Amy
115 bpm • G Maj • 02:44 • -13.11db
14% Popularity • 34% Danceability • 43% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
14% Popularity • 34% Danceability • 43% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
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Ballroom Dance Orchestra
Never on Sunday
113 bpm • A# Maj • 02:34 • -11.01db
33% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
33% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
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Kai Warner
A Man Without Love
112 bpm • C# Maj • 03:05 • -10db
32% Popularity • 44% Danceability • 37% Energy • 23% Liveness
6% Instrumentalness • 43% Positiveness
32% Popularity • 44% Danceability • 37% Energy • 23% Liveness
6% Instrumentalness • 43% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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Chris Barber's Jazz Band
Petite Fleur
112 bpm • G# min • 02:46 • -5.74db
48% Popularity • 67% Danceability • 31% Energy • 12% Liveness
33% Instrumentalness • 51% Positiveness
48% Popularity • 67% Danceability • 31% Energy • 12% Liveness
33% Instrumentalness • 51% Positiveness
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Tony Mottola
Italian Serenade
113 bpm • G Maj • 03:38 • -24db
18% Popularity • 34% Danceability • 5% Energy • 18% Liveness
85% Instrumentalness • 53% Positiveness
18% Popularity • 34% Danceability • 5% Energy • 18% Liveness
85% Instrumentalness • 53% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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The Platters
Twilight Time - Single Version
116 bpm • A Maj • 02:48 • -12.56db
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Enoch Light
Charleston
112 bpm • A# Maj • 02:08 • -8db
22% Popularity • 69% Danceability • 80% Energy • 36% Liveness
66% Instrumentalness • 95% Positiveness
22% Popularity • 69% Danceability • 80% Energy • 36% Liveness
66% Instrumentalness • 95% Positiveness
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Xavier Cugat
Tea for Two
116 bpm • E Maj • 02:25 • -18.37db
19% Popularity • 73% Danceability • 51% Energy • 50% Liveness
89% Instrumentalness • 97% Positiveness
19% Popularity • 73% Danceability • 51% Energy • 50% Liveness
89% Instrumentalness • 97% Positiveness
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Strauss
2001 Space Odyssey
112 bpm • G Maj • 03:39 • -11.05db
8% Popularity • 31% Danceability • 28% Energy • 38% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 31% Danceability • 28% Energy • 38% Liveness
94% Instrumentalness • 19% Positiveness
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Ronald Valentino
New York New York
112 bpm • F Maj • 02:53 • -7db
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
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The Melachrino Strings
Mam'selle
116 bpm • A min • 03:18 • -21.34db
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Living Strings
More (Theme From "Mondo Cane")
112 bpm • F min • 03:19 • -21.03db
29% Popularity • 34% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
29% Popularity • 34% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Percy Faith & His Orchestra
Arrivederci, Roma
112 bpm • G# Maj • 03:00 • -11.72db
14% Popularity • 20% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 11% Positiveness
14% Popularity • 20% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 11% Positiveness
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Xavier Cugat
Tea for Two
116 bpm • C# min • 02:28 • -10.98db
25% Popularity • 70% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 93% Positiveness
25% Popularity • 70% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 93% Positiveness
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Kai Warner
Dream
117 bpm • D# Maj • 02:28 • -13db
39% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
39% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
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Leroy Holmes And His Orchestra
My Chérie Amour
111 bpm • C Maj • 02:38 • -9.25db
30% Popularity • 53% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 53% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Ronnie Aldrich
Eye in the Sky
117 bpm • D Maj • 03:47 • -13.61db
12% Popularity • 43% Danceability • 34% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 34% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
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Claudius Alzner
September in the Rain - Komm zurück - N...
117 bpm • D# Maj • 04:33 • -12db
27% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
27% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
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Winifred Atwell
Jubilee Rag
117 bpm • G Maj • 02:30 • -11db
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
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The Melachrino Strings and Orchestra
Violins in the Night
111 bpm • D Maj • 02:49 • -12db
38% Popularity • 32% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
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Kai Warner
After You 've Gone
111 bpm • C Maj • 02:26 • -14.21db
37% Popularity • 66% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 66% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Dick Hyman
(Back In Bobo's Restaurant) Brooklyn Hei...
118 bpm • D# Maj • 03:16 • -20.05db
29% Popularity • 49% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 47% Positiveness
29% Popularity • 49% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 47% Positiveness
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Bert Kaempfert
Red Roses For A Blue Lady
118 bpm • G Maj • 02:19 • -12.6db
52% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
52% Popularity • 61% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 38% Positiveness
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Billy May
Perfidia
118 bpm • F Maj • 03:02 • -10.48db
27% Popularity • 42% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
27% Popularity • 42% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Orquestra Românticos de Cuba
Fascination / Ecstasy
118 bpm • C min • 02:36 • -4.25db
41% Popularity • 31% Danceability • 81% Energy • 29% Liveness
87% Instrumentalness • 32% Positiveness
41% Popularity • 31% Danceability • 81% Energy • 29% Liveness
87% Instrumentalness • 32% Positiveness
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Ronald Valentino
Blue Moon
110 bpm • D# Maj • 02:50 • -8.99db
41% Popularity • 74% Danceability • 47% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
41% Popularity • 74% Danceability • 47% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
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Kai Warner
Blue Moon
110 bpm • D# Maj • 02:42 • -13.39db
33% Popularity • 69% Danceability • 37% Energy • 14% Liveness
50% Instrumentalness • 44% Positiveness
33% Popularity • 69% Danceability • 37% Energy • 14% Liveness
50% Instrumentalness • 44% Positiveness
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Tommy Dorsey
Tea For Two Cha Cha
118 bpm • G# Maj • 02:54 • -24db
25% Popularity • 91% Danceability • 25% Energy • 11% Liveness
64% Instrumentalness • 82% Positiveness
25% Popularity • 91% Danceability • 25% Energy • 11% Liveness
64% Instrumentalness • 82% Positiveness
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Pérez Prado
Cherry Pink and Apple Blossom White
118 bpm • D# Maj • 03:03 • -10db
29% Popularity • 51% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
29% Popularity • 51% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
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Billy May
A Man And A Woman/Live For Life
118 bpm • E min • 05:26 • -15db
22% Popularity • 57% Danceability • 26% Energy • 40% Liveness
15% Instrumentalness • 41% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 40% Liveness
15% Instrumentalness • 41% Positiveness
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Percy Faith & His Orchestra
Malagueña
118 bpm • F Maj • 03:49 • -8.61db
8% Popularity • 30% Danceability • 46% Energy • 8% Liveness
21% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 46% Energy • 8% Liveness
21% Instrumentalness • 6% Positiveness
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Ronnie Aldrich
Key Largo
110 bpm • G Maj • 03:12 • -15.11db
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
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Kai Warner
Dancing In The Dark
110 bpm • F min • 03:03 • -13.24db
33% Popularity • 35% Danceability • 32% Energy • 14% Liveness
44% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 32% Energy • 14% Liveness
44% Instrumentalness • 33% Positiveness
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Billy May & His Orchestra
Man With The Golden Arm
119 bpm • A# Maj • 02:52 • -12.09db
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
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Pérez Prado
Ciliegi Rosa
109 bpm • D# Maj • 03:04 • -11.03db
16% Popularity • 53% Danceability • 53% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
16% Popularity • 53% Danceability • 53% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Ted Heath
Swingin' Sheperd Blues
109 bpm • C Maj • 02:51 • -13.41db
13% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
13% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
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Percy Faith & His Orchestra
Sons and Lovers
119 bpm • A min • 02:51 • -14.84db
25% Popularity • 38% Danceability • 31% Energy • 8% Liveness
52% Instrumentalness • 24% Positiveness
25% Popularity • 38% Danceability • 31% Energy • 8% Liveness
52% Instrumentalness • 24% Positiveness
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Al Martino
Spanish Eyes
109 bpm • D Maj • 02:46 • -9.8db
53% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Kai Warner
Canadian Sunset
119 bpm • F Maj • 02:40 • -14db
34% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Doris Day
I'll Never Stop Loving You - 78rpm Vers...
109 bpm • G# Maj • 03:04 • -13.06db
7% Popularity • 26% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Platters
My Prayer
109 bpm • A# Maj • 02:47 • -8.39db
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Buddy Greco
Summertime in Venice
109 bpm • G# Maj • 02:14 • -13.93db
48% Popularity • 28% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 28% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Engelbert Humperdinck
The Last Waltz
109 bpm • D Maj • 03:04 • -11.32db
58% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Les & Larry Elgart
Adios
119 bpm • F Maj • 02:14 • -12.33db
35% Popularity • 75% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
35% Popularity • 75% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Arthur Lyman
Yellow Bird
119 bpm • D Maj • 02:43 • -26db
41% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
41% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Roger Williams
Autumn Leaves
109 bpm • D min • 02:53 • -7.92db
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
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Jack Jones
Lollipops And Roses
119 bpm • F# Maj • 04:06 • -14db
31% Popularity • 27% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 27% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Horst Jankowski
Donkey Serenade
119 bpm • A# Maj • 03:19 • -11.07db
30% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
30% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Percy Faith & His Orchestra
They Can't Take That Away From Me
119 bpm • C Maj • 03:02 • -15.26db
2% Popularity • 67% Danceability • 26% Energy • 27% Liveness
16% Instrumentalness • 59% Positiveness
2% Popularity • 67% Danceability • 26% Energy • 27% Liveness
16% Instrumentalness • 59% Positiveness
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Vikki Carr
It Must Be Him
109 bpm • E Maj • 02:51 • -10.03db
42% Popularity • 50% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 50% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Kurt Edelhagen
Slowfox: 30 Takte Pro Minute - Adios
120 bpm • F Maj • 02:20 • -11.22db
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Pérez Prado
Cherry Pink and Apple Blossom White
109 bpm • F min • 02:28 • -11.41db
23% Popularity • 50% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 77% Positiveness
23% Popularity • 50% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 77% Positiveness
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Bobby Darin
Theme from "Come September"
108 bpm • C min • 02:35 • -15db
20% Popularity • 70% Danceability • 51% Energy • 6% Liveness
58% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 51% Energy • 6% Liveness
58% Instrumentalness • 96% Positiveness
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Ray Conniff
Stranger In Paradise
120 bpm • F Maj • 03:03 • -11.52db
54% Popularity • 65% Danceability • 42% Energy • 25% Liveness
62% Instrumentalness • 93% Positiveness
54% Popularity • 65% Danceability • 42% Energy • 25% Liveness
62% Instrumentalness • 93% Positiveness
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Percy Faith & His Orchestra
The Rain in Spain
120 bpm • F Maj • 02:30 • -8.65db
14% Popularity • 38% Danceability • 43% Energy • 12% Liveness
86% Instrumentalness • 46% Positiveness
14% Popularity • 38% Danceability • 43% Energy • 12% Liveness
86% Instrumentalness • 46% Positiveness
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Nelson Riddle
Green Leaves of Summer - Remastered
108 bpm • A# min • 02:23 • -10.97db
27% Popularity • 38% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
27% Popularity • 38% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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Hugo Montenegro
Perfidia
120 bpm • G Maj • 02:28 • -13.18db
16% Popularity • 60% Danceability • 48% Energy • 7% Liveness
80% Instrumentalness • 71% Positiveness
16% Popularity • 60% Danceability • 48% Energy • 7% Liveness
80% Instrumentalness • 71% Positiveness
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Kai Warner
Kiss Me Goodbye
108 bpm • C Maj • 03:05 • -9.2db
31% Popularity • 39% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 62% Positiveness
31% Popularity • 39% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 62% Positiveness
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Eddie Fisher
Games That Lovers Play
120 bpm • B Maj • 02:33 • -9.95db
31% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Tony Mottola
Volare
108 bpm • C Maj • 02:10 • -17.82db
24% Popularity • 58% Danceability • 17% Energy • 10% Liveness
51% Instrumentalness • 56% Positiveness
24% Popularity • 58% Danceability • 17% Energy • 10% Liveness
51% Instrumentalness • 56% Positiveness
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Percy Faith & His Orchestra
Theme for Young Lovers
108 bpm • A Maj • 02:37 • -14db
36% Popularity • 35% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
36% Popularity • 35% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Pasapoga Light Orchestra
Sugar Sugar
121 bpm • D Maj • 02:17 • -16.72db
39% Popularity • 68% Danceability • 48% Energy • 14% Liveness
41% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 48% Energy • 14% Liveness
41% Instrumentalness • 90% Positiveness
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Pierre Charlon
Sound of Music
108 bpm • C# Maj • 03:14 • -15.22db
40% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
40% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
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Ray Conniff
Bésame Mucho
121 bpm • D min • 02:36 • -14db
56% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
56% Popularity • 64% Danceability • 31% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (O...
108 bpm • F Maj • 03:35 • -12db
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
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Ballroom Dance Orchestra
A Fine Romance
108 bpm • C Maj • 02:52 • -12.99db
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
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Percy Faith & His Orchestra
All My Love (Bolero)
108 bpm • D# Maj • 03:09 • -13.28db
22% Popularity • 41% Danceability • 27% Energy • 11% Liveness
29% Instrumentalness • 42% Positiveness
22% Popularity • 41% Danceability • 27% Energy • 11% Liveness
29% Instrumentalness • 42% Positiveness
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Pepe Jaramillo
South of the Border
121 bpm • A# Maj • 02:59 • -13db
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Billy Vaughn
Look For A Star
107 bpm • G# Maj • 02:12 • -11db
46% Popularity • 46% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Living Strings
Jamaican Rumba
107 bpm • G Maj • 06:24 • -21db
21% Popularity • 38% Danceability • 18% Energy • 93% Liveness
81% Instrumentalness • 30% Positiveness
21% Popularity • 38% Danceability • 18% Energy • 93% Liveness
81% Instrumentalness • 30% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (P...
107 bpm • F Maj • 03:34 • -11.99db
27% Popularity • 50% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
46% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Tony Mottola y Su Orquesta
C'est Si Bon
121 bpm • F# Maj • 03:02 • -12.31db
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Ray Conniff
The Way You Look Tonight
122 bpm • C min • 03:06 • -14db
45% Popularity • 64% Danceability • 25% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
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Pepe Jaramillo
Green Eyes
122 bpm • D min • 02:19 • -14.7db
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
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Percy Faith & His Orchestra
The Rain in Spain
122 bpm • F Maj • 02:28 • -9.6db
15% Popularity • 42% Danceability • 37% Energy • 7% Liveness
58% Instrumentalness • 46% Positiveness
15% Popularity • 42% Danceability • 37% Energy • 7% Liveness
58% Instrumentalness • 46% Positiveness
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Hollyridge Strings
Don't Worry, Baby
122 bpm • A min • 02:24 • -9.23db
31% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
31% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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Christian Seguret
Romanza Italiana
106 bpm • E Maj • 01:59 • -10.01db
11% Popularity • 50% Danceability • 36% Energy • 48% Liveness
96% Instrumentalness • 59% Positiveness
11% Popularity • 50% Danceability • 36% Energy • 48% Liveness
96% Instrumentalness • 59% Positiveness
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Tony Mottola y Su Orquesta
Roman Guitar
106 bpm • A Maj • 03:35 • -13.61db
34% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
34% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Horst Jankowski
A Walk In The Black Forest
106 bpm • D Maj • 02:49 • -12db
41% Popularity • 70% Danceability • 38% Energy • 23% Liveness
73% Instrumentalness • 78% Positiveness
41% Popularity • 70% Danceability • 38% Energy • 23% Liveness
73% Instrumentalness • 78% Positiveness
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Percy Faith
The Song from 'moulin Rouge' (Where Is Y...
122 bpm • D Maj • 05:51 • -10.77db
34% Popularity • 17% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 17% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Edmundo Ros & His Orchestra
Cuban Love Song
122 bpm • C Maj • 02:15 • -12.94db
27% Popularity • 69% Danceability • 39% Energy • 26% Liveness
6% Instrumentalness • 44% Positiveness
27% Popularity • 69% Danceability • 39% Energy • 26% Liveness
6% Instrumentalness • 44% Positiveness
