Songs like Tain't Like That (01-26-45) by Rex Stewart
Based on a tempo of (+/- 10%) and a similar genre
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Rex Stewart
I May Be Wrong
138 bpm • G# Maj • 03:13 • -20.54db
0% Popularity • 65% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 50% Positiveness
0% Popularity • 65% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 50% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop
138 bpm • F Maj • 03:09 • -10.37db
20% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
20% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Maxine Sullivan
Betsy: Blue Skies
138 bpm • G Maj • 03:02 • -18.46db
31% Popularity • 62% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Cootie Williams
Walkin' My Baby Back Home
138 bpm • G min • 04:48 • -14.39db
0% Popularity • 59% Danceability • 40% Energy • 33% Liveness
21% Instrumentalness • 58% Positiveness
0% Popularity • 59% Danceability • 40% Energy • 33% Liveness
21% Instrumentalness • 58% Positiveness
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Mary Lou Williams
Mary Lou Williams Blues (01-26-40)
138 bpm • C min • 03:20 • -13.76db
14% Popularity • 74% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 60% Positiveness
14% Popularity • 74% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 60% Positiveness
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Julia Lee
Come on over to My House
139 bpm • E min • 02:48 • -11.51db
16% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Rex Stewart
Tain't Like That
138 bpm • G min • 03:03 • -9.43db
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
Sorghum Switch
139 bpm • F Maj • 03:24 • -10.74db
21% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
21% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Brooks Prumo Orchestra
Nothing To Do But Hang With You
137 bpm • D# Maj • 03:18 • -7.68db
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
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Cootie Williams
Walkin' My Baby Back Home - Alternate Ta...
137 bpm • D# Maj • 04:47 • -16.21db
0% Popularity • 59% Danceability • 35% Energy • 18% Liveness
29% Instrumentalness • 68% Positiveness
0% Popularity • 59% Danceability • 35% Energy • 18% Liveness
29% Instrumentalness • 68% Positiveness
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Glenn Crytzer
Ten 'Til Five
139 bpm • G Maj • 02:49 • -15.81db
15% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
15% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
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John Kirby
Beethoven Riffs On
140 bpm • F min • 02:29 • -12db
11% Popularity • 65% Danceability • 41% Energy • 31% Liveness
61% Instrumentalness • 85% Positiveness
11% Popularity • 65% Danceability • 41% Energy • 31% Liveness
61% Instrumentalness • 85% Positiveness
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Rex Stewart
Truckin' Down The Sinclair Trail (26-26-...
137 bpm • F min • 03:06 • -9.78db
0% Popularity • 80% Danceability • 16% Energy • 12% Liveness
5% Instrumentalness • 79% Positiveness
0% Popularity • 80% Danceability • 16% Energy • 12% Liveness
5% Instrumentalness • 79% Positiveness
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Woody Herman & His Orchestra
Woodsheddin' with Woody
136 bpm • C# Maj • 02:09 • -8.03db
10% Popularity • 54% Danceability • 66% Energy • 38% Liveness
10% Instrumentalness • 70% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 38% Liveness
10% Instrumentalness • 70% Positiveness
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Buster Smith
Organ Grinder's Swing
136 bpm • A# Maj • 06:35 • -13.52db
25% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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New Orleans Feetwarmers
Maple Leaf Rag
136 bpm • D# Maj • 02:58 • -4db
5% Popularity • 55% Danceability • 84% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
5% Popularity • 55% Danceability • 84% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
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Andy Kirk
Little Joe From Chicago
141 bpm • A Maj • 02:51 • -11db
10% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
10% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Shag
135 bpm • G# Maj • 03:03 • -10.18db
11% Popularity • 67% Danceability • 62% Energy • 35% Liveness
49% Instrumentalness • 92% Positiveness
11% Popularity • 67% Danceability • 62% Energy • 35% Liveness
49% Instrumentalness • 92% Positiveness
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Rex Stewart
Frankie and Johnny
135 bpm • F min • 02:28 • -19.59db
0% Popularity • 71% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 71% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Wingy Manone
Shake the Blues Away
135 bpm • E Maj • 03:02 • -9.35db
11% Popularity • 62% Danceability • 32% Energy • 7% Liveness
40% Instrumentalness • 77% Positiveness
11% Popularity • 62% Danceability • 32% Energy • 7% Liveness
40% Instrumentalness • 77% Positiveness
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Professor Cunningham And His Old School
Maelstrom
141 bpm • C# Maj • 03:57 • -16db
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Joe Smith & the Spicy Pickles
Slow Cookin' - Reprise
135 bpm • F Maj • 03:43 • -10.24db
24% Popularity • 80% Danceability • 45% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop - Remastered - 1995
141 bpm • F Maj • 03:06 • -17.2db
21% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
21% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
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Mezz Mezzrow
I Ain't Gonna Give Nobody None O' This J...
135 bpm • F Maj • 03:02 • -11.69db
8% Popularity • 83% Danceability • 48% Energy • 5% Liveness
52% Instrumentalness • 88% Positiveness
8% Popularity • 83% Danceability • 48% Energy • 5% Liveness
52% Instrumentalness • 88% Positiveness
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Lincoln Center Jazz Orchestra
C Jam Blues - Live
141 bpm • G Maj • 03:33 • -9.89db
34% Popularity • 59% Danceability • 51% Energy • 33% Liveness
3% Instrumentalness • 73% Positiveness
34% Popularity • 59% Danceability • 51% Energy • 33% Liveness
3% Instrumentalness • 73% Positiveness
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Rex Stewart
Dutch Treat
141 bpm • C# Maj • 02:59 • -12.18db
12% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
12% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
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Cab Calloway & His Orchestra
Bye Bye Blues
142 bpm • G# Maj • 02:52 • -11.49db
6% Popularity • 63% Danceability • 46% Energy • 18% Liveness
61% Instrumentalness • 71% Positiveness
6% Popularity • 63% Danceability • 46% Energy • 18% Liveness
61% Instrumentalness • 71% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Bob Wilber
My Blue Heaven
134 bpm • C min • 04:55 • -15db
8% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Fletcher Henderson All Stars
The Way She Walks
134 bpm • G min • 04:15 • -14.67db
0% Popularity • 58% Danceability • 15% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
0% Popularity • 58% Danceability • 15% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
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Don Byas
Melody In Swing (09-12-45)
143 bpm • F Maj • 03:17 • -13db
13% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
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Rex Stewart
Yellow Dog Blues
135 bpm • G# Maj • 07:08 • -12.9db
6% Popularity • 57% Danceability • 11% Energy • 11% Liveness
60% Instrumentalness • 29% Positiveness
6% Popularity • 57% Danceability • 11% Energy • 11% Liveness
60% Instrumentalness • 29% Positiveness
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Johnny Hodges & His Orchestra
You Blew Out The Flame In My Heart
143 bpm • C min • 03:32 • -15db
11% Popularity • 60% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 73% Positiveness
11% Popularity • 60% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 73% Positiveness
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Cootie Williams
Summit Ridge Drive
133 bpm • F Maj • 03:20 • -9.76db
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
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The Big 18
Hors D'oeuvre
143 bpm • D# Maj • 04:40 • -18.27db
8% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
8% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
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Bunny Berigan
Devil's Holiday
133 bpm • F min • 02:41 • -12.23db
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
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Fletcher Henderson All Stars
The Way She Walks
133 bpm • F Maj • 04:23 • -14.81db
0% Popularity • 63% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 63% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Francis Panama And His Savoy Sultans
Gettin' In The Groove
133 bpm • C# Maj • 03:06 • -11.89db
28% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
28% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
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Johnny Hodges & His Orchestra
Wham
143 bpm • C Maj • 03:01 • -14.91db
24% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
24% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
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Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Paul Quinichette
Bot Bot
144 bpm • F Maj • 02:57 • -9.49db
10% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Rex Stewart
My Kind of Gal
133 bpm • C min • 05:14 • -11.44db
0% Popularity • 60% Danceability • 38% Energy • 19% Liveness
3% Instrumentalness • 69% Positiveness
0% Popularity • 60% Danceability • 38% Energy • 19% Liveness
3% Instrumentalness • 69% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Ain't Misbehavin'
144 bpm • F min • 02:50 • -10db
14% Popularity • 57% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 95% Positiveness
14% Popularity • 57% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 95% Positiveness
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Lester's Blues
The Goon Drag
144 bpm • F min • 04:04 • -13db
13% Popularity • 78% Danceability • 32% Energy • 8% Liveness
18% Instrumentalness • 66% Positiveness
13% Popularity • 78% Danceability • 32% Energy • 8% Liveness
18% Instrumentalness • 66% Positiveness
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Cootie Williams
Walkin' My Baby Back Home
144 bpm • D# Maj • 04:37 • -13db
0% Popularity • 53% Danceability • 44% Energy • 8% Liveness
20% Instrumentalness • 72% Positiveness
0% Popularity • 53% Danceability • 44% Energy • 8% Liveness
20% Instrumentalness • 72% Positiveness
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Charlie Barnet & His Orchestra
Wild Mab Of Fish Pond
132 bpm • A# Maj • 03:15 • -6.51db
23% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
23% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
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Johnny Dodds
Perdido Street Blues
132 bpm • F Maj • 03:08 • -11.96db
17% Popularity • 58% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
17% Popularity • 58% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
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Erskine Hawkins
Tippin' In
144 bpm • A# Maj • 03:20 • -4db
10% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
10% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
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Slam Stewart
Laff, Slam, Laff
144 bpm • A# min • 02:59 • -16db
8% Popularity • 67% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 69% Positiveness
8% Popularity • 67% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 69% Positiveness
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Lucky Millinder
Are You Ready?
132 bpm • G min • 03:05 • -12.51db
16% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Tommy Ladnier
I've Found A New Baby
132 bpm • G min • 03:15 • -24db
5% Popularity • 49% Danceability • 22% Energy • 28% Liveness
82% Instrumentalness • 87% Positiveness
5% Popularity • 49% Danceability • 22% Energy • 28% Liveness
82% Instrumentalness • 87% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Johnny Dodds
Blue Piano Stomp
132 bpm • D# Maj • 03:10 • -14.72db
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Duke Ellington's Spacemen
Jones
145 bpm • C# Maj • 02:58 • -18db
13% Popularity • 48% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 48% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Erskine Hawkins
Dolomite
132 bpm • C min • 03:37 • -15.66db
17% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
17% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
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Illinois Jacquet
Three Buckets of Jive
131 bpm • G min • 05:47 • -11.03db
13% Popularity • 52% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Buddy Johnson
If I Ever Find You, Baby
131 bpm • G min • 02:12 • -9.38db
17% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Duke Ellington Orchestra
Don't Get Around Much Anymore
131 bpm • C# Maj • 02:37 • -9.64db
12% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
19% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
19% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Tommy Dorsey
Shoot the Sherbert to Me, Herbert - Rema...
145 bpm • A# Maj • 03:22 • -9.19db
9% Popularity • 78% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 83% Positiveness
9% Popularity • 78% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 83% Positiveness
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Rex Stewart
Little Sir Echo
131 bpm • C Maj • 02:34 • -19.33db
0% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Erskine Hawkins
Downbeat
131 bpm • F min • 03:12 • -5db
9% Popularity • 66% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
9% Popularity • 66% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Fletcher Henderson
Hot And Anxious
131 bpm • A# Maj • 03:19 • -10.05db
22% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
22% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
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Pee Wee Russell
That Old Feeling
131 bpm • D# Maj • 04:17 • -16db
12% Popularity • 63% Danceability • 13% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
12% Popularity • 63% Danceability • 13% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Johnny Dodds
Weary City
130 bpm • C Maj • 02:50 • -12.23db
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
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Rex Stewart
Just Squeeze Me - Remastered
131 bpm • F# Maj • 02:32 • -7.08db
0% Popularity • 64% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 75% Positiveness
0% Popularity • 64% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 75% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Hot Lips Page
The Hour of Parting
130 bpm • F min • 04:35 • -16.45db
0% Popularity • 44% Danceability • 12% Energy • 81% Liveness
81% Instrumentalness • 21% Positiveness
0% Popularity • 44% Danceability • 12% Energy • 81% Liveness
81% Instrumentalness • 21% Positiveness
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Cootie Williams
I'm Beginning to See the Light
129 bpm • A# min • 06:11 • -14db
0% Popularity • 69% Danceability • 31% Energy • 7% Liveness
30% Instrumentalness • 47% Positiveness
0% Popularity • 69% Danceability • 31% Energy • 7% Liveness
30% Instrumentalness • 47% Positiveness
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Rex Stewart
That's Rhythm
147 bpm • A# Maj • 02:51 • -10db
13% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Benny Goodman Quintet
Rachel's Dream
129 bpm • C Maj • 02:37 • -15.57db
16% Popularity • 63% Danceability • 36% Energy • 18% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 63% Danceability • 36% Energy • 18% Liveness
85% Instrumentalness • 92% Positiveness
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Bix Beiderbecke And Frankie Trumbauer
For No Reason At All In C
148 bpm • C Maj • 03:07 • -13.07db
8% Popularity • 58% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
8% Popularity • 58% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
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Sammy Price
Claudia In The Crowd
148 bpm • F Maj • 02:54 • -16db
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
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Rex Stewart
Ain't We Got Fun
148 bpm • F min • 02:52 • -14.45db
0% Popularity • 73% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 73% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Stockholm Swing All Stars
Doodlin'
129 bpm • F# Maj • 04:22 • -12.25db
17% Popularity • 63% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 63% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Roy Eldridge & His Orchestra
Jump Through The Window
148 bpm • C Maj • 02:42 • -13.77db
14% Popularity • 62% Danceability • 36% Energy • 28% Liveness
32% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 36% Energy • 28% Liveness
32% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Le Dancing Pepa Swing Band
Sweet Vanilla
128 bpm • D# Maj • 03:16 • -8.83db
25% Popularity • 69% Danceability • 24% Energy • 14% Liveness
7% Instrumentalness • 54% Positiveness
25% Popularity • 69% Danceability • 24% Energy • 14% Liveness
7% Instrumentalness • 54% Positiveness
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Rex Stewart
Together
129 bpm • A min • 02:14 • -23.1db
0% Popularity • 71% Danceability • 8% Energy • 10% Liveness
29% Instrumentalness • 40% Positiveness
0% Popularity • 71% Danceability • 8% Energy • 10% Liveness
29% Instrumentalness • 40% Positiveness
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Sammy Price
Salute To Basie
149 bpm • A# Maj • 02:27 • -17db
31% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
31% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
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Buster Smith
Kansas City Riffs
149 bpm • A# min • 05:17 • -12db
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Big 18
Five O'Clock Drag
128 bpm • A# Maj • 05:43 • -20.04db
8% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
8% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
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Slim Gaillard
Drei Six Cents
128 bpm • G min • 02:43 • -13.48db
16% Popularity • 76% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 64% Positiveness
16% Popularity • 76% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 64% Positiveness
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Wilbur De Paris
Are You from Dixie
128 bpm • D# Maj • 04:56 • -8db
14% Popularity • 61% Danceability • 60% Energy • 20% Liveness
12% Instrumentalness • 94% Positiveness
14% Popularity • 61% Danceability • 60% Energy • 20% Liveness
12% Instrumentalness • 94% Positiveness
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Lucky Millinder
Ram-Bunk-Shush
128 bpm • C Maj • 02:35 • -6.28db
17% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
17% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
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Illinois Jacquet
Jacquet In The Box
149 bpm • G# Maj • 02:56 • -14.67db
14% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
14% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Eddie Condon
Carnegie Jump
128 bpm • G min • 02:43 • -10.07db
8% Popularity • 64% Danceability • 71% Energy • 15% Liveness
90% Instrumentalness • 89% Positiveness
8% Popularity • 64% Danceability • 71% Energy • 15% Liveness
90% Instrumentalness • 89% Positiveness
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The Big 18
Celery Stalks at Midnight
149 bpm • C Maj • 04:10 • -15db
12% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
12% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
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The Basin Street Brawlers
It's Tight Like That!
127 bpm • G Maj • 03:12 • -13.32db
16% Popularity • 86% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 71% Positiveness
16% Popularity • 86% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 71% Positiveness
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Wilbur De Paris
Shreveport Stomp
127 bpm • A# Maj • 03:00 • -12db
21% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
21% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
