Songs like Tainted Love by Isaac Dunbar
Based on a tempo of (+/- 10%) and a similar genre
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Isaac Dunbar
God, This Feels Good
114 bpm • A min • 03:18 • -7.27db
34% Popularity • 75% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 75% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Call Me Karizma
Rebels
114 bpm • A# min • 02:15 • -11.77db
58% Popularity • 93% Danceability • 45% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
58% Popularity • 93% Danceability • 45% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
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ROLE MODEL
cross your mind
114 bpm • A Maj • 02:40 • -4.67db
46% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
46% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Winona Oak
SHE
114 bpm • B min • 02:48 • -6db
44% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
43% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Foxies
Timothée Chalamet
114 bpm • F# Maj • 03:52 • -8.12db
37% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Isaac Dunbar
Sunburn
114 bpm • E min • 02:50 • -6db
35% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Stela Cole
The Day It Rained in Southern California
114 bpm • G# Maj • 03:51 • -6.38db
33% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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X Lovers
Dreams Where Ur Murdered
114 bpm • A# min • 02:16 • -6.17db
43% Popularity • 74% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 74% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Good Boy Daisy
Selfish
114 bpm • E min • 02:30 • -3db
41% Popularity • 69% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 69% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ellise
Nightmares
115 bpm • B min • 02:24 • -8.05db
58% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Sands
Dress
115 bpm • F Maj • 02:23 • -10db
61% Popularity • 81% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 81% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Isaac Dunbar
Tainted Love
114 bpm • C Maj • 03:21 • -5db
35% Popularity • 63% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 63% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Audrey Gillispie
light switch
115 bpm • A# Maj • 03:21 • -10.84db
16% Popularity • 64% Danceability • 27% Energy • 16% Liveness
2% Instrumentalness • 15% Positiveness
16% Popularity • 64% Danceability • 27% Energy • 16% Liveness
2% Instrumentalness • 15% Positiveness
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EASHA
Far Away
113 bpm • F Maj • 03:05 • -8db
53% Popularity • 77% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 77% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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half•alive
Everything Machine
115 bpm • C Maj • 03:17 • -3db
45% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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jenny nuo
EXPIRED
115 bpm • C Maj • 02:26 • -8db
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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young friend
LOVERBOY
115 bpm • C Maj • 02:25 • -7.04db
38% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Isaac Dunbar
colony
115 bpm • C Maj • 04:08 • -12db
27% Popularity • 35% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 11% Positiveness
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FINNEAS
Medieval
115 bpm • A Maj • 02:51 • -5.94db
47% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Catie Turner
Play God
116 bpm • C# min • 02:49 • -8.86db
28% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Javailin
Two Nights
112 bpm • G# min • 03:28 • -5.69db
35% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Good Boy Daisy
Never Learn
116 bpm • A Maj • 03:38 • -5db
39% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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ella jane
Calling Card
116 bpm • G# Maj • 03:12 • -7db
40% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Isaac Dunbar
Bleach
113 bpm • C# Maj • 03:39 • -6db
37% Popularity • 66% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 66% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Wallows
1980s Horror Film II
116 bpm • D Maj • 03:55 • -4.96db
57% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
57% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Poppy
Girls In Bikinis
116 bpm • F# min • 02:25 • -2.71db
64% Popularity • 89% Danceability • 89% Energy • 14% Liveness
7% Instrumentalness • 81% Positiveness
64% Popularity • 89% Danceability • 89% Energy • 14% Liveness
7% Instrumentalness • 81% Positiveness
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Kelsy Karter & The Heroines
Devil On My Shoulder
112 bpm • C# min • 03:05 • -5.4db
49% Popularity • 57% Danceability • 81% Energy • 27% Liveness
84% Instrumentalness • 54% Positiveness
49% Popularity • 57% Danceability • 81% Energy • 27% Liveness
84% Instrumentalness • 54% Positiveness
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Georgia Twinn
Matty Healy
112 bpm • B min • 02:30 • -5.59db
31% Popularity • 67% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 67% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Rory Webley
Genie in a Bottle
112 bpm • C min • 03:32 • -8.18db
36% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Isaac Dunbar
love, or the lack thereof
115 bpm • C# Maj • 03:07 • -7.06db
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
42% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Blegh
His Hands
112 bpm • D Maj • 05:37 • -12.87db
37% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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young friend
SUGARCOATED
112 bpm • F# min • 03:11 • -6.16db
33% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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REI AMI
THAT'S ON YOU!
112 bpm • B min • 02:39 • -10.35db
32% Popularity • 50% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 50% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Rory Webley
Joker
112 bpm • B min • 02:21 • -9.32db
54% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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iamnotshane
Feelings and How to Destroy Them
112 bpm • G# min • 02:54 • -8db
22% Popularity • 72% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 72% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Isaac Dunbar
freshman year
113 bpm • G Maj • 03:00 • -7.76db
30% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
84% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
84% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Mad Tsai
that friend
117 bpm • F# Maj • 03:00 • -16.42db
53% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Cothran
Don't Want My Heart
117 bpm • C Maj • 02:52 • -4.77db
42% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
55% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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iamnotshane
Don't Say That
117 bpm • C# Maj • 02:55 • -7.96db
32% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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The Regrettes
You're So Fucking Pretty
117 bpm • C Maj • 03:49 • -7.97db
43% Popularity • 69% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 69% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Isaac Dunbar
blueberry brows
115 bpm • G Maj • 04:06 • -11.22db
23% Popularity • 50% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 50% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
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ella jane
I Wanna
111 bpm • D Maj • 03:30 • -8db
36% Popularity • 71% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 71% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Emei
Better People To Leave On Read
117 bpm • D min • 02:11 • -7.42db
69% Popularity • 60% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 60% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Danny and Alex
Friends Kiss Too
118 bpm • E min • 03:15 • -8.29db
31% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Franki Kaneur
BORING!
118 bpm • F Maj • 03:19 • -4.91db
29% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Ūla
Futon
118 bpm • D Maj • 02:36 • -5.86db
59% Popularity • 85% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 85% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Royal & the Serpent
Choke
118 bpm • C# Maj • 02:17 • -9.88db
55% Popularity • 81% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 81% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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FLETCHER
Cherry
118 bpm • D Maj • 02:32 • -4.64db
57% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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XYLØ
yes & no
118 bpm • G# min • 02:58 • -5.83db
58% Popularity • 84% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 84% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Em Beihold
Too Precious
118 bpm • G# Maj • 02:49 • -4.74db
53% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Crimson Apple
Break Your Heart Worse
110 bpm • B Maj • 03:44 • -3.48db
36% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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SKYLAR
Angel Eyes
110 bpm • B min • 02:44 • -8.82db
35% Popularity • 70% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 70% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Meg Smith
Cool 4 U
118 bpm • C Maj • 02:19 • -4.34db
11% Popularity • 75% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Stela Cole
Kiss or Kill
110 bpm • A min • 03:00 • -7.84db
48% Popularity • 80% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 80% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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VÉRITÉ
he's not you
110 bpm • C Maj • 03:50 • -7db
33% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Misoa
I.D.C
109 bpm • A Maj • 02:53 • -6.86db
17% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Z by Z
Searching
119 bpm • B min • 04:44 • -7.5db
37% Popularity • 51% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 51% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 28% Positiveness
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Nxdia
what's it like?
119 bpm • F# min • 03:19 • -14.05db
45% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
45% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Michael Medrano
Fluids
119 bpm • B min • 02:32 • -6.08db
44% Popularity • 83% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 83% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Annika Rose
Naïve
119 bpm • G min • 03:22 • -7db
28% Popularity • 88% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 88% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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CyberGirlfriend
Every Little Thing
109 bpm • B min • 03:25 • -13.19db
39% Popularity • 72% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 72% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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X Lovers
King Of Capulet
109 bpm • F# min • 02:25 • -4.39db
29% Popularity • 83% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 83% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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ROLE MODEL
life is funny
109 bpm • G# Maj • 03:26 • -7.93db
40% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Isaac Dunbar
pharmacy
109 bpm • B min • 03:35 • -10db
37% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
54% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Savannah Saturn
Open Your Mind
120 bpm • A min • 01:58 • -8.61db
29% Popularity • 81% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 81% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
56% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
56% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Cloudy June
High Waist to Hell
120 bpm • F Maj • 03:14 • -7.1db
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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renforshort
i drive me mad
108 bpm • G Maj • 02:57 • -5.5db
45% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Regrettes
Barely on My Mind
120 bpm • D min • 03:17 • -3db
54% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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LoveLeo
HEAD OVER HEELS
120 bpm • C min • 02:36 • -8.31db
44% Popularity • 87% Danceability • 59% Energy • 10% Liveness
6% Instrumentalness • 98% Positiveness
44% Popularity • 87% Danceability • 59% Energy • 10% Liveness
6% Instrumentalness • 98% Positiveness
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DBMK
I Heard You Had a Girlfriend
120 bpm • E Maj • 03:07 • -10.68db
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Younger Hunger
Pray 4 U
120 bpm • A min • 02:52 • -5.75db
42% Popularity • 70% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 70% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Maude Latour
Superfruit
120 bpm • D Maj • 02:18 • -3db
38% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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push baby
Wanna Go
120 bpm • B Maj • 03:36 • -8.53db
16% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
16% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
53% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ethan Bortnick
Final Boss
120 bpm • F# min • 02:42 • -12.11db
38% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
38% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Susannah Joffe
Backseat
120 bpm • A# min • 03:41 • -10db
35% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Younger Hunger
Dead Inside
120 bpm • F# min • 03:20 • -3.9db
60% Popularity • 70% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 70% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Em Beihold
Painful Truth
120 bpm • A min • 03:28 • -8.12db
38% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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david hugo
Baby Blue
120 bpm • F min • 02:09 • -5.52db
25% Popularity • 86% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
25% Popularity • 86% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
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DBMK
Thin
120 bpm • B Maj • 02:44 • -7.78db
30% Popularity • 74% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 74% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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girli
Letter to My Ex
120 bpm • A min • 02:50 • -8db
46% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Baby Queen
American Dream
120 bpm • A Maj • 04:19 • -6.54db
37% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Elliot Lee
Pink (Freak)
120 bpm • B min • 03:42 • -6.9db
40% Popularity • 72% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 72% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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REI AMI
RUNAWAY
120 bpm • B min • 02:44 • -6.16db
41% Popularity • 82% Danceability • 58% Energy • 10% Liveness
9% Instrumentalness • 28% Positiveness
41% Popularity • 82% Danceability • 58% Energy • 10% Liveness
9% Instrumentalness • 28% Positiveness
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half•alive
Make of It
120 bpm • F# Maj • 02:35 • -8.37db
44% Popularity • 76% Danceability • 71% Energy • 14% Liveness
18% Instrumentalness • 72% Positiveness
44% Popularity • 76% Danceability • 71% Energy • 14% Liveness
18% Instrumentalness • 72% Positiveness
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DBMK
Rot
120 bpm • C Maj • 03:56 • -4.78db
41% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Charlotte Lawrence
Why Do You Love Me
120 bpm • G# min • 02:51 • -6.17db
52% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Isaac Dunbar
diamonds are a girl's best friend
120 bpm • B min • 04:20 • -9db
25% Popularity • 43% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 43% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
50% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rory Webley
Friendly Neighborhood Poltergeist
108 bpm • C min • 03:01 • -6.12db
51% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Mad Tsai
killer queen
108 bpm • D# min • 02:58 • -5.35db
69% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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spill tab
Anybody Else
108 bpm • C min • 02:10 • -5db
33% Popularity • 66% Danceability • 67% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 66% Danceability • 67% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
