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Tainted Love
Songs like
Tainted Love
by
Imelda May
Based on a tempo of (+/- 10%) and a similar genre
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Gabriella Cilmi
Keep On Keeping
174 bpm • E min • 02:43 • -10db
13% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Sharon Shannon
Mama Lou
175 bpm • C Maj • 02:52 • -6.09db
11% Popularity • 50% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Jeff Beck
I Put a Spell on You
174 bpm • B min • 03:02 • -10.48db
56% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Eilen Jewell
That's Where I'm Going
174 bpm • E min • 02:14 • -8.57db
23% Popularity • 54% Danceability • 61% Energy • 17% Liveness
25% Instrumentalness • 56% Positiveness
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The Peter Malick Group
All Your Love
176 bpm • G min • 04:35 • -7.88db
30% Popularity • 44% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Heather Nova
Norwegian Wood
177 bpm • D Maj • 02:23 • -10.4db
41% Popularity • 28% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Fisherman’s Friends
Cornwall My Home
177 bpm • E Maj • 03:38 • -10db
43% Popularity • 33% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Wanda Jackson
Thunder on the Mountain
173 bpm • F min • 05:13 • -6.05db
29% Popularity • 42% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Eden Brent
Ain't Got No Troubles
178 bpm • G Maj • 05:08 • -7.13db
10% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Imelda May
Tribal
172 bpm • G Maj • 02:59 • -2.98db
23% Popularity • 44% Danceability • 93% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Janiva Magness
Make It Rain
172 bpm • B min • 03:46 • -6.45db
13% Popularity • 53% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Samantha Fish
Kill Or Be Kind
172 bpm • D min • 03:45 • -9.38db
40% Popularity • 62% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
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Jools Holland
Top to Bottom Boogie
178 bpm • E min • 02:43 • -3.31db
13% Popularity • 41% Danceability • 97% Energy • 31% Liveness
6% Instrumentalness • 87% Positiveness
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Nikki Hill
Nothin' With You
179 bpm • A# Maj • 03:36 • -9.16db
23% Popularity • 40% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jools Holland & Tom Jones
Don't You Kiss My Cheek
170 bpm • F min • 03:07 • -3.49db
17% Popularity • 26% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Imelda May
Meet You At The Moon
178 bpm • F Maj • 02:47 • -12db
41% Popularity • 34% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Eilen Jewell
Rio Grande
170 bpm • B min • 03:22 • -8.14db
36% Popularity • 39% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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The Little Willies
Tenessee Stud
181 bpm • F min • 03:49 • -9.85db
30% Popularity • 62% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Elles Bailey
What's the Matter with You
170 bpm • B min • 03:52 • -8.74db
49% Popularity • 43% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Jools Holland & Caro Emerald
Mad About the Boy
181 bpm • F min • 03:15 • -8db
29% Popularity • 22% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Carolyn Wonderland
Bad to the Bone
169 bpm • E min • 04:04 • -13db
31% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Imelda May
The Girl I Used To Be
180 bpm • A Maj • 04:04 • -7.25db
23% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Joanne Shaw Taylor
Summertime
182 bpm • D Maj • 05:33 • -8db
36% Popularity • 46% Danceability • 52% Energy • 9% Liveness
14% Instrumentalness • 26% Positiveness
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Eilen Jewell
Summertime
181 bpm • D# min • 05:05 • -11.33db
39% Popularity • 47% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Chrissie Hynde
How Glad I Am
184 bpm • G# Maj • 04:38 • -5.76db
33% Popularity • 27% Danceability • 70% Energy • 25% Liveness
4% Instrumentalness • 63% Positiveness
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John Lewis
Waltz Around the Kitchen
166 bpm • D# Maj • 03:39 • -9.55db
4% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Jeff Beck
Mockin' Bird Hill - Live at the Iridium...
166 bpm • D Maj • 02:23 • -8.49db
11% Popularity • 67% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 92% Positiveness
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Imelda May
It's Good To Be Alive
168 bpm • D Maj • 03:49 • -1.95db
30% Popularity • 51% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Beautiful South
Blitzkrieg Bop
166 bpm • E min • 03:30 • -5.84db
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
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Eilen Jewell
Bang Bang Bang
167 bpm • G# Maj • 01:45 • -7.17db
25% Popularity • 62% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Patty Griffin
I Smell A Rat
165 bpm • E min • 02:31 • -10.04db
18% Popularity • 52% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 70% Positiveness
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The Commitments
I Can't Stand The Rain
165 bpm • F Maj • 03:11 • -12.41db
36% Popularity • 65% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
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Seasick Steve
Walkin Man
165 bpm • D Maj • 02:42 • -12db
41% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Imelda May
Proud and Humble - Steve Osborne Mix
183 bpm • C min • 03:16 • -2.78db
12% Popularity • 48% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Sanchez and His Band
My Man
185 bpm • C min • 02:44 • -3.08db
8% Popularity • 46% Danceability • 91% Energy • 25% Liveness
11% Instrumentalness • 85% Positiveness
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Nikki Hill
I'm Gonna Love You
186 bpm • G min • 02:21 • -8.56db
18% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Dianne Reeves
Today Will Be A Good Day
186 bpm • B min • 05:09 • -7.86db
25% Popularity • 60% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Janiva Magness
That's What Love Will Make You Do
186 bpm • A# Maj • 03:21 • -4.98db
23% Popularity • 32% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Pokey LaFarge
Bad Girl
187 bpm • C min • 03:09 • -9.08db
31% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Brian Setzer Orchestra
Pennsylvania 6-5000
187 bpm • B min • 03:03 • -5db
26% Popularity • 33% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 64% Positiveness
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Darrel Higham and The Enforcers feat. Imelda May
Dealing With the Devil - Second Set
188 bpm • G Maj • 02:54 • -7.39db
4% Popularity • 40% Danceability • 80% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Scissor Sisters
Take Me Out
163 bpm • E min • 04:32 • -3.66db
43% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Commitments
Treat Her Right
162 bpm • G Maj • 03:36 • -10.24db
34% Popularity • 58% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Imelda May
Gypsy In Me
161 bpm • G min • 04:34 • -5.27db
16% Popularity • 23% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Pokey LaFarge
Something In The Water
188 bpm • F Maj • 03:23 • -7.33db
43% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Darrel Higham
Stop Whistlin' Wolf
191 bpm • D Maj • 02:40 • -5.21db
10% Popularity • 51% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Gina Sicilia
They Never Pay Me
160 bpm • E min • 03:33 • -3.66db
19% Popularity • 49% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Hugh Laurie
Didn't It Rain
160 bpm • G min • 02:52 • -4.96db
27% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Marcia Ball
Louella
159 bpm • C# Maj • 04:27 • -6db
33% Popularity • 49% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Indigo Swing
Ruby Mae
159 bpm • A Maj • 04:39 • -10.42db
13% Popularity • 49% Danceability • 54% Energy • 7% Liveness
44% Instrumentalness • 63% Positiveness
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Wilko Johnson
I Keep It To Myself
158 bpm • A Maj • 03:22 • -2db
31% Popularity • 42% Danceability • 96% Energy • 19% Liveness
25% Instrumentalness • 87% Positiveness
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Fairground Attraction
Clare
194 bpm • A Maj • 03:15 • -14.4db
24% Popularity • 42% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Catherine Russell
Aged And Mellow
157 bpm • F# Maj • 04:40 • -12db
34% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hugh Laurie
Swanee River
158 bpm • C Maj • 02:43 • -6db
34% Popularity • 30% Danceability • 72% Energy • 13% Liveness
3% Instrumentalness • 65% Positiveness
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Candye Kane
You Need Love
155 bpm • E min • 04:06 • -7.96db
24% Popularity • 57% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Imelda May
Black Tears
197 bpm • A Maj • 04:03 • -7.97db
39% Popularity • 32% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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William Shatner
In Hell I'll Be in Good Company
155 bpm • F min • 03:47 • -8.89db
11% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Andy Fairweather Low
One More Rocket
199 bpm • B min • 02:32 • -10.51db
14% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Commitments
Hard To Handle
200 bpm • G Maj • 02:22 • -5.89db
37% Popularity • 49% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Nikki Hill
(Let Me Tell You ' Bout) LUV
154 bpm • A Maj • 03:41 • -4.31db
13% Popularity • 58% Danceability • 86% Energy • 29% Liveness
2% Instrumentalness • 84% Positiveness
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Elayna Boynton
Can't Stop Loving You
153 bpm • F Maj • 02:16 • -6.75db
21% Popularity • 53% Danceability • 80% Energy • 41% Liveness
60% Instrumentalness • 86% Positiveness
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JD McPherson
Good Old Oklahoma
200 bpm • F Maj • 02:32 • -6.69db
34% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Willy DeVille
Spanish Harlem
200 bpm • C Maj • 04:36 • -18.77db
33% Popularity • 36% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Mills
Better Than This
152 bpm • C Maj • 03:27 • -9.46db
10% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Judith Owen
Shape of You
152 bpm • D min • 03:07 • -7.03db
17% Popularity • 79% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Mo’Ju
Frankie Baby
152 bpm • D Maj • 02:53 • -6.77db
11% Popularity • 55% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Genevieve Chadwick
Smell The Rain
202 bpm • F Maj • 06:05 • -9.85db
14% Popularity • 35% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sue Foley
The Ice Queen
151 bpm • E min • 06:23 • -8.37db
31% Popularity • 49% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Jools Holland & Ruby Turner
Get Away Jordan
151 bpm • G Maj • 03:32 • -3.44db
17% Popularity • 42% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 73% Positiveness
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Lucinda Williams
Born To Be Loved
151 bpm • F# min • 04:37 • -16db
32% Popularity • 39% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Danielle Nicole
Cry No More
204 bpm • C# Maj • 04:22 • -6.32db
41% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Lizz Wright
Old Man
150 bpm • D Maj • 03:39 • -11.61db
26% Popularity • 60% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 62% Positiveness
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Eilen Jewell
Hooked
149 bpm • A min • 02:26 • -7db
29% Popularity • 65% Danceability • 63% Energy • 17% Liveness
2% Instrumentalness • 61% Positiveness
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Tainted Love