Songs like Take Care of This House (1600 Pennsylvania Avenue) by Patricia Routledge
Based on a tempo of (+/- 10%) and a similar genre
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Sorry Her Lot
173 bpm • F Maj • 05:57 • -18.74db
10% Popularity • 40% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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黃蜀娟
沒有月亮的晚上
173 bpm • F min • 04:35 • -20.67db
8% Popularity • 14% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 5% Positiveness
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Patricia Routledge
Look for a Sky of Blue
173 bpm • D Maj • 02:32 • -10.05db
0% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Gerle
Things I Didn’t Know / Keep Your Secre...
174 bpm • D Maj • 04:23 • -8.69db
10% Popularity • 44% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Harve Presnell
I'll Never Say No
174 bpm • G# Maj • 04:33 • -14db
11% Popularity • 18% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Jennie McGustie
Thank God I'm Old
172 bpm • D# Maj • 02:33 • -11db
27% Popularity • 56% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Sir, You Are Sad
174 bpm • C Maj • 01:39 • -19.39db
10% Popularity • 42% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Liz Callaway
What More Do I Need?
171 bpm • E Maj • 03:00 • -9.34db
13% Popularity • 39% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 39% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 64% Positiveness
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Patricia Routledge
Take Care of This House
173 bpm • G Maj • 03:14 • -21.96db
2% Popularity • 20% Danceability • 15% Energy • 83% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 15% Energy • 83% Liveness
0% Instrumentalness • 6% Positiveness
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Anthony Newley
What Kind Of Fool Am I
171 bpm • G min • 02:33 • -9db
8% Popularity • 38% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 38% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Maria Alberghetti
Yes, My Heart - Remastered
171 bpm • D Maj • 02:49 • -12.18db
4% Popularity • 40% Danceability • 30% Energy • 59% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 40% Danceability • 30% Energy • 59% Liveness
0% Instrumentalness • 59% Positiveness
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The East End Performers
Oom Pah Pah
170 bpm • D Maj • 03:14 • -6.41db
13% Popularity • 50% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 50% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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The John Wilson Orchestra
Arlen / Arr. Chaplin: Get Happy
170 bpm • D Maj • 02:54 • -11.65db
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Timothy Hawn
There's a Song in My Heart
176 bpm • D# Maj • 03:43 • -14db
1% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Liza Minnelli
Under the Roller Coaster
177 bpm • E Maj • 02:04 • -18db
8% Popularity • 41% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Michel Bell
Ol’ Man River
177 bpm • A# Maj • 05:51 • -14db
10% Popularity • 24% Danceability • 21% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 21% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
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Chita Rivera
I Walk Away
169 bpm • D min • 04:04 • -8.09db
10% Popularity • 39% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 39% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Delia Winifred
Coventry Carroll
169 bpm • A Maj • 03:47 • -11.15db
30% Popularity • 27% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Brian Michael Hoffman
All For You
168 bpm • B Maj • 02:35 • -14.76db
12% Popularity • 42% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 42% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Rosalind Russell
Ohio
167 bpm • C# Maj • 03:19 • -15db
4% Popularity • 35% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 35% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Ruth Longoria
The Love That He Gave Us
168 bpm • C Maj • 03:28 • -19.52db
27% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Simon Lipkin
The Song That Goes Like This
180 bpm • F Maj • 03:10 • -9db
10% Popularity • 34% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 34% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Ann Kittredge
I Feel the Earth Move
179 bpm • E min • 03:38 • -12.42db
37% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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adrian Lester
Company
166 bpm • C# Maj • 05:43 • -14.81db
7% Popularity • 30% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 30% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Micah Sandt
Hello, Mr Gable
166 bpm • E Maj • 01:27 • -18.36db
13% Popularity • 49% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 49% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Oh Joy, Oh Raptu...
183 bpm • C min • 01:31 • -14.83db
8% Popularity • 40% Danceability • 33% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 40% Danceability • 33% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
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Marilyn Horne
Dere's A Cafe On De Corner
184 bpm • D Maj • 01:52 • -25.48db
17% Popularity • 44% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 44% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Cast of Most Peculiar Dreams
Look at You
185 bpm • D Maj • 02:46 • -17.98db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Leonard Bernstein
West Side Story : Act I: America
162 bpm • C Maj • 04:32 • -15db
24% Popularity • 47% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 47% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Alex Lee
Show Business
162 bpm • A# Maj • 02:08 • -8.52db
9% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Aaron Copland
The Tender Land (Opera in Three Acts): A...
162 bpm • G Maj • 04:38 • -24.58db
8% Popularity • 20% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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John Kander
Cabaret: Perfectly Marvelous
162 bpm • G Maj • 03:27 • -13.24db
15% Popularity • 47% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 47% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Ann Kittredge
You're My Home
161 bpm • C Maj • 04:08 • -12.18db
31% Popularity • 39% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 39% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Bonaventura Bottone
The Mikado: Here's a How-De-Do
155 bpm • B Maj • 01:17 • -20.79db
9% Popularity • 64% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 64% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Judi Dench
Don't Tell Mama
197 bpm • A Maj • 04:09 • -11.21db
11% Popularity • 48% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Sing For Your Supper
155 bpm • G min • 03:45 • -9.32db
8% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Cole Porter
Kiss Me, Kate: Always True to You (In My...
199 bpm • A Maj • 03:58 • -15.4db
11% Popularity • 46% Danceability • 22% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 46% Danceability • 22% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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The Schlordts
Until There Was You
199 bpm • C# Maj • 02:56 • -11.5db
8% Popularity • 35% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 35% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Debbie Gravitte
Careless With the Truth
200 bpm • C Maj • 03:18 • -14.05db
7% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Olivia Breeze
Louisa
200 bpm • F Maj • 03:05 • -11.06db
0% Popularity • 50% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 50% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 2: A joy! Oh raptu...
200 bpm • F Maj • 03:05 • -14.86db
10% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Bertolt Brecht
Instead-Of-Song - The Threepenny Opera/1...
149 bpm • A# Maj • 01:51 • -13.61db
8% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lynn Ahrens
Outside Your Window (Mary's Reprise)
149 bpm • C min • 00:54 • -16.47db
12% Popularity • 43% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 43% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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James Dybas
Someone in a Tree
149 bpm • F Maj • 07:20 • -16db
17% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Cast of Oh What A Lovely War
Hitchy Koo
149 bpm • F Maj • 01:33 • -18.18db
10% Popularity • 54% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 54% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cast of Most Peculiar Dreams
Café of life - Remix
201 bpm • G Maj • 01:31 • -12.39db
21% Popularity • 41% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 41% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Leonard Bernstein
Trouble in Tahiti - An Opera in Seven Sc...
149 bpm • E Maj • 01:44 • -24.04db
2% Popularity • 53% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 53% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Dhristian Eigueroa
I Fell
201 bpm • D min • 03:16 • -26.02db
28% Popularity • 31% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 31% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Benjamin Lewis
Another Year
148 bpm • D Maj • 04:48 • -11.35db
7% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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National Symphony Orchestra
The Crapshooter's Dance
148 bpm • F Maj • 03:53 • -14.9db
9% Popularity • 38% Danceability • 48% Energy • 35% Liveness
82% Instrumentalness • 36% Positiveness
9% Popularity • 38% Danceability • 48% Energy • 35% Liveness
82% Instrumentalness • 36% Positiveness
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Cast of Oh What A Lovely War
I Don’t Want To Be A Soldier / They Di...
147 bpm • F Maj • 01:53 • -12.49db
12% Popularity • 43% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 43% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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![Salad Days: We're Looking for a Piano (Jane, Fiona, Nigel, Company) [Original London Cast Recording] cover art](https://i.scdn.co/image/ab67616d00001e0205eb51a28b327d138732c9b4)
Julian Slade
Salad Days: We're Looking for a Piano (J...
147 bpm • G Maj • 03:07 • -17.49db
8% Popularity • 68% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 68% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Craig Fols
Clam Dip (Corn)
204 bpm • D Maj • 01:06 • -13.98db
12% Popularity • 58% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 58% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness