Songs like Take Me Back by Noiseworks
Based on a tempo of (+/- 10%) and a similar genre
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
28% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
28% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Noiseworks
Letter
111 bpm • C Maj • 05:30 • -9.73db
14% Popularity • 47% Danceability • 84% Energy • 8% Liveness
49% Instrumentalness • 47% Positiveness
14% Popularity • 47% Danceability • 84% Energy • 8% Liveness
49% Instrumentalness • 47% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
46% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Kelly
Careless
113 bpm • G Maj • 02:56 • -4.39db
37% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Rose Tattoo
We Can't Be Beaten
113 bpm • E Maj • 03:04 • -8.14db
39% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Flowers
Sister
113 bpm • D Maj • 03:23 • -6db
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Lou Gramm
Midnight Blue
114 bpm • C Maj • 03:54 • -7.16db
52% Popularity • 64% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 66% Positiveness
52% Popularity • 64% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 66% Positiveness
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Pseudo Echo
Don't Go
113 bpm • G min • 03:57 • -4.41db
28% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Kelly
Every Day My Mother’s Voice
114 bpm • A Maj • 04:04 • -6db
3% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
3% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
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Kids In The Kitchen
Shine
114 bpm • A# min • 05:25 • -13db
15% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Divinyls
Casual Encounter
110 bpm • G Maj • 03:08 • -9.83db
17% Popularity • 58% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 58% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Eurogliders
Groove
110 bpm • F# Maj • 04:19 • -8.73db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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ICEHOUSE
Electric Blue
110 bpm • A# Maj • 04:23 • -4.76db
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
27% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
37% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
63% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Richard Marx
Satisfied
109 bpm • G# Maj • 04:14 • -8.44db
43% Popularity • 57% Danceability • 91% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
43% Popularity • 57% Danceability • 91% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Noiseworks
River Of Tears
115 bpm • B Maj • 05:17 • -13.27db
19% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
19% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Cheap Trick
If You Want My Love
115 bpm • E Maj • 03:35 • -9.51db
45% Popularity • 49% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 49% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Noiseworks
River Of Tears - 2007 Remastered
115 bpm • B Maj • 05:17 • -8.2db
7% Popularity • 39% Danceability • 79% Energy • 7% Liveness
4% Instrumentalness • 29% Positiveness
7% Popularity • 39% Danceability • 79% Energy • 7% Liveness
4% Instrumentalness • 29% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
35% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
34% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
33% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Models
Let's Kiss
117 bpm • D min • 03:31 • -8db
23% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Noiseworks
Edge Of Darkness
108 bpm • G Maj • 03:45 • -11.48db
14% Popularity • 41% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 41% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Skyhooks
Toorak Cowboy - 2009 Remaster
107 bpm • C Maj • 03:47 • -8.95db
24% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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James Reyne
Motor's Too Fast
118 bpm • A min • 04:13 • -11.48db
42% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
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Noiseworks
Don't Lead Me On
108 bpm • F# Maj • 04:45 • -7.24db
11% Popularity • 73% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 73% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mi-Sex
Computer Games
118 bpm • F Maj • 03:53 • -9.8db
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Boom Crash Opera
Talk About It
106 bpm • B min • 04:03 • -4.68db
14% Popularity • 38% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 38% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Shannon Noll
Shine
118 bpm • F# Maj • 03:33 • -2db
38% Popularity • 44% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 44% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Johnny Diesel & The Injectors
Fire Without A Flame
118 bpm • F Maj • 04:17 • -13.84db
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Noiseworks
Jealousy (Is A Curse)
107 bpm • E Maj • 03:48 • -6.67db
6% Popularity • 63% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 63% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Eurogliders
Absolutely
106 bpm • D min • 04:38 • -15.05db
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Boom Crash Opera
This Isn't Love
106 bpm • A Maj • 03:30 • -4db
14% Popularity • 56% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 56% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
37% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Noiseworks
Take You Higher
107 bpm • B min • 03:35 • -5.91db
10% Popularity • 64% Danceability • 97% Energy • 85% Liveness
1% Instrumentalness • 42% Positiveness
10% Popularity • 64% Danceability • 97% Energy • 85% Liveness
1% Instrumentalness • 42% Positiveness
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Divinyls
Lay Your Body Down
106 bpm • A# Maj • 04:53 • -12.15db
23% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Richard Clapton
Something About You
119 bpm • G# Maj • 04:50 • -3db
18% Popularity • 60% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 60% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Noiseworks
Take You Higher - 2007 Remastered
107 bpm • D Maj • 03:35 • -4.92db
4% Popularity • 62% Danceability • 97% Energy • 84% Liveness
6% Instrumentalness • 47% Positiveness
4% Popularity • 62% Danceability • 97% Energy • 84% Liveness
6% Instrumentalness • 47% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Models
Cold Fever
105 bpm • F Maj • 03:29 • -11.74db
24% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
22% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
37% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
23% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Noiseworks
Freedom
105 bpm • G Maj • 03:18 • -9.48db
13% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Daddy Cool
Come Back Again
120 bpm • D Maj • 03:31 • -10.64db
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Divinyls
Back To The Wall
120 bpm • A# min • 04:38 • -12db
31% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Split Enz
Message to My Girl
105 bpm • C# Maj • 04:03 • -7.31db
46% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Noiseworks
Freedom - 2007 Remastered
105 bpm • G Maj • 03:18 • -9.18db
4% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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ICEHOUSE
Great Southern Land
120 bpm • A Maj • 05:17 • -5.6db
59% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
48% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Rose Tattoo
Bad Boy for Love
120 bpm • D Maj • 03:05 • -12.92db
37% Popularity • 49% Danceability • 49% Energy • 23% Liveness
10% Instrumentalness • 29% Positiveness
37% Popularity • 49% Danceability • 49% Energy • 23% Liveness
10% Instrumentalness • 29% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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Johnny Diesel & The Injectors
Parisienne Hotel
104 bpm • E Maj • 04:03 • -12.68db
23% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Mi-Sex
Falling in and Out
121 bpm • G Maj • 03:19 • -12db
24% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
