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Take Me There
Songs like
Take Me There
by
McFly
Based on a tempo of (+/- 10%) and a similar genre
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McFly
Take Me There
113 bpm • F min • 03:43 • -4.41db
24% Popularity • 65% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Short Stack
In This Place
113 bpm • E min • 03:30 • -4.93db
12% Popularity • 56% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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The Ready Set
There Are Days
112 bpm • B Maj • 03:09 • -3.76db
15% Popularity • 60% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Selena Gomez & The Scene
I Got U
115 bpm • B Maj • 03:34 • -4.63db
30% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Steps
Here and Now
115 bpm • F Maj • 03:44 • -5.43db
35% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Andre
Behind Closed Doors - Radio Edit
115 bpm • C min • 03:23 • -5db
7% Popularity • 62% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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McFly
Shine A Light - Radio Edit
114 bpm • B Maj • 03:38 • -5db
49% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tich
Obsession
115 bpm • C Maj • 02:56 • -3.18db
18% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Short Stack
Counting The Stars
112 bpm • D Maj • 03:26 • -5.32db
14% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Ronan Keating
NYC Girl
111 bpm • E min • 03:46 • -3.57db
9% Popularity • 60% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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You Me At Six
Little Bit Of Truth
115 bpm • F Maj • 05:31 • -4.98db
25% Popularity • 60% Danceability • 59% Energy • 12% Liveness
12% Instrumentalness • 44% Positiveness
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FM Static
Lost In You
115 bpm • C Maj • 03:42 • -9db
28% Popularity • 81% Danceability • 47% Energy • 65% Liveness
2% Instrumentalness • 47% Positiveness
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Tinchy Stryder
Number 1
115 bpm • C min • 03:33 • -1.1db
39% Popularity • 58% Danceability • 89% Energy • 47% Liveness
0% Instrumentalness • 78% Positiveness
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McFly
Bubble Wrap
111 bpm • C# Maj • 05:10 • -6.93db
36% Popularity • 45% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Girls Aloud
Love Machine
116 bpm • G Maj • 03:25 • -4.21db
56% Popularity • 66% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Dave Days
Last Song
110 bpm • D Maj • 03:48 • -4.97db
18% Popularity • 56% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Brooks
Rules Of Attraction
116 bpm • E Maj • 05:07 • -6.75db
14% Popularity • 56% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Simple Plan
Holding On
110 bpm • G# Maj • 05:03 • -3.73db
33% Popularity • 45% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Drew Seeley
How A Heart Breaks
110 bpm • A Maj • 04:15 • -5db
12% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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D-side
Invisible (Radio Edit)
110 bpm • D min • 03:40 • -2.02db
22% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Corbin Bleu
Speed Of Light
110 bpm • C# min • 04:18 • -4.75db
14% Popularity • 66% Danceability • 85% Energy • 9% Liveness
5% Instrumentalness • 58% Positiveness
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Westlife
Pictures In My Head
110 bpm • C Maj • 04:16 • -4.12db
31% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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McBusted
I See Red
110 bpm • E Maj • 02:47 • -3.49db
30% Popularity • 50% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Jonas
Take It and Run
117 bpm • F min • 04:35 • -3.91db
16% Popularity • 64% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Same Difference
Better Love Me
117 bpm • F Maj • 03:45 • -4.97db
9% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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S Club Juniors
Only You
117 bpm • F# min • 04:10 • -8.35db
10% Popularity • 69% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Diana Vickers
Cinderella
117 bpm • C# Maj • 03:43 • -3.02db
24% Popularity • 67% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Kate Voegele
One Way Or Another
109 bpm • F min • 03:42 • -5.75db
16% Popularity • 59% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Ronan Keating
Fires
118 bpm • F Maj • 03:50 • -3.29db
24% Popularity • 58% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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The Collective
Surrender
118 bpm • C Maj • 03:46 • -3.69db
29% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Last Goodnight
Push Me Away
118 bpm • C Maj • 03:00 • -5.18db
10% Popularity • 57% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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McFly
iF U C Kate
118 bpm • E Maj • 03:39 • -5.34db
33% Popularity • 62% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Hanson
Wish I Was There
108 bpm • C Maj • 03:34 • -5.02db
24% Popularity • 60% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Jonas
Fastlife
108 bpm • F min • 04:00 • -5.33db
20% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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The Cab
That '70s Song
119 bpm • A min • 03:33 • -2db
35% Popularity • 52% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
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Chip
Until You Were Gone
119 bpm • D Maj • 03:30 • -3db
37% Popularity • 57% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Same Difference
I Need A House
119 bpm • G Maj • 02:52 • -4.54db
11% Popularity • 69% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brian McFadden
Everything But You
107 bpm • D Maj • 04:04 • -6.6db
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Avril Lavigne
I Love You
107 bpm • C Maj • 04:02 • -3.85db
52% Popularity • 60% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Jonas
All This Time
119 bpm • F# Maj • 04:27 • -3.84db
25% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Blackout
Keep On Moving
107 bpm • C# min • 03:59 • -3.84db
0% Popularity • 61% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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McFly
End Of The World
120 bpm • F min • 04:01 • -3.24db
26% Popularity • 57% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
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N-Dubz
Took It All Away
120 bpm • G# Maj • 03:39 • -4.22db
31% Popularity • 65% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Every Avenue
Happy The Hard Way
120 bpm • E Maj • 03:59 • -5db
28% Popularity • 56% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Diana Vickers
Put It Back Together
120 bpm • C Maj • 04:04 • -5.5db
9% Popularity • 53% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Hanson
Can't Stop
107 bpm • C min • 04:26 • -5.02db
22% Popularity • 63% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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We The Kings
Summer Love
120 bpm • C# Maj • 03:25 • -5.44db
18% Popularity • 55% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 41% Positiveness
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Same Difference
We R One
120 bpm • F# min • 03:55 • -4.12db
23% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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N-Dubz
Say It's Over
120 bpm • C min • 03:44 • -1.58db
43% Popularity • 68% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Little Mix
Stereo Soldier
120 bpm • G min • 03:25 • -3.83db
34% Popularity • 71% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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S Club 8
Turn The Lights On
120 bpm • A Maj • 03:53 • -5.27db
13% Popularity • 66% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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The Midnight Beast
Life Is a Musical
120 bpm • G Maj • 03:35 • -4.35db
14% Popularity • 72% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Elliot Minor
Still Figuring Out
120 bpm • D Maj • 03:29 • -4.82db
23% Popularity • 50% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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You Me At Six
Liquid Confidence (Nothing To Lose)
120 bpm • E Maj • 03:11 • -5.69db
40% Popularity • 53% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Allstar Weekend
Here With You
120 bpm • A# Maj • 03:07 • -3.19db
17% Popularity • 59% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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N-Dubz
Morning Star
120 bpm • G# Maj • 03:07 • -4.54db
35% Popularity • 36% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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McFly
Red (The Lost Songs)
120 bpm • E min • 03:24 • -4.96db
37% Popularity • 43% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Hanson
Runaway Run
120 bpm • C Maj • 03:43 • -5.47db
31% Popularity • 60% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Boyzone
Too Late For Hallelujah
120 bpm • C# Maj • 03:37 • -4.64db
14% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kian Egan
Waiting for Superman
106 bpm • A min • 04:17 • -5.43db
9% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lilygreen & Maguire
Ain't Love Crazy
121 bpm • F# min • 03:23 • -6.13db
16% Popularity • 62% Danceability • 67% Energy • 53% Liveness
0% Instrumentalness • 93% Positiveness
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Allstar Weekend
A Different Side Of Me
105 bpm • D Maj • 03:09 • -2.83db
33% Popularity • 59% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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McFly
We Were Only Kids (The Lost Songs)
121 bpm • D Maj • 04:49 • -6db
26% Popularity • 50% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Hanson
Crazy Beautiful
122 bpm • E Maj • 04:02 • -5.25db
27% Popularity • 59% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Backstreet Boys
Bigger
105 bpm • C Maj • 03:15 • -6.11db
48% Popularity • 53% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Dean Geyer
If You Don't Mean It
105 bpm • A min • 03:12 • -3.82db
22% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Steps
It's the Way You Make Me Feel
105 bpm • G# Maj • 03:17 • -5.08db
50% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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You Me At Six
Carpe Diem
122 bpm • D# Maj • 03:14 • -4.22db
28% Popularity • 44% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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McFly
Touch the Rain (The Lost Songs)
105 bpm • A Maj • 04:28 • -6.98db
29% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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N-Dubz
I Don't Wanna Go To Sleep
122 bpm • A# Maj • 03:20 • -3.28db
25% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Allstar Weekend
James (Never Change)
122 bpm • D Maj • 03:44 • -4.69db
25% Popularity • 72% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Cocozza
She's Got a Motorcycle
122 bpm • D Maj • 03:00 • -3.85db
16% Popularity • 77% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Destine
Everything In Me
122 bpm • A Maj • 02:37 • -4.75db
9% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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You Me At Six
Finders Keepers
122 bpm • D# Maj • 03:14 • -1.74db
34% Popularity • 49% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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McBusted
What Happened To Your Band
122 bpm • E Maj • 03:57 • -5.22db
29% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Meredith
Young at Heart
123 bpm • F# Maj • 03:51 • -3.63db
16% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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The Midnight Beast
Begging
122 bpm • A Maj • 02:50 • -5.26db
26% Popularity • 68% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Danny Jones
Bad Habits
104 bpm • D min • 03:34 • -6.24db
21% Popularity • 58% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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N-Dubz
No One Knows
104 bpm • C# min • 03:23 • -2.2db
24% Popularity • 67% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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Cher Lloyd
Beautiful People
123 bpm • C Maj • 03:31 • -5.3db
33% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Steps
After the Love Has Gone
123 bpm • F Maj • 04:34 • -6.25db
35% Popularity • 65% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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You Me At Six
This Is The First Thing
123 bpm • C# min • 03:13 • -4.24db
30% Popularity • 52% Danceability • 73% Energy • 18% Liveness
5% Instrumentalness • 22% Positiveness
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Cobra Starship
The Scene Is Dead; Long Live the Scene
123 bpm • B Maj • 02:43 • -4.97db
22% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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McFly
I'll Be Your Man
124 bpm • A Maj • 04:14 • -3.52db
24% Popularity • 67% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Jonas
Not Right Now
124 bpm • G Maj • 03:48 • -4db
14% Popularity • 58% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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A1
Good Things Bad People
124 bpm • D# Maj • 03:33 • -7.17db
15% Popularity • 76% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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S Club Juniors
You Are The One
103 bpm • C Maj • 04:32 • -9.92db
15% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The Ready Set
Giants
124 bpm • B Maj • 03:55 • -6.44db
16% Popularity • 64% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Backstreet Boys
I Still...
103 bpm • F Maj • 03:48 • -3.63db
53% Popularity • 54% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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We Are The In Crowd
Kiss Me Again
124 bpm • F Maj • 03:18 • -3.76db
26% Popularity • 65% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Jonas
Love Slayer
124 bpm • G# min • 04:05 • -4.77db
20% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Tyler Hilton
This World Will Turn Your Way
103 bpm • B Maj • 04:06 • -4.55db
9% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Robbie Williams
Gospel
124 bpm • A Maj • 04:25 • -6db
23% Popularity • 60% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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One Direction
I Wish
124 bpm • G Maj • 03:36 • -3.12db
60% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Allstar Weekend
Come Down With Love
124 bpm • F Maj • 03:05 • -3.15db
30% Popularity • 58% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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We Are The In Crowd
Kiss Me Again
124 bpm • F Maj • 03:20 • -4db
41% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Avril Lavigne
My World
103 bpm • C# Maj • 03:27 • -5.19db
49% Popularity • 60% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Jonas
Make You Mine
124 bpm • F# Maj • 04:11 • -4db
21% Popularity • 65% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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The Midnight Beast
Just Another Boyband
125 bpm • A# min • 04:02 • -2.43db
15% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Girls Aloud
The Loving Kind
125 bpm • C# Maj • 04:00 • -4.47db
42% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Take Me There