Songs like Take Me Up by Coleman Hell
Based on a tempo of (+/- 10%) and a similar genre
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Youngblood Hawke
Pressure
105 bpm • C# Maj • 03:34 • -6.54db
32% Popularity • 66% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 66% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Lostboycrow
Hiy Hiy (Milkman Remix)
105 bpm • B Maj • 03:45 • -6db
32% Popularity • 70% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Passion Pit
Whole Life Story
105 bpm • A Maj • 03:18 • -4db
30% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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888
Older Now
105 bpm • F# Maj • 03:16 • -6db
23% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Coleman Hell
Good Mood
105 bpm • A min • 02:32 • -5.86db
16% Popularity • 80% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 80% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Dallas
Weatherford
105 bpm • F# Maj • 03:34 • -4db
13% Popularity • 48% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cinders
I Could Do Better
105 bpm • C Maj • 04:59 • -8db
10% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lostboycrow
HiyHiy
105 bpm • B Maj • 03:36 • -7.05db
18% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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This Century
Soul Sucker
105 bpm • A# Maj • 03:36 • -4db
16% Popularity • 61% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 61% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Garrett Garfield
Eye of the Storm
105 bpm • B min • 04:08 • -10db
15% Popularity • 53% Danceability • 79% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 53% Danceability • 79% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Coleman Hell
video
105 bpm • C# Maj • 03:19 • -7db
8% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Panama Wedding
A Brand New Life
105 bpm • C Maj • 03:34 • -6.59db
25% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Y LUV
Never Touch the Ground
105 bpm • C Maj • 03:17 • -5db
9% Popularity • 52% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 52% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Neulore
The Lightning
104 bpm • C Maj • 03:22 • -6db
11% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Big Data
The Business of Emotion
105 bpm • F# Maj • 04:07 • -5.31db
31% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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This Club
Add It Up - Original
106 bpm • B min • 03:27 • -4.54db
8% Popularity • 83% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 83% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Coleman Hell
Take Me Up
105 bpm • G# min • 03:23 • -4.84db
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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The Lighthouse And The Whaler
Venice (Remix Chancellor Warhol)
104 bpm • C Maj • 03:45 • -8.58db
12% Popularity • 59% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 59% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew McMahon in the Wilderness
Fire Escape
106 bpm • E Maj • 03:24 • -4.39db
46% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Fancy Reagan
Knock Me Out
106 bpm • G Maj • 03:43 • -4.76db
27% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Nathanson
Adrenaline
106 bpm • C Maj • 03:55 • -4.39db
24% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Hydrogen Child
Sirens
104 bpm • C Maj • 03:10 • -7.94db
10% Popularity • 61% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 61% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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The Pass
Halo
104 bpm • B Maj • 03:50 • -6db
27% Popularity • 62% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 62% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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New Politics
15 Dreams
104 bpm • B Maj • 03:04 • -3.19db
22% Popularity • 46% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 46% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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The Zolas
Get Dark
103 bpm • G Maj • 03:20 • -5db
24% Popularity • 69% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 69% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Lisbon
Natïve
107 bpm • C Maj • 02:59 • -4.91db
17% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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SAINTS OF VALORY
LONG TIME COMING
107 bpm • C# Maj • 03:29 • -4.65db
15% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Matt and Kim
Let's Run Away
107 bpm • A min • 03:12 • -4db
29% Popularity • 62% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
29% Popularity • 62% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Gemini Club
Empty Bed
107 bpm • C Maj • 03:58 • -7db
19% Popularity • 59% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 59% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Kyle Andrews
When the World Begins
107 bpm • E Maj • 03:07 • -7.86db
14% Popularity • 44% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Robert DeLong
Don't Wait Up
108 bpm • B min • 03:54 • -5db
39% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Knocks
I Wish (My Taylor Swift)
108 bpm • B min • 03:44 • -4db
32% Popularity • 59% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 69% Positiveness
32% Popularity • 59% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 69% Positiveness
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New Politics
50 Feet Tall
108 bpm • A min • 03:30 • -2.42db
24% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew McMahon in the Wilderness
All Our Lives
108 bpm • C# Maj • 03:50 • -7.08db
33% Popularity • 62% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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888
Young And In Love
102 bpm • F# Maj • 03:44 • -5.07db
21% Popularity • 66% Danceability • 90% Energy • 14% Liveness
14% Instrumentalness • 54% Positiveness
21% Popularity • 66% Danceability • 90% Energy • 14% Liveness
14% Instrumentalness • 54% Positiveness
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Train
Drink Up
109 bpm • F# Maj • 03:30 • -3db
39% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Wildlife
Dangerous Times
109 bpm • D Maj • 04:45 • -5.24db
29% Popularity • 53% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 53% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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Youngblood Hawke
Say Say
109 bpm • F Maj • 04:51 • -5db
25% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Magic Man
Apollo
101 bpm • F# min • 03:33 • -5db
15% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Zolas
Molotov Girls
101 bpm • D Maj • 03:12 • -4db
35% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Gone in the Sun
Beaches
109 bpm • C# Maj • 03:31 • -6.41db
23% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Coleman Hell
Move On
110 bpm • F Maj • 03:57 • -6.08db
12% Popularity • 27% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew McMahon in the Wilderness
Synesthesia
110 bpm • C# Maj • 04:21 • -8db
42% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kingsfoil
In Our Blood
110 bpm • C# Maj • 03:18 • -5.83db
18% Popularity • 63% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 63% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Step Rockets
Phantom Flower
110 bpm • G# Maj • 03:33 • -6.15db
22% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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WALLA
101
110 bpm • C Maj • 03:23 • -5db
41% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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POWERS
Loved By You
110 bpm • D# Maj • 03:55 • -4db
29% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Coleman Hell
Thumbalina
110 bpm • C# Maj • 03:02 • -5.41db
17% Popularity • 69% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 69% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Dark Waves
The Heartbeat The Soul
110 bpm • C# min • 03:53 • -10.41db
18% Popularity • 67% Danceability • 42% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
18% Popularity • 67% Danceability • 42% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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SPZRKT
Share The World
110 bpm • F Maj • 03:41 • -5.45db
18% Popularity • 65% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 65% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Solarsuit
Just for the Thrill
100 bpm • A Maj • 03:05 • -6.09db
10% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Unlikely Candidates
Ringer
100 bpm • F Maj • 02:58 • -3db
32% Popularity • 57% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 57% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Elohim
She Talks Too Much
100 bpm • G# Maj • 03:43 • -7.54db
27% Popularity • 72% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 72% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Coleman Hell
killer
110 bpm • A# min • 02:56 • -4.29db
19% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Friedman
Pretty Things
100 bpm • C min • 04:05 • -7.54db
21% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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888
Decades
100 bpm • A# min • 03:21 • -4.79db
14% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Good Old War
Tell Me What You Want From Me
100 bpm • B min • 03:50 • -6.29db
29% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matt and Kim
Not Alone
100 bpm • G Maj • 03:02 • -5db
33% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Gardner
Let's Get Started
100 bpm • G# Maj • 03:27 • -5.35db
30% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Coleman Hell
crystal ball
110 bpm • A Maj • 01:55 • -8.01db
8% Popularity • 75% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
8% Popularity • 75% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Ghost Beach
Miracle
100 bpm • G# Maj • 03:27 • -4.8db
33% Popularity • 65% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 65% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Passion Pit
Until We Can't (Let's Go)
100 bpm • D Maj • 04:05 • -4.28db
28% Popularity • 57% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 57% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Virginia To Vegas
Don't Fight The Music
100 bpm • F# min • 03:37 • -5.5db
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Lostboycrow
Say You Want Me
100 bpm • C# Maj • 03:39 • -6.21db
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Handsome Ghost
Eyes Wide
100 bpm • G# Maj • 03:15 • -8.98db
29% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Coleman Hell
Summerland
110 bpm • C Maj • 03:14 • -4db
23% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew McMahon in the Wilderness
Walking In My Sleep
100 bpm • F# Maj • 03:49 • -5db
25% Popularity • 49% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 49% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Wildlife
2017
110 bpm • C Maj • 03:55 • -5.78db
9% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Slaptop
Away
100 bpm • A min • 03:36 • -7.93db
16% Popularity • 74% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 74% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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The Rocket Summer
Same Air
111 bpm • F# min • 03:58 • -4.58db
13% Popularity • 64% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Robert DeLong
Acid Rain
111 bpm • D min • 04:39 • -6db
24% Popularity • 53% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 53% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Coleman Hell
polite
110 bpm • C Maj • 03:15 • -8.33db
8% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Nathanson
Show Me Your Fangs
99 bpm • F min • 03:47 • -4.69db
18% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Passion Pit
All I Want
111 bpm • D Maj • 03:26 • -3.48db
32% Popularity • 60% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 60% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Cooper
This Year
99 bpm • B min • 03:44 • -3db
18% Popularity • 55% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 55% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Knox Hamilton
Washed up Together
99 bpm • D Maj • 02:58 • -2.17db
38% Popularity • 32% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 32% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Jukebox The Ghost
Somebody
112 bpm • C Maj • 04:06 • -5.21db
34% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Coleman Hell
shadows of your love
110 bpm • C min • 02:38 • -5.91db
14% Popularity • 67% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 67% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Robert DeLong
Possessed
112 bpm • G min • 04:18 • -5db
19% Popularity • 80% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 80% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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OptycNerd
Marathons
112 bpm • B min • 04:39 • -8.45db
20% Popularity • 78% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 78% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
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Otis English
Young Kids, Old Love
112 bpm • G# Maj • 03:04 • -4.1db
16% Popularity • 34% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
16% Popularity • 34% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Andrew McMahon in the Wilderness
Halls
98 bpm • E Maj • 03:48 • -6.8db
33% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Heydaze
Hurt Like Hell
98 bpm • D Maj • 03:17 • -5db
31% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Coleman Hell
manic
100 bpm • G# min • 03:26 • -7db
31% Popularity • 66% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 66% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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POWERS
Gimme Some
98 bpm • G# Maj • 02:50 • -3.24db
28% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dionysia
The Breach
113 bpm • G# min • 03:19 • -5db
16% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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AudioDamn!
Don't Call Me When It's Over
113 bpm • A# Maj • 03:03 • -5db
8% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Bruns
Buzzards
98 bpm • A min • 03:29 • -4.69db
16% Popularity • 50% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Grizfolk
Troublemaker
113 bpm • F# min • 03:29 • -5db
41% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Coleman Hell
Sitcom
100 bpm • C# Maj • 02:57 • -5.5db
21% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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BLAJK
French Class
113 bpm • G# Maj • 03:57 • -5.5db
21% Popularity • 70% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 70% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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WATERS
I Feel Everything
113 bpm • F# Maj • 03:23 • -4.69db
21% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Parachute
Crave
113 bpm • F Maj • 02:44 • -4.51db
29% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Magic Man
Catherine
113 bpm • B Maj • 03:36 • -6.24db
22% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Grizfolk
The Struggle
113 bpm • B min • 03:33 • -4.66db
43% Popularity • 55% Danceability • 84% Energy • 34% Liveness
25% Instrumentalness • 67% Positiveness
43% Popularity • 55% Danceability • 84% Energy • 34% Liveness
25% Instrumentalness • 67% Positiveness
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Smallpools
Over & Over
113 bpm • E Maj • 02:47 • -4.11db
44% Popularity • 55% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 55% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Coleman Hell
Fortress
100 bpm • C min • 03:45 • -5.72db
17% Popularity • 73% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 73% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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People the Kangaroo
You Would Not Believe Me
97 bpm • C Maj • 02:43 • -4.85db
16% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
