Songs like Take On Me - Piano Acoustic by Kurt Hugo Schneider
Based on a tempo of (+/- 10%) and a similar genre
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Roses & Frey
Wake Me Up
126 bpm • G Maj • 03:16 • -11.04db
54% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Callum J Wright
Savage Love - Acoustic
126 bpm • A Maj • 02:50 • -9.9db
44% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Nelly Hope
Whatcha Say - Acoustic
126 bpm • A Maj • 03:07 • -10db
37% Popularity • 61% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Ships Have Sailed
Broken Hearts
126 bpm • B min • 03:40 • -8.66db
12% Popularity • 39% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 39% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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River Atley
Fixing Me Breaking You
126 bpm • D Maj • 03:32 • -6.82db
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Harrison
Flawless
126 bpm • A Maj • 03:48 • -11.01db
29% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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René Miller
Silence
126 bpm • C# Maj • 03:07 • -11.73db
26% Popularity • 40% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 40% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kurt Hugo Schneider
Speechless
126 bpm • E min • 03:23 • -7.57db
15% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Daniel
What About Us - Acoustic
125 bpm • E Maj • 04:15 • -12db
57% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Caleb and Kelsey
Still Falling for You / Can't Help Falli...
127 bpm • C# Maj • 02:57 • -8.36db
17% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Beth Crowley
Not Like This
127 bpm • C min • 03:08 • -5.5db
19% Popularity • 65% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 65% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Adina V
Your Love
127 bpm • D Maj • 02:34 • -9.66db
34% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Callum J Wright
Ain't No Sunshine - Acoustic
127 bpm • D# min • 01:55 • -11.39db
32% Popularity • 49% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 49% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Kurt Hugo Schneider
Take On Me - Piano Acoustic
126 bpm • A Maj • 03:28 • -16.42db
13% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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JC Stewart
Love Like That - Stripped Back
125 bpm • D Maj • 04:05 • -16.09db
15% Popularity • 39% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 39% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Griff
A Kind Of Magic – Coke Studio Session
127 bpm • A Maj • 02:14 • -9db
35% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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saachisen
The Gap
127 bpm • C# Maj • 04:02 • -8.87db
17% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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LANNÉ
Steady for You - Acoustic
125 bpm • E Maj • 02:43 • -12.74db
14% Popularity • 72% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 72% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Zocca
Vienna
125 bpm • A# Maj • 03:09 • -12db
40% Popularity • 56% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 56% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kurt Hugo Schneider
Wolves
125 bpm • D Maj • 03:17 • -14.19db
11% Popularity • 60% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
11% Popularity • 60% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
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Hunter Hayes
Tell Me
125 bpm • F Maj • 03:54 • -5.84db
38% Popularity • 44% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 44% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Roses & Revolutions
Someone to You
128 bpm • F Maj • 03:49 • -11db
31% Popularity • 67% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 67% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Iris
After All
128 bpm • G# Maj • 04:04 • -8db
22% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ewan Mainwood
Do You Ever Think About Me
128 bpm • C# Maj • 03:27 • -7.74db
20% Popularity • 69% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 69% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Plamina
In the Name of Love - Acoustic
128 bpm • C min • 03:04 • -9.06db
48% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kurt Hugo Schneider
Still I Fly
125 bpm • C# Maj • 03:49 • -6.72db
26% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Fin McDowell
Losing Game
128 bpm • A# Maj • 03:59 • -11.22db
21% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Roses & Revolutions
Someone to You - Piano Version
128 bpm • F Maj • 03:49 • -11.71db
31% Popularity • 68% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 68% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Paden
Stories
124 bpm • A# Maj • 04:24 • -16.64db
20% Popularity • 31% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 31% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Jasmine Thompson
Pompeii
128 bpm • A Maj • 02:59 • -8.83db
49% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Luca Fogale
I Don't Want to Lose You - Acoustic
124 bpm • A# Maj • 03:13 • -12db
36% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kurt Hugo Schneider
Forever - acoustic
128 bpm • D# Maj • 02:18 • -6.97db
7% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Birdy
Lights
129 bpm • D# Maj • 04:44 • -13.61db
25% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Highland Peak
Graveyard - Acoustic
129 bpm • E min • 04:14 • -12.22db
22% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Drew Ryn
What a Feeling
129 bpm • A Maj • 03:00 • -15db
32% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blair Keen
You Light Me Up - Acoustic Version
123 bpm • E Maj • 02:47 • -13db
34% Popularity • 49% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 49% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Coldplay
Let Somebody Go - Piano Version
129 bpm • C Maj • 04:09 • -10db
42% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Hugo Schneider
Sweater Weather
124 bpm • A# Maj • 03:48 • -7.82db
56% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Stevie Appleton
Paradise - Acoustic
123 bpm • D# min • 02:33 • -10.87db
47% Popularity • 85% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 85% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Post Tense
To Be With You
123 bpm • B min • 03:07 • -11.34db
20% Popularity • 42% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
20% Popularity • 42% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
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Sophie Griffiths
It Must Be Love
129 bpm • D Maj • 02:39 • -12.07db
24% Popularity • 57% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 57% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ella Bleu
Dizzy
123 bpm • C Maj • 03:51 • -8db
28% Popularity • 58% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 58% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Callum J Wright
Slow Dancing In a Burning Room - Acousti...
123 bpm • F# min • 02:21 • -10.61db
37% Popularity • 55% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 55% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Kurt Hugo Schneider
Shut Up & Dance
128 bpm • C# Maj • 03:07 • -5.97db
20% Popularity • 69% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 69% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Jake Wesley Rogers
I'll Stand by You
129 bpm • C Maj • 03:24 • -6.44db
47% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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We Three
Half Hearted - Radio Edit
130 bpm • E Maj • 02:43 • -9.57db
30% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Kendra Soliz
No One's Gonna Love You
130 bpm • C# Maj • 04:00 • -9db
36% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tobey Rosen
Whole Again - Acoustic Version
130 bpm • B Maj • 02:37 • -9db
39% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mother's Daughter
I Like Me Better
130 bpm • D# Maj • 03:38 • -9.89db
42% Popularity • 59% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 59% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Klaver
When You Say I'm Yours
130 bpm • C Maj • 02:53 • -10.46db
25% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kurt Hugo Schneider
Never Be the Same
130 bpm • D# Maj • 03:47 • -14.89db
18% Popularity • 63% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Clementine Duo
A Thousand Years
130 bpm • A# Maj • 04:42 • -14db
38% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lúc
No Air
130 bpm • A Maj • 03:19 • -13db
45% Popularity • 67% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 67% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Frankie Orella
Heartbreaker
122 bpm • F min • 03:26 • -10.9db
32% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Goot
you broke me first (Acoustic)
122 bpm • D# Maj • 02:46 • -8.41db
20% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Hugo Schneider
Million Reasons
130 bpm • B Maj • 03:11 • -7.75db
15% Popularity • 48% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 48% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Roberta Loki
Angel Flying Too Close To The Ground
130 bpm • E Maj • 03:59 • -14.27db
11% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Beven Fonseca
Promise Me
122 bpm • A min • 03:09 • -3.66db
31% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kaiak
Forever Young - Acoustic Version
122 bpm • G Maj • 03:52 • -12.58db
36% Popularity • 41% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 41% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Lauren Spencer Smith
Always Remember Us This Way
131 bpm • A# Maj • 03:36 • -7.02db
50% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mother's Daughter
Glimpse of Us
131 bpm • G Maj • 03:52 • -10.35db
25% Popularity • 60% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 60% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Davies
i met a boy online
121 bpm • C Maj • 03:14 • -9db
35% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Marnix Emanuel
Heart To Heart
121 bpm • D Maj • 04:21 • -9.96db
26% Popularity • 45% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 45% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Francois Klark
Sailing
131 bpm • A# Maj • 03:50 • -13.78db
16% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Zocca
Kids
132 bpm • A# Maj • 03:29 • -14db
22% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Craymer
Can't Take My Eyes off You
121 bpm • A Maj • 03:54 • -11.01db
46% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Circumnavigate
To Build a Home
132 bpm • A Maj • 05:55 • -18.43db
34% Popularity • 34% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
34% Popularity • 34% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
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Hannah's Yard
As It Was - Acoustic
132 bpm • C Maj • 03:16 • -11db
28% Popularity • 54% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 54% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Natalie Taylor
Walls
132 bpm • E Maj • 03:49 • -8.79db
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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The Sweeplings
Shipwrecks
132 bpm • C Maj • 03:05 • -8.27db
17% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kurt Hugo Schneider
Infinity
132 bpm • C# Maj • 02:59 • -10.51db
25% Popularity • 66% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 66% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Bailey Pelkman
I Just Called To Say I Love You
132 bpm • C Maj • 03:09 • -9.88db
46% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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ASKYA
Stay Here
132 bpm • A# Maj • 03:41 • -10.28db
27% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Brent Morgan
Deserve You
120 bpm • A# min • 03:00 • -17.14db
33% Popularity • 68% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 68% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Mott
The Impossible
120 bpm • A Maj • 04:12 • -9db
20% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Sweeplings
Please Don't
132 bpm • G# Maj • 04:15 • -9.98db
7% Popularity • 38% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Kurt Hugo Schneider
I'll Think Of You
120 bpm • C Maj • 02:16 • -11.57db
20% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Natalie Taylor
Born to Be Wild
120 bpm • B Maj • 02:28 • -11.43db
34% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Script
Paint the Town Green - Acoustic
120 bpm • B min • 03:16 • -5db
23% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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OSIS
Beautiful Girls
120 bpm • A Maj • 04:05 • -9.05db
35% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Laura Zocca
Keep Your Head Up
120 bpm • G Maj • 03:20 • -18.16db
21% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tiffany Alvord
Can You Feel the Love Tonight - Acoustic
120 bpm • C# Maj • 03:18 • -15.99db
39% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kurt Hugo Schneider
I Can't Make You Love Me
120 bpm • G min • 04:06 • -13.87db
38% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Nolan
One Night
120 bpm • B min • 03:25 • -8.14db
46% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mother's Daughter
I Swear
120 bpm • E Maj • 03:57 • -14db
42% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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OSIS
Apologize
120 bpm • D Maj • 02:55 • -8.23db
32% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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VDVM
How to save a life - Acoustic version
120 bpm • G# Maj • 03:27 • -13.01db
41% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nina Nesbitt
Colours Of You
133 bpm • B Maj • 03:38 • -10db
18% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Foster
If the World Stopped
133 bpm • B Maj • 03:06 • -11.28db
31% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kurt Hugo Schneider
7 Years
119 bpm • A# Maj • 03:07 • -6.82db
18% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Alex Goot
Dawn of the Moon
133 bpm • A min • 02:43 • -8.27db
8% Popularity • 62% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan de Mel
Dare You To Move - Acoustic
133 bpm • E Maj • 04:06 • -8db
37% Popularity • 58% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 58% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Simon Sage
Circles
119 bpm • G# Maj • 02:12 • -8.01db
49% Popularity • 78% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 78% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Tristan Deniet
Kids Again
134 bpm • B Maj • 02:53 • -11db
38% Popularity • 69% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 69% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sinnon Nightcore
Don't Forget Me - Nightcore
119 bpm • D# Maj • 04:40 • -9.61db
16% Popularity • 25% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 25% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Casey Breves
I Touched the Fire
134 bpm • D Maj • 04:00 • -6.51db
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Kandi Peterson
All You Ever Did
134 bpm • F Maj • 05:19 • -9.17db
25% Popularity • 35% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
