Songs like Take the A-Train by King Of Swing Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jimmie Lunceford
Life Is Fine
146 bpm • G min • 02:43 • -9db
21% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Brooks Prumo Orchestra
What's Your Name?
147 bpm • G min • 03:50 • -7.52db
23% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Anthony
'S Wonderful
145 bpm • C# Maj • 02:42 • -12.66db
16% Popularity • 54% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 81% Positiveness
16% Popularity • 54% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 81% Positiveness
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King Of Swing Orchestra
Take the A-Train
146 bpm • F Maj • 04:53 • -8.46db
21% Popularity • 47% Danceability • 56% Energy • 92% Liveness
5% Instrumentalness • 58% Positiveness
21% Popularity • 47% Danceability • 56% Energy • 92% Liveness
5% Instrumentalness • 58% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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Giorgio Cùscito & Swing Valley Band
Tuxedo Junction (TRANKY-DOO)
147 bpm • A# Maj • 03:21 • -9.05db
15% Popularity • 52% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 85% Positiveness
15% Popularity • 52% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 85% Positiveness
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Jimmie Lunceford
Le jazz hot
146 bpm • G Maj • 02:42 • -8.65db
22% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
22% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
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Duke Ellington's Spacemen
Jones
145 bpm • C# Maj • 02:58 • -18db
17% Popularity • 48% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 48% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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King Of Swing Orchestra
I Get a Kick Out of You
147 bpm • F min • 03:05 • -11.09db
2% Popularity • 42% Danceability • 38% Energy • 15% Liveness
57% Instrumentalness • 67% Positiveness
2% Popularity • 42% Danceability • 38% Energy • 15% Liveness
57% Instrumentalness • 67% Positiveness
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Brooks Prumo Orchestra
Swing, Brother, Swing
147 bpm • A min • 02:47 • -8.19db
24% Popularity • 56% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 56% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Le Dancing Pepa Swing Band
A Smooth One
145 bpm • C min • 03:22 • -10.88db
13% Popularity • 72% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
13% Popularity • 72% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
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Giorgio Cuscito
West Coast Swing
148 bpm • A# Maj • 01:53 • -9.54db
34% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
34% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
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Girls from Mars
Stompin' At The Savoy
148 bpm • C# Maj • 03:42 • -7.52db
18% Popularity • 57% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 57% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Sammy Price
Claudia In The Crowd
148 bpm • F Maj • 02:54 • -16db
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
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King Of Swing Orchestra
Roll 'Em
148 bpm • F min • 04:53 • -10.69db
3% Popularity • 55% Danceability • 52% Energy • 68% Liveness
54% Instrumentalness • 64% Positiveness
3% Popularity • 55% Danceability • 52% Energy • 68% Liveness
54% Instrumentalness • 64% Positiveness
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Brooks Prumo Orchestra
Pass The Bounce
144 bpm • G Maj • 03:16 • -7.42db
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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THE SCHWINGS BAND
See Jam
144 bpm • C Maj • 04:14 • -13db
11% Popularity • 64% Danceability • 31% Energy • 14% Liveness
13% Instrumentalness • 75% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 14% Liveness
13% Instrumentalness • 75% Positiveness
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Duke Heitger & His Swing Band
Watch Out
148 bpm • F Maj • 02:33 • -10db
21% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Buster Smith
Kansas City Riffs
149 bpm • A# min • 05:17 • -12db
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Sammy Price
Salute To Basie
149 bpm • A# Maj • 02:27 • -17db
33% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
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Lucky Millinder
Apollo Jump
143 bpm • D min • 03:27 • -4db
3% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
3% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
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Erskine Hawkins & His Orchestra
Tippin' In - Digitally Mastered - Septem...
143 bpm • A# Maj • 03:22 • -11.2db
6% Popularity • 60% Danceability • 38% Energy • 6% Liveness
68% Instrumentalness • 70% Positiveness
6% Popularity • 60% Danceability • 38% Energy • 6% Liveness
68% Instrumentalness • 70% Positiveness
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Roy Eldridge
Jump Through The Window (11-16-43)
149 bpm • C Maj • 02:43 • -9.52db
16% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
16% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
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Johnny Hodges & His Orchestra
Wham
143 bpm • C Maj • 03:01 • -14.91db
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
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King Of Swing Orchestra
Swingin' Cologne
143 bpm • F min • 03:53 • -8.79db
3% Popularity • 49% Danceability • 60% Energy • 27% Liveness
66% Instrumentalness • 65% Positiveness
3% Popularity • 49% Danceability • 60% Energy • 27% Liveness
66% Instrumentalness • 65% Positiveness
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The Big 18
Hors D'oeuvre
143 bpm • D# Maj • 04:40 • -18.27db
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
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Illinois Jacquet
Jacquet In The Box
149 bpm • G# Maj • 02:56 • -14.67db
15% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
15% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Don Byas
Melody In Swing (09-12-45)
143 bpm • F Maj • 03:17 • -13db
13% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Honey Pie
143 bpm • G# Maj • 04:10 • -9db
25% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Coquette Jazz Band
Jive at Five
143 bpm • D# Maj • 03:57 • -14.68db
14% Popularity • 72% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 51% Positiveness
14% Popularity • 72% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 51% Positiveness
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Bill Elliott Swing Orchestra
Let's Get Married
143 bpm • F min • 02:35 • -8.85db
19% Popularity • 67% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Big 18
Celery Stalks at Midnight
149 bpm • C Maj • 04:10 • -15db
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
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Andreas Sobczyk Quartett
Basement Boogie
142 bpm • G Maj • 03:17 • -10.38db
13% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Sam Levine
Ja-Da
150 bpm • C Maj • 03:01 • -11.45db
16% Popularity • 76% Danceability • 33% Energy • 4% Liveness
91% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 33% Energy • 4% Liveness
91% Instrumentalness • 96% Positiveness
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Glenn Crytzer
You Don't Say
142 bpm • G# Maj • 03:51 • -16db
15% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Blue Harlem
I Dare You Baby
150 bpm • C Maj • 02:59 • -3.62db
27% Popularity • 48% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 48% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Bill Elliott Swing Orchestra
Streamliner
150 bpm • D# min • 03:50 • -10.39db
19% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop - Remastered - 1995
141 bpm • F Maj • 03:06 • -17.2db
22% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
22% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
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Professor Cunningham And His Old School
Maelstrom
141 bpm • C# Maj • 03:57 • -16db
16% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
16% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Glenn Crytzer
The Beaver Bump
151 bpm • A min • 03:35 • -15.06db
20% Popularity • 55% Danceability • 41% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
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THE SCHWINGS BAND
Zuzu Blues
152 bpm • G# Maj • 03:31 • -13db
11% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
11% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Charlie Shavers
El Salon De Gutbucket
152 bpm • F min • 02:59 • -9.31db
5% Popularity • 58% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
5% Popularity • 58% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
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Reverent Juke
Got U Beggin
141 bpm • C min • 05:07 • -10.18db
18% Popularity • 58% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
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Southside Aces
My Blue Heaven
152 bpm • D# Maj • 03:23 • -11.67db
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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The Swing Cats Big Band
How Lucky Can One Guy Be
140 bpm • C Maj • 03:29 • -8.6db
13% Popularity • 66% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 66% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Indigo Swing
Another Day In L.A.
153 bpm • G# Maj • 04:14 • -8.72db
27% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Glenn Crytzer
Ten 'Til Five
139 bpm • G Maj • 02:49 • -15.81db
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
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Girls from Mars
Free Eats
139 bpm • F Maj • 03:19 • -8.93db
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Benny Goodman Trio
All I Do Is Dream Of You
139 bpm • C Maj • 02:22 • -12.66db
15% Popularity • 46% Danceability • 70% Energy • 10% Liveness
55% Instrumentalness • 71% Positiveness
15% Popularity • 46% Danceability • 70% Energy • 10% Liveness
55% Instrumentalness • 71% Positiveness
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Southside Aces
Five O'Clock Drag
140 bpm • A# Maj • 03:57 • -9.05db
13% Popularity • 77% Danceability • 45% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
13% Popularity • 77% Danceability • 45% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
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Jimmy Dorsey & His Orchestra
Sorghum Switch
139 bpm • F Maj • 03:24 • -10.74db
22% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
22% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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King Of Swing Orchestra
Leev Linda Lou
139 bpm • A# Maj • 02:36 • -11.1db
2% Popularity • 50% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 50% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Kid Ory
My Bucket's Got A Hole In It
139 bpm • F Maj • 04:55 • -13.1db
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
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Jimmie Lunceford
For Dancers Only
154 bpm • C min • 02:43 • -13db
20% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
20% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Rex Stewart
Tain't Like That
138 bpm • G min • 03:03 • -9.43db
19% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
19% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
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Midnight Serenaders
I Can't Dance I Got Ants In My Pants
138 bpm • C Maj • 03:22 • -7.73db
18% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop
138 bpm • F Maj • 03:09 • -10.37db
21% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
21% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Reverent Juke
Le Travailleur De Nuit
154 bpm • A# min • 04:20 • -9.16db
18% Popularity • 63% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 64% Positiveness
18% Popularity • 63% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 64% Positiveness
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Le Dancing Pepa Swing Band
Who Walks in When I Walk Out
138 bpm • D min • 03:17 • -10.59db
17% Popularity • 74% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 74% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Big 18
Okay for Baby
155 bpm • G# Maj • 03:41 • -11.23db
11% Popularity • 51% Danceability • 47% Energy • 3% Liveness
10% Instrumentalness • 68% Positiveness
11% Popularity • 51% Danceability • 47% Energy • 3% Liveness
10% Instrumentalness • 68% Positiveness
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Bill Elliott Swing Orchestra
When We Dance
155 bpm • C# Maj • 03:10 • -7.87db
25% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Brooks Prumo Orchestra
Nothing To Do But Hang With You
137 bpm • D# Maj • 03:18 • -7.68db
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
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THE SCHWINGS BAND
Ona
156 bpm • F Maj • 03:52 • -13db
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
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Pete Johnson
627 Stomp (11-11-40)
156 bpm • B Maj • 03:09 • -14db
8% Popularity • 71% Danceability • 53% Energy • 11% Liveness
44% Instrumentalness • 80% Positiveness
8% Popularity • 71% Danceability • 53% Energy • 11% Liveness
44% Instrumentalness • 80% Positiveness
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Harry James
Music Makers
136 bpm • G# Maj • 03:10 • -10db
7% Popularity • 61% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 61% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Mint Julep Jazz Band
In a Mellow Tone
136 bpm • F min • 03:07 • -10.85db
15% Popularity • 64% Danceability • 23% Energy • 10% Liveness
45% Instrumentalness • 67% Positiveness
15% Popularity • 64% Danceability • 23% Energy • 10% Liveness
45% Instrumentalness • 67% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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The Solomon Douglas Swingtet
White Heat
157 bpm • G# Maj • 02:16 • -8.01db
11% Popularity • 58% Danceability • 58% Energy • 7% Liveness
97% Instrumentalness • 95% Positiveness
11% Popularity • 58% Danceability • 58% Energy • 7% Liveness
97% Instrumentalness • 95% Positiveness
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Buster Smith
Organ Grinder's Swing
136 bpm • A# Maj • 06:35 • -13.52db
25% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Woody Herman & His Orchestra
The Northwest Passage
136 bpm • D# Maj • 03:04 • -8.08db
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Indigo Swing
Regular Joe
135 bpm • A# min • 03:26 • -9db
20% Popularity • 72% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 72% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Pangman
Ain't cha' Glad?
135 bpm • C# Maj • 03:20 • -6.6db
13% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Sammy Price
Clarinet Creole
158 bpm • C Maj • 03:48 • -9db
9% Popularity • 42% Danceability • 82% Energy • 12% Liveness
10% Instrumentalness • 51% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 12% Liveness
10% Instrumentalness • 51% Positiveness
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THE SCHWINGS BAND
Uptown Rhythm
135 bpm • G# Maj • 03:34 • -13.03db
17% Popularity • 78% Danceability • 37% Energy • 10% Liveness
56% Instrumentalness • 94% Positiveness
17% Popularity • 78% Danceability • 37% Energy • 10% Liveness
56% Instrumentalness • 94% Positiveness
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Larry Clinton
Study In Blue
158 bpm • C# Maj • 03:36 • -7.26db
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Brooks Prumo Orchestra
Tain't Like That
135 bpm • G min • 03:09 • -7.85db
26% Popularity • 87% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 63% Positiveness
26% Popularity • 87% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 63% Positiveness
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Andy Kirk
A Mellow Bit of Rhythm - Remastered
158 bpm • G# Maj • 03:23 • -8db
9% Popularity • 66% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 82% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Bernard Berkhout
Jersey Bounce
135 bpm • F min • 03:27 • -7.03db
18% Popularity • 68% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 68% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
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Bill Elliott Swing Orchestra
I'm Fallin' In Love Again
135 bpm • C# Maj • 02:38 • -9.83db
12% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Bunk Johnson
Careless Love
158 bpm • F Maj • 02:17 • -13db
26% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Girls from Mars
Spring Cleaning
134 bpm • F# min • 03:06 • -9.27db
16% Popularity • 76% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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Cootie Williams
You Talk A Little Trash
159 bpm • D# Maj • 02:54 • -8.79db
16% Popularity • 67% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 71% Positiveness
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Brooks Prumo Orchestra
Broadway
159 bpm • G# Maj • 03:15 • -7.77db
18% Popularity • 64% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
18% Popularity • 64% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Si Zentner
Little Jazz
159 bpm • G# Maj • 03:07 • -13.01db
16% Popularity • 49% Danceability • 31% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
16% Popularity • 49% Danceability • 31% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
134 bpm • C Maj • 03:23 • -13.35db
15% Popularity • 82% Danceability • 22% Energy • 29% Liveness
71% Instrumentalness • 70% Positiveness
15% Popularity • 82% Danceability • 22% Energy • 29% Liveness
71% Instrumentalness • 70% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Rip Van Winkle
134 bpm • C# Maj • 03:04 • -9.19db
23% Popularity • 69% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 69% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Kirk
A Mellow Bit Of Rhythm
160 bpm • D# Maj • 03:19 • -5.15db
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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King Of Swing Orchestra
Sledge Hammer - TV Theme
160 bpm • A Maj • 02:51 • -8.29db
1% Popularity • 38% Danceability • 93% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
1% Popularity • 38% Danceability • 93% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Norbert Susemihl
Tom Cat Blues
133 bpm • F Maj • 02:55 • -10.59db
30% Popularity • 77% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Oo Poppa Do
160 bpm • C# Maj • 03:13 • -8.05db
29% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
