Songs like Take Yours, I'll Take Mine by Matthew Mole
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Mole
Take Yours, I'll Take Mine - Jury Chambe...
138 bpm • D# Maj • 03:38 • -7.35db
31% Popularity • 56% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 56% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Patrick James
Bugs
138 bpm • E Maj • 03:57 • -8db
30% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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George Ezra
Paradise
138 bpm • B Maj • 03:42 • -3.54db
66% Popularity • 64% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 64% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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WILD
Throw Me in the Water
138 bpm • C Maj • 03:39 • -7.47db
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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The National Parks
Monsters of the North
138 bpm • C# min • 03:52 • -8db
39% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew Mole
Take Yours, I'll Take Mine
138 bpm • D# Maj • 03:43 • -8.95db
57% Popularity • 68% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 68% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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The Hunts
Make This Leap
138 bpm • G Maj • 03:46 • -7.67db
39% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Keston Cobblers Club
Almost Home
136 bpm • G# Maj • 02:49 • -11.11db
37% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Nunnelee
Put Me in the Ground
140 bpm • C Maj • 04:26 • -9.13db
44% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Dean Lewis
Need You Now
140 bpm • B Maj • 03:32 • -6.04db
42% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Hunts
Along the Way
137 bpm • A Maj • 04:32 • -5.8db
37% Popularity • 61% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 61% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Matthew Mole
Take On Me
140 bpm • A# Maj • 02:24 • -10.63db
23% Popularity • 83% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
23% Popularity • 83% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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The Gardener & The Tree
Mama's Guitar
135 bpm • D Maj • 05:16 • -7.96db
34% Popularity • 48% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 48% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Al Bairre
Let's Fall in Love Some More
135 bpm • G Maj • 03:18 • -5.68db
37% Popularity • 61% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 61% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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All Faces
Welcome Home
135 bpm • G Maj • 03:03 • -11db
23% Popularity • 64% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
23% Popularity • 64% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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The Hunts
Peace Be Still
142 bpm • G Maj • 04:12 • -6.77db
30% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew Mole
Chapel
140 bpm • A Maj • 03:40 • -9.58db
19% Popularity • 57% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 57% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Shortstraw
Couch Potato
134 bpm • D Maj • 03:33 • -5.98db
34% Popularity • 62% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 43% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Collection
Left of Your Joy
143 bpm • A# Maj • 03:47 • -7db
33% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Matthew Mole
Countryside
140 bpm • B Maj • 03:37 • -9.39db
25% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Lewis
Hold Of Me
143 bpm • F Maj • 03:22 • -7.86db
48% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Honoraries
Deep Into The Wild
143 bpm • B Maj • 05:11 • -4.43db
36% Popularity • 49% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 49% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Jackal & the Wind
Wild Child
133 bpm • A Maj • 03:42 • -5.6db
22% Popularity • 54% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 54% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Judah & the Lion
Spirit
133 bpm • G Maj • 03:24 • -7.59db
52% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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WALK THE MOON
Lost In The Wild
133 bpm • F# min • 03:55 • -4.83db
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Icarus Account
Cherry Street
133 bpm • C# Maj • 02:58 • -7db
37% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Ziggy Alberts
Simple Things
133 bpm • C# Maj • 04:26 • -14.74db
51% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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The National Parks
As We Ran
144 bpm • A Maj • 03:20 • -7db
51% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
51% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Andrew Galucki
I Know the Way Home
144 bpm • F Maj • 03:21 • -11.59db
43% Popularity • 70% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 33% Positiveness
43% Popularity • 70% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 33% Positiveness
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Winterbourne
Steady My Bones
132 bpm • A# Maj • 04:26 • -8.61db
40% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Roo Panes
Open Road - EP Version
132 bpm • F Maj • 04:18 • -8.28db
45% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Bastille
The Anchor
132 bpm • G# min • 03:24 • -3.9db
48% Popularity • 37% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 37% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
56% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Rector
Brand New
145 bpm • A Maj • 04:03 • -5.04db
63% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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WILD
Here We Go
145 bpm • C Maj • 03:10 • -6.59db
57% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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The Dunwells
Battling Life
145 bpm • B min • 04:05 • -10.45db
31% Popularity • 67% Danceability • 69% Energy • 74% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 67% Danceability • 69% Energy • 74% Liveness
0% Instrumentalness • 45% Positiveness
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The Gray Havens
Band of Gold
131 bpm • B Maj • 03:32 • -9.35db
43% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Collection
Beautiful Life
146 bpm • D Maj • 04:15 • -7.16db
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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WILD
This Is Our Time
145 bpm • G# Maj • 03:22 • -7.34db
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Bronze Radio Return
Further On
130 bpm • C Maj • 02:26 • -6.66db
48% Popularity • 63% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
48% Popularity • 63% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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The National Parks
Coração
130 bpm • D# Maj • 03:49 • -6.45db
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Majozi
Fire
130 bpm • F Maj • 03:23 • -5.04db
35% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Dotan
Home
130 bpm • E min • 04:28 • -8.94db
61% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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WILD
Hold Us Together
145 bpm • C Maj • 03:41 • -5.28db
40% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew Mole
It's Simple, Child
130 bpm • E Maj • 03:47 • -11.11db
21% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Riley Whisler
Running Out of Places to Go
130 bpm • A Maj • 04:25 • -9.29db
27% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Family and Friends
Amadeus
147 bpm • B min • 03:27 • -7db
53% Popularity • 43% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 43% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Picture This
Take My Hand
130 bpm • B Maj • 03:30 • -4.88db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Birds of Bellwoods
A Year Ago
129 bpm • C Maj • 02:43 • -7.74db
37% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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WILD
Vagabond
148 bpm • D Maj • 02:51 • -6.81db
44% Popularity • 49% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 49% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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Allman Brown
Sons and Daughters
148 bpm • F min • 03:36 • -9.47db
46% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Picture This
Oslo
129 bpm • F# Maj • 03:57 • -9.59db
39% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dean Lewis
Lose My Mind
128 bpm • G# Maj • 03:20 • -6.64db
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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Grizfolk
Waking Up The Giants
128 bpm • B min • 03:54 • -9db
42% Popularity • 59% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Majozi
The River
128 bpm • C# Maj • 03:51 • -8db
24% Popularity • 72% Danceability • 62% Energy • 39% Liveness
16% Instrumentalness • 61% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 39% Liveness
16% Instrumentalness • 61% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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The National Parks
Wildflower
128 bpm • G Maj • 03:32 • -7.04db
34% Popularity • 58% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 58% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Matthew Mole
I'm With You
150 bpm • A Maj • 03:33 • -10.03db
32% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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The Score
Where Do You Run
150 bpm • C# Maj • 03:23 • -4.31db
41% Popularity • 41% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 41% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Bear's Den
Agape
150 bpm • E Maj • 04:17 • -8.01db
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The 502s
Olivia
150 bpm • D Maj • 02:53 • -12.39db
39% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Kid Politics
Lost in the Jungle
150 bpm • F# min • 03:44 • -7.77db
34% Popularity • 57% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 57% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Matthew Mole
Cry Me A River
150 bpm • G min • 01:57 • -12.99db
23% Popularity • 81% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 77% Positiveness
23% Popularity • 81% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 77% Positiveness
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Havelin
Medicine
150 bpm • G Maj • 03:44 • -11db
37% Popularity • 49% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 49% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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WILD
American Love
127 bpm • C# Maj • 04:11 • -6db
36% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sleeping At Last
Taste
127 bpm • D Maj • 04:24 • -6.16db
34% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jules Ahoi
September Sun
150 bpm • A Maj • 03:35 • -7.55db
37% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Neon Dreams
The Art Of Letting Go
150 bpm • C# min • 03:08 • -5.2db
40% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Matthew Mole
I'm With You - Acoustic
150 bpm • G Maj • 03:31 • -13.83db
16% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Maeson
Cringe - Stripped
126 bpm • F Maj • 03:43 • -8.9db
50% Popularity • 75% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 75% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Ziggy Alberts
Days in the Sun
126 bpm • F# Maj • 03:34 • -10.79db
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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WILD
I'll Let You Know
126 bpm • G Maj • 02:46 • -7db
40% Popularity • 66% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 66% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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American Authors
I'm Born To Run
126 bpm • G# Maj • 03:26 • -5.62db
63% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Lighthouse And The Whaler
Into the Unknown
126 bpm • D Maj • 03:45 • -7.62db
29% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Phillip Phillips
Raging Fire
126 bpm • G Maj • 03:54 • -4.67db
53% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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The Lumineers
Cleopatra
151 bpm • G# Maj • 03:21 • -6.77db
56% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
