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Taki Rari
Songs like
Taki Rari
by
Sixth Wave
Based on a tempo of (+/- 10%) and a similar genre
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Raymond Okeke-Macauley
Fit For Praise
104 bpm • C# min • 03:37 • -6.47db
22% Popularity • 73% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Cornell Class Notes
Fuck My Friends
104 bpm • G min • 01:57 • -5.26db
13% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Maul-Wurf
One Fine Day
104 bpm • D Maj • 02:40 • -7.47db
12% Popularity • 73% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Acappella Company
Resting in Jesus
104 bpm • F# Maj • 03:25 • -9.66db
11% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sixth Wave
Taki Rari
104 bpm • G min • 02:03 • -7.88db
0% Popularity • 67% Danceability • 65% Energy • 61% Liveness
1% Instrumentalness • 66% Positiveness
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The Harvard Krokodiloes
Runaway
104 bpm • A# Maj • 01:43 • -22.25db
8% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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James Chapeau
Dont Fear The Darkness
103 bpm • B Maj • 02:50 • -19.01db
12% Popularity • 50% Danceability • 8% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Hopers Zambia
Tuya Kumubona
103 bpm • D# Maj • 02:32 • -12.19db
9% Popularity • 37% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Acoustix
This Is The Moment
105 bpm • A# Maj • 03:35 • -14.91db
13% Popularity • 31% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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ACA Retreat
Sledgehammer (Live)
106 bpm • G Maj • 03:42 • -5.99db
7% Popularity • 49% Danceability • 82% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
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Sixth Wave
Jeannine
103 bpm • D# min • 03:53 • -7.38db
0% Popularity • 61% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Harvard Krokodiloes
Georgia on My Mind
103 bpm • G min • 03:24 • -9.63db
12% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Maurice Occam
Future Friends
103 bpm • B Maj • 03:15 • -8.58db
30% Popularity • 50% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
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El Roi Ministry
The God Who Sees
106 bpm • D Maj • 03:29 • -11.72db
18% Popularity • 54% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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BYU Noteworthy
Lose You to Love Me
102 bpm • E Maj • 03:00 • -10.91db
8% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Maul-Wurf
Good Old a Capella
106 bpm • E Maj • 02:48 • -6.21db
14% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Sixth Wave
Meet Us (Intro)
106 bpm • F min • 03:38 • -9.28db
0% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Fordham Ramblers
Troublemaker
106 bpm • G# Maj • 02:47 • -4.94db
8% Popularity • 82% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Maurice Occam
Origin
102 bpm • F Maj • 04:04 • -8.19db
29% Popularity • 66% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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El Roi Ministry
The God Who Sees
106 bpm • D Maj • 03:29 • -9.99db
9% Popularity • 51% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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SHALOM
Joyful, Joyful We Adore Thee
102 bpm • G Maj • 02:27 • -10.58db
7% Popularity • 32% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Highline Vocal Jazz
Raindrops Keep Fallin' on My Head
106 bpm • F# Maj • 02:47 • -2.22db
10% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Diatra Lanham
Golden Win
107 bpm • C min • 03:18 • -9.48db
8% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Asante Acappella
Yesu Akwita
101 bpm • F# Maj • 03:59 • -14.42db
11% Popularity • 17% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Maurice Occam
Beliache
106 bpm • D min • 03:29 • -11db
29% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Tufts Anchord
Shackles
101 bpm • G min • 03:03 • -5.16db
9% Popularity • 65% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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SHALOM
Peace, Perfect Peace
106 bpm • B Maj • 01:38 • -12.38db
7% Popularity • 26% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Midtown
Day in, Day Out
101 bpm • G Maj • 02:49 • -7.77db
7% Popularity • 45% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Jeanne Mello
Still Believe You
107 bpm • G Maj • 02:43 • -11.26db
8% Popularity • 20% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Asante Acappella
Heaven Bound
107 bpm • C# min • 02:46 • -8.66db
13% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Maurice Occam
Trapped In This Lifeboat
107 bpm • A Maj • 02:25 • -16.12db
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Aquapella
Butterfly
108 bpm • C# min • 05:10 • -6.74db
8% Popularity • 57% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Accent
Sugar
108 bpm • C# Maj • 03:31 • -6.58db
9% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Stand Music
Broken Things
108 bpm • B Maj • 04:34 • -7.83db
16% Popularity • 73% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Mr. Moree
Unpeel Me
100 bpm • A# Maj • 01:30 • -13.79db
27% Popularity • 33% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Frequency
Greedy
108 bpm • C# Maj • 03:40 • -4.54db
10% Popularity • 68% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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The Idea of North
In This Heart
100 bpm • D Maj • 03:24 • -12.22db
10% Popularity • 32% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Wayne Rodrigues
Unwritten (Arr. J. Donkin)
100 bpm • A# Maj • 03:04 • -5.41db
8% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tonic Sol-Fa
Just One of Those Days
100 bpm • G# Maj • 03:56 • -6.08db
21% Popularity • 79% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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United Voice Worship
Grateful
100 bpm • C# min • 02:39 • -8.99db
9% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Exit 245
Creepin'
100 bpm • C# min • 03:51 • -6.5db
11% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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ReGen Harmony
Bleed the Same
100 bpm • G Maj • 03:01 • -7.04db
7% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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For Him Ministries
To Them That Believe
100 bpm • C Maj • 03:20 • -12.35db
8% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mixed Mode
Shady
100 bpm • D# min • 03:08 • -7.42db
19% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Leilani Patao
Make Believe
100 bpm • G# Maj • 04:14 • -13.29db
17% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Notre Dame Undertones
The Book of Love
100 bpm • G# Maj • 02:47 • -10db
8% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sixth Wave
Blackbird
109 bpm • C# min • 02:49 • -11.4db
0% Popularity • 34% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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ReGen Harmony
Get Up
100 bpm • G Maj • 04:33 • -5.28db
7% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Fishers of Men
Tizanyada
108 bpm • E Maj • 06:20 • -10.39db
9% Popularity • 41% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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T-Birds
Goodnight Sweetheart, Goodnight
109 bpm • G# Maj • 02:43 • -5.51db
8% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Celtic Stampede
The Mare Of The Forest
110 bpm • D# Maj • 04:29 • -7.48db
7% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Accent
Song for Gene
109 bpm • A# min • 02:54 • -10.75db
10% Popularity • 39% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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The Downbeats
Vertigo
110 bpm • D# min • 04:04 • -6.74db
6% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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For Him Ministries
Until the End
110 bpm • A Maj • 03:05 • -9.88db
10% Popularity • 61% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Naura
In Harmony
110 bpm • F Maj • 04:19 • -11.27db
7% Popularity • 54% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Christ Echoes
Dzuka
110 bpm • D# Maj • 03:39 • -8.45db
14% Popularity • 33% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Groove For Thought
And So It Goes
110 bpm • A min • 04:13 • -16.82db
12% Popularity • 33% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Virginia Belles
Everywhere
110 bpm • E Maj • 03:11 • -6.73db
12% Popularity • 65% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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German Gents
She's the One
110 bpm • G# Maj • 03:45 • -7.75db
7% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Fundamentally Sound
Butter
110 bpm • G# Maj • 02:28 • -8.45db
8% Popularity • 80% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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All-Night Yahtzee
Snakeskin / G.U.Y.
110 bpm • C min • 03:46 • -6.47db
15% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sixth Wave
Pick Up The Pieces
110 bpm • C min • 03:05 • -6.16db
0% Popularity • 86% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Gifted Ministry
Intro
110 bpm • G# Maj • 00:45 • -10.94db
15% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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N/A
Here's to Life
110 bpm • F# min • 03:36 • -9.15db
7% Popularity • 33% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Harvard Krokodiloes
Rubber Duckie
98 bpm • F# Maj • 02:01 • -12.74db
10% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Harps
Yesu Waima Pakhomo
98 bpm • D# Maj • 03:14 • -7.85db
11% Popularity • 33% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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139th Street Quartet
Bach's Fugue In D Minor
111 bpm • C# Maj • 01:48 • -11.07db
11% Popularity • 36% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Koro Dominiko
Dominican Blessing
98 bpm • D# Maj • 01:55 • -10.08db
17% Popularity • 23% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Illinois Rip Chords
Reflections
111 bpm • D Maj • 03:21 • -7.41db
9% Popularity • 63% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 24% Positiveness
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Jehovah Shalom Acapella
My Hope Is Built on Nothingless
111 bpm • C# Maj • 03:43 • -8.69db
12% Popularity • 52% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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The Harvard Krokodiloes
House of Blue Lights
97 bpm • A min • 01:54 • -8.59db
8% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Chronicles Lilongwe Band
Maberu
97 bpm • A Maj • 01:48 • -8.26db
13% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Dhamakapella
Jiya Re
111 bpm • F min • 03:10 • -7.84db
7% Popularity • 62% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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A Cappella Academy
The Sound of Silence
97 bpm • G# Maj • 03:45 • -8.84db
8% Popularity • 26% Danceability • 30% Energy • 89% Liveness
0% Instrumentalness • 14% Positiveness
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Maurice Occam
Mobile Phone
97 bpm • C# min • 03:44 • -10.18db
29% Popularity • 27% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Maciej Pawlak
By the River
97 bpm • B min • 04:27 • -12.6db
13% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Christ Echoes
Ndapulumuka
111 bpm • C# Maj • 03:49 • -8.63db
15% Popularity • 27% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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The JMU BluesTones
Back To Me
97 bpm • G min • 03:29 • -4.94db
18% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sweet Deliverance
You're My Rock
97 bpm • A# Maj • 02:43 • -8.7db
8% Popularity • 41% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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El Roi Ministry
Turn Away
112 bpm • E Maj • 03:49 • -12.17db
17% Popularity • 59% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Vocal Line
Bridges
112 bpm • A min • 03:02 • -8.2db
9% Popularity • 70% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Sixth Wave
This Happy Madness
97 bpm • C min • 03:55 • -11.32db
0% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Maurice Occam
The Jolene
96 bpm • F# min • 02:34 • -7.94db
29% Popularity • 62% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Shower Power
Tithes
96 bpm • B Maj • 03:15 • -8.93db
8% Popularity • 45% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Musta lammas
Katse
96 bpm • B min • 03:49 • -11.48db
8% Popularity • 29% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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The Idea of North
Both Sides Now
96 bpm • A Maj • 04:41 • -8.08db
8% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Fool Moon
Hopelessly Devoted to You
113 bpm • D Maj • 02:57 • -6.64db
13% Popularity • 68% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Sixth Wave
She's Been Around The Block
112 bpm • A# min • 02:35 • -4.98db
0% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kol Sasson
Dangerously
112 bpm • D min • 03:22 • -6.1db
9% Popularity • 65% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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University Of Wisconsin MadHatters
Heard it Through the Grapevine
96 bpm • F Maj • 04:05 • -8.76db
7% Popularity • 69% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Stand Music
Only One
113 bpm • B Maj • 03:24 • -5.75db
17% Popularity • 39% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Maccabeats
Book of Good Life
96 bpm • C min • 03:45 • -7.65db
10% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Naughty Scotty and the Octapella
The Acoustics in the Bathroom
96 bpm • G Maj • 01:38 • -8db
9% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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MAZE Voices
Suddenly It's Here
96 bpm • E Maj • 03:17 • -7.45db
10% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Just 6
Amazulu
113 bpm • F# Maj • 03:23 • -16.52db
10% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The A Cappella Group
Goodbye Yellow Brick Road
96 bpm • F Maj • 02:47 • -7db
18% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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State of Fifths
Interlude, #1: Ripe & Ruin
95 bpm • D Maj • 01:07 • -23.61db
17% Popularity • 69% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Theocentric
We Remember
114 bpm • C Maj • 01:24 • -11.3db
24% Popularity • 24% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Mju Vocal
Ved vatna
95 bpm • G Maj • 04:09 • -10.99db
7% Popularity • 30% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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ChoirCo
Oh Caroline
95 bpm • D Maj • 03:42 • -7.72db
9% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Taki Rari