Songs like Tales of a Jedi Knight and Learn About the Force - From "Star Wars: A New Hope" by John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
30% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
30% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Ludwig Göransson
The Next Journey
83 bpm • C min • 02:35 • -16db
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
83 bpm • A# Maj • 01:45 • -13.96db
14% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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John Williams
Bounty Hunter's Pursuit
83 bpm • G# Maj • 03:22 • -19db
33% Popularity • 16% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
23% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
83 bpm • E Maj • 02:39 • -19.05db
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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John Ireland
The Holy Boy
82 bpm • G min • 02:46 • -29.59db
15% Popularity • 8% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 3% Positiveness
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John Williams
Farewell
82 bpm • D min • 05:14 • -17.98db
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Howard Shore
A Journey in the Dark
84 bpm • D min • 04:20 • -17.94db
44% Popularity • 8% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
83 bpm • E min • 03:00 • -19db
43% Popularity • 10% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Murray Gold
This Time There's Three of Us (The Majes...
82 bpm • F Maj • 07:03 • -17.62db
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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John Williams
The Rise of Skywalker
82 bpm • F# Maj • 04:18 • -18db
37% Popularity • 17% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Marco Beltrami
Fantastic Four Prelude
84 bpm • F Maj • 05:16 • -17.04db
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Shore
The Bridge of Khazad Dum
84 bpm • F min • 05:57 • -13.19db
53% Popularity • 30% Danceability • 49% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 30% Danceability • 49% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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John Williams
Han Solo and the Princess
82 bpm • B min • 03:27 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Alexandre Desplat
The Roosevelt Mission
82 bpm • G Maj • 01:20 • -19.98db
13% Popularity • 16% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Bumblebee Captured
82 bpm • D min • 02:17 • -17.81db
43% Popularity • 17% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Asgard
82 bpm • C Maj • 01:56 • -9.92db
36% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
36% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
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Alan Menken
Pocahontas- Theme: Colors of the Wind
81 bpm • G Maj • 04:56 • -26.14db
25% Popularity • 9% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 9% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 9% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Imperial Attack
82 bpm • E Maj • 06:18 • -15.59db
40% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Murray Gold
Up the Shard
85 bpm • D# Maj • 03:04 • -11.83db
19% Popularity • 25% Danceability • 27% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
19% Popularity • 25% Danceability • 27% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
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Howard Shore
Amon Hen
81 bpm • A min • 05:02 • -17.73db
44% Popularity • 10% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Brian Tyler
New Beginnings
84 bpm • E min • 03:54 • -16db
30% Popularity • 9% Danceability • 24% Energy • 21% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 24% Energy • 21% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig Göransson
You Are a Mandalorian
81 bpm • G Maj • 03:55 • -16db
37% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
37% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
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London Symphony Orchestra
Claire de Lune
81 bpm • C# Maj • 02:03 • -24.85db
43% Popularity • 33% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
43% Popularity • 33% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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John Williams
Return to Tatooine
84 bpm • F min • 06:56 • -26.52db
32% Popularity • 8% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Prague Festival Orchestra
King Arthur
85 bpm • D min • 06:24 • -7.76db
8% Popularity • 14% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 9% Positiveness
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Murray Gold
Gallifrey
81 bpm • C Maj • 02:32 • -16.53db
24% Popularity • 8% Danceability • 25% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 25% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Christopher Lennertz
Casualties Of war
81 bpm • G# Maj • 01:40 • -19.54db
22% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Stephen Barton
Eno Cordova's Theme
85 bpm • D min • 02:44 • -22.79db
35% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Michael Kamen
The Giant Discovered
81 bpm • E min • 04:27 • -12.46db
10% Popularity • 16% Danceability • 39% Energy • 32% Liveness
58% Instrumentalness • 10% Positiveness
10% Popularity • 16% Danceability • 39% Energy • 32% Liveness
58% Instrumentalness • 10% Positiveness
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The Intermezzo Orchestra
Lord of the Rings (Main Theme)
85 bpm • F# min • 04:01 • -17db
18% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
81 bpm • C Maj • 05:35 • -27.07db
10% Popularity • 8% Danceability • 5% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 5% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Summer
85 bpm • D Maj • 04:05 • -25.54db
45% Popularity • 35% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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John Williams
Reunion
81 bpm • F Maj • 04:04 • -17.05db
29% Popularity • 12% Danceability • 19% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 12% Danceability • 19% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Thomas Newman
Field Trip
85 bpm • D Maj • 00:57 • -19db
50% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
50% Popularity • 28% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Marco Beltrami
Radio
86 bpm • E Maj • 02:23 • -22.27db
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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John Williams
A New Home
81 bpm • A# Maj • 01:47 • -20db
40% Popularity • 19% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Shirley Walker
Batman: The Animated Series - Alternate ...
80 bpm • D min • 01:08 • -13.44db
24% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
24% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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Christopher Lennertz
One Man Can Make a Difference
86 bpm • F Maj • 02:08 • -15.24db
17% Popularity • 9% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
17% Popularity • 9% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Hugo Friedhofer
The Best Years of Our Lives- Theme
86 bpm • A Maj • 02:39 • -26.8db
7% Popularity • 13% Danceability • 3% Energy • 35% Liveness
47% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 3% Energy • 35% Liveness
47% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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John Williams
Peace and Purpose
81 bpm • D min • 03:06 • -19db
34% Popularity • 15% Danceability • 14% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
86 bpm • C Maj • 05:41 • -19.38db
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Howard Shore
The Ring Goes South
80 bpm • A min • 02:03 • -14.99db
51% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
51% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
86 bpm • G min • 02:02 • -17.07db
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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John Williams
Across the Stars (Love Theme from "Star ...
81 bpm • C Maj • 05:33 • -18.28db
58% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Prokofiev: Cinderella, Op. 87, Act 1: No...
79 bpm • C Maj • 02:36 • -24.66db
15% Popularity • 17% Danceability • 8% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 8% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
John Williams
Finn's Confession
87 bpm • E min • 02:08 • -22.08db
30% Popularity • 21% Danceability • 9% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 9% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Basil Poledouris
Across The Board/End Credits
79 bpm • F min • 07:33 • -17db
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Clarinet
87 bpm • D Maj • 03:22 • -11db
41% Popularity • 17% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
41% Popularity • 17% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
John Williams
The Force Is with You
79 bpm • G min • 03:59 • -15.6db
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
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Frédéric Chopin
Nocturne in C Sharp
87 bpm • F# min • 04:33 • -13.14db
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Blake Neely
Post Engines, Pre-flight
88 bpm • C Maj • 03:52 • -14.7db
41% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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John Williams
Yoda's Theme
78 bpm • C Maj • 03:27 • -22.88db
46% Popularity • 18% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
46% Popularity • 18% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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London Symphony Orchestra
Ride of the Valkyries
88 bpm • G Maj • 03:32 • -13db
40% Popularity • 29% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 29% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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The Intermezzo Orchestra
Apocalypse Now (Main Theme)
88 bpm • G Maj • 03:26 • -13db
21% Popularity • 27% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Carter Burwell
The Showdown
78 bpm • G Maj • 06:41 • -18db
15% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
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Joe Hisaishi
One Summer's Day
78 bpm • C Maj • 04:03 • -26.93db
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Williams
Torn Apart
79 bpm • F# min • 04:19 • -14.78db
29% Popularity • 8% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
78 bpm • C# Maj • 03:41 • -14.18db
48% Popularity • 39% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 15% Positiveness
48% Popularity • 39% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 15% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov 2nd Piano Concerto
78 bpm • E Maj • 04:48 • -13db
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Behind the Mask
88 bpm • G min • 02:19 • -19.74db
34% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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John Williams
Star Wars, Episode V, "The Empire Strike...
88 bpm • G Maj • 05:32 • -14.57db
9% Popularity • 16% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 5% Positiveness