Songs like Talk Me Down by Willy Mason
Based on a tempo of (+/- 10%) and a similar genre
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Jake Xerxes Fussell
Canyoneers
147 bpm • D# Maj • 04:33 • -11db
28% Popularity • 39% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 39% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Patrick Watson
Adventures In Your Own Backyard
147 bpm • F min • 04:51 • -10db
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
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Willy Mason
Talk Me Down
148 bpm • C Maj • 03:04 • -6db
37% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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James Yorkston
Summer Song
146 bpm • A# Maj • 04:26 • -22.92db
29% Popularity • 37% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 37% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Duke Garwood
Blue
147 bpm • G# Maj • 02:57 • -12db
34% Popularity • 58% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
34% Popularity • 58% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Villagers
The Pact (I'll Be Your Fever)
150 bpm • G Maj • 03:28 • -12db
32% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
32% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
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Johnny Flynn
Fol-De-Rol
150 bpm • A min • 03:33 • -5.9db
16% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Frazey Ford
Bird Of Paradise
146 bpm • C# Maj • 05:17 • -11.26db
37% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Willy Mason
Take It Off
150 bpm • G Maj • 04:20 • -8.78db
6% Popularity • 51% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 51% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Cotton Jones
The Spinning Wheel
146 bpm • G min • 03:26 • -12.73db
42% Popularity • 41% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 41% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kacy & Clayton
The Siren's Song
146 bpm • A Maj • 03:45 • -10.36db
9% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Villagers
Becoming A Jackal
150 bpm • C Maj • 03:21 • -10db
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Benjamin Gibbard
Something’s Rattling (Cowpoke)
145 bpm • A# Maj • 03:51 • -9db
15% Popularity • 54% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 79% Positiveness
15% Popularity • 54% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 79% Positiveness
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Jonathan Wilson
Don't Give Your Heart to a Rambler
145 bpm • C Maj • 03:47 • -11.91db
14% Popularity • 44% Danceability • 53% Energy • 55% Liveness
62% Instrumentalness • 45% Positiveness
14% Popularity • 44% Danceability • 53% Energy • 55% Liveness
62% Instrumentalness • 45% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Cotton Jones
Somehow to Keep it Going
151 bpm • C Maj • 04:36 • -6.86db
29% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jim James
Goin' to Acapulco
151 bpm • A Maj • 04:58 • -7db
39% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Devendra Banhart
Heard Somebody Say
145 bpm • A Maj • 03:20 • -10.4db
36% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
36% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
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Woods
Hollow Home
145 bpm • F# min • 04:05 • -7db
36% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
36% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
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Villagers
Twenty Seven Strangers
145 bpm • C Maj • 03:24 • -13db
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
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Willy Mason
The End Of The Race
145 bpm • C# min • 03:27 • -10.5db
13% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Woods
Shepherd
151 bpm • G Maj • 03:16 • -7db
21% Popularity • 42% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 42% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Alex Ebert
Old Friend
144 bpm • C Maj • 05:02 • -12.35db
23% Popularity • 35% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 16% Positiveness
23% Popularity • 35% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 16% Positiveness
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Micah P. Hinson
Caught in Between
143 bpm • A min • 02:29 • -10.43db
36% Popularity • 30% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 30% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Slow Club
Tears Of Joy
143 bpm • G# Maj • 04:05 • -9db
31% Popularity • 64% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Willy Mason
What Is This
143 bpm • A min • 02:54 • -6db
28% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Moondoggies
Night & Day
142 bpm • G# min • 07:58 • -9db
20% Popularity • 35% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 23% Positiveness
20% Popularity • 35% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 23% Positiveness
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Laura Veirs
Wide-Eyed, Legless
154 bpm • G# min • 02:33 • -9.16db
25% Popularity • 45% Danceability • 47% Energy • 14% Liveness
12% Instrumentalness • 70% Positiveness
25% Popularity • 45% Danceability • 47% Energy • 14% Liveness
12% Instrumentalness • 70% Positiveness
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Ryley Walker
The Roundabout
155 bpm • B Maj • 04:41 • -9.2db
35% Popularity • 48% Danceability • 49% Energy • 12% Liveness
5% Instrumentalness • 62% Positiveness
35% Popularity • 48% Danceability • 49% Energy • 12% Liveness
5% Instrumentalness • 62% Positiveness
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Cate Le Bon
Are You with Me Now?
142 bpm • C Maj • 04:20 • -8db
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
46% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
46% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Stornoway
Zorbing
155 bpm • A Maj • 03:29 • -7.53db
41% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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The Be Good Tanyas
The Littlest Birds
141 bpm • C Maj • 04:09 • -12db
45% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Phosphorescent
Los Angeles
140 bpm • F Maj • 08:48 • -9.17db
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
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The Leisure Society
Overheard
139 bpm • G Maj • 04:22 • -11.4db
20% Popularity • 52% Danceability • 57% Energy • 9% Liveness
35% Instrumentalness • 58% Positiveness
20% Popularity • 52% Danceability • 57% Energy • 9% Liveness
35% Instrumentalness • 58% Positiveness
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Devendra Banhart
Kantori Ongaku
158 bpm • C Maj • 03:41 • -10.75db
35% Popularity • 68% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
35% Popularity • 68% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
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Smog
Rock Bottom Riser
158 bpm • B Maj • 05:44 • -16db
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
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Michael Nau
Your Jewel
138 bpm • F Maj • 04:06 • -15.22db
29% Popularity • 67% Danceability • 24% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
29% Popularity • 67% Danceability • 24% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
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Mount Moriah
Lament
138 bpm • D min • 02:33 • -7db
30% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Willy Mason
Simple Town - Acoustic Version
138 bpm • C# Maj • 04:19 • -11.8db
4% Popularity • 47% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 47% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dark Dark Dark
Bright Bright Bright
159 bpm • A min • 04:30 • -14db
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
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Howe Gelb
Get to Leave
137 bpm • C Maj • 02:55 • -16.72db
28% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
28% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Hurray For The Riff Raff
Jealous Guy
137 bpm • D Maj • 03:27 • -18.19db
48% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jonathan Wilson
Cecil Taylor
160 bpm • A min • 06:30 • -15.76db
31% Popularity • 53% Danceability • 21% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
31% Popularity • 53% Danceability • 21% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
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Damien Jurado
If the Sun Stops Shinin'
138 bpm • D Maj • 02:56 • -6db
32% Popularity • 52% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
32% Popularity • 52% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
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Bry Webb
Someplace I'm Supposed To Be
136 bpm • F# min • 03:17 • -13.51db
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
42% Instrumentalness • 95% Positiveness
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
42% Instrumentalness • 95% Positiveness
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Willy Mason
Painted Glass
136 bpm • C# Maj • 03:06 • -8.7db
10% Popularity • 53% Danceability • 55% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
10% Popularity • 53% Danceability • 55% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Micah P. Hinson
The Possibilities
136 bpm • E Maj • 03:48 • -15.95db
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Elvis Perkins
While You Were Sleeping
162 bpm • D# Maj • 06:19 • -9.34db
36% Popularity • 32% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 32% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Staples
Grand Coulee Band
135 bpm • B min • 02:26 • -7.71db
15% Popularity • 74% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
15% Popularity • 74% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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The Cave Singers
Beach House
135 bpm • F# Maj • 03:43 • -12db
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Willy Mason
Outwit the Devil
162 bpm • B min • 03:04 • -8.1db
15% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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King Creosote
You Just Want
162 bpm • A# min • 07:25 • -10.51db
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
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Jeffrey Lewis
Roll Bus Roll
135 bpm • A Maj • 04:52 • -10.32db
29% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Norgren
Once a Queen
135 bpm • F Maj • 03:17 • -9.03db
36% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
36% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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The Weather Station
Thirty
164 bpm • C Maj • 03:40 • -8.74db
41% Popularity • 40% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 40% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Damien Jurado
ONALASKA
134 bpm • G min • 03:34 • -8.48db
18% Popularity • 40% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 48% Positiveness
18% Popularity • 40% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 48% Positiveness
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Howe Gelb
Running Behind
134 bpm • G Maj • 02:24 • -17.11db
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Micah P. Hinson
When We Embraced
164 bpm • B Maj • 01:45 • -12.39db
37% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Frazey Ford
Blue Streak Mama
133 bpm • C# min • 03:46 • -14.4db
43% Popularity • 93% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 93% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Rozi Plain
Friend City
165 bpm • C Maj • 03:06 • -11.91db
31% Popularity • 56% Danceability • 43% Energy • 20% Liveness
26% Instrumentalness • 84% Positiveness
31% Popularity • 56% Danceability • 43% Energy • 20% Liveness
26% Instrumentalness • 84% Positiveness
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Willy Mason
Reservation
133 bpm • F# min • 04:06 • -10.65db
10% Popularity • 74% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 74% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Tobias Jesso Jr.
Crocodile Tears
133 bpm • A# Maj • 02:22 • -6.87db
27% Popularity • 73% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
27% Popularity • 73% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Dark Dark Dark
Wild Goose Chase
132 bpm • F Maj • 04:25 • -16db
22% Popularity • 41% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
22% Popularity • 41% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Devendra Banhart
Goin' Back
132 bpm • A Maj • 03:44 • -11db
23% Popularity • 63% Danceability • 46% Energy • 18% Liveness
44% Instrumentalness • 44% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 18% Liveness
44% Instrumentalness • 44% Positiveness
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She Keeps Bees
Feather Lighter
132 bpm • E min • 02:45 • -14.2db
34% Popularity • 88% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
34% Popularity • 88% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Nick Mulvey
Juramidam
132 bpm • D Maj • 05:16 • -9db
37% Popularity • 73% Danceability • 70% Energy • 9% Liveness
24% Instrumentalness • 57% Positiveness
37% Popularity • 73% Danceability • 70% Energy • 9% Liveness
24% Instrumentalness • 57% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Andy Shauf
You're Out Wasting
131 bpm • G Maj • 03:46 • -13db
33% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Cass McCombs
Name Written in Water
131 bpm • C Maj • 02:52 • -14.83db
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Mountain Man
Animal Tracks
131 bpm • E min • 02:10 • -14.15db
24% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Willy Mason
I Can't Sleep
130 bpm • D Maj • 03:24 • -9.6db
7% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Damien Jurado
QACHINA
130 bpm • D min • 03:48 • -6.98db
35% Popularity • 62% Danceability • 76% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
35% Popularity • 62% Danceability • 76% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
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Cotton Jones
Up A Tree (Went This Heart I Have)
130 bpm • F min • 03:48 • -7db
35% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Phosphorescent
Sun, Arise! (An Invocation, An Introduct...
130 bpm • C Maj • 03:09 • -14db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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Joan Shelley
Sweet Dark-Haired Man
129 bpm • F# Maj • 03:08 • -13.21db
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mira Billotte
As I Went out One Morning
130 bpm • F Maj • 02:53 • -8.58db
30% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
30% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
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Frazey Ford
Firecracker
129 bpm • D Maj • 03:45 • -11db
45% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Laura Veirs
I Can See Your Tracks
170 bpm • F Maj • 02:58 • -10.98db
23% Popularity • 30% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 10% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 10% Positiveness
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Gus Seyffert
Hold On
129 bpm • E min • 04:54 • -17.66db
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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The Wave Pictures
I Love You Like a Madman
129 bpm • G Maj • 02:58 • -3.66db
30% Popularity • 74% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 74% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Smog
The Well
129 bpm • F# Maj • 07:00 • -13.29db
28% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Alex Ebert
Broken Record
171 bpm • C Maj • 04:34 • -10db
42% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Willy Mason
Gotta Keep Walking
171 bpm • F# min • 03:11 • -9db
14% Popularity • 31% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 31% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Devendra Banhart
Walilamdzi
171 bpm • G Maj • 02:11 • -10.68db
34% Popularity • 38% Danceability • 38% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
34% Popularity • 38% Danceability • 38% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Great Lake Swimmers
Think That You Might Be Wrong
171 bpm • G Maj • 04:14 • -10db
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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King Creosote
Bluebell, Cockleshell, 123
172 bpm • C Maj • 02:08 • -7db
31% Popularity • 68% Danceability • 77% Energy • 50% Liveness
6% Instrumentalness • 93% Positiveness
31% Popularity • 68% Danceability • 77% Energy • 50% Liveness
6% Instrumentalness • 93% Positiveness
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Hiss Golden Messenger
O Little Light
127 bpm • F# Maj • 04:17 • -9.91db
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cass McCombs
Morning Star
127 bpm • G Maj • 03:56 • -13.37db
31% Popularity • 62% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 78% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 78% Positiveness
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Willy Mason
Baby's Playin' Doctor
128 bpm • E min • 02:30 • -12.55db
4% Popularity • 72% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 42% Positiveness
4% Popularity • 72% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 42% Positiveness
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Damien Jurado
Reel To Reel
172 bpm • C Maj • 04:31 • -6.99db
12% Popularity • 34% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 51% Positiveness
12% Popularity • 34% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 51% Positiveness