Songs like Talking 2 You by PRETTYMUCH
Based on a tempo of (+/- 10%) and a similar genre
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PRETTYMUCH
Talking 2 You
116 bpm • G Maj • 02:47 • -5.57db
35% Popularity • 64% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 64% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
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angelbaby
before you (Night Tales Remix)
116 bpm • A# min • 03:39 • -4.81db
24% Popularity • 66% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 69% Positiveness
24% Popularity • 66% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 69% Positiveness
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Bandi
WGMI
116 bpm • D# min • 03:03 • -5.48db
27% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Isadora
Worship Me Or Die
115 bpm • C min • 03:00 • -7db
28% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Haiden Henderson
Can't Hurt Me
115 bpm • B min • 03:08 • -8.07db
40% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kodoku
Found Eachother
117 bpm • B min • 03:56 • -10.29db
39% Popularity • 55% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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PRETTYMUCH
Would You Mind
116 bpm • F min • 02:59 • -4.93db
49% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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SLMN
Where Did You Go
115 bpm • G Maj • 02:29 • -10.71db
15% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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gianni & kyle
lame ass
115 bpm • C Maj • 01:59 • -5.94db
34% Popularity • 94% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 94% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Avi Roy
Yourself
115 bpm • A# min • 03:25 • -8.21db
22% Popularity • 70% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 70% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
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Ashley Mehta
Butter
115 bpm • G# Maj • 03:04 • -10.21db
30% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kodoku
Rose Bath
115 bpm • F min • 02:33 • -8.57db
46% Popularity • 89% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 89% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jaylon Ashaun
Pretty Girls
115 bpm • C# min • 02:42 • -6.7db
35% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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PRETTYMUCH
Up to You
116 bpm • F min • 02:40 • -4.71db
54% Popularity • 72% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 72% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Leroy Sanchez
Out My Way
115 bpm • D Maj • 02:37 • -5.94db
42% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Grant Ganzer
Can't Help Myself
118 bpm • B min • 03:11 • -10db
38% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Grey
RUN
118 bpm • B min • 03:22 • -6.66db
41% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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thủy
in my head
114 bpm • C# min • 03:08 • -10db
43% Popularity • 72% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 72% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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GUNNAR
One Night
118 bpm • C# min • 03:03 • -7db
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Niykee Heaton
Call Me
118 bpm • A# Maj • 03:27 • -3.98db
40% Popularity • 79% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 79% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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August Rigo
Fake Friends
119 bpm • F# min • 04:07 • -8.72db
19% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tedy
Way It Is
113 bpm • F Maj • 03:27 • -6db
20% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Grey
Seamless
114 bpm • F min • 03:09 • -7.42db
39% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Elli Moore
Romeo
119 bpm • A Maj • 03:01 • -6.97db
27% Popularity • 83% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 83% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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HRVY
Golden Hour
113 bpm • G# Maj • 02:38 • -6.18db
44% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Ruel
GROWING UP IS _____
113 bpm • C Maj • 03:53 • -6db
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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In Real Life
Tonight Belongs to You
120 bpm • E min • 03:13 • -4db
32% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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PRETTYMUCH
Gone 2 Long
120 bpm • C Maj • 03:15 • -9db
42% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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JXCKY
Losing My Mind
120 bpm • G# Maj • 02:48 • -10.86db
22% Popularity • 75% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 75% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Ori Rose
Flaky
120 bpm • A min • 02:31 • -7db
29% Popularity • 69% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Leyla Blue
Jane Doe
120 bpm • F# min • 02:44 • -5db
43% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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GRANT KNOCHE
COLOR ME BLUE
120 bpm • E min • 02:26 • -7.12db
34% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alaina Castillo
fantasies
120 bpm • D# min • 03:03 • -8db
26% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Gomey
Wasteful
120 bpm • D min • 02:28 • -6.3db
20% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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edwin
Reminded
120 bpm • D# min • 02:44 • -5.55db
32% Popularity • 75% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 75% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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JORDY
Dry Spell
120 bpm • A Maj • 03:27 • -5db
36% Popularity • 85% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 85% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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notsick
she is home
120 bpm • F min • 02:17 • -6.5db
34% Popularity • 70% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 70% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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PRETTYMUCH
Gone 2 Long - Choir Version
120 bpm • C Maj • 03:14 • -5.86db
26% Popularity • 72% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 72% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 58% Positiveness
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donny daydream
ANGELIC
120 bpm • G# Maj • 02:55 • -7db
38% Popularity • 75% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 75% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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shy ink
Slow it Down (Rose Version)
120 bpm • F min • 02:48 • -10.19db
12% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Tobias Dray
Sunsets
120 bpm • F# Maj • 03:03 • -9.26db
19% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Conor Maynard
P.G.N.L.
120 bpm • F# min • 02:24 • -6.97db
34% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lily Massie
On God
112 bpm • C Maj • 02:25 • -8.07db
31% Popularity • 65% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 65% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Trinidad Cardona
Tell The Truth
120 bpm • D# min • 02:28 • -5db
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Kodoku
Toxins
120 bpm • A# min • 02:08 • -7.48db
41% Popularity • 86% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 86% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ilyah
ENTANGLEMENT
112 bpm • C Maj • 04:01 • -5.83db
14% Popularity • 76% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
14% Popularity • 76% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Ylona Garcia
Vibin
112 bpm • A# Maj • 02:45 • -10db
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dr Maleek
Better off by Yourself
112 bpm • D# Maj • 03:12 • -9.42db
14% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jack & Jack
2 Cigarettes
112 bpm • A min • 03:49 • -8.07db
47% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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PRETTYMUCH
Trust
112 bpm • F min • 03:03 • -7.4db
41% Popularity • 68% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 68% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Kodoku
DOWN TO RIDE
120 bpm • A min • 02:40 • -10.72db
46% Popularity • 81% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 81% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Gomey
Lizzie
112 bpm • C# Maj • 02:08 • -4.71db
34% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Cameron Philip
Yellow
121 bpm • C# Maj • 03:06 • -6.61db
22% Popularity • 72% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 72% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Law
Cares
120 bpm • F# min • 02:44 • -7.59db
17% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Naïka
H2O
121 bpm • B min • 03:05 • -3.79db
38% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Cely
What You Playin' For
111 bpm • A# Maj • 02:25 • -6db
37% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Attire
Sriracha
111 bpm • B min • 03:02 • -6.29db
43% Popularity • 84% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 84% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mabel
Definition
111 bpm • A# min • 03:12 • -5db
35% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Miller
Leave My Heart Alone
122 bpm • C Maj • 02:49 • -8db
33% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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PRETTYMUCH
Jello
122 bpm • B min • 02:57 • -6.65db
43% Popularity • 70% Danceability • 64% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 70% Danceability • 64% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
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Grant Ganzer
Shirley Temple
122 bpm • G Maj • 02:43 • -9.7db
21% Popularity • 62% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 62% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Ruel
I DON'T WANNA BE LIKE YOU
122 bpm • C# Maj • 02:43 • -4.87db
53% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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BAYLI
think of drugs
122 bpm • F# Maj • 03:05 • -9.9db
22% Popularity • 81% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 81% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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thủy
figured u out
122 bpm • B Maj • 03:12 • -10.03db
52% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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EIGHTYEIGHTWAV
DEVIL IN DISGUISE
122 bpm • A min • 03:59 • -8db
34% Popularity • 66% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 66% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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PRETTYMUCH
BLU-RAY
110 bpm • F min • 02:12 • -10.43db
28% Popularity • 65% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 65% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 43% Positiveness
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Jazzy K
Bratz (Bratz Tv Mix)
110 bpm • D min • 01:24 • -4.98db
43% Popularity • 74% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 74% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Strange Alias
Love Like You
110 bpm • B min • 02:30 • -10db
29% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 85% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Gun Boi Kaz
we aren't the same
110 bpm • C min • 02:34 • -10.37db
25% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Future X
Tip Of My Tongue
110 bpm • F min • 02:42 • -3.03db
17% Popularity • 77% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 77% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Anne-Marie
x2
110 bpm • F# min • 02:42 • -7.59db
51% Popularity • 86% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 86% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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PRETTYMUCH
Love
110 bpm • C# Maj • 02:37 • -6.83db
25% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tayler Holder
I'll Be Alright
110 bpm • E min • 02:34 • -8db
27% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mikaila Murphy
What Goes Around Comes Around
110 bpm • A Maj • 02:30 • -5.64db
29% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Law
Too Many Times
110 bpm • G# Maj • 02:25 • -17.4db
15% Popularity • 82% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 82% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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thủy
u should feel special
110 bpm • F min • 02:37 • -11.22db
45% Popularity • 79% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 79% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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david hugo
Lying to Myself
110 bpm • A# Maj • 03:06 • -7.06db
25% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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PRETTYMUCH
Stars
110 bpm • C Maj • 03:23 • -5.95db
35% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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stef
Spoils of War
110 bpm • C# min • 03:24 • -7db
15% Popularity • 69% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 22% Positiveness
15% Popularity • 69% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 22% Positiveness
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GRANT KNOCHE
CUSTOM HELL
110 bpm • A min • 03:01 • -7db
20% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Lindsxy Mesenburg
Delectable
123 bpm • B min • 02:54 • -8.55db
38% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gabriella Whited
Catching Feelings
123 bpm • F min • 02:36 • -5.89db
23% Popularity • 81% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 81% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Young Bombs
Kinda Funny
124 bpm • D# min • 02:01 • -3.87db
38% Popularity • 66% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 66% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Rosse
Rich B!tch
124 bpm • A min • 02:39 • -6db
35% Popularity • 91% Danceability • 57% Energy • 11% Liveness
49% Instrumentalness • 69% Positiveness
35% Popularity • 91% Danceability • 57% Energy • 11% Liveness
49% Instrumentalness • 69% Positiveness
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Erika Tham
Admit It
124 bpm • G# Maj • 03:12 • -5db
34% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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xoxomyah
Her
108 bpm • G# min • 03:12 • -6.08db
33% Popularity • 70% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 70% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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ELIO
SUPERIMPOSE
108 bpm • D Maj • 03:07 • -7db
50% Popularity • 74% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 74% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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PRETTYMUCH
The Weekend
108 bpm • G Maj • 03:34 • -6.36db
35% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Nina Nesbitt
Need You - Zion Foster
124 bpm • A min • 03:09 • -7db
26% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Emotional Oranges
Make Me Wanna
108 bpm • D min • 02:54 • -5db
48% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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AYDAN
Lost With You
108 bpm • F# Maj • 02:54 • -7db
33% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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KAYDEN
POLAROID FILM
125 bpm • A# Maj • 02:55 • -6db
24% Popularity • 79% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 79% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Amelia Moore
sweet and sour
125 bpm • B min • 02:58 • -6.31db
44% Popularity • 72% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 72% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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PRETTYMUCH
Solita
125 bpm • B Maj • 03:06 • -2.73db
47% Popularity • 70% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 70% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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12AM
Nothing into Something
125 bpm • B min • 03:04 • -5db
18% Popularity • 73% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 73% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Justine Skye
What A Lie
125 bpm • C# Maj • 03:48 • -7.34db
36% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sofia Quinn
Victim
125 bpm • G min • 02:43 • -8.17db
17% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Diamond White
Set on You
107 bpm • C Maj • 02:41 • -7.89db
20% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
