Songs like Talking In Code by Margot & The Nuclear So And So's
Based on a tempo of (+/- 10%) and a similar genre
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Tim Kasher
Strays
128 bpm • G Maj • 04:52 • -16.51db
16% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Margot & The Nuclear So And So's
Talking In Code
128 bpm • C Maj • 03:44 • -5.96db
19% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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The Weeks
Hold It, Kid (Your Heart Just Skipped a ...
128 bpm • F min • 04:08 • -5.18db
18% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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All Get Out
Wait List
127 bpm • G Maj • 03:28 • -10.58db
9% Popularity • 54% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 54% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Typhoon
Kitchen Tile
128 bpm • C Maj • 01:28 • -9.86db
19% Popularity • 52% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The Early November
Call Off The Bells
127 bpm • F# Maj • 04:23 • -4.62db
34% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Right Away, Great Captain!
Barely Bit Me
129 bpm • E min • 03:00 • -13.31db
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Lydia
Back To Bed
127 bpm • F# Maj • 03:10 • -8.37db
19% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bright Eyes
A Perfect Sonnet
127 bpm • C Maj • 03:41 • -8.19db
35% Popularity • 29% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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KOJI
Giants Sleeping
127 bpm • C Maj • 02:58 • -13.07db
10% Popularity • 68% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 68% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Bryan John Appleby
Sprout
127 bpm • D Maj • 04:19 • -13.65db
8% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Blind Pilot
Poor Boy
126 bpm • C# Maj • 04:06 • -14.27db
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Death Cab for Cutie
My Mirror Speaks
127 bpm • E Maj • 03:30 • -7db
36% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Lydia
All I See
127 bpm • G Maj • 04:58 • -11.25db
27% Popularity • 28% Danceability • 52% Energy • 76% Liveness
5% Instrumentalness • 33% Positiveness
27% Popularity • 28% Danceability • 52% Energy • 76% Liveness
5% Instrumentalness • 33% Positiveness
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Said The Whale
Holly, Ontario
126 bpm • C# Maj • 03:11 • -17.18db
12% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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American Gospel
Forget Not Yet
130 bpm • D# Maj • 02:33 • -11.93db
17% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rocky Votolato
Streetlights
130 bpm • D Maj • 02:30 • -8.49db
16% Popularity • 64% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Benjamin Gibbard
Bigger Than Love
130 bpm • A# Maj • 04:47 • -7db
10% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Lydia
Sleep Well
126 bpm • A Maj • 04:24 • -5.58db
25% Popularity • 41% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 41% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Hey Rosetta!
The Simplest Thing
130 bpm • C Maj • 06:16 • -10.26db
14% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Right Away, Great Captain!
Blame
130 bpm • G Maj • 03:46 • -17.39db
31% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Margot & The Nuclear So And So's
When You're Gone
126 bpm • D Maj • 03:51 • -8.34db
9% Popularity • 56% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 38% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 38% Positiveness
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Chase Huglin
Shae
130 bpm • E Maj • 03:31 • -14.84db
22% Popularity • 65% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 65% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Lydia
Hospital
130 bpm • G Maj • 03:29 • -6.15db
37% Popularity • 45% Danceability • 78% Energy • 59% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 45% Danceability • 78% Energy • 59% Liveness
0% Instrumentalness • 21% Positiveness
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The Format
Faith in Fast Cars
130 bpm • G# Maj • 03:25 • -15.26db
13% Popularity • 65% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 65% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Sweet Orange
Tilt
130 bpm • D# Maj • 04:19 • -7.73db
11% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
Hag
126 bpm • C Maj • 04:32 • -7.24db
28% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Typhoon
The Honest Truth
126 bpm • D Maj • 03:39 • -7.24db
13% Popularity • 41% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 41% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Lovedrug
Down Towards the Healing
126 bpm • F# Maj • 05:28 • -8.17db
19% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lydia
Dragging Your Feet in the Mud
130 bpm • C Maj • 03:16 • -4.25db
16% Popularity • 45% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 45% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Whitley
Cheap Clothes
131 bpm • C Maj • 03:40 • -9db
14% Popularity • 40% Danceability • 38% Energy • 11% Liveness
23% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 38% Energy • 11% Liveness
23% Instrumentalness • 53% Positiveness
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All Get Out
Let Me Go
130 bpm • C Maj • 06:17 • -10.69db
19% Popularity • 39% Danceability • 26% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 39% Danceability • 26% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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The Snake The Cross The Crown
Gypsy Melodies
125 bpm • G Maj • 04:55 • -11db
10% Popularity • 32% Danceability • 70% Energy • 53% Liveness
25% Instrumentalness • 52% Positiveness
10% Popularity • 32% Danceability • 70% Energy • 53% Liveness
25% Instrumentalness • 52% Positiveness
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Margot & The Nuclear So And So's
Vampires In Blue Dresses - Demo
131 bpm • G min • 02:34 • -12.2db
12% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lovedrug
Girl
126 bpm • G Maj • 03:49 • -9.71db
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Young Statues
Half Light
125 bpm • G# Maj • 03:38 • -7.61db
10% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jack's Mannequin
Hammers and Strings (A Lullaby)
125 bpm • G# Maj • 04:34 • -7db
29% Popularity • 47% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 47% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Said The Whale
Dear Elkhorn
125 bpm • C# Maj • 01:28 • -13.35db
13% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Margot & The Nuclear So And So's
Vampires In Blue Dresses
131 bpm • F# min • 03:19 • -3.56db
7% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Lovedrug
Thieving
125 bpm • A# min • 03:17 • -7.5db
25% Popularity • 47% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
25% Popularity • 47% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Pinegrove
Aphasia - Audiotree Live Version
132 bpm • F# Maj • 05:08 • -9.37db
33% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Right Away, Great Captain!
Sacred Heart (A Sailors Drunken Eulogy)
132 bpm • C# Maj • 02:21 • -23.27db
21% Popularity • 72% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 43% Positiveness
21% Popularity • 72% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 43% Positiveness
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Say Anything
I Want to Know Your Plans
124 bpm • G Maj • 05:14 • -9.68db
39% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Mansions
City Don't Care
132 bpm • E min • 03:42 • -3.21db
19% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Margot & The Nuclear So And So's
Lazy
125 bpm • E Maj • 02:58 • -10.21db
10% Popularity • 35% Danceability • 37% Energy • 29% Liveness
9% Instrumentalness • 23% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 29% Liveness
9% Instrumentalness • 23% Positiveness
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Tall Heights
Do Not Resuscitate
124 bpm • G min • 04:58 • -10.46db
13% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Said The Whale
Curse Of The Currents
124 bpm • D# Maj • 05:11 • -13.51db
22% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rocky Votolato
Montana
124 bpm • C# Maj • 03:58 • -10.07db
13% Popularity • 45% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 45% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Right Away, Great Captain!
Right Ahead, You Sailor!
124 bpm • A# min • 01:54 • -16.61db
29% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Keaton Henson
Flesh And Bone
132 bpm • A Maj • 04:32 • -10.4db
36% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Margot & The Nuclear So And So's
Lunatic, Lunatic, Lunatic
132 bpm • D Maj • 03:43 • -10.28db
19% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tallhart
Drunk Kids
124 bpm • B min • 03:48 • -6.82db
22% Popularity • 57% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 57% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Frontier Ruckus
Nerves of the Nightmind
133 bpm • E min • 04:03 • -8.79db
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Rocky Votolato
Portland Is Leaving
132 bpm • A Maj • 02:48 • -10.26db
20% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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jeremy messersmith
Love You to Pieces
133 bpm • D min • 03:55 • -10.7db
14% Popularity • 38% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Lydia
Stay Awake
123 bpm • E Maj • 05:08 • -7.6db
29% Popularity • 43% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 43% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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The Good Life
Inmates
123 bpm • D Maj • 09:39 • -10.56db
23% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Margot & The Nuclear So And So's
A Light On A Hill
123 bpm • C Maj • 03:58 • -13.26db
16% Popularity • 48% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 48% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Dashboard Confessional
Sex
123 bpm • C# Maj • 03:19 • -8.56db
20% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Rocky Votolato
She Was Only in It for the Rain
133 bpm • A# min • 03:11 • -9.77db
22% Popularity • 44% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 38% Positiveness
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The Head And The Heart
Homecoming Heroes
134 bpm • D# Maj • 03:46 • -8.21db
35% Popularity • 46% Danceability • 71% Energy • 10% Liveness
34% Instrumentalness • 46% Positiveness
35% Popularity • 46% Danceability • 71% Energy • 10% Liveness
34% Instrumentalness • 46% Positiveness
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Lydia
Now The One You Once Loved Is Leaving
123 bpm • B min • 06:38 • -8.89db
27% Popularity • 50% Danceability • 52% Energy • 19% Liveness
12% Instrumentalness • 16% Positiveness
27% Popularity • 50% Danceability • 52% Energy • 19% Liveness
12% Instrumentalness • 16% Positiveness
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Cloud Cult
Transistor Radio
134 bpm • B Maj • 04:08 • -14.19db
26% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Pilot
Go on, Say It
134 bpm • C Maj • 03:21 • -9db
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Snake The Cross The Crown
Electronic Dream Plant
122 bpm • D Maj • 07:05 • -8.95db
7% Popularity • 34% Danceability • 45% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
7% Popularity • 34% Danceability • 45% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Rocky Votolato
Goldfield
122 bpm • D Maj • 03:33 • -10.87db
12% Popularity • 51% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 51% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lydia
From A Tire Swing
123 bpm • F# min • 03:25 • -5.13db
22% Popularity • 53% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
22% Popularity • 53% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Paper Rival
Pacing the Cage - EP Version
122 bpm • E Maj • 05:06 • -11.87db
9% Popularity • 67% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
9% Popularity • 67% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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As Tall As Lions
Milk and Honey
122 bpm • G Maj • 04:34 • -5.38db
24% Popularity • 48% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 48% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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The Format
On Your Porch
122 bpm • C Maj • 05:11 • -10.79db
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Blind Pilot
Paint or Pollen
134 bpm • A Maj • 03:37 • -9db
40% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
40% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Margot & The Nuclear So And So's
Broadripple Is Burning
122 bpm • B Maj • 04:21 • -8.62db
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Frontier Ruckus
Orion Town 2
122 bpm • C# min • 02:50 • -5.91db
14% Popularity • 36% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 36% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Son, Ambulance
Kaite Come True
122 bpm • G Maj • 06:46 • -14.37db
16% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Paper Rival
Cassandra
122 bpm • C# Maj • 03:44 • -6db
13% Popularity • 63% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
13% Popularity • 63% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Person L
Sunshine
121 bpm • D Maj • 05:21 • -8.63db
12% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Dry the River
Bible Belt
135 bpm • C# Maj • 04:44 • -6.6db
26% Popularity • 27% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Keaton Henson
Nests
135 bpm • F Maj • 03:29 • -9db
25% Popularity • 55% Danceability • 44% Energy • 34% Liveness
4% Instrumentalness • 34% Positiveness
25% Popularity • 55% Danceability • 44% Energy • 34% Liveness
4% Instrumentalness • 34% Positiveness
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Iron & Wine
Sodom, South Georgia
121 bpm • D Maj • 04:59 • -14.31db
37% Popularity • 73% Danceability • 20% Energy • 10% Liveness
54% Instrumentalness • 57% Positiveness
37% Popularity • 73% Danceability • 20% Energy • 10% Liveness
54% Instrumentalness • 57% Positiveness
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Weatherbox
The Drugs
121 bpm • F Maj • 04:51 • -7.09db
17% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Edwards
Moonwrapped
136 bpm • G Maj • 04:35 • -12db
10% Popularity • 24% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 24% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 14% Positiveness
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Typhoon
Prosthetic Love
136 bpm • G Maj • 04:03 • -10db
33% Popularity • 38% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
33% Popularity • 38% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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Death Cab for Cutie
A Lack of Color
136 bpm • D# Maj • 03:35 • -13db
55% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Toh Kay
A Better Place, a Better Time
120 bpm • C# Maj • 06:06 • -14.05db
32% Popularity • 56% Danceability • 29% Energy • 11% Liveness
43% Instrumentalness • 61% Positiveness
32% Popularity • 56% Danceability • 29% Energy • 11% Liveness
43% Instrumentalness • 61% Positiveness
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Margot & The Nuclear So And So's
Bookworm
120 bpm • F min • 03:04 • -8.48db
8% Popularity • 59% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 59% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Band of Horses
St. Augustine
120 bpm • B Maj • 02:39 • -10db
37% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bright Eyes
Something Vague
136 bpm • C Maj • 03:33 • -6db
36% Popularity • 39% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 39% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Rocky Votolato
Makers
120 bpm • C# Maj • 03:19 • -6.96db
15% Popularity • 47% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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The Rural Alberta Advantage
In The Summertime
120 bpm • D# Maj • 02:36 • -10.8db
34% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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The Damnwells
I Will Keep The Bad Things From You
120 bpm • C Maj • 04:06 • -11db
20% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Margot & The Nuclear So And So's
Lost At Sea
120 bpm • E Maj • 02:47 • -14.93db
19% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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A.A. Bondy
There's a Reason
120 bpm • C# Maj • 04:12 • -13.23db
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hey Rosetta!
Epitaph
137 bpm • C Maj • 05:16 • -10.02db
13% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
