Songs like Talking to the Man in the Moon by Titiyo
Based on a tempo of (+/- 10%) and a similar genre
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Titiyo
Man in the Moon
149 bpm • E Maj • 04:03 • -10db
22% Popularity • 82% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
22% Popularity • 82% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
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Tomas Andersson Wij
När solen färgar juninatten
150 bpm • D min • 03:08 • -10db
41% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Weeping Willows
I'd Do Anything for You
148 bpm • G Maj • 03:35 • -6.85db
25% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Caroline af Ugglas
Snälla, snälla
150 bpm • G# Maj • 02:58 • -10.04db
36% Popularity • 51% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 51% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Helen Sjöholm
Come Give Me Love
148 bpm • A Maj • 03:15 • -7.84db
31% Popularity • 53% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Mikael Rickfors
When a Man Loves a Woman
151 bpm • A Maj • 03:39 • -9db
27% Popularity • 38% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Titiyo
Talking to the Man in the Moon
149 bpm • E Maj • 04:39 • -9.52db
19% Popularity • 76% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 76% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Svante Thuresson
Ingen sol här utan dig
151 bpm • G Maj • 03:07 • -11.16db
25% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Tomas Ledin
Snart tystnar musiken
152 bpm • A Maj • 04:51 • -10.04db
35% Popularity • 56% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Anne-Lie Rydé
Du ser en man
145 bpm • E Maj • 04:15 • -7.16db
17% Popularity • 51% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 51% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Hanne Boel
Starting All over Again
154 bpm • A# Maj • 03:17 • -10db
34% Popularity • 62% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 62% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Flava To Da Bone
Even If the Rain
154 bpm • D Maj • 04:49 • -10.02db
16% Popularity • 64% Danceability • 70% Energy • 7% Liveness
10% Instrumentalness • 40% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 7% Liveness
10% Instrumentalness • 40% Positiveness
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Titiyo
Talking to the Man in the Moon - The Goo...
150 bpm • E Maj • 07:12 • -12.5db
2% Popularity • 78% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
2% Popularity • 78% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jill Johnson
Kärleken är
144 bpm • E Maj • 03:08 • -5db
41% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Svante Thuresson
Första gången
155 bpm • F# min • 03:35 • -8.32db
14% Popularity • 29% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 29% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Niklas Strömstedt
Förlorad igen
143 bpm • E min • 03:51 • -7.89db
30% Popularity • 46% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 46% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Hanne Boel
Keep the Clock Running
143 bpm • G Maj • 04:09 • -9.89db
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Beate
Like a River - 2011 Remaster
156 bpm • B Maj • 03:50 • -9.13db
13% Popularity • 47% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 47% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Titiyo
Come Along - Demo Version - Remastered
148 bpm • F min • 03:16 • -9.56db
4% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Thåström
Papperstunna väggar
142 bpm • A min • 04:50 • -10.59db
31% Popularity • 56% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
31% Popularity • 56% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
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Caroline Wennergren
A Different Kind of Love - Single versio...
142 bpm • G Maj • 03:04 • -5db
14% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Glenmark Eriksson Strömstedt
SÃ¥ngerna Om Sommaren
142 bpm • F Maj • 04:09 • -4.67db
24% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Gadd
The Right Way
142 bpm • G# Maj • 03:50 • -7db
26% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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X-Models
Två av oss
141 bpm • F# min • 04:50 • -8.41db
37% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Titiyo
Peace and Quiet
152 bpm • C Maj • 05:17 • -11.87db
2% Popularity • 74% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
2% Popularity • 74% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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Jill Johnson
Crazy In Love
141 bpm • F Maj • 02:57 • -5.06db
14% Popularity • 59% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Git Persson
Du förför mig
141 bpm • D min • 03:02 • -8.11db
7% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Glenmark Eriksson Strömstedt
Hon är min
142 bpm • C Maj • 04:26 • -8.07db
33% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Freda'
En människa
158 bpm • A min • 03:07 • -11.25db
12% Popularity • 62% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 62% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Stefan Andersson
Anywhere is Paradise
140 bpm • A# Maj • 04:02 • -9.23db
26% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Titiyo
Talking to the Man in the Moon
154 bpm • F Maj • 03:52 • -8.19db
6% Popularity • 55% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 55% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 30% Positiveness
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Stakka Bo
We Vie - Seba Paradise Remix
158 bpm • B min • 05:02 • -10.84db
1% Popularity • 55% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
1% Popularity • 55% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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X-Models
Två av oss - 2002 Remaster
140 bpm • F# min • 05:23 • -8.56db
30% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Stephen Simmonds
Always in my head
140 bpm • C# Maj • 05:21 • -4.8db
10% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Karoline Krüger
For VÃ¥r Jord
140 bpm • A Maj • 03:04 • -13db
27% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Falk
Inside Your Love
140 bpm • B min • 04:00 • -8.97db
17% Popularity • 68% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 68% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Titiyo
Right or Wrong
157 bpm • G min • 03:32 • -4.68db
13% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Svante Thuresson
En salig man
140 bpm • F min • 03:35 • -8.4db
15% Popularity • 62% Danceability • 54% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
15% Popularity • 62% Danceability • 54% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
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Daniel Lindström
Coming True
140 bpm • D Maj • 03:40 • -3db
22% Popularity • 43% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 43% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Pernilla Wahlgren
VÃ¥ga vinn!
140 bpm • F# Maj • 03:19 • -8db
16% Popularity • 78% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 78% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Stefan Andersson
Catch the Moon
159 bpm • G Maj • 04:30 • -9.91db
36% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Tone Norum
Can't You Stay - Re-Mixed Version
139 bpm • C Maj • 05:07 • -10db
24% Popularity • 57% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 57% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Titiyo
Misunderstood
140 bpm • A# min • 04:31 • -13.81db
3% Popularity • 53% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 34% Positiveness
3% Popularity • 53% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 34% Positiveness
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Daniel Lemma
No Love in My House
160 bpm • C Maj • 03:55 • -6.37db
2% Popularity • 67% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 67% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Jennifer Brown
When to hold on
139 bpm • G Maj • 04:25 • -7.76db
18% Popularity • 33% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 33% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Patrick El-Hag
Stockholm i juli
160 bpm • F# Maj • 03:49 • -8.88db
25% Popularity • 71% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
25% Popularity • 71% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Josefin Nilsson
Surprise, Surprise - Remastered
160 bpm • E Maj • 04:34 • -9.52db
15% Popularity • 72% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 67% Positiveness
15% Popularity • 72% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 67% Positiveness
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Gemini
T.L.C
138 bpm • C Maj • 02:54 • -5db
19% Popularity • 81% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 81% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Afro-Dite
Never Let It Go
138 bpm • D# min • 03:02 • -5.54db
39% Popularity • 71% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 71% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Rebecka Törnqvist
Good Thing
138 bpm • F min • 03:43 • -7.15db
30% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Ted Gärdestad
Satellite
162 bpm • F Maj • 04:07 • -4.02db
14% Popularity • 39% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 39% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Pernilla Andersson
Koltrast vid Haväng
137 bpm • C Maj • 03:06 • -9.22db
25% Popularity • 61% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
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Josefin Nilsson
Leave It to Love - Remastered
162 bpm • G Maj • 03:27 • -4.75db
8% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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El Rojo Adios
Roland Orlando
137 bpm • E min • 04:53 • -13.31db
5% Popularity • 45% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 17% Positiveness
5% Popularity • 45% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 17% Positiveness
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Zemya Hamilton
Om vi aldrig skulle ses igen
136 bpm • G Maj • 04:14 • -8.89db
11% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Magnus Carlson
Allt som jag känner
163 bpm • A# Maj • 04:26 • -6.37db
22% Popularity • 52% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 52% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Eriksson Glenmark
Upp över mina öron
136 bpm • C Maj • 02:57 • -5.51db
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
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Afro-Dite
Aqua Playa
136 bpm • F# min • 03:02 • -7db
20% Popularity • 83% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 83% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Svenne & Lotta
Extra Extra (Read All About It)
136 bpm • F Maj • 02:36 • -6.35db
4% Popularity • 56% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 56% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Nilsson
Maybe We're About to Fall In Love
136 bpm • C Maj • 04:21 • -12.75db
24% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Lemma
Anything Can Happen
164 bpm • B Maj • 04:01 • -8.69db
33% Popularity • 69% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
33% Popularity • 69% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Visitors
All of Your Attention
135 bpm • F min • 03:23 • -9.48db
12% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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Little Children
Traveling Through Darkness
164 bpm • D min • 03:57 • -8.58db
11% Popularity • 57% Danceability • 75% Energy • 20% Liveness
13% Instrumentalness • 64% Positiveness
11% Popularity • 57% Danceability • 75% Energy • 20% Liveness
13% Instrumentalness • 64% Positiveness
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Christian Falk
Celebration
164 bpm • C Maj • 03:49 • -8.68db
14% Popularity • 54% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 54% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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The Monroes
Jeanette
135 bpm • A# Maj • 04:06 • -4.39db
19% Popularity • 74% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 74% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Jill Johnson
Oh, vilken härlig dag
164 bpm • G min • 03:45 • -5.42db
24% Popularity • 37% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 37% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Maja Gullstrand
Här för mig själv
135 bpm • F# Maj • 03:02 • -7.46db
12% Popularity • 80% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 80% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Louise Hoffsten
1939
135 bpm • C Maj • 03:31 • -16db
26% Popularity • 33% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 33% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Eberson Group
Jive Talking
135 bpm • F# min • 05:30 • -9.41db
16% Popularity • 55% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 55% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Tomas Ledin
Minns du Hollywood
135 bpm • C Maj • 03:27 • -11.57db
15% Popularity • 80% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 80% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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El Rojo Adios
On a Train
134 bpm • F Maj • 03:24 • -12.02db
15% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
15% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
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Titiyo
I'll Be Gone
134 bpm • D min • 04:42 • -13.51db
2% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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BWO
Open Door - Disco Version
134 bpm • A Maj • 03:41 • -5.08db
10% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Glenmark Eriksson Strömstedt
Ingenting minner om dej
134 bpm • E min • 04:18 • -4.97db
25% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Anders Glenmark
Mare Mare
166 bpm • G min • 03:59 • -11db
35% Popularity • 67% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 67% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Tomas Ledin
Minns du Hollywood
134 bpm • C Maj • 03:06 • -5.67db
24% Popularity • 77% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 77% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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The Monroes
Just Another Normal Day
166 bpm • C Maj • 03:49 • -11db
25% Popularity • 48% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 48% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Agnetha Fältskog
Never Again
166 bpm • C Maj • 03:53 • -14.17db
28% Popularity • 38% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 38% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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BWO
Open Door - Ballad Version
134 bpm • E Maj • 03:31 • -6.31db
9% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Mikael Rickfors
Vingar
133 bpm • F Maj • 05:13 • -4.92db
40% Popularity • 59% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 59% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Clabbe
An Evening in Paris (Deca-Dancing)
133 bpm • D min • 04:28 • -6.45db
13% Popularity • 68% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 68% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Anders Glenmark
Hon sa
167 bpm • F Maj • 03:14 • -12.66db
24% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Olle Ljungström
Överallt
132 bpm • C Maj • 03:23 • -7.42db
19% Popularity • 60% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 60% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Louise Hoffsten
Never Gonna Be Your Lady
168 bpm • F Maj • 04:27 • -7.78db
13% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Big Money
Rich and Famous
132 bpm • G# Maj • 03:57 • -8db
8% Popularity • 74% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 74% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Josefin Nilsson
We Won't Be Going Anywhere - Remastered
132 bpm • C Maj • 04:08 • -8.08db
12% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jessica Andersson
Wake Up
132 bpm • G Maj • 03:00 • -2db
18% Popularity • 53% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Niklas Strömstedt
En kvinna och en man
169 bpm • F Maj • 04:36 • -6db
27% Popularity • 43% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 43% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Pernilla Wahlgren
Picadilly Circus
131 bpm • E Maj • 02:59 • -6.02db
35% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Louise Hoffsten
Only the Dead Fish Follow the Stream - S...
132 bpm • C# min • 03:01 • -3db
25% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Izabella Scorupco
I Write You a Love Song
132 bpm • E Maj • 03:38 • -10db
29% Popularity • 66% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 66% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Tomas Ledin
Not Bad At All
131 bpm • C Maj • 03:14 • -6.01db
11% Popularity • 59% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Trond Granlund
Girl 16
131 bpm • A min • 03:22 • -9.19db
7% Popularity • 70% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 70% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Staffan Hellstrand
Hela vägen hem
131 bpm • C min • 03:03 • -10.91db
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
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Pernilla Wahlgren
I Need Your Love
131 bpm • C min • 04:14 • -13.9db
11% Popularity • 73% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 73% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Rebecka Törnqvist
Mary, Mary
170 bpm • G min • 04:48 • -12db
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tone Norum
Don't Turn Around
170 bpm • E Maj • 04:03 • -7.96db
20% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Totta Näslund
Utan dej
131 bpm • C Maj • 04:09 • -8db
28% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness