Songs like Tallis: Spem in Alium - 1. Spem in Alium by The Tallis Scholars
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie. Kyrie e...
138 bpm • A# min • 10:39 • -20.19db
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 1i. Cum Sancto...
138 bpm • G Maj • 01:22 • -15.44db
10% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Se la mia morte brami, madrigal for 5 vo...
137 bpm • E min • 04:24 • -26db
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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James Whitbourn
Luminosity: I. Lux in tenebris
138 bpm • D Maj • 06:55 • -20db
14% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Karl Jenkins
Requiem: I. Introit
139 bpm • A min • 06:46 • -19db
21% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Hermann Contractus
Salve Regina
137 bpm • C# Maj • 03:22 • -31.31db
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
14% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
36% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2k. Et vitam v...
137 bpm • E min • 00:56 • -17.06db
10% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Chora...
137 bpm • F# min • 09:24 • -17.84db
34% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
34% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
29% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
35% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Jón Leifs
Requiem, Op. 33b
140 bpm • G# Maj • 04:43 • -31.82db
11% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
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David Lang
The Little Match Girl Passion (Version f...
136 bpm • G# Maj • 02:42 • -26.66db
9% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
136 bpm • F Maj • 10:44 • -20.61db
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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John Tavener
Petra: a ritual dream
135 bpm • A# min • 10:34 • -29.47db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jordi Savall
Folia: Rodrigo Martinez, 1490 - Improvis...
141 bpm • F Maj • 05:36 • -19.24db
32% Popularity • 43% Danceability • 49% Energy • 20% Liveness
49% Instrumentalness • 68% Positiveness
32% Popularity • 43% Danceability • 49% Energy • 20% Liveness
49% Instrumentalness • 68% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Dôme épais le...
135 bpm • B Maj • 04:44 • -23.83db
26% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
27% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
31% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
22% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapÃt...
133 bpm • A min • 02:31 • -17.56db
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
31% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
52% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
52% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Karl Jenkins
Adiemus - Songs Of Sanctuary: Cantate Do...
133 bpm • A Maj • 02:40 • -19db
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Purge Me, O Lord
132 bpm • A# min • 01:42 • -25db
19% Popularity • 21% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
32% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
23% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
13% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
12% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Charles Villiers Stanford
Eight Part Songs, Op. 119: No. 3, The Bl...
131 bpm • F# Maj • 03:53 • -30.91db
8% Popularity • 19% Danceability • 2% Energy • 6% Liveness
63% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 6% Liveness
63% Instrumentalness • 3% Positiveness
► Preview
Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
John Tavener
The Lamb
131 bpm • E min • 04:57 • -35.96db
11% Popularity • 16% Danceability • 2% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
24% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
33% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Hildegard von Bingen
Ave Maria, O auctrix vite
128 bpm • G min • 08:59 • -26db
12% Popularity • 24% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 07. Redde Mihi Laeti...
149 bpm • F Maj • 01:03 • -22.56db
26% Popularity • 17% Danceability • 12% Energy • 24% Liveness
7% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 12% Energy • 24% Liveness
7% Instrumentalness • 3% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
25% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Nunc aperuit nobis
127 bpm • A Maj • 01:52 • -26db
13% Popularity • 24% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 24% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: 10. Ag...
127 bpm • C Maj • 04:01 • -27.84db
14% Popularity • 17% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
L’heure Exquise
150 bpm • D Maj • 02:26 • -31db
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Jonathan Roberts
Never Seek to Tell Thy Love
127 bpm • F Maj • 03:50 • -35.04db
22% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Meredith Monk
Atlas - Part 3: Invisible Light: Earth S...
126 bpm • G# Maj • 07:34 • -23.99db
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Þorkell Sigurbjörnsson
Nú hverfur sól à haf
126 bpm • G# min • 03:22 • -28.42db
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
10% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
