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Tamburello
Songs like
Tamburello
by
Peter King
Based on a tempo of (+/- 10%) and a similar genre
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Edward Bairstow
Blessed City, Heavenly Salem
77 bpm • G# Maj • 09:33 • -23.83db
0% Popularity • 16% Danceability • 10% Energy • 32% Liveness
49% Instrumentalness • 3% Positiveness
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Charles Wood
Expectans expectavi
77 bpm • C# Maj • 03:50 • -23.9db
0% Popularity • 9% Danceability • 11% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Percy Whitlock
4 Extemporizations: No. 4, Fanfare
77 bpm • C Maj • 06:45 • -23.04db
0% Popularity • 16% Danceability • 9% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Jesús Guridi
TrÃptico del buen pastor: No. 2, The Lo...
78 bpm • A# min • 05:20 • -19.49db
0% Popularity • 7% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Peter King
Early Morning Rain
78 bpm • G Maj • 04:07 • -11.19db
0% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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George Kirbye
Vox in Rama
78 bpm • F min • 04:09 • -27.71db
0% Popularity • 22% Danceability • 7% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
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Cruger
Deck Thyself my Soul with Gladness
78 bpm • E Maj • 04:50 • -19.85db
1% Popularity • 11% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Bairstow
Lord, I Call upon Thee
78 bpm • G# Maj • 04:24 • -27.38db
0% Popularity • 10% Danceability • 7% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
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Frank Bridge
3 Pieces for Organ, H. 63: No. 2, Adagio
78 bpm • E Maj • 07:17 • -28.45db
0% Popularity • 7% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Victor Olaiya
Kinrinjingbin
80 bpm • F# Maj • 04:27 • -7.86db
12% Popularity • 76% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Peter King
Mr Lonely Wolf
80 bpm • C Maj • 06:55 • -9.8db
2% Popularity • 76% Danceability • 66% Energy • 12% Liveness
5% Instrumentalness • 84% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Version...
80 bpm • C# Maj • 04:46 • -26.35db
0% Popularity • 18% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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William Henry Harris
Come Down O Love Divine
80 bpm • G# Maj • 04:20 • -25.93db
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
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Peter Philips
Cantiones sacrae octonis vocibus: No. 7,...
78 bpm • A# Maj • 03:20 • -23.4db
0% Popularity • 27% Danceability • 14% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Frank Bridge
3 Pieces for Organ, H. 63: No. 3, Allegr...
78 bpm • A# Maj • 03:35 • -19.69db
0% Popularity • 9% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 8% Positiveness
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Gildas Scouarnec Quintet
Faïence
81 bpm • F Maj • 07:37 • -9.64db
0% Popularity • 47% Danceability • 49% Energy • 13% Liveness
11% Instrumentalness • 50% Positiveness
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Peter King
Tete's Closing Blues
80 bpm • C# Maj • 02:53 • -14.47db
0% Popularity • 48% Danceability • 46% Energy • 89% Liveness
46% Instrumentalness • 35% Positiveness
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Sir Charles Hubert Parry
Songs of Farewell: No. 4, There Is an Ol...
81 bpm • G Maj • 03:26 • -26.39db
0% Popularity • 16% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Messe Basse
81 bpm • C# min • 02:20 • -23.95db
0% Popularity • 12% Danceability • 7% Energy • 21% Liveness
4% Instrumentalness • 3% Positiveness
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John Blow
Salvator mundi
81 bpm • D Maj • 03:28 • -24.13db
0% Popularity • 13% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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El Rego
Kpon Fi La
81 bpm • G# Maj • 03:58 • -10db
26% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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John Ireland
Elegiac Romance for Organ
82 bpm • C min • 09:47 • -26.73db
0% Popularity • 8% Danceability • 0% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Peter King
Theme from Bartok's Violin Concerto No. ...
81 bpm • G Maj • 01:30 • -17.09db
0% Popularity • 17% Danceability • 11% Energy • 26% Liveness
64% Instrumentalness • 23% Positiveness
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William Henry Harris
Almighty and Most Merciful Father
74 bpm • D# min • 02:41 • -26.41db
0% Popularity • 22% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Herbert Kennedy Andrews
Magnificat in D
81 bpm • G Maj • 03:23 • -23.33db
0% Popularity • 17% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Orlando Gibbons
Second Service: II. Nunc dimittis
82 bpm • F min • 03:24 • -26.81db
0% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Edward Elgar
3 Motets, Op. 2: No. 1, Ave verum corpus
78 bpm • G Maj • 02:33 • -29.13db
0% Popularity • 19% Danceability • 9% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
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Itadi
Dodzi
82 bpm • F# min • 04:27 • -11.51db
21% Popularity • 74% Danceability • 42% Energy • 15% Liveness
62% Instrumentalness • 87% Positiveness
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Percy Whitlock
4 Extemporizations: No. 3, Fidelis
82 bpm • G min • 03:03 • -48.45db
0% Popularity • 7% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Charles Wood
Hail, Gladdening Light
82 bpm • A Maj • 02:51 • -23.26db
0% Popularity • 17% Danceability • 12% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
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Dorothy Ashby
The Moving Finger
82 bpm • F min • 05:40 • -12.94db
34% Popularity • 65% Danceability • 63% Energy • 10% Liveness
22% Instrumentalness • 75% Positiveness
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Almon Memela
The Things We Do In Soweto
83 bpm • G Maj • 03:46 • -8.94db
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
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Francis Poulenc
4 Motets pour le temps de Noël, FP 152:...
74 bpm • A# min • 03:32 • -29.68db
0% Popularity • 22% Danceability • 5% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Anthony Piccolo
I Look from Afar
72 bpm • A min • 06:10 • -23.72db
0% Popularity • 10% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Frank Bridge
3 Pieces for Organ, H. 63: No. 1, Andant...
72 bpm • C min • 05:39 • -23.55db
0% Popularity • 17% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Pat Thomas
Brain Washing
71 bpm • D Maj • 03:45 • -9.75db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30 (Version for Ch...
82 bpm • D# Maj • 04:14 • -24.26db
0% Popularity • 16% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Peter King
Weaver of Dreams
71 bpm • A# min • 09:26 • -13.33db
0% Popularity • 47% Danceability • 46% Energy • 71% Liveness
89% Instrumentalness • 39% Positiveness
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Paul Drayton
Ecce ancilla Domini
73 bpm • C Maj • 02:56 • -31.15db
0% Popularity • 7% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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John Ireland
Greater Love Hath No Man
71 bpm • A Maj • 06:02 • -23.79db
0% Popularity • 17% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Percy Grainger
Irish Tune from County Derry (Arr. for O...
83 bpm • D# Maj • 03:41 • -28.22db
0% Popularity • 12% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Maffi
Bad Memory
84 bpm • F# Maj • 03:45 • -12.25db
4% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Henry Purcell
Remember Not, Lord Our Offences, Z. 50
72 bpm • A min • 02:45 • -27.89db
0% Popularity • 17% Danceability • 7% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Rob
But You
84 bpm • F# min • 03:22 • -11.08db
8% Popularity • 79% Danceability • 66% Energy • 21% Liveness
13% Instrumentalness • 66% Positiveness
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Gabriel Fauré
Messe Basse
85 bpm • G Maj • 02:18 • -20.26db
0% Popularity • 17% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Peter King
Leona
86 bpm • D Maj • 04:49 • -20.21db
0% Popularity • 43% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Akalé Wubé
Yèkatit
86 bpm • A# min • 05:12 • -9.48db
21% Popularity • 59% Danceability • 46% Energy • 9% Liveness
81% Instrumentalness • 64% Positiveness
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Petr Eben
Hommage à Dietrich Buxtehude
86 bpm • C Maj • 09:07 • -23.38db
0% Popularity • 10% Danceability • 11% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
70 bpm • A Maj • 03:30 • -18.03db
0% Popularity • 22% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 3% Positiveness
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Gyedu-Blay Ambolley
Adwoa
86 bpm • C Maj • 04:07 • -16.1db
28% Popularity • 75% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Gildas Scouarnec Quintet
First Kick - Live at Radio France
69 bpm • G# Maj • 10:58 • -10.4db
0% Popularity • 35% Danceability • 45% Energy • 88% Liveness
58% Instrumentalness • 24% Positiveness
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Peter King
Teach Dem Fi Read, Write & Spell
86 bpm • A min • 02:54 • -10.22db
3% Popularity • 90% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Joseph Haydn
Missa brevis St. Joannis de Deo, Hob. XX...
69 bpm • D# Maj • 05:34 • -30.41db
0% Popularity • 11% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Prelude in G Minor, BuxWV 149
69 bpm • G min • 07:01 • -23.18db
0% Popularity • 17% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Bola Johnson
Oh My Baby Josephine
87 bpm • F# Maj • 02:40 • -7db
23% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Saxon Lee and The Shadows International
Special Secret of Baby
87 bpm • A# min • 08:44 • -6.34db
10% Popularity • 75% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Sir Charles Hubert Parry
I Was Glad When They Said Unto Me
68 bpm • A# Maj • 05:32 • -20.6db
0% Popularity • 6% Danceability • 20% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
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Peter King
Tamburello
68 bpm • G Maj • 03:49 • -21.91db
0% Popularity • 19% Danceability • 5% Energy • 16% Liveness
57% Instrumentalness • 6% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
87 bpm • F Maj • 02:58 • -24.01db
0% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Magnificat in G
87 bpm • A min • 05:19 • -19.71db
0% Popularity • 12% Danceability • 17% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Moussa Doumbia
Femme d'aujourd'hui
87 bpm • E Maj • 05:47 • -5.87db
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
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Georg Böhm
Chorale Prelude on "Vater unser im Himme...
67 bpm • D min • 04:45 • -35.73db
0% Popularity • 22% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Itadi
Watch Your Life
88 bpm • C Maj • 06:10 • -10db
36% Popularity • 63% Danceability • 73% Energy • 11% Liveness
18% Instrumentalness • 84% Positiveness
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Peter King
Dido's Lament
68 bpm • G min • 06:13 • -12.5db
0% Popularity • 37% Danceability • 36% Energy • 15% Liveness
21% Instrumentalness • 27% Positiveness
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Olivier Messiaen
O sacrum convivium!, I/18
88 bpm • A# min • 03:33 • -29.85db
0% Popularity • 18% Danceability • 5% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Bola Johnson
E Ma S'eka
88 bpm • A min • 03:04 • -10.24db
28% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Scorpions
Nile Waves
88 bpm • C Maj • 03:59 • -8db
39% Popularity • 73% Danceability • 79% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
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Orlando Julius
Alafia
89 bpm • E min • 03:11 • -5.86db
11% Popularity • 51% Danceability • 96% Energy • 64% Liveness
95% Instrumentalness • 70% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie, MWV B 57: I. Kyri...
67 bpm • A Maj • 01:17 • -24.7db
0% Popularity • 22% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Prelude in C Major, BuxWV 137
67 bpm • C Maj • 05:18 • -23.67db
0% Popularity • 16% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Grayston Ives
Listen, Sweet Dove
67 bpm • D# Maj • 02:45 • -29.27db
0% Popularity • 10% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Peter King
Bag's Groove
89 bpm • C# Maj • 07:58 • -11.51db
1% Popularity • 48% Danceability • 58% Energy • 70% Liveness
62% Instrumentalness • 54% Positiveness
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Celestine Ukwu & His Philosophers National
Okwukwe Na Nchekwube
90 bpm • A min • 06:10 • -8.23db
24% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Orlando Julius
Sangodele
89 bpm • F# min • 04:32 • -9.01db
19% Popularity • 44% Danceability • 83% Energy • 36% Liveness
68% Instrumentalness • 71% Positiveness
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Shina Williams & His African Percussionists
Gboro Mi Ro
90 bpm • A min • 07:43 • -10.61db
8% Popularity • 51% Danceability • 74% Energy • 18% Liveness
16% Instrumentalness • 95% Positiveness
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Camille Saint-Saëns
Fantaisie No. 2 in D-Flat Major, Op. 101
66 bpm • C# Maj • 11:15 • -24.34db
0% Popularity • 6% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Anonymous
The First Matin Responsory
90 bpm • D Maj • 03:18 • -31.11db
0% Popularity • 23% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 3% Positiveness
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The Funkees
Break Through
92 bpm • A# min • 03:29 • -9.76db
24% Popularity • 56% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Alex Konadu
W'awu Do Ho No
92 bpm • F min • 03:11 • -6.46db
15% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
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Orlando Julius
Buje Buje
91 bpm • F min • 08:21 • -5.69db
14% Popularity • 63% Danceability • 86% Energy • 29% Liveness
20% Instrumentalness • 92% Positiveness
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Peter King
Concert Overture in C Minor
93 bpm • G Maj • 08:04 • -19.2db
0% Popularity • 12% Danceability • 7% Energy • 28% Liveness
92% Instrumentalness • 7% Positiveness
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Maurice Greene
Lord Let Me Know Mine End
93 bpm • A min • 05:52 • -23.78db
0% Popularity • 12% Danceability • 16% Energy • 10% Liveness
20% Instrumentalness • 10% Positiveness
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The Lijadu Sisters
Danger
93 bpm • A# Maj • 05:52 • -8.51db
24% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 85% Positiveness
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The Funkees
Breakthrough
93 bpm • A# min • 03:23 • -12db
30% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
94 bpm • D# min • 01:54 • -22.12db
0% Popularity • 19% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Rob
Make It Fast, Make It Slow
94 bpm • D min • 05:26 • -11db
29% Popularity • 70% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Peter King
A Girl Named Summer
94 bpm • D Maj • 02:53 • -13.13db
0% Popularity • 66% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Anonymous
Te Deum
93 bpm • A min • 05:47 • -12.66db
0% Popularity • 16% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Villiers Stanford
3 Motets, Op. 38: No. 3, Beati quorum vi...
94 bpm • G# Maj • 03:13 • -30.3db
0% Popularity • 15% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Antibalas
Tattletale, Pt. 2
95 bpm • D# min • 02:47 • -11.06db
37% Popularity • 70% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
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Ebo Taylor
Yen Ara
95 bpm • G# Maj • 03:10 • -8.63db
41% Popularity • 64% Danceability • 87% Energy • 7% Liveness
47% Instrumentalness • 97% Positiveness
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The Ogyatanaa Show Band
You Monopolise Me
95 bpm • A Maj • 03:14 • -6.87db
25% Popularity • 78% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Peter King
Tebyansala
95 bpm • F# Maj • 02:46 • -5.51db
0% Popularity • 83% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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William Harris
Come Down O Love Divine
94 bpm • G# Maj • 03:35 • -22.29db
0% Popularity • 11% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Karl Hector & The Malcouns
Push Na Ya
96 bpm • B min • 02:32 • -4.04db
31% Popularity • 67% Danceability • 87% Energy • 21% Liveness
60% Instrumentalness • 94% Positiveness
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Antibalas
Tattletale, Pt. 1
96 bpm • D Maj • 04:34 • -8.24db
30% Popularity • 73% Danceability • 77% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
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Letta Mbulu
What's Wrong With Groovin'
96 bpm • G Maj • 02:53 • -5.9db
35% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Monomono
Get Yourself Together
96 bpm • B min • 05:04 • -11.4db
9% Popularity • 62% Danceability • 56% Energy • 36% Liveness
1% Instrumentalness • 71% Positiveness
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Peter King
Eda
94 bpm • C min • 03:02 • -9.5db
28% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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Bola Johnson
Hot Pants
96 bpm • F# min • 02:51 • -7.34db
15% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Tamburello