Songs like Tangled by Sy Baldwin
Based on a tempo of (+/- 10%) and a similar genre
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Sy Baldwin
Tangled
133 bpm • D min • 04:10 • -8.41db
0% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jazz Holdouts
Intuition Jazz Mix
133 bpm • G# Maj • 05:26 • -8.31db
12% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Urs Wiesendanger
All The Things
132 bpm • G min • 04:55 • -11.71db
12% Popularity • 76% Danceability • 28% Energy • 10% Liveness
10% Instrumentalness • 51% Positiveness
12% Popularity • 76% Danceability • 28% Energy • 10% Liveness
10% Instrumentalness • 51% Positiveness
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Tom Braxton
1 a.m.
134 bpm • D min • 05:05 • -6.4db
9% Popularity • 63% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
9% Popularity • 63% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
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Michael Cates
Same Place, Krista
134 bpm • C min • 04:50 • -8.15db
26% Popularity • 55% Danceability • 61% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
26% Popularity • 55% Danceability • 61% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Jason Lee
love supreme
132 bpm • F min • 03:47 • -5.86db
15% Popularity • 54% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
15% Popularity • 54% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
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Daniel Earl Jacobs
The Great I Am
132 bpm • F# Maj • 04:03 • -5.81db
23% Popularity • 36% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 36% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Manuel Backert
Deeper Sea
132 bpm • B min • 02:11 • -6.26db
24% Popularity • 70% Danceability • 85% Energy • 9% Liveness
81% Instrumentalness • 81% Positiveness
24% Popularity • 70% Danceability • 85% Energy • 9% Liveness
81% Instrumentalness • 81% Positiveness
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Cord Martin
Covenant Prayer
136 bpm • G# Maj • 04:59 • -10.55db
12% Popularity • 54% Danceability • 44% Energy • 22% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 22% Liveness
89% Instrumentalness • 10% Positiveness
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Brian Bromberg
The Third Child
136 bpm • C# Maj • 05:39 • -8.12db
7% Popularity • 53% Danceability • 74% Energy • 44% Liveness
12% Instrumentalness • 28% Positiveness
7% Popularity • 53% Danceability • 74% Energy • 44% Liveness
12% Instrumentalness • 28% Positiveness
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Michael Cates
Carmel Raine (album edit)
135 bpm • D min • 04:14 • -8.17db
26% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Andy Snitzer
Whispered
130 bpm • G Maj • 04:33 • -8.95db
9% Popularity • 46% Danceability • 29% Energy • 19% Liveness
57% Instrumentalness • 26% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 19% Liveness
57% Instrumentalness • 26% Positiveness
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Daniel Earl Jacobs
The Great I Am (Instrumental)
131 bpm • F# Maj • 04:03 • -6.49db
23% Popularity • 40% Danceability • 58% Energy • 36% Liveness
66% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 58% Energy • 36% Liveness
66% Instrumentalness • 24% Positiveness
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Jesse Thompson
The Right One Baby
130 bpm • G# Maj • 04:52 • -9.81db
7% Popularity • 71% Danceability • 45% Energy • 16% Liveness
86% Instrumentalness • 36% Positiveness
7% Popularity • 71% Danceability • 45% Energy • 16% Liveness
86% Instrumentalness • 36% Positiveness
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Kayla Waters
Presence
130 bpm • F# min • 03:55 • -13.07db
13% Popularity • 67% Danceability • 36% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
13% Popularity • 67% Danceability • 36% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Vandell Andrew
Heart 2 Heart
130 bpm • F min • 03:15 • -7.24db
17% Popularity • 68% Danceability • 53% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
17% Popularity • 68% Danceability • 53% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
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Carlos Camilo
The Golden Rule
130 bpm • D# min • 04:42 • -9.96db
12% Popularity • 70% Danceability • 77% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
12% Popularity • 70% Danceability • 77% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
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Bernd Kofler
Rain
130 bpm • A min • 03:45 • -6.44db
18% Popularity • 74% Danceability • 62% Energy • 34% Liveness
85% Instrumentalness • 50% Positiveness
18% Popularity • 74% Danceability • 62% Energy • 34% Liveness
85% Instrumentalness • 50% Positiveness
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Gary Palmer
Embraceable You
130 bpm • F min • 03:54 • -8.22db
8% Popularity • 74% Danceability • 40% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
8% Popularity • 74% Danceability • 40% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
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Chris Mitchell
Pay It Forward
130 bpm • D# Maj • 04:22 • -5.77db
13% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lotte Kærså & Græsrødderne
BLUES FOR DUKE (TRÆK-SVING)
129 bpm • C Maj • 01:25 • -8.45db
14% Popularity • 81% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 74% Positiveness
14% Popularity • 81% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 74% Positiveness
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JJ Sansaverino
The Groove Messenger - Radio Edit
129 bpm • E min • 03:36 • -9.46db
14% Popularity • 76% Danceability • 66% Energy • 33% Liveness
82% Instrumentalness • 72% Positiveness
14% Popularity • 76% Danceability • 66% Energy • 33% Liveness
82% Instrumentalness • 72% Positiveness
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Cal Harris Jr.
Soon as I Get Home
138 bpm • G# min • 05:18 • -8.3db
12% Popularity • 68% Danceability • 57% Energy • 13% Liveness
80% Instrumentalness • 24% Positiveness
12% Popularity • 68% Danceability • 57% Energy • 13% Liveness
80% Instrumentalness • 24% Positiveness
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Jazz Holdouts
I Believe in Love
138 bpm • F# min • 04:47 • -9db
12% Popularity • 70% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Les Sabler
Reasons
138 bpm • D# Maj • 03:48 • -7.72db
12% Popularity • 69% Danceability • 68% Energy • 9% Liveness
68% Instrumentalness • 66% Positiveness
12% Popularity • 69% Danceability • 68% Energy • 9% Liveness
68% Instrumentalness • 66% Positiveness
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Eric Knight
Weak
128 bpm • A min • 04:25 • -8.82db
38% Popularity • 64% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 49% Positiveness
38% Popularity • 64% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 49% Positiveness
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Andy Snitzer
Love Star
138 bpm • G# min • 05:02 • -8.36db
8% Popularity • 76% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
8% Popularity • 76% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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JJ Sansaverino
The Groove Messenger
129 bpm • E min • 05:03 • -8.72db
13% Popularity • 73% Danceability • 71% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
13% Popularity • 73% Danceability • 71% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Ronnie Laws
Old Days/Old Ways
139 bpm • D Maj • 04:08 • -4.68db
7% Popularity • 75% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
7% Popularity • 75% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
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Brian Clay
Pretty Brown
139 bpm • G# Maj • 04:11 • -15.1db
11% Popularity • 72% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 54% Positiveness
11% Popularity • 72% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 54% Positiveness
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Les Sabler
Could You Be
128 bpm • G Maj • 04:18 • -7.09db
10% Popularity • 80% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 53% Positiveness
10% Popularity • 80% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 53% Positiveness
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Jessy J
Blue
127 bpm • F min • 04:13 • -7.12db
16% Popularity • 71% Danceability • 64% Energy • 6% Liveness
9% Instrumentalness • 87% Positiveness
16% Popularity • 71% Danceability • 64% Energy • 6% Liveness
9% Instrumentalness • 87% Positiveness
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Gordon James
Here We Are
140 bpm • D# Maj • 04:32 • -7.62db
9% Popularity • 44% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
9% Popularity • 44% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
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Carlos Camilo
Freaky Things
140 bpm • F min • 04:04 • -10.38db
13% Popularity • 65% Danceability • 66% Energy • 9% Liveness
97% Instrumentalness • 52% Positiveness
13% Popularity • 65% Danceability • 66% Energy • 9% Liveness
97% Instrumentalness • 52% Positiveness
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Mark Wilson
Mighty God
140 bpm • G# Maj • 04:24 • -7.2db
12% Popularity • 46% Danceability • 88% Energy • 13% Liveness
81% Instrumentalness • 83% Positiveness
12% Popularity • 46% Danceability • 88% Energy • 13% Liveness
81% Instrumentalness • 83% Positiveness
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Perry Alford Jr.
Freedom
140 bpm • G Maj • 04:03 • -5.91db
18% Popularity • 42% Danceability • 78% Energy • 5% Liveness
74% Instrumentalness • 66% Positiveness
18% Popularity • 42% Danceability • 78% Energy • 5% Liveness
74% Instrumentalness • 66% Positiveness
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Les Sabler
A Child Is Born
128 bpm • F Maj • 03:44 • -9.25db
15% Popularity • 68% Danceability • 58% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
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David Margam
Serenity
140 bpm • F min • 03:55 • -9.16db
40% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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J. S. Floyd
Pinky
140 bpm • G min • 03:58 • -9.04db
12% Popularity • 77% Danceability • 72% Energy • 12% Liveness
36% Instrumentalness • 95% Positiveness
12% Popularity • 77% Danceability • 72% Energy • 12% Liveness
36% Instrumentalness • 95% Positiveness
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Carlos Camilo
Winds of change
140 bpm • C# Maj • 03:49 • -6.04db
15% Popularity • 66% Danceability • 71% Energy • 13% Liveness
32% Instrumentalness • 53% Positiveness
15% Popularity • 66% Danceability • 71% Energy • 13% Liveness
32% Instrumentalness • 53% Positiveness
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Chris Standring
Come Closer
140 bpm • F Maj • 04:11 • -9.12db
22% Popularity • 83% Danceability • 50% Energy • 8% Liveness
14% Instrumentalness • 91% Positiveness
22% Popularity • 83% Danceability • 50% Energy • 8% Liveness
14% Instrumentalness • 91% Positiveness
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Dee Brown
Remembering You
140 bpm • G min • 04:10 • -7.33db
11% Popularity • 61% Danceability • 69% Energy • 17% Liveness
44% Instrumentalness • 41% Positiveness
11% Popularity • 61% Danceability • 69% Energy • 17% Liveness
44% Instrumentalness • 41% Positiveness
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Kayla Waters
Salt n’ Soak
126 bpm • C Maj • 03:55 • -10.22db
11% Popularity • 77% Danceability • 44% Energy • 15% Liveness
89% Instrumentalness • 36% Positiveness
11% Popularity • 77% Danceability • 44% Energy • 15% Liveness
89% Instrumentalness • 36% Positiveness
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Steve Cole
Up and at 'Em
125 bpm • B min • 03:39 • -6.96db
9% Popularity • 70% Danceability • 74% Energy • 33% Liveness
3% Instrumentalness • 81% Positiveness
9% Popularity • 70% Danceability • 74% Energy • 33% Liveness
3% Instrumentalness • 81% Positiveness
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Tom Braxton
I Love Music - radio single
126 bpm • F min • 04:20 • -8.13db
8% Popularity • 69% Danceability • 68% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
8% Popularity • 69% Danceability • 68% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Carlos Camilo
Her fragrance
140 bpm • C min • 04:43 • -7.64db
13% Popularity • 69% Danceability • 66% Energy • 14% Liveness
51% Instrumentalness • 62% Positiveness
13% Popularity • 69% Danceability • 66% Energy • 14% Liveness
51% Instrumentalness • 62% Positiveness
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Michael Cates
Emelia
142 bpm • F Maj • 04:33 • -4.87db
26% Popularity • 42% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 42% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Allon Sams
Time Alone
124 bpm • A# Maj • 04:26 • -8.71db
10% Popularity • 78% Danceability • 50% Energy • 4% Liveness
73% Instrumentalness • 67% Positiveness
10% Popularity • 78% Danceability • 50% Energy • 4% Liveness
73% Instrumentalness • 67% Positiveness
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布朗尼TheBrownieBand
Feel the Light
124 bpm • D min • 05:56 • -7.32db
9% Popularity • 72% Danceability • 70% Energy • 22% Liveness
67% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 70% Energy • 22% Liveness
67% Instrumentalness • 82% Positiveness
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Eric Darius
About Last Night
144 bpm • D min • 06:16 • -6.71db
11% Popularity • 65% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 41% Positiveness
11% Popularity • 65% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 41% Positiveness
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Herb Partlow
Artificial Intelligence (Club Mix)
123 bpm • F# Maj • 03:24 • -6.2db
19% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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All . Jazz
Nocturnal Harmony
144 bpm • F Maj • 03:32 • -10.68db
10% Popularity • 56% Danceability • 55% Energy • 13% Liveness
82% Instrumentalness • 47% Positiveness
10% Popularity • 56% Danceability • 55% Energy • 13% Liveness
82% Instrumentalness • 47% Positiveness
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Jamal Moore & Band Electrik
Would You Mind
144 bpm • F# min • 02:23 • -9.37db
12% Popularity • 65% Danceability • 62% Energy • 29% Liveness
70% Instrumentalness • 63% Positiveness
12% Popularity • 65% Danceability • 62% Energy • 29% Liveness
70% Instrumentalness • 63% Positiveness
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Akia Uwanda
Kiss and Tell
122 bpm • A# min • 03:29 • -11db
13% Popularity • 74% Danceability • 57% Energy • 52% Liveness
1% Instrumentalness • 56% Positiveness
13% Popularity • 74% Danceability • 57% Energy • 52% Liveness
1% Instrumentalness • 56% Positiveness
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Dee Brown
Controlled Passion
122 bpm • A# Maj • 03:53 • -8.28db
23% Popularity • 67% Danceability • 61% Energy • 17% Liveness
72% Instrumentalness • 54% Positiveness
23% Popularity • 67% Danceability • 61% Energy • 17% Liveness
72% Instrumentalness • 54% Positiveness
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J. S. Floyd
The Wall Interlude
146 bpm • C Maj • 01:58 • -7.35db
13% Popularity • 62% Danceability • 60% Energy • 6% Liveness
53% Instrumentalness • 58% Positiveness
13% Popularity • 62% Danceability • 60% Energy • 6% Liveness
53% Instrumentalness • 58% Positiveness
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Rob Arthur
The Way I Like It
121 bpm • A min • 05:16 • -16.74db
7% Popularity • 70% Danceability • 21% Energy • 8% Liveness
55% Instrumentalness • 47% Positiveness
7% Popularity • 70% Danceability • 21% Energy • 8% Liveness
55% Instrumentalness • 47% Positiveness
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Uriel Vega
Never Lost (Instrumental)
120 bpm • G min • 04:21 • -9.2db
29% Popularity • 43% Danceability • 40% Energy • 10% Liveness
58% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 40% Energy • 10% Liveness
58% Instrumentalness • 20% Positiveness
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Loft
Let The Sun Shine - 70's Extended Mix
120 bpm • F min • 02:08 • -9.81db
10% Popularity • 71% Danceability • 86% Energy • 16% Liveness
85% Instrumentalness • 63% Positiveness
10% Popularity • 71% Danceability • 86% Energy • 16% Liveness
85% Instrumentalness • 63% Positiveness
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José Côrte-Real
The Caravan
120 bpm • G Maj • 03:54 • -8.73db
19% Popularity • 73% Danceability • 89% Energy • 8% Liveness
53% Instrumentalness • 80% Positiveness
19% Popularity • 73% Danceability • 89% Energy • 8% Liveness
53% Instrumentalness • 80% Positiveness
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Chris Standring
And the Show Goes On
120 bpm • F Maj • 04:12 • -9.89db
9% Popularity • 87% Danceability • 48% Energy • 13% Liveness
24% Instrumentalness • 82% Positiveness
9% Popularity • 87% Danceability • 48% Energy • 13% Liveness
24% Instrumentalness • 82% Positiveness
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Jayson Tipp
Bob's Groove
120 bpm • A# Maj • 04:02 • -9.81db
9% Popularity • 81% Danceability • 62% Energy • 33% Liveness
92% Instrumentalness • 65% Positiveness
9% Popularity • 81% Danceability • 62% Energy • 33% Liveness
92% Instrumentalness • 65% Positiveness
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Cord Martin
Sweeter
120 bpm • A# Maj • 03:24 • -7.01db
26% Popularity • 75% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 67% Positiveness
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Adam Hawley
Up On It
120 bpm • F min • 04:04 • -7.52db
17% Popularity • 72% Danceability • 72% Energy • 9% Liveness
33% Instrumentalness • 75% Positiveness
17% Popularity • 72% Danceability • 72% Energy • 9% Liveness
33% Instrumentalness • 75% Positiveness
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Kim Waters
House Call
120 bpm • F min • 04:45 • -7.7db
9% Popularity • 82% Danceability • 62% Energy • 16% Liveness
44% Instrumentalness • 52% Positiveness
9% Popularity • 82% Danceability • 62% Energy • 16% Liveness
44% Instrumentalness • 52% Positiveness
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Roy Stephansen
Smooth Birthday
120 bpm • F Maj • 03:28 • -9.83db
21% Popularity • 76% Danceability • 57% Energy • 12% Liveness
71% Instrumentalness • 76% Positiveness
21% Popularity • 76% Danceability • 57% Energy • 12% Liveness
71% Instrumentalness • 76% Positiveness
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Chris Standring
No Two Ways About It
120 bpm • C# Maj • 04:35 • -8.69db
8% Popularity • 98% Danceability • 63% Energy • 11% Liveness
77% Instrumentalness • 96% Positiveness
8% Popularity • 98% Danceability • 63% Energy • 11% Liveness
77% Instrumentalness • 96% Positiveness
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J. White
Keep Shining
120 bpm • C# Maj • 04:27 • -6.72db
7% Popularity • 88% Danceability • 65% Energy • 14% Liveness
46% Instrumentalness • 72% Positiveness
7% Popularity • 88% Danceability • 65% Energy • 14% Liveness
46% Instrumentalness • 72% Positiveness
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Kasino Brown
Don't Change
120 bpm • F min • 04:17 • -6.02db
20% Popularity • 70% Danceability • 63% Energy • 32% Liveness
8% Instrumentalness • 92% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 32% Liveness
8% Instrumentalness • 92% Positiveness
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Thom Rotella
Street Talk
120 bpm • F Maj • 04:05 • -6.68db
17% Popularity • 84% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
17% Popularity • 84% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
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THE JAZZFUNKATEARS
Funky Girl
120 bpm • A min • 04:01 • -10.5db
14% Popularity • 77% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 90% Positiveness
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Carlos Camilo
Forbidden Fruit
120 bpm • F# Maj • 04:12 • -8.86db
12% Popularity • 69% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
12% Popularity • 69% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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Chris Standring
Top Hat & Tails
120 bpm • E Maj • 03:44 • -5.45db
25% Popularity • 88% Danceability • 63% Energy • 7% Liveness
12% Instrumentalness • 93% Positiveness
25% Popularity • 88% Danceability • 63% Energy • 7% Liveness
12% Instrumentalness • 93% Positiveness
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Uriel Vega
Friend of God (Instrumental)
120 bpm • G# Maj • 05:00 • -6.58db
12% Popularity • 60% Danceability • 71% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
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Sam Rucker
Testimony
120 bpm • C min • 04:22 • -8.45db
7% Popularity • 67% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 27% Positiveness
7% Popularity • 67% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 27% Positiveness
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Cal Harris Jr.
The Touch
148 bpm • D min • 03:46 • -10.52db
21% Popularity • 65% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 47% Positiveness
21% Popularity • 65% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 47% Positiveness
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Jason Lee
time to love
148 bpm • G# Maj • 03:14 • -5.37db
13% Popularity • 59% Danceability • 69% Energy • 23% Liveness
72% Instrumentalness • 26% Positiveness
13% Popularity • 59% Danceability • 69% Energy • 23% Liveness
72% Instrumentalness • 26% Positiveness
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Jeremy Thompson
I Know
119 bpm • D# min • 03:58 • -4.68db
33% Popularity • 27% Danceability • 61% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
33% Popularity • 27% Danceability • 61% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Torcuato Mariano
Um Trem pra Uberaba
119 bpm • F Maj • 04:28 • -12.56db
9% Popularity • 54% Danceability • 66% Energy • 6% Liveness
77% Instrumentalness • 68% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 6% Liveness
77% Instrumentalness • 68% Positiveness
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Bob Coate
Love Like That
118 bpm • F# min • 04:18 • -11.88db
9% Popularity • 62% Danceability • 65% Energy • 27% Liveness
93% Instrumentalness • 70% Positiveness
9% Popularity • 62% Danceability • 65% Energy • 27% Liveness
93% Instrumentalness • 70% Positiveness
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Phil Denny
Shaken Not Stirred
118 bpm • F min • 04:09 • -8.45db
8% Popularity • 81% Danceability • 70% Energy • 19% Liveness
88% Instrumentalness • 48% Positiveness
8% Popularity • 81% Danceability • 70% Energy • 19% Liveness
88% Instrumentalness • 48% Positiveness
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Jacob Webb
All In
118 bpm • D min • 04:09 • -7.52db
30% Popularity • 72% Danceability • 76% Energy • 30% Liveness
24% Instrumentalness • 52% Positiveness
30% Popularity • 72% Danceability • 76% Energy • 30% Liveness
24% Instrumentalness • 52% Positiveness
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Desmond Amos
Make Me Feel High
150 bpm • C min • 03:54 • -10.17db
8% Popularity • 77% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 65% Positiveness
8% Popularity • 77% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 65% Positiveness
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Leee John
Blue Moon
150 bpm • C min • 03:44 • -12.11db
11% Popularity • 67% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 55% Positiveness
11% Popularity • 67% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 55% Positiveness
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Ted Stanton
Nocturnal
117 bpm • G Maj • 04:29 • -12.65db
22% Popularity • 65% Danceability • 38% Energy • 27% Liveness
27% Instrumentalness • 35% Positiveness
22% Popularity • 65% Danceability • 38% Energy • 27% Liveness
27% Instrumentalness • 35% Positiveness
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Fourplay
Tokyo Rain - 2023 Remastered
151 bpm • F# Maj • 04:47 • -14.23db
13% Popularity • 61% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
13% Popularity • 61% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Dee Brown
Wake Up
117 bpm • A# min • 04:07 • -9.34db
20% Popularity • 73% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 84% Positiveness
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Funklover
Funklover Has Here
117 bpm • A min • 01:43 • -15.99db
12% Popularity • 80% Danceability • 46% Energy • 6% Liveness
82% Instrumentalness • 93% Positiveness
12% Popularity • 80% Danceability • 46% Energy • 6% Liveness
82% Instrumentalness • 93% Positiveness
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Michael Cates
Get On It
117 bpm • C# Maj • 04:00 • -5.93db
32% Popularity • 84% Danceability • 62% Energy • 6% Liveness
53% Instrumentalness • 74% Positiveness
32% Popularity • 84% Danceability • 62% Energy • 6% Liveness
53% Instrumentalness • 74% Positiveness
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Swaggy Union
San Francisco Night
152 bpm • G Maj • 03:25 • -13.35db
8% Popularity • 64% Danceability • 47% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
8% Popularity • 64% Danceability • 47% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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Paul Taylor
Seize the Day
117 bpm • D min • 04:03 • -8.1db
8% Popularity • 82% Danceability • 49% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
8% Popularity • 82% Danceability • 49% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
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Fahrenheit 702
Can't Step Away
116 bpm • F# Maj • 04:19 • -8.88db
25% Popularity • 74% Danceability • 77% Energy • 19% Liveness
12% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 77% Energy • 19% Liveness
12% Instrumentalness • 86% Positiveness
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Rainforest Band
My Charmaine
116 bpm • C# Maj • 03:57 • -9.47db
8% Popularity • 69% Danceability • 50% Energy • 13% Liveness
52% Instrumentalness • 56% Positiveness
8% Popularity • 69% Danceability • 50% Energy • 13% Liveness
52% Instrumentalness • 56% Positiveness
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Chris Standring
Monday Madness
116 bpm • C Maj • 04:35 • -7.05db
19% Popularity • 86% Danceability • 57% Energy • 19% Liveness
53% Instrumentalness • 89% Positiveness
19% Popularity • 86% Danceability • 57% Energy • 19% Liveness
53% Instrumentalness • 89% Positiveness
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Marco Giubileo
Alice
116 bpm • B min • 04:51 • -8.34db
18% Popularity • 75% Danceability • 64% Energy • 9% Liveness
84% Instrumentalness • 87% Positiveness
18% Popularity • 75% Danceability • 64% Energy • 9% Liveness
84% Instrumentalness • 87% Positiveness
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Nelson Rangell
Gratitude
116 bpm • C min • 05:41 • -6.14db
9% Popularity • 73% Danceability • 69% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
9% Popularity • 73% Danceability • 69% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Dreaming in Colour
Twilight Drive
116 bpm • G Maj • 05:31 • -6.47db
14% Popularity • 82% Danceability • 71% Energy • 6% Liveness
19% Instrumentalness • 35% Positiveness
14% Popularity • 82% Danceability • 71% Energy • 6% Liveness
19% Instrumentalness • 35% Positiveness
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Le Sonic
Riverside Drive
116 bpm • G Maj • 03:12 • -9.32db
27% Popularity • 78% Danceability • 41% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
27% Popularity • 78% Danceability • 41% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
