Songs like Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder" by Birgit Nilsson
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Verdi: Messa da Requiem: XVI. Agnus Dei
90 bpm • C Maj • 04:53 • -28.83db
12% Popularity • 14% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH.5 / Act 1: Sce...
90 bpm • E Maj • 05:40 • -23.4db
9% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 3: "Mir schwankt ...
90 bpm • A Maj • 05:24 • -14.86db
0% Popularity • 28% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 28% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234 ...
90 bpm • G# Maj • 08:24 • -25.51db
1% Popularity • 13% Danceability • 12% Energy • 49% Liveness
25% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 12% Energy • 49% Liveness
25% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Wien, Wien, Nur Du Allein (Vienna, City ...
90 bpm • G Maj • 04:08 • -20db
1% Popularity • 36% Danceability • 10% Energy • 97% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 36% Danceability • 10% Energy • 97% Liveness
0% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 2: Kvetiny bile p...
90 bpm • B Maj • 03:22 • -17.62db
13% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XIII. Hostias
90 bpm • C Maj • 06:14 • -25.24db
3% Popularity • 16% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: V. Solo S...
89 bpm • G Maj • 07:37 • -27.84db
13% Popularity • 13% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 1: Schützt ...
89 bpm • D min • 03:10 • -14.17db
13% Popularity • 46% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 46% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Sie ist ein U...
89 bpm • A# min • 01:17 • -15db
9% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "A moi les plaisi...
89 bpm • E Maj • 06:52 • -22.26db
11% Popularity • 26% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
11% Popularity • 26% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Edvard Grieg
12 Songs, Op. 33: 2. Våren
89 bpm • F# Maj • 05:11 • -17.23db
2% Popularity • 19% Danceability • 15% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 15% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: "Pietà ti prenda de...
89 bpm • C# Maj • 02:07 • -18.96db
1% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
89 bpm • D# Maj • 04:46 • -15.89db
11% Popularity • 14% Danceability • 32% Energy • 14% Liveness
63% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 32% Energy • 14% Liveness
63% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
91 bpm • C# Maj • 04:25 • -24db
8% Popularity • 17% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
10% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 3: Nicht str...
92 bpm • C Maj • 04:35 • -15.58db
12% Popularity • 24% Danceability • 17% Energy • 52% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 24% Danceability • 17% Energy • 52% Liveness
0% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
92 bpm • G Maj • 03:04 • -18.96db
13% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
91 bpm • G# Maj • 01:37 • -15.2db
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
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Gustav Mahler
Symphony No. 8, Erster Teil: III. Veni, ...
88 bpm • D# Maj • 04:06 • -15.76db
20% Popularity • 13% Danceability • 36% Energy • 45% Liveness
34% Instrumentalness • 6% Positiveness
20% Popularity • 13% Danceability • 36% Energy • 45% Liveness
34% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli, lae...
88 bpm • G Maj • 02:35 • -30db
24% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234 ...
91 bpm • F min • 08:35 • -25.12db
1% Popularity • 19% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: In fernem Lan...
92 bpm • A Maj • 06:20 • -19db
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
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Charles Gounod
Faust Act 1 No.5 Chouer : "Vin ou biere"...
92 bpm • F Maj • 05:01 • -20.92db
2% Popularity • 48% Danceability • 26% Energy • 13% Liveness
12% Instrumentalness • 53% Positiveness
2% Popularity • 48% Danceability • 26% Energy • 13% Liveness
12% Instrumentalness • 53% Positiveness
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Giuseppe Verdi
Nabucco / Act I: D'Egitto là sui lidi
88 bpm • C Maj • 03:59 • -19.65db
25% Popularity • 28% Danceability • 14% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
25% Popularity • 28% Danceability • 14% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Paul Hindemith
Mathis Der Maler, 6th Tableau, Scene 1: ...
87 bpm • G min • 03:34 • -22.76db
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Notte e gi...
87 bpm • F Maj • 05:39 • -18.33db
3% Popularity • 40% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 40% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234 ...
89 bpm • B Maj • 03:22 • -18.05db
1% Popularity • 17% Danceability • 27% Energy • 81% Liveness
2% Instrumentalness • 11% Positiveness
1% Popularity • 17% Danceability • 27% Energy • 81% Liveness
2% Instrumentalness • 11% Positiveness
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Richard Wagner
Parsifal / Act 3: "Wie dünkt mich doch ...
92 bpm • B Maj • 02:56 • -25.85db
18% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Six Songs, Op. 17:2 Ständchen
87 bpm • F Maj • 02:11 • -14.59db
0% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Prendi, quest'è...
88 bpm • C# Maj • 03:51 • -20.94db
26% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 3: Vyrvána zivot...
87 bpm • F Maj • 04:45 • -21db
10% Popularity • 17% Danceability • 5% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Cantabile. ...
87 bpm • C# Maj • 03:45 • -16.35db
7% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
88 bpm • B Maj • 04:36 • -21.12db
11% Popularity • 16% Danceability • 11% Energy • 67% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 67% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, Act I Scene 1: Wes Herd di...
88 bpm • A# Maj • 08:25 • -25db
20% Popularity • 16% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Otmar Suitner
Palestrina: Act III - "Wie lange sie ble...
87 bpm • F# Maj • 08:56 • -24.4db
7% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Un ballo in maschera / Act 3: "Morrò, m...
88 bpm • D# min • 04:54 • -25.17db
1% Popularity • 18% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Leoš Janáček
Jenufa / Act 1: Uz se vecer chyli
87 bpm • G# min • 09:59 • -19.24db
10% Popularity • 26% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Scena - Largo
86 bpm • F# min • 01:50 • -25db
21% Popularity • 15% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54, TrV 215 / Scene 4: Ah! D...
88 bpm • C# Maj • 11:43 • -14.49db
6% Popularity • 17% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "War es s...
87 bpm • E min • 04:25 • -28.11db
1% Popularity • 14% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Semiramide / Act 1: Alle più calde imma...
86 bpm • D# Maj • 03:52 • -18db
13% Popularity • 32% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Aïda, Act II Scene 1: Chi mai fra gl’...
87 bpm • D min • 05:52 • -25.46db
1% Popularity • 28% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
1% Popularity • 28% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
Norma / Act 1: Introduzione: Ite sul col...
94 bpm • G Maj • 06:50 • -17db
11% Popularity • 22% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
27% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
94 bpm • C# Maj • 04:39 • -16.39db
29% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold, Scene 1: Nur wer der Minn...
86 bpm • D Maj • 01:40 • -21db
14% Popularity • 30% Danceability • 13% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 30% Danceability • 13% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 2: Vidis je, vidi...
94 bpm • A Maj • 07:12 • -16.86db
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: "Gloria all'Egitto, ...
93 bpm • D# Maj • 03:02 • -14.3db
22% Popularity • 26% Danceability • 28% Energy • 56% Liveness
24% Instrumentalness • 22% Positiveness
22% Popularity • 26% Danceability • 28% Energy • 56% Liveness
24% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
86 bpm • C Maj • 04:55 • -18db
10% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Il étai...
94 bpm • A min • 04:55 • -18db
14% Popularity • 36% Danceability • 20% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
14% Popularity • 36% Danceability • 20% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
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Jean Sibelius
5 Songs, Op. 37: Varen flyktar hastigt (...
86 bpm • D# Maj • 01:49 • -20.13db
0% Popularity • 39% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 39% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Wagner
Parsifal, Act II: Komm, holder Knabe! "C...
88 bpm • C# Maj • 05:15 • -21db
16% Popularity • 24% Danceability • 12% Energy • 49% Liveness
2% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 49% Liveness
2% Instrumentalness • 8% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
86 bpm • D Maj • 02:20 • -42.27db
16% Popularity • 19% Danceability • 0% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 0% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La traviata / Act III: Signora...Che t'a...
87 bpm • G# Maj • 06:02 • -20.2db
18% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 4: "Si tu m'ai...
95 bpm • E min • 01:30 • -19.02db
19% Popularity • 32% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
95 bpm • E min • 05:16 • -18db
8% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Strauss
5 Lieder, Op. 41, TrV 195: No. 1. Wiegen...
85 bpm • D Maj • 04:04 • -22.08db
0% Popularity • 19% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act III: Mi...
92 bpm • E Maj • 06:15 • -13.86db
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
Der Freischütz, J. 277 / Act II: "Kommt...
95 bpm • C Maj • 03:45 • -18db
17% Popularity • 47% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 47% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Giuseppe Verdi
Verdi: Aida, Act 3: "Pur ti riveggo, mia...
87 bpm • C min • 12:30 • -13.64db
2% Popularity • 35% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 35% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Ah! lo vedi" (Due...
85 bpm • F min • 05:25 • -16db
22% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
85 bpm • E Maj • 02:10 • -26.58db
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
► Preview
Birgit Nilsson
Six Songs, Op 36:1 Svarta Rosor (Black R...
85 bpm • C# Maj • 01:48 • -13db
0% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "O ...
88 bpm • G# Maj • 04:49 • -17.61db
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234 ...
84 bpm • C min • 03:57 • -12.53db
2% Popularity • 18% Danceability • 46% Energy • 66% Liveness
1% Instrumentalness • 20% Positiveness
2% Popularity • 18% Danceability • 46% Energy • 66% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Giuseppe Verdi
Rigoletto / Act III: V'ho ingannato
87 bpm • C# Maj • 04:17 • -20.7db
12% Popularity • 28% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 28% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
97 bpm • D# Maj • 03:49 • -14.14db
12% Popularity • 15% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 15% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giacomo Meyerbeer
Meyerbeer: Les Huguenots: Et maintenant ...
97 bpm • C# Maj • 05:18 • -14db
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
► Preview
Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B / Act 3: "Und das ...
96 bpm • C min • 03:49 • -16.59db
1% Popularity • 29% Danceability • 19% Energy • 86% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 29% Danceability • 19% Energy • 86% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234 ...
84 bpm • C# Maj • 05:11 • -21.85db
1% Popularity • 20% Danceability • 13% Energy • 69% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 20% Danceability • 13% Energy • 69% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Simon Boccanegra, Prologue: Che dicesti?
84 bpm • A Maj • 07:08 • -20.9db
16% Popularity • 22% Danceability • 5% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 5% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen / Act 1: Chanson et Mélodrame: "...
97 bpm • C Maj • 03:38 • -31db
12% Popularity • 31% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Aida, Act 3: "o Patria Mia"
85 bpm • F Maj • 07:04 • -18.13db
0% Popularity • 24% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 2: "Elsa !" (Ortr...
84 bpm • F# min • 04:26 • -19.62db
1% Popularity • 27% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 27% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Ob ich nicht ...
83 bpm • G Maj • 01:23 • -18db
3% Popularity • 40% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 40% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Il balen del suo ...
94 bpm • C# Maj • 06:47 • -16.97db
15% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Non ti fid...
83 bpm • A# Maj • 04:29 • -20.73db
1% Popularity • 36% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 36% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Georges Bizet
Carmen / Act 1: Introduction: "Sur la pl...
97 bpm • A# Maj • 02:44 • -27db
17% Popularity • 42% Danceability • 3% Energy • 62% Liveness
9% Instrumentalness • 26% Positiveness
17% Popularity • 42% Danceability • 3% Energy • 62% Liveness
9% Instrumentalness • 26% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal, Act I: O wunden-wundervoller h...
92 bpm • C min • 03:58 • -19.26db
20% Popularity • 21% Danceability • 9% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
20% Popularity • 21% Danceability • 9% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: VI. Sancta Mater,...
82 bpm • G# Maj • 07:47 • -21.4db
12% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Finale I. Sextet. Di des...
94 bpm • C# Maj • 07:49 • -15.63db
12% Popularity • 26% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
12% Popularity • 26% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Wir ...
99 bpm • C Maj • 05:00 • -24.83db
13% Popularity • 38% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 38% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Séguedille...
83 bpm • F# min • 04:32 • -25.18db
10% Popularity • 29% Danceability • 5% Energy • 60% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 29% Danceability • 5% Energy • 60% Liveness
0% Instrumentalness • 11% Positiveness
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Birgit Nilsson
Oberon, Act 2: "ozean, Du Ungeheuer"
82 bpm • A# Maj • 10:00 • -14db
0% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "Do...
87 bpm • G# Maj • 02:11 • -21db
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
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Gustav Mahler
Das Lied von der Erde: I. Das Trinklied ...
82 bpm • C min • 08:06 • -14.3db
15% Popularity • 21% Danceability • 25% Energy • 26% Liveness
58% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 26% Liveness
58% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 4: "O terra addio" (Aid...
86 bpm • C# Maj • 05:19 • -19.13db
2% Popularity • 25% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 25% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Stabat Mater: 4. Pro peccatis suae genti...
82 bpm • A Maj • 05:11 • -21.05db
14% Popularity • 16% Danceability • 12% Energy • 17% Liveness
45% Instrumentalness • 12% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 17% Liveness
45% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen, WD 31, Act IV: Si tu m'aimes, Ca...
98 bpm • D Maj • 03:19 • -28db
11% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Strauss II
Die Fledermaus, Act II: No. 10, Czardas....
82 bpm • D Maj • 04:02 • -14.51db
17% Popularity • 37% Danceability • 18% Energy • 85% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 18% Energy • 85% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act II: "D...
93 bpm • D# Maj • 08:53 • -22.05db
9% Popularity • 23% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Son qua! Ritornano"
81 bpm • F# Maj • 03:11 • -17db
22% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
22% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Un ballo in maschera / Act 2: "Ecco l'or...
86 bpm • C min • 01:33 • -22.54db
1% Popularity • 39% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 39% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "Moi, je réclame
82 bpm • G Maj • 02:38 • -13.39db
10% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
