Songs like Tantum Ergo - Mode II by Benedictines of Mary, Queen of Apostles
Based on a tempo of (+/- 10%) and a similar genre
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Martina Julia Snell
My Mercy
128 bpm • G Maj • 03:17 • -22.1db
31% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Tantum Ergo - Mode II
128 bpm • C# Maj • 01:15 • -25.34db
32% Popularity • 29% Danceability • 5% Energy • 12% Liveness
10% Instrumentalness • 19% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 12% Liveness
10% Instrumentalness • 19% Positiveness
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Rev. Gregory Hügle, OSB
Christus Rex
128 bpm • D# Maj • 02:37 • -25.69db
16% Popularity • 26% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Schola gregoriana mediolanensis
Jesu dulcis
128 bpm • G# Maj • 02:44 • -22.8db
31% Popularity • 26% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Grieving Mother
128 bpm • D# min • 04:15 • -28db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Credo III
128 bpm • D Maj • 04:29 • -22db
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
Lauda Sion
128 bpm • F# Maj • 06:46 • -25.55db
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 32% Positiveness
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 32% Positiveness
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Alos Kunc
Christus Vincit
128 bpm • F Maj • 02:13 • -26.06db
21% Popularity • 26% Danceability • 4% Energy • 7% Liveness
5% Instrumentalness • 11% Positiveness
21% Popularity • 26% Danceability • 4% Energy • 7% Liveness
5% Instrumentalness • 11% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
36% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
36% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Roman Hurko
Opening Exlamation & Great Litany
127 bpm • E Maj • 03:29 • -24.71db
16% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Te Deum
127 bpm • A min • 06:29 • -21.87db
15% Popularity • 26% Danceability • 9% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
15% Popularity • 26% Danceability • 9% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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Dominican House of Studies
In omnem terram (Chant)
127 bpm • F# Maj • 01:04 • -21.58db
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
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Benedictines of Mary, Queen of Apostles
Ave Verum
128 bpm • D# Maj • 01:36 • -26.55db
34% Popularity • 31% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 19% Positiveness
34% Popularity • 31% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 19% Positiveness
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GIA Singers
To Jesus Christ, Our Sovereign King
129 bpm • F Maj • 02:22 • -18db
29% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 21% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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The Concordia Choir
Softly and Tenderly
127 bpm • G Maj • 02:30 • -37.64db
31% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Benedictines of Mary, Queen of Apostles
Ego Sum Panis
129 bpm • C min • 00:58 • -25.29db
28% Popularity • 26% Danceability • 3% Energy • 14% Liveness
46% Instrumentalness • 24% Positiveness
28% Popularity • 26% Danceability • 3% Energy • 14% Liveness
46% Instrumentalness • 24% Positiveness
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Nazo Zakkak
Canon of St. Andrew - Ode 1
127 bpm • C min • 05:52 • -17.79db
9% Popularity • 27% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Roman Hurko
2nd Antiphon, Only Begotten Son & Small ...
129 bpm • C# Maj • 03:22 • -24.09db
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
Rejoice O Virgin
129 bpm • A Maj • 01:10 • -20.78db
27% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
27% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Richard K. Biggs
Praise Ye The Lord
129 bpm • G# Maj • 01:35 • -25.37db
18% Popularity • 26% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 26% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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Hortus Musicus
Ave Maria
129 bpm • C Maj • 02:41 • -21.6db
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Janèt Sullivan Whitaker
Christ Before Us
129 bpm • D Maj • 03:53 • -12.22db
14% Popularity • 17% Danceability • 26% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 26% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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St. Thomas Aquinas
Adoro Te Devote (Godhead Here in Hiding)
129 bpm • D Maj • 02:48 • -26.8db
20% Popularity • 20% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Dominican Friars of the Province of Ireland
Dominican Magnificat
127 bpm • C# Maj • 04:37 • -19.01db
13% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 21% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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Traditional
Jesu Dulcis Amor Meus
126 bpm • D Maj • 02:42 • -27.99db
33% Popularity • 27% Danceability • 2% Energy • 12% Liveness
62% Instrumentalness • 7% Positiveness
33% Popularity • 27% Danceability • 2% Energy • 12% Liveness
62% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
Iste Quem Laeti
129 bpm • C min • 02:27 • -22.25db
16% Popularity • 30% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 26% Positiveness
16% Popularity • 30% Danceability • 8% Energy • 17% Liveness
20% Instrumentalness • 26% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Alleluia "Assumpta est Maria"
130 bpm • D# Maj • 02:27 • -25.43db
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Ite, Missa Est
130 bpm • G Maj • 00:44 • -22.47db
42% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
42% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Floriani
Magnificat
130 bpm • A Maj • 03:12 • -37.42db
14% Popularity • 22% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 22% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Traditional
On the Way of the Cross
130 bpm • C# min • 02:00 • -21.77db
33% Popularity • 28% Danceability • 7% Energy • 11% Liveness
33% Instrumentalness • 11% Positiveness
33% Popularity • 28% Danceability • 7% Energy • 11% Liveness
33% Instrumentalness • 11% Positiveness
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Hortus Musicus
Ego Sum
130 bpm • D min • 02:35 • -18.29db
23% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Benedictines of Mary, Queen of Apostles
Christe, Sanctorum
126 bpm • D min • 03:21 • -24.39db
23% Popularity • 29% Danceability • 4% Energy • 10% Liveness
41% Instrumentalness • 18% Positiveness
23% Popularity • 29% Danceability • 4% Energy • 10% Liveness
41% Instrumentalness • 18% Positiveness
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Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
130 bpm • F Maj • 04:11 • -20db
16% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Canon Delfino Thermignon
Jesu Corona Virginum
130 bpm • A# Maj • 02:36 • -27.59db
16% Popularity • 24% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Pavel Chesnokov
Bless the Lord, O My Soul, Op. 40 No. 1
130 bpm • D# Maj • 03:17 • -27.73db
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 3% Positiveness
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Lucien Deiss, CSSp
All the Earth
126 bpm • A Maj • 01:09 • -13db
19% Popularity • 29% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 29% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Stirps Iesse
Pange lingua
126 bpm • B min • 03:07 • -20.92db
23% Popularity • 24% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Ave Regina Caelorum
130 bpm • F Maj • 02:24 • -20.11db
21% Popularity • 25% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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St. Tikhon's Masterclass Choir
The Lord's Prayer
130 bpm • B Maj • 01:53 • -43.29db
30% Popularity • 16% Danceability • 0% Energy • 12% Liveness
62% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 0% Energy • 12% Liveness
62% Instrumentalness • 8% Positiveness
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Harpa Dei
Benedictus
130 bpm • C min • 03:56 • -18.1db
34% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
34% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Oreste Ravanello
Veni Creator
130 bpm • G Maj • 04:17 • -25.2db
16% Popularity • 27% Danceability • 5% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
16% Popularity • 27% Danceability • 5% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
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Wierni
Credo In Unum Deum
131 bpm • D# Maj • 04:51 • -18.15db
29% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
29% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Benedictines of Mary, Queen of Apostles
Te Joseph Celebrent
126 bpm • C# min • 03:33 • -17.58db
27% Popularity • 27% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 10% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 10% Positiveness
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The Coventry Singers
Jesus Shall Reign Where'er the Sun
131 bpm • D Maj • 02:12 • -14db
20% Popularity • 26% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
20% Popularity • 26% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Great Canon Of St. Andrew Of Crete O...
125 bpm • B min • 01:24 • -22.98db
17% Popularity • 19% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 19% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
The God Of Abraham Praise
125 bpm • A# Maj • 03:29 • -25.91db
19% Popularity • 20% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
19% Popularity • 20% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Choir of Beirut
Hymnus, Ave Maria
125 bpm • C Maj • 01:07 • -26.53db
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Schutte
Kyrie, Eleison
131 bpm • D Maj • 01:28 • -12.31db
18% Popularity • 17% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 17% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Benedictines of Mary, Queen of Apostles
Virgin Wholly Marvelous
130 bpm • E Maj • 01:52 • -24.99db
22% Popularity • 27% Danceability • 9% Energy • 16% Liveness
34% Instrumentalness • 5% Positiveness
22% Popularity • 27% Danceability • 9% Energy • 16% Liveness
34% Instrumentalness • 5% Positiveness
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Antonio Lotti
Cum Sancto Spiritu
125 bpm • C Maj • 00:59 • -21.37db
27% Popularity • 23% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Dominican House of Studies
Gaudeamus omnes in Domino
131 bpm • F# Maj • 03:06 • -21.26db
19% Popularity • 21% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 21% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Ruth Krusemark
Loving Lamb
132 bpm • D min • 03:23 • -22.4db
10% Popularity • 23% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Paweł Bębenek
Welcome, Bread of Life
124 bpm • G Maj • 03:22 • -16.24db
9% Popularity • 22% Danceability • 17% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 17% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
Veritas Mea
131 bpm • B Maj • 01:17 • -16.37db
27% Popularity • 26% Danceability • 18% Energy • 27% Liveness
86% Instrumentalness • 19% Positiveness
27% Popularity • 26% Danceability • 18% Energy • 27% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
37% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
37% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Dominican House of Studies
The Right Hand of the Lord
132 bpm • D# min • 01:00 • -19.51db
35% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Dan Forrest
Jesu Dulcis Memoria
132 bpm • A# Maj • 05:04 • -21.8db
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Martina Julia Snell
Mother of Sorrows
132 bpm • G min • 05:01 • -20.66db
31% Popularity • 23% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Samuel Wesley
Have Mercy Upon Me, O God, After Thy Gre...
132 bpm • D min • 05:14 • -27.93db
12% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
OCP Choir
Lord, You Give the Great Commission
124 bpm • C Maj • 02:18 • -10db
12% Popularity • 20% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
O Esca Viatorum
124 bpm • C# Maj • 02:02 • -22.45db
27% Popularity • 28% Danceability • 5% Energy • 19% Liveness
73% Instrumentalness • 28% Positiveness
27% Popularity • 28% Danceability • 5% Energy • 19% Liveness
73% Instrumentalness • 28% Positiveness
► Preview
Laestadian Lutheran Church
A Hymn of Glory Let Us Sing SHZ 121
124 bpm • D Maj • 04:21 • -18.62db
12% Popularity • 22% Danceability • 19% Energy • 13% Liveness
72% Instrumentalness • 21% Positiveness
12% Popularity • 22% Danceability • 19% Energy • 13% Liveness
72% Instrumentalness • 21% Positiveness
► Preview
Craig Kingsbury
Have Mercy on Us, Lord/Attende Domine
124 bpm • C Maj • 02:31 • -17.04db
11% Popularity • 28% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Christopher Walker
Celtic Alleluia - Celtic Mass
124 bpm • G Maj • 01:52 • -9.61db
27% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
27% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Mainz Gesanbuch
O Most Holy Trinity
123 bpm • G# Maj • 01:57 • -17.87db
17% Popularity • 26% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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Giovanni Pierluigi da Palestrina
Pueri Hebraeorum
133 bpm • F Maj • 01:59 • -18.5db
33% Popularity • 25% Danceability • 21% Energy • 9% Liveness
98% Instrumentalness • 12% Positiveness
33% Popularity • 25% Danceability • 21% Energy • 9% Liveness
98% Instrumentalness • 12% Positiveness
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The Benedictine Nuns of St. Cecilia's Abbey
O Filii Et Filiae
133 bpm • G min • 03:34 • -19.14db
25% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Antifona...
133 bpm • G Maj • 03:33 • -29.09db
24% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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![The Forty (Lord, Have Mercy) [Kiev-Pechersk Lavra Chant] cover art](https://i.scdn.co/image/ab67616d00001e0274f861c808b95a2d87010a90)
St. Symeon Orthodox Church Octet
The Forty (Lord, Have Mercy) [Kiev-Peche...
133 bpm • C# Maj • 01:05 • -17.73db
24% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Schola gregoriana mediolanensis
Veni Creator
123 bpm • A# Maj • 03:10 • -21db
32% Popularity • 27% Danceability • 15% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness
32% Popularity • 27% Danceability • 15% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness
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Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Traditional Song
Tantum Ergo Sacramentum
133 bpm • C# Maj • 01:53 • -23.56db
15% Popularity • 24% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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GIA Singers
Let There Be Peace on Earth
123 bpm • C Maj • 02:03 • -15.74db
35% Popularity • 25% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
35% Popularity • 25% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
29% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
29% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Pro Cantione Antiqua
Attende Domine
123 bpm • D# Maj • 03:33 • -27.18db
14% Popularity • 28% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 28% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
Hymn Of Incarnation
134 bpm • C Maj • 01:57 • -19db
13% Popularity • 18% Danceability • 27% Energy • 25% Liveness
8% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 27% Energy • 25% Liveness
8% Instrumentalness • 8% Positiveness
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Benedictines of Mary, Queen of Apostles
The King of Love My Shepherd Is
134 bpm • D# Maj • 03:27 • -27.77db
22% Popularity • 22% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
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Monks Of The Abbey Of Notre Dame
Ora Pro Nobis
133 bpm • F# min • 00:49 • -25.68db
44% Popularity • 22% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 22% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Chant Mode III
Pange Lingua Gloriosi: Chant Mode III
123 bpm • C min • 04:33 • -25db
32% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 31% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Irvin Udulutsch OFM Cap.
O God, Almighty Father
134 bpm • G Maj • 02:32 • -12db
12% Popularity • 18% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 35% Positiveness
12% Popularity • 18% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 35% Positiveness
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Bob Hurd
Ubi Caritas
122 bpm • F Maj • 01:52 • -11.04db
26% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
38% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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Kamil Przygrodzki
Introibo ad altare Dei
122 bpm • C min • 03:20 • -15.54db
15% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Traditional
Christus Factus Est
134 bpm • D min • 02:35 • -29.62db
35% Popularity • 27% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 27% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
