Songs like Tap Your Feet by Jack Hylton & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Red McKenzie
The Trouble With Me Is You
97 bpm • D min • 02:32 • -9.18db
21% Popularity • 85% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 82% Positiveness
21% Popularity • 85% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 82% Positiveness
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Ambrose
If I Had a Talking Picture of You
97 bpm • F min • 02:58 • -15.72db
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
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Billy Jones
Yes! We Have No Bananas
97 bpm • C Maj • 02:59 • -11.77db
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dick Powell
The Gold Diggers' Song (We're In the Mon...
97 bpm • C Maj • 03:11 • -13.22db
12% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Hylton & His Orchestra
The World's Greatest Sweetheart Is You
97 bpm • D# min • 02:43 • -15.17db
0% Popularity • 60% Danceability • 36% Energy • 32% Liveness
14% Instrumentalness • 88% Positiveness
0% Popularity • 60% Danceability • 36% Energy • 32% Liveness
14% Instrumentalness • 88% Positiveness
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Al Bowlly
It's All Forgotten Now
97 bpm • F min • 03:19 • -14.12db
42% Popularity • 47% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 49% Positiveness
42% Popularity • 47% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 49% Positiveness
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Johnny Mercer
G.I. Jive
97 bpm • F min • 03:21 • -14.09db
29% Popularity • 58% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 58% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
11% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Morse
Love Letters In The Sand
97 bpm • G# Maj • 03:16 • -17.46db
18% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Selvin & His Orchestra
Who's Your Little Who - Zis!
97 bpm • D# Maj • 03:10 • -10db
7% Popularity • 68% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
7% Popularity • 68% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Jack Hylton & His Orchestra
Singing A Song To The Stars
97 bpm • C Maj • 02:59 • -25.09db
0% Popularity • 55% Danceability • 3% Energy • 23% Liveness
4% Instrumentalness • 37% Positiveness
0% Popularity • 55% Danceability • 3% Energy • 23% Liveness
4% Instrumentalness • 37% Positiveness
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Fats Waller
Jitterbug Waltz
98 bpm • C min • 03:20 • -11db
32% Popularity • 36% Danceability • 31% Energy • 16% Liveness
41% Instrumentalness • 32% Positiveness
32% Popularity • 36% Danceability • 31% Energy • 16% Liveness
41% Instrumentalness • 32% Positiveness
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Rita Hayworth
The Shorty Georges
98 bpm • G# Maj • 04:09 • -13.87db
15% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
20% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
20% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Lew Stone & His Band
Pick Yourself Up
96 bpm • A# Maj • 02:29 • -18.84db
11% Popularity • 86% Danceability • 29% Energy • 19% Liveness
84% Instrumentalness • 61% Positiveness
11% Popularity • 86% Danceability • 29% Energy • 19% Liveness
84% Instrumentalness • 61% Positiveness
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Ben Selvin & His Orchestra
Broadway Melody
98 bpm • A# Maj • 02:33 • -9.81db
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
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Jack Hylton & His Orchestra
Speaking of Kentucky Days
98 bpm • A min • 03:10 • -16.97db
0% Popularity • 76% Danceability • 22% Energy • 21% Liveness
68% Instrumentalness • 89% Positiveness
0% Popularity • 76% Danceability • 22% Energy • 21% Liveness
68% Instrumentalness • 89% Positiveness
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Jimmy Dorsey Orchestra, Vocals by Helen O'Connell
Wonder When My Baby's Coming Home
96 bpm • C min • 02:46 • -7db
9% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Ben Selvin Orchestra
Broadway Melody
96 bpm • A# Maj • 02:40 • -12.75db
16% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Loss & His Orchestra
A Nice Cup Of Tea
96 bpm • G# Maj • 02:49 • -19db
17% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
17% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
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Lew Stone & His Band
Haunting Me
95 bpm • C# Maj • 03:11 • -21.83db
14% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
14% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
8% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
8% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Jack Hylton & His Orchestra
Here Comes Emily Brown
96 bpm • G min • 02:36 • -22.02db
0% Popularity • 70% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 70% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Spivak & His Orchestra
Solitude
95 bpm • G min • 02:30 • -18.21db
17% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
17% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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Billy Murray
Come Josephine in My Flying Machine
99 bpm • F Maj • 04:07 • -10.06db
13% Popularity • 79% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 79% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
18% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
18% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Al Goodhart
Auf Wiedersehen My Dear
99 bpm • C min • 02:57 • -18.88db
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
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Martha Tilton
Moon Dreams
95 bpm • A min • 02:54 • -12.45db
31% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Hylton & His Orchestra
When I Take My Sugar To Tea
98 bpm • F Maj • 02:38 • -22.68db
0% Popularity • 82% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
0% Popularity • 82% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Ben Selvin & His Orchestra
My Sin
95 bpm • D min • 02:56 • -7.41db
9% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
9% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Orlando & His Gleneagles Hotel Orchestra
Love Is Good for Anything That Ails You
95 bpm • E min • 02:31 • -16.48db
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
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Sonny Dunham & His Orchestra
Goodnight Wherever You Are
95 bpm • D# Maj • 02:23 • -15db
16% Popularity • 34% Danceability • 15% Energy • 15% Liveness
44% Instrumentalness • 15% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 15% Liveness
44% Instrumentalness • 15% Positiveness
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Al Bowlly
The Very Thought of You
95 bpm • F min • 03:33 • -22db
45% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
45% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Jack Hylton & His Orchestra
A-Tisket, A-Tasket
95 bpm • C Maj • 02:47 • -10.81db
2% Popularity • 83% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 83% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
26% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
26% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Goofus Five
I Like Pie I Like Cake - But I Like You ...
94 bpm • D# Maj • 03:14 • -17.68db
19% Popularity • 74% Danceability • 22% Energy • 20% Liveness
2% Instrumentalness • 81% Positiveness
19% Popularity • 74% Danceability • 22% Energy • 20% Liveness
2% Instrumentalness • 81% Positiveness
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Jack Hylton & His Orchestra
I Wanna Go Places and Do Thingsi'm All o...
95 bpm • A# Maj • 03:14 • -17.25db
0% Popularity • 71% Danceability • 24% Energy • 17% Liveness
54% Instrumentalness • 83% Positiveness
0% Popularity • 71% Danceability • 24% Energy • 17% Liveness
54% Instrumentalness • 83% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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George Olsen and His Music
The Best Things in Life Are Free
100 bpm • D# Maj • 03:24 • -9.09db
12% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
12% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
10% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Harry Roy and His Orchestra
La Cucaracha
94 bpm • G# Maj • 03:08 • -13db
13% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
13% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
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Red McKenzie
Murder in the Moonlight (It's Love in th...
94 bpm • A min • 02:59 • -11.32db
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
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Charles Kaley and His Orchestra
(What Do We Do On a) Dew-Dew-Dewey Day
101 bpm • F Maj • 02:38 • -9db
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 91% Positiveness
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 91% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
23% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
23% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Victor Silvester and His Ballroom Orchestra
Waltzing In The Clouds
93 bpm • G# Maj • 02:47 • -25.26db
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Harry Roy and His Orchestra
What's the Good Word Mr. Bluebird
100 bpm • F# Maj • 02:23 • -9.65db
16% Popularity • 66% Danceability • 38% Energy • 15% Liveness
72% Instrumentalness • 70% Positiveness
16% Popularity • 66% Danceability • 38% Energy • 15% Liveness
72% Instrumentalness • 70% Positiveness
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Greta Keller
I Believe in Miracles
101 bpm • D# Maj • 02:59 • -21db
8% Popularity • 37% Danceability • 8% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Ted Lewis
Alexander's Ragtime Band
101 bpm • F Maj • 03:03 • -8db
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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The London West End Orchestra
Niagara
93 bpm • C Maj • 02:22 • -11db
14% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
14% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Bert Ambrose
Red Sails in the Sunset
102 bpm • C# Maj • 03:31 • -17db
20% Popularity • 42% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
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Ted Heath
Stardust
101 bpm • C# Maj • 02:42 • -13db
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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Marion Harris
Tea for Two
92 bpm • B min • 03:07 • -14.24db
10% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
10% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
18% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
18% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
32% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
32% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Andrea Litkei
Closer Than Kisses
103 bpm • A Maj • 02:05 • -7.44db
11% Popularity • 52% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Frank Sinatra
I Could Make You Care
91 bpm • C# Maj • 03:09 • -18.96db
25% Popularity • 46% Danceability • 9% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
25% Popularity • 46% Danceability • 9% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
18% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
18% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Jack Hylton & His Orchestra
My Blackbirds Are Bluebirds Now
103 bpm • G# Maj • 03:13 • -16.16db
0% Popularity • 71% Danceability • 22% Energy • 18% Liveness
66% Instrumentalness • 70% Positiveness
0% Popularity • 71% Danceability • 22% Energy • 18% Liveness
66% Instrumentalness • 70% Positiveness
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Joe Loss & His Orchestra
Somewhere In France With You
91 bpm • F Maj • 02:56 • -16.76db
18% Popularity • 25% Danceability • 13% Energy • 17% Liveness
30% Instrumentalness • 29% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 17% Liveness
30% Instrumentalness • 29% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
20% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Cab Calloway
Evenin'
103 bpm • G min • 02:47 • -15.01db
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Ben Selvin & His Orchestra
Dardanella
91 bpm • D# Maj • 03:21 • -8.09db
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
34% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave
104 bpm • G Maj • 02:52 • -13db
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Benny Carter
Nightfall
90 bpm • C Maj • 03:09 • -15db
16% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Lew Stone & His Band
Isn't It Heavenly
104 bpm • G# Maj • 03:10 • -21.56db
27% Popularity • 61% Danceability • 10% Energy • 33% Liveness
86% Instrumentalness • 33% Positiveness
27% Popularity • 61% Danceability • 10% Energy • 33% Liveness
86% Instrumentalness • 33% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Jack Hylton
Love Makes the World Go Round
104 bpm • F Maj • 02:24 • -8.46db
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Art Jarret & Ted Weems Orchestra
There's Too Many Eyes
104 bpm • F min • 03:10 • -14.83db
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
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Cab Calloway
(Hep-Hep!) The Jumpin' Jive
90 bpm • G# Maj • 02:51 • -18.01db
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Leslie Sarony
Jollity Farm
105 bpm • C Maj • 03:14 • -17.38db
2% Popularity • 80% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 92% Positiveness
2% Popularity • 80% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 92% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Jack Hylton & His Orchestra
Ain't That The Way It Goes
105 bpm • F Maj • 03:05 • -22.72db
0% Popularity • 75% Danceability • 11% Energy • 21% Liveness
70% Instrumentalness • 90% Positiveness
0% Popularity • 75% Danceability • 11% Energy • 21% Liveness
70% Instrumentalness • 90% Positiveness
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Henry Hall & The BBC Dance Orchestra
I'm Putting All My Eggs In One Basket
90 bpm • C# Maj • 02:56 • -11.75db
21% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
21% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
14% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
14% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
24% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave - Instrumental
106 bpm • G Maj • 02:47 • -23.31db
9% Popularity • 69% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 69% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Jack Hylton & His Orchestra
Got The Bench, Got The Park
105 bpm • D# Maj • 03:00 • -23.37db
0% Popularity • 67% Danceability • 9% Energy • 17% Liveness
8% Instrumentalness • 80% Positiveness
0% Popularity • 67% Danceability • 9% Energy • 17% Liveness
8% Instrumentalness • 80% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
19% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
