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Tarantela española
Songs like
Tarantela española
by
Santiago De Murcia
Based on a tempo of (+/- 10%) and a similar genre
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Rolf Lislevand
Jacaras
129 bpm • D Maj • 04:26 • -27.95db
12% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
19% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Giorgio Mainerio
Saltarello della tedesca
129 bpm • D min • 01:38 • -21.36db
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
19% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Domenico Zipoli
Sacris Solemnis - En vivo
130 bpm • A# Maj • 02:42 • -13.15db
7% Popularity • 35% Danceability • 22% Energy • 6% Liveness
2% Instrumentalness • 21% Positiveness
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Santiago De Murcia
Fandango
130 bpm • D Maj • 04:34 • -27.48db
7% Popularity • 44% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 49% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Montserrat Figueras
Tono Humano: "Trompicávalas Amor"
128 bpm • C Maj • 03:02 • -14.82db
6% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Ennemond Gaultier
La cascade
127 bpm • D# Maj • 08:02 • -21db
9% Popularity • 38% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
8% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Rolf Lislevand
Fandango
131 bpm • C# min • 06:03 • -26.91db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Ennemond Gaultier
Suite in D Minor: VI. Courante
127 bpm • C min • 01:34 • -24.18db
14% Popularity • 36% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
26% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
16% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Diego Ortiz
Folia. Recercada 8ª
126 bpm • C Maj • 03:16 • -18.2db
7% Popularity • 47% Danceability • 43% Energy • 37% Liveness
69% Instrumentalness • 40% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
14% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Santiago De Murcia
FolÃas Gallegas
132 bpm • D# min • 02:58 • -28.89db
1% Popularity • 42% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Thomas Morley
Joyne Hands
126 bpm • C Maj • 01:34 • -20.6db
16% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
10% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Rolf Lislevand
Cumbees
132 bpm • B Maj • 03:26 • -28.09db
9% Popularity • 60% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Santiago De Murcia
Suite en ré majeur: II. Corrente
132 bpm • F Maj • 01:02 • -25.9db
0% Popularity • 48% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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Rolf Lislevand
Zarambeques O Muecas
133 bpm • C# Maj • 02:50 • -31.94db
11% Popularity • 54% Danceability • 15% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
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Juan de Araujo
Tleycantimo choquiliya
133 bpm • E Maj • 01:47 • -22.2db
5% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Santiago De Murcia
FolÃas Ytalianas. Despacio
133 bpm • C# min • 06:53 • -25.38db
1% Popularity • 40% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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John Dowland
A Fancy, P. 73
124 bpm • F Maj • 03:16 • -22db
12% Popularity • 36% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
13% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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François Couperin
Pieces de clavecin, Book 2, 6th Ordre: L...
134 bpm • F Maj • 03:53 • -27db
14% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Gasparo Zanetti
La bergamasca
134 bpm • D Maj • 01:08 • -17db
21% Popularity • 61% Danceability • 30% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Santiago De Murcia
La Jotta
133 bpm • C# Maj • 03:39 • -22.35db
4% Popularity • 54% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 76% Positiveness
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Marin Marais
Pièces de violes, Livre V: Petit capric...
124 bpm • B Maj • 01:00 • -21.54db
30% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
13% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
23% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
22% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Santiago De Murcia
Fandango
134 bpm • C# min • 06:09 • -25.07db
9% Popularity • 37% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Robert de Visée
Pièces pour théorbe, Suite in G Major:...
123 bpm • G Maj • 07:57 • -27.01db
10% Popularity • 32% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
21% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Christian Zimmermann
Españoleta
136 bpm • B Maj • 01:30 • -20db
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Jean Mercure
Pieces in A Minor: I. Allemande
136 bpm • G# min • 02:46 • -22db
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Francesco Corbetta
Sua Corrente
135 bpm • C# min • 00:51 • -20db
21% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Monsieur de Sainte-Colombe
Les Couplets
123 bpm • C# min • 09:44 • -33.11db
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Santiago De Murcia
MarÃa Chuchena - la Jotta
124 bpm • C Maj • 05:06 • -20.81db
1% Popularity • 56% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Rolf Lislevand
El Paloteado
122 bpm • G# Maj • 01:45 • -29db
8% Popularity • 46% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 78% Positiveness
► Preview
Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Francesco Corbetta
Caprice de chacone: Caprice de Chaconne
122 bpm • B Maj • 04:05 • -27.89db
9% Popularity • 31% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
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Johann Sebastian Bach
Prelude in C Minor, BWV 999 (Arr. J. Lin...
136 bpm • G Maj • 02:08 • -27.97db
8% Popularity • 25% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
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Santiago De Murcia
Codice Saldivar No. 4: Canarios
135 bpm • G Maj • 05:34 • -17.19db
4% Popularity • 55% Danceability • 22% Energy • 18% Liveness
38% Instrumentalness • 58% Positiveness
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Ennemond Gaultier
Suite in D Minor: II. Tombeau de Mezange...
122 bpm • G min • 04:11 • -25db
12% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Gaspar Sanz
Marionas
137 bpm • A min • 03:57 • -20.23db
13% Popularity • 54% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
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Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
21% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
16% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Santiago De Murcia
Cumbées
136 bpm • F# min • 04:05 • -22.3db
4% Popularity • 57% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Robert de Visée
Pièces de théorbe, Suite in A Minor: I...
121 bpm • A Maj • 02:20 • -27.24db
13% Popularity • 36% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
40% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Santiago De Murcia
Marizápalos
136 bpm • G# min • 05:29 • -29.84db
1% Popularity • 34% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Rolf Lislevand
Folias Españolas
120 bpm • B Maj • 02:12 • -25db
16% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Antonio Bertali
Ciacona in C Major
120 bpm • B Maj • 09:04 • -20db
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
14% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Santiago De Murcia
Cumbes
137 bpm • G Maj • 03:20 • -10.82db
5% Popularity • 77% Danceability • 32% Energy • 7% Liveness
82% Instrumentalness • 68% Positiveness
► Preview
Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
14% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Luis de Milán
Fantasia II
120 bpm • C min • 01:48 • -33db
20% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
► Preview
Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
13% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
► Preview
Santiago De Murcia
Fandango
139 bpm • D Maj • 03:40 • -26.56db
4% Popularity • 40% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
22% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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David Bruce
"Death Is a Friend of Ours" for Mandolin...
120 bpm • G min • 04:48 • -29.92db
7% Popularity • 46% Danceability • 2% Energy • 15% Liveness
39% Instrumentalness • 8% Positiveness
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EnrÃquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
16% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
► Preview
Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
23% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
23% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Sigismondo D'India
Sfere fermate
139 bpm • F# Maj • 01:30 • -15.73db
18% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Tarantela española