Songs like Tarot Card No. 6: The Lovers by Julia Aks
Based on a tempo of (+/- 10%) and a similar genre
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Julia Aks
Tarot Card No. 6: The Lovers
133 bpm • F Maj • 01:23 • -18.41db
0% Popularity • 24% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johnny Klimek
My Dream Ended Here
134 bpm • F min • 03:13 • -14.32db
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Dominic Lewis
Tentomushi
133 bpm • G# Maj • 04:14 • -16.3db
19% Popularity • 22% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jo Wandrini
Hordes
134 bpm • C# Maj • 01:56 • -8.51db
30% Popularity • 59% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
30% Popularity • 59% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Antony Genn
No Heaven No Hell
132 bpm • C Maj • 04:47 • -15.2db
28% Popularity • 65% Danceability • 39% Energy • 13% Liveness
71% Instrumentalness • 6% Positiveness
28% Popularity • 65% Danceability • 39% Energy • 13% Liveness
71% Instrumentalness • 6% Positiveness
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Dylan Parsons
Wildfire
132 bpm • A# min • 02:55 • -9.45db
17% Popularity • 37% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 37% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Daniel Pemberton
The Bertinelli Massacre (The Huntress St...
134 bpm • C min • 02:29 • -7db
10% Popularity • 34% Danceability • 67% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
10% Popularity • 34% Danceability • 67% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Paul Haslinger
The Final Race
135 bpm • B Maj • 04:18 • -8db
12% Popularity • 49% Danceability • 80% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
12% Popularity • 49% Danceability • 80% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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2WEI
Redrage
135 bpm • C Maj • 02:13 • -10.31db
34% Popularity • 35% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 35% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Tom Player
Speed
135 bpm • B Maj • 02:45 • -9.47db
22% Popularity • 48% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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The Hit House
Basalt
135 bpm • G Maj • 02:39 • -11.85db
18% Popularity • 55% Danceability • 67% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
18% Popularity • 55% Danceability • 67% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Hans Zimmer
Bare Island
131 bpm • G min • 05:29 • -9.35db
29% Popularity • 33% Danceability • 58% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
29% Popularity • 33% Danceability • 58% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
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Daniel Pemberton
Growing Up Londinium
135 bpm • G Maj • 02:41 • -9.19db
42% Popularity • 64% Danceability • 81% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
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Stanley Clarke
Mission
135 bpm • A Maj • 08:35 • -9.54db
17% Popularity • 48% Danceability • 47% Energy • 20% Liveness
82% Instrumentalness • 32% Positiveness
17% Popularity • 48% Danceability • 47% Energy • 20% Liveness
82% Instrumentalness • 32% Positiveness
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VWLS
Emergence
131 bpm • A# Maj • 02:52 • -14db
19% Popularity • 47% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 47% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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Sirius Beat
No Way Out
135 bpm • D# min • 03:03 • -9db
15% Popularity • 37% Danceability • 64% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
15% Popularity • 37% Danceability • 64% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
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Dominic Lewis
Make or Brake
131 bpm • C# Maj • 03:20 • -10.63db
24% Popularity • 27% Danceability • 48% Energy • 23% Liveness
70% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 48% Energy • 23% Liveness
70% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Run Londinium
135 bpm • D Maj • 05:45 • -9.93db
37% Popularity • 66% Danceability • 87% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
37% Popularity • 66% Danceability • 87% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Joseph Loduca
Spartacus End Titles
131 bpm • B min • 01:44 • -12db
19% Popularity • 53% Danceability • 54% Energy • 10% Liveness
53% Instrumentalness • 26% Positiveness
19% Popularity • 53% Danceability • 54% Energy • 10% Liveness
53% Instrumentalness • 26% Positiveness
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David Buckley
Kill Box
136 bpm • G min • 02:00 • -13db
16% Popularity • 44% Danceability • 34% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
16% Popularity • 44% Danceability • 34% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
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Stephen Baysted
Eau Rouge - Instrumental
130 bpm • G min • 03:57 • -12db
14% Popularity • 59% Danceability • 59% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 59% Danceability • 59% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Sean Callery
Jessica Jones Main Title
130 bpm • D Maj • 01:09 • -7.34db
35% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
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Tyler Bates
Assassins
136 bpm • C# Maj • 02:11 • -9.75db
35% Popularity • 43% Danceability • 73% Energy • 33% Liveness
80% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 73% Energy • 33% Liveness
80% Instrumentalness • 8% Positiveness
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Sarah Schachner
The Hunter
130 bpm • E Maj • 01:19 • -14.71db
26% Popularity • 56% Danceability • 53% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
26% Popularity • 56% Danceability • 53% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Lola Colette
Nowhere to Run (Single from John Wick: C...
130 bpm • A min • 02:53 • -3.1db
41% Popularity • 57% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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David Buckley
Nobody
136 bpm • D Maj • 03:15 • -13db
16% Popularity • 17% Danceability • 28% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 28% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Baysted
Eau Rouge
130 bpm • G min • 03:58 • -11.9db
15% Popularity • 62% Danceability • 55% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
15% Popularity • 62% Danceability • 55% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
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Hi-Finesse
Downfall
130 bpm • A min • 03:01 • -6.31db
17% Popularity • 44% Danceability • 71% Energy • 29% Liveness
69% Instrumentalness • 7% Positiveness
17% Popularity • 44% Danceability • 71% Energy • 29% Liveness
69% Instrumentalness • 7% Positiveness
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Gregory Hoepffner
Canyon
130 bpm • D Maj • 03:15 • -14.12db
12% Popularity • 66% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
12% Popularity • 66% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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John Carpenter
Halloween Triumphant
136 bpm • F# min • 07:28 • -12.62db
27% Popularity • 51% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 30% Positiveness
27% Popularity • 51% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 30% Positiveness
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Trevor Morris
Iron Fist Main Titles
130 bpm • C# Maj • 01:15 • -12.25db
29% Popularity • 50% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
29% Popularity • 50% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Ludwig Göransson
RAINY NIGHT IN TALLINN
130 bpm • C# Maj • 08:00 • -12.33db
47% Popularity • 34% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Grant Newman
A Hero's Vendetta
130 bpm • A# Maj • 04:29 • -15db
11% Popularity • 27% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
11% Popularity • 27% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Paul Haslinger
Death Race Main Titles
130 bpm • A min • 03:01 • -9.3db
23% Popularity • 58% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Charlie Ryan
Imposters
130 bpm • B Maj • 03:16 • -10db
11% Popularity • 48% Danceability • 98% Energy • 38% Liveness
85% Instrumentalness • 5% Positiveness
11% Popularity • 48% Danceability • 98% Energy • 38% Liveness
85% Instrumentalness • 5% Positiveness
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Martin Todsharow
Tokyo Mayhem
130 bpm • C# Maj • 01:40 • -10.89db
10% Popularity • 50% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
10% Popularity • 50% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Jed Kurzel
The Animus
130 bpm • A Maj • 04:41 • -16.27db
25% Popularity • 34% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
25% Popularity • 34% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Titan Slayer
Renegade
130 bpm • A# Maj • 02:59 • -8.09db
25% Popularity • 26% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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X-Ray Dog
Final Hour
130 bpm • G# Maj • 02:37 • -6.77db
47% Popularity • 37% Danceability • 78% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
47% Popularity • 37% Danceability • 78% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Chris Benstead
Pound of Flesh
137 bpm • F Maj • 04:05 • -22db
17% Popularity • 38% Danceability • 9% Energy • 6% Liveness
40% Instrumentalness • 3% Positiveness
17% Popularity • 38% Danceability • 9% Energy • 6% Liveness
40% Instrumentalness • 3% Positiveness
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Ryan Taubert
Street Games
130 bpm • D Maj • 05:59 • -9.09db
21% Popularity • 48% Danceability • 79% Energy • 9% Liveness
70% Instrumentalness • 28% Positiveness
21% Popularity • 48% Danceability • 79% Energy • 9% Liveness
70% Instrumentalness • 28% Positiveness
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Michael Abels
Pas De Deux
138 bpm • A# min • 02:51 • -16.14db
33% Popularity • 46% Danceability • 9% Energy • 17% Liveness
80% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 9% Energy • 17% Liveness
80% Instrumentalness • 17% Positiveness
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Rob Dougan
Chateau
129 bpm • A# min • 03:23 • -6db
41% Popularity • 54% Danceability • 93% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
41% Popularity • 54% Danceability • 93% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
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John Murphy
Automatic
138 bpm • D min • 03:10 • -11db
33% Popularity • 38% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
33% Popularity • 38% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Tyler Bates
Rain Chase
138 bpm • B min • 01:40 • -6.94db
31% Popularity • 57% Danceability • 91% Energy • 11% Liveness
75% Instrumentalness • 22% Positiveness
31% Popularity • 57% Danceability • 91% Energy • 11% Liveness
75% Instrumentalness • 22% Positiveness
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Chris Benstead
Wrath of Man
137 bpm • C# Maj • 02:14 • -12.95db
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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Kaleida
Think
138 bpm • G Maj • 03:31 • -9.79db
59% Popularity • 77% Danceability • 44% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
59% Popularity • 77% Danceability • 44% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Reynard Seidel
Eyes of Time
128 bpm • E min • 02:07 • -11db
23% Popularity • 53% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
23% Popularity • 53% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Jack Trammell
Anger and Disdain
128 bpm • D Maj • 02:39 • -7.53db
12% Popularity • 47% Danceability • 49% Energy • 10% Liveness
77% Instrumentalness • 10% Positiveness
12% Popularity • 47% Danceability • 49% Energy • 10% Liveness
77% Instrumentalness • 10% Positiveness
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Hans Zimmer
Gap
128 bpm • C Maj • 08:07 • -14.85db
36% Popularity • 26% Danceability • 49% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 49% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Junkie XL
Swimming Pool
128 bpm • C# min • 01:05 • -10.75db
9% Popularity • 40% Danceability • 95% Energy • 9% Liveness
41% Instrumentalness • 5% Positiveness
9% Popularity • 40% Danceability • 95% Energy • 9% Liveness
41% Instrumentalness • 5% Positiveness
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Chris Benstead
100 Kilometres
128 bpm • C Maj • 04:26 • -14.68db
31% Popularity • 22% Danceability • 19% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
31% Popularity • 22% Danceability • 19% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
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Will Bates
Nightflyers Main Title
139 bpm • G Maj • 01:11 • -14.15db
16% Popularity • 42% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
16% Popularity • 42% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Éric Serra
Grossing the Goon Sea
139 bpm • A# Maj • 01:50 • -17.81db
15% Popularity • 25% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
15% Popularity • 25% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
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Brian D'Oliveira
Yearning for Dark Shadows
139 bpm • D min • 06:02 • -11.83db
36% Popularity • 18% Danceability • 54% Energy • 64% Liveness
15% Instrumentalness • 24% Positiveness
36% Popularity • 18% Danceability • 54% Energy • 64% Liveness
15% Instrumentalness • 24% Positiveness
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Xtortion Audio
Mephisto's Lullaby
127 bpm • C min • 03:20 • -7.94db
27% Popularity • 41% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
27% Popularity • 41% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
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Titan Slayer
Rise of the Saturn
127 bpm • A# Maj • 02:55 • -7.67db
29% Popularity • 43% Danceability • 75% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 43% Danceability • 75% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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NINJA TRACKS
Uppercut
127 bpm • G Maj • 02:19 • -6.43db
10% Popularity • 62% Danceability • 68% Energy • 5% Liveness
69% Instrumentalness • 29% Positiveness
10% Popularity • 62% Danceability • 68% Energy • 5% Liveness
69% Instrumentalness • 29% Positiveness
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2WEI
Gangsta's Paradise
140 bpm • C Maj • 02:46 • -8.38db
55% Popularity • 16% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 9% Positiveness
55% Popularity • 16% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
The Equalizer
139 bpm • G Maj • 06:39 • -13.33db
37% Popularity • 40% Danceability • 42% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
37% Popularity • 40% Danceability • 42% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Dominic Lewis
Kyoto Eki
140 bpm • F min • 01:38 • -14.42db
34% Popularity • 39% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
34% Popularity • 39% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Ludwig Göransson
747
140 bpm • G Maj • 07:04 • -12.51db
40% Popularity • 39% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
40% Popularity • 39% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Mark Petrie
Prime Directive
140 bpm • C# Maj • 02:15 • -13.3db
14% Popularity • 49% Danceability • 63% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
14% Popularity • 49% Danceability • 63% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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UNSECRET
The Reckoning
140 bpm • G Maj • 02:22 • -9.19db
29% Popularity • 32% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 32% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Christopher Lennertz
Translucent Explodes
140 bpm • G Maj • 04:06 • -13.02db
8% Popularity • 60% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 60% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Take The Hill
140 bpm • A Maj • 06:16 • -10.79db
12% Popularity • 58% Danceability • 60% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
12% Popularity • 58% Danceability • 60% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
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Hampus Naeselius
Metamorpheus
140 bpm • A Maj • 05:02 • -18db
14% Popularity • 72% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
14% Popularity • 72% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Harry Gregson-Williams
Concerned Citizen
140 bpm • G# Maj • 02:44 • -16.27db
22% Popularity • 57% Danceability • 30% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
22% Popularity • 57% Danceability • 30% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Sebastian Böhm
Launch
140 bpm • G Maj • 03:13 • -8.85db
16% Popularity • 38% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
16% Popularity • 38% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
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Mark Petrie
Supervoid
140 bpm • G# Maj • 02:49 • -14.46db
18% Popularity • 45% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 45% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 10% Positiveness
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Hi-Finesse
Radius
140 bpm • A Maj • 02:52 • -9.62db
31% Popularity • 53% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 53% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Nick Tzios
Mechanized 2.0
140 bpm • A min • 02:06 • -6.04db
15% Popularity • 36% Danceability • 91% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
15% Popularity • 36% Danceability • 91% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
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Don Davis
Neodämmerung
126 bpm • C min • 05:59 • -6.58db
33% Popularity • 24% Danceability • 74% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
33% Popularity • 24% Danceability • 74% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Christopher Lennertz
Shootout
140 bpm • G Maj • 02:01 • -8.15db
12% Popularity • 29% Danceability • 70% Energy • 18% Liveness
82% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 70% Energy • 18% Liveness
82% Instrumentalness • 14% Positiveness
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Christopher Deighton
Hyper Drive
126 bpm • C Maj • 02:25 • -9.25db
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
81% Instrumentalness • 58% Positiveness
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
81% Instrumentalness • 58% Positiveness
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Natalie Holt
Pep Talk
126 bpm • F min • 04:04 • -12.63db
30% Popularity • 22% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Dmitri Golovko
Amsterdam Chase
126 bpm • G# Maj • 03:25 • -9.22db
12% Popularity • 69% Danceability • 91% Energy • 17% Liveness
88% Instrumentalness • 78% Positiveness
12% Popularity • 69% Danceability • 91% Energy • 17% Liveness
88% Instrumentalness • 78% Positiveness
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Paul Haslinger
A Hard Spot for a Hard Age
140 bpm • B Maj • 01:48 • -11.63db
17% Popularity • 44% Danceability • 53% Energy • 13% Liveness
29% Instrumentalness • 24% Positiveness
17% Popularity • 44% Danceability • 53% Energy • 13% Liveness
29% Instrumentalness • 24% Positiveness
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Hidden Citizens
O Fortuna - Epic Trailer Version
141 bpm • D min • 03:23 • -8.01db
38% Popularity • 23% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 23% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Niklas Johansson
The End Of All Things
125 bpm • F Maj • 02:52 • -7.07db
30% Popularity • 25% Danceability • 86% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 86% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
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Sebastian Böhm
Sweet Dreams (Are Made of This)
125 bpm • C min • 02:51 • -7.59db
42% Popularity • 58% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Scott Buckley
Juggernaut
125 bpm • A# Maj • 03:42 • -16.16db
12% Popularity • 54% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
12% Popularity • 54% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
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Really Slow Motion
Red Sun
125 bpm • A# Maj • 02:08 • -10.11db
21% Popularity • 60% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Paul Haslinger
Say What?
125 bpm • G# Maj • 01:58 • -8.34db
9% Popularity • 54% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
9% Popularity • 54% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
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Junkie XL
Blood Bag - Extended Version
125 bpm • C# Maj • 03:39 • -11.86db
36% Popularity • 51% Danceability • 80% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
36% Popularity • 51% Danceability • 80% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Jon Björk
Treason
125 bpm • D min • 02:19 • -8.46db
15% Popularity • 43% Danceability • 66% Energy • 9% Liveness
33% Instrumentalness • 19% Positiveness
15% Popularity • 43% Danceability • 66% Energy • 9% Liveness
33% Instrumentalness • 19% Positiveness
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Hans Zimmer
Is She With You?
142 bpm • D min • 05:46 • -15.15db
44% Popularity • 19% Danceability • 56% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
44% Popularity • 19% Danceability • 56% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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2WEI
Smoke on the Water
124 bpm • F min • 02:55 • -9.73db
44% Popularity • 33% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
44% Popularity • 33% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Tree Adams
Sanctum is Free
142 bpm • D Maj • 01:41 • -9.84db
10% Popularity • 36% Danceability • 45% Energy • 16% Liveness
75% Instrumentalness • 17% Positiveness
10% Popularity • 36% Danceability • 45% Energy • 16% Liveness
75% Instrumentalness • 17% Positiveness
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Paul Haslinger
Frank Walk
125 bpm • C Maj • 02:08 • -12.96db
33% Popularity • 68% Danceability • 36% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
33% Popularity • 68% Danceability • 36% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Junkie XL
World Ending Fire
142 bpm • G# Maj • 09:22 • -13.94db
19% Popularity • 14% Danceability • 28% Energy • 6% Liveness
69% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 28% Energy • 6% Liveness
69% Instrumentalness • 3% Positiveness
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Robert Lydecker
The Dragon Within
124 bpm • G# Maj • 03:20 • -14db
11% Popularity • 26% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Le Castle Vania
John Wick Mode
124 bpm • C Maj • 03:07 • -4.83db
59% Popularity • 68% Danceability • 87% Energy • 21% Liveness
84% Instrumentalness • 22% Positiveness
59% Popularity • 68% Danceability • 87% Energy • 21% Liveness
84% Instrumentalness • 22% Positiveness
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Dominic Lewis
A Modern Plague
143 bpm • A# Maj • 01:54 • -14.27db
33% Popularity • 47% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
33% Popularity • 47% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Mark Petrie
Torsion
144 bpm • A min • 02:57 • -13.93db
36% Popularity • 26% Danceability • 43% Energy • 11% Liveness
66% Instrumentalness • 18% Positiveness
36% Popularity • 26% Danceability • 43% Energy • 11% Liveness
66% Instrumentalness • 18% Positiveness
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Chris Benstead
Coffee Frother
123 bpm • C# Maj • 03:29 • -19.71db
29% Popularity • 33% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 33% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness