Songs like Tasteggiata detta la Feretti (Arrangement) by Giovanni Paolo Foscarini
Based on a tempo of (+/- 10%) and a similar genre
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Roberta Mameli
Ohime ch'io cado, ohime (arr. A. Lo Gatt...
77 bpm • A min • 05:16 • -14.74db
13% Popularity • 43% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 43% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
25% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
25% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Giovanni Paolo Foscarini
Tasteggiata detta la Feretti (Arrangemen...
77 bpm • E min • 04:40 • -26.18db
11% Popularity • 42% Danceability • 6% Energy • 8% Liveness
56% Instrumentalness • 9% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 8% Liveness
56% Instrumentalness • 9% Positiveness
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Joaquín Rodrigo
Adagio fra Concerto Di Aranjuez: Gitarko...
77 bpm • B min • 05:19 • -18.49db
5% Popularity • 27% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
5% Popularity • 27% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Iris Hond
The Heart Escapes
76 bpm • C Maj • 04:53 • -15db
12% Popularity • 13% Danceability • 14% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 14% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
24% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
24% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Gidon Kremer
Soledad
76 bpm • E min • 07:46 • -25.18db
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Avi Avital
Hijazain
76 bpm • C Maj • 06:32 • -19.16db
14% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Chick Corea
Chopin: Prelude Op. 28 #4 - Live in Pari...
76 bpm • E min • 04:14 • -15.12db
25% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Isaac Albéniz
Mallorca, Op. 202
78 bpm • D min • 07:19 • -18.31db
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Anouar Brahem
Tunis At Dawn
78 bpm • G min • 06:42 • -27.97db
25% Popularity • 41% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
25% Popularity • 41% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Robert de Visée
Chaconne en la mineur
78 bpm • G# min • 02:40 • -26.47db
12% Popularity • 34% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
12% Popularity • 34% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Giovanni Benedetto Platti
Platti: Cello Sonata No. 7 in D Major, I...
78 bpm • D Maj • 02:57 • -19.41db
23% Popularity • 23% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
23% Popularity • 23% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Paolo Pandolfo
Improvised Prelude
76 bpm • G# min • 01:36 • -30.43db
36% Popularity • 11% Danceability • 4% Energy • 19% Liveness
97% Instrumentalness • 23% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 19% Liveness
97% Instrumentalness • 23% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
27% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
27% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Jacques Gallot
La Montespan in A Minor
76 bpm • G# min • 02:13 • -23.5db
2% Popularity • 35% Danceability • 11% Energy • 13% Liveness
48% Instrumentalness • 36% Positiveness
2% Popularity • 35% Danceability • 11% Energy • 13% Liveness
48% Instrumentalness • 36% Positiveness
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Isabelle van Keulen Ensemble
Milonga del ángel
79 bpm • B min • 06:11 • -15db
19% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Keith Jarrett
Hymn From A Great Temple
76 bpm • C min • 04:28 • -29.69db
25% Popularity • 43% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 43% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Anouar Brahem
On The Road
75 bpm • C Maj • 07:59 • -24.23db
12% Popularity • 30% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Trygve Seim
Kyrie
79 bpm • A min • 04:24 • -16.06db
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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John Dowland
Go, Crystal Tears
75 bpm • B min • 03:13 • -26.31db
29% Popularity • 30% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 24% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 24% Positiveness
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Jason Vieaux
Every Day (I Thank You)
79 bpm • E Maj • 09:01 • -23db
17% Popularity • 32% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Heinrich Ignaz Franz von Biber
"Trombett - Undt Musikalischer Taffeldie...
75 bpm • B Maj • 02:20 • -17.55db
2% Popularity • 18% Danceability • 9% Energy • 43% Liveness
5% Instrumentalness • 16% Positiveness
2% Popularity • 18% Danceability • 9% Energy • 43% Liveness
5% Instrumentalness • 16% Positiveness
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Myriam Alter
True Love
75 bpm • C# min • 01:45 • -22.16db
30% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Paolo Pandolfo
sopra Canaryo
79 bpm • G Maj • 06:04 • -25db
16% Popularity • 22% Danceability • 11% Energy • 55% Liveness
50% Instrumentalness • 11% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 55% Liveness
50% Instrumentalness • 11% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I Am Laid ...
75 bpm • G min • 04:10 • -18db
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Avishai Cohen
Shir Eres (Lullaby)
79 bpm • F min • 04:35 • -23.56db
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Shahin Novrasli
Prelude in E Minor
79 bpm • E Maj • 06:42 • -22.88db
29% Popularity • 45% Danceability • 15% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
29% Popularity • 45% Danceability • 15% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Viola d'amore, Lute, String...
79 bpm • C# min • 04:45 • -18.59db
25% Popularity • 50% Danceability • 11% Energy • 8% Liveness
12% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 11% Energy • 8% Liveness
12% Instrumentalness • 44% Positiveness
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Maurice Ravel
Ravel: Piano Concerto in G Major, M. 83:...
79 bpm • E Maj • 08:25 • -17db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Dobrinka Tabakova
Suite In Old Style: II. The Rose Garden,...
79 bpm • D min • 07:30 • -17db
11% Popularity • 14% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Renaud Garcia-Fons
Pavane du levant
79 bpm • B min • 04:00 • -15.21db
18% Popularity • 36% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Michael Wollny
The Rain Never Stops on Venus
74 bpm • F min • 01:46 • -21.46db
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Alessandro Poglietti
Sonata No. 7 a 5
80 bpm • B Maj • 05:04 • -13.06db
2% Popularity • 14% Danceability • 18% Energy • 15% Liveness
45% Instrumentalness • 11% Positiveness
2% Popularity • 14% Danceability • 18% Energy • 15% Liveness
45% Instrumentalness • 11% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
33% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Ketil Bjørnstad
Oda Krohg, 1927
80 bpm • B Maj • 06:13 • -16.67db
12% Popularity • 16% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Giovanni Paolo Foscarini
Tasteggiata per la X
80 bpm • E min • 04:24 • -29.51db
4% Popularity • 41% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 16% Positiveness
4% Popularity • 41% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Adagio for Mandolin and Harpsichord in E...
80 bpm • D# Maj • 04:32 • -29.22db
11% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
11% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Michel Godard
Soyeusement
80 bpm • C min • 08:03 • -14.93db
11% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 28% Positiveness
11% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 28% Positiveness
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Peter Maxwell Davies
Maxwell Davies / Arr Balsom & Poster: Fa...
74 bpm • D Maj • 03:52 • -27.66db
7% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Kronos Quartet
Peace Piece
80 bpm • C Maj • 07:11 • -27db
28% Popularity • 22% Danceability • 1% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 1% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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René Berman
Spiegel im Spiegel, für Violoncello und...
80 bpm • F Maj • 09:40 • -25db
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Sonatae Tam Aris, Quam Aulis Servientes:...
80 bpm • B Maj • 07:27 • -15.01db
3% Popularity • 31% Danceability • 18% Energy • 13% Liveness
62% Instrumentalness • 22% Positiveness
3% Popularity • 31% Danceability • 18% Energy • 13% Liveness
62% Instrumentalness • 22% Positiveness
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Earl Wild
Grand Fantasy on Porgy and Bess: Summert...
74 bpm • G# min • 03:29 • -26db
25% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Francisco Tárrega
Capricho Árabe
74 bpm • D Maj • 05:55 • -30.92db
27% Popularity • 24% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Jesper Skogsrund
Psalm 210
81 bpm • A min • 03:45 • -22db
25% Popularity • 33% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
25% Popularity • 33% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Robert de Visée
Sarabande en si mineur
81 bpm • C# Maj • 03:26 • -30.86db
10% Popularity • 30% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Nitin Sawhney
Breathing Light
73 bpm • A# min • 02:32 • -22.04db
17% Popularity • 22% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 30% Positiveness
17% Popularity • 22% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 30% Positiveness
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Carla Kountoupes
Ave Maria "Tanti anni prima"
81 bpm • C Maj • 05:26 • -17.77db
8% Popularity • 19% Danceability • 11% Energy • 26% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 19% Danceability • 11% Energy • 26% Liveness
2% Instrumentalness • 9% Positiveness
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John Surman
Autumn Nocturne
73 bpm • G min • 06:52 • -18.89db
24% Popularity • 31% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Marcus Miller
I Still Believe I Hear
81 bpm • A min • 07:06 • -13db
26% Popularity • 24% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
26% Popularity • 24% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Anouar Brahem
Leila au pays du carrousel
73 bpm • G min • 06:37 • -22.85db
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Vocalise-étude en forme de haban...
81 bpm • G Maj • 02:46 • -16.45db
11% Popularity • 18% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Manuel Ponce
Por ti mi Corazon (version for guitar)
81 bpm • A Maj • 03:17 • -29db
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Tim Kliphuis
Erbarme Dich
81 bpm • F min • 03:14 • -16.17db
16% Popularity • 38% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
16% Popularity • 38% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Tord Gustavsen Trio
Jesu, meine Freude / Jesus, det eneste
81 bpm • B min • 04:32 • -22.61db
19% Popularity • 23% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Giovanni Guidi
Avec le temps
81 bpm • C Maj • 06:33 • -25.27db
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Robert de Visée
Passacaille en si mineur
81 bpm • A# min • 02:51 • -26.34db
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
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Joseph Kosma
Kosma: Les feuilles mortes
73 bpm • A# min • 05:00 • -17.43db
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 437: III. Saraband...
82 bpm • F Maj • 03:47 • -25db
17% Popularity • 39% Danceability • 18% Energy • 65% Liveness
82% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 65% Liveness
82% Instrumentalness • 20% Positiveness
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Giovanni Sollima
Suite Case per due violini: Wood (Modera...
82 bpm • F# Maj • 02:02 • -26.2db
9% Popularity • 42% Danceability • 5% Energy • 9% Liveness
11% Instrumentalness • 33% Positiveness
9% Popularity • 42% Danceability • 5% Energy • 9% Liveness
11% Instrumentalness • 33% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Dino Saluzzi
Romance
72 bpm • D min • 05:03 • -24.35db
11% Popularity • 28% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Ralph Towner
Amarone Trio
82 bpm • C Maj • 05:42 • -17.16db
15% Popularity • 37% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
15% Popularity • 37% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Louis Thomas Hardin
Bird's Lament
72 bpm • D Maj • 01:55 • -21.33db
23% Popularity • 50% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Jan Krtitel Tolar
Sonata a 10
82 bpm • B Maj • 03:35 • -11.95db
2% Popularity • 20% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
2% Popularity • 20% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
► Preview
Anouar Brahem
Le pas du chat noir
83 bpm • C min • 08:01 • -22.89db
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Keith Jarrett
It's A Lonesome Old Town - Live
72 bpm • G min • 05:03 • -23.88db
27% Popularity • 33% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
27% Popularity • 33% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
► Preview
Jens-Uwe Popp
Night Train to Odessa
83 bpm • B min • 04:26 • -16.22db
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Alessandro Marcello
La cetra di Eterio Stinfalico: Concerto ...
83 bpm • A# min • 04:57 • -17.99db
0% Popularity • 32% Danceability • 13% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Arthur Hamilton
Cry Me a River (Arr. for Cello and Piano...
83 bpm • C min • 02:25 • -18.47db
29% Popularity • 23% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 23% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Carlos Pizarro Cuarteto
Nana pa Mama
83 bpm • D Maj • 06:16 • -24db
21% Popularity • 39% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
21% Popularity • 39% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
► Preview
Marin Marais
Marais: Pièces de viole, Livre II, Suit...
83 bpm • B Maj • 04:04 • -35db
19% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
19% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Trio X of Sweden
Aria
83 bpm • G Maj • 04:47 • -16.47db
27% Popularity • 48% Danceability • 16% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
27% Popularity • 48% Danceability • 16% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
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Ketil Bjørnstad
Remembrance III
83 bpm • C Maj • 04:57 • -20.2db
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
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Heinrich Ignaz Franz von Biber
"Trombett - Undt Musikalischer Taffeldie...
71 bpm • B Maj • 00:58 • -15.13db
2% Popularity • 56% Danceability • 25% Energy • 16% Liveness
43% Instrumentalness • 89% Positiveness
2% Popularity • 56% Danceability • 25% Energy • 16% Liveness
43% Instrumentalness • 89% Positiveness
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Airelle Besson
Pavane pour une infante défunte
71 bpm • G Maj • 05:24 • -13.36db
14% Popularity • 22% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Marin Marais
La Rêveuse - 4ème livre de Pièces de ...
84 bpm • E min • 05:00 • -28.07db
31% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Tord Gustavsen Trio
Being There
84 bpm • G# Maj • 04:11 • -26db
39% Popularity • 55% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
39% Popularity • 55% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Ennemond Gaultier
Canarie in D Minor
71 bpm • C# min • 02:15 • -21.94db
3% Popularity • 32% Danceability • 12% Energy • 13% Liveness
76% Instrumentalness • 47% Positiveness
3% Popularity • 32% Danceability • 12% Energy • 13% Liveness
76% Instrumentalness • 47% Positiveness
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Heinrich Ignaz Franz von Biber
Sonata a 6 "Die Pauernkirchfahrt Genandt...
84 bpm • A Maj • 01:32 • -16.91db
2% Popularity • 10% Danceability • 12% Energy • 23% Liveness
40% Instrumentalness • 7% Positiveness
2% Popularity • 10% Danceability • 12% Energy • 23% Liveness
40% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Trio Sonata for Violin, Lute and Basso C...
84 bpm • F# min • 03:15 • -26.09db
11% Popularity • 30% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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London Concertante
'Round Midnight
70 bpm • F min • 06:50 • -25.41db
21% Popularity • 20% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
21% Popularity • 20% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Yuquijiro Yocoh
Tokyo - Sakura, Theme and Variations
70 bpm • A min • 06:24 • -20.28db
11% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
11% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Anonymous
Por que llorax blanca niña? (Arrangemen...
84 bpm • D Maj • 07:09 • -19db
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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Alessandro Scarlatti
Il martirio di S Teodosia: Aria: Se il C...
85 bpm • F# min • 07:11 • -16.7db
0% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Nadia Boulanger
Boulanger / Orch. Ducros: Lux aeterna
70 bpm • F Maj • 01:51 • -19db
14% Popularity • 13% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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George Frideric Handel
Suite in G Minor, HWV 452: 3. Sarabande
70 bpm • A# Maj • 02:15 • -24.4db
27% Popularity • 36% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
27% Popularity • 36% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Sergio Assad
Farewell
70 bpm • A min • 03:38 • -20db
16% Popularity • 40% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
16% Popularity • 40% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Joel Lyssarides
Circling
70 bpm • G# min • 03:04 • -23.74db
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: La frontera de Dios: V...
70 bpm • E min • 03:30 • -31.38db
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Benedetto Marcello
Senza gran pena: Recitative: Senza gran ...
85 bpm • C Maj • 01:40 • -16.42db
0% Popularity • 32% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
