Songs like Tastes Like Freedom by 30/70
Based on a tempo of (+/- 10%) and a similar genre
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Melodiesinfonie
Enjoy Your Life
120 bpm • B min • 04:09 • -6.95db
32% Popularity • 76% Danceability • 72% Energy • 40% Liveness
88% Instrumentalness • 53% Positiveness
32% Popularity • 76% Danceability • 72% Energy • 40% Liveness
88% Instrumentalness • 53% Positiveness
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Saul
Can't Wait
120 bpm • A# Maj • 04:31 • -8.34db
9% Popularity • 65% Danceability • 66% Energy • 9% Liveness
26% Instrumentalness • 31% Positiveness
9% Popularity • 65% Danceability • 66% Energy • 9% Liveness
26% Instrumentalness • 31% Positiveness
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Henry Wu
Don't Want The Regular
120 bpm • B min • 03:41 • -8.26db
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
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30/70
Tempted - Athlete Whippet Remix
120 bpm • F min • 04:19 • -9.16db
32% Popularity • 63% Danceability • 81% Energy • 12% Liveness
23% Instrumentalness • 33% Positiveness
32% Popularity • 63% Danceability • 81% Energy • 12% Liveness
23% Instrumentalness • 33% Positiveness
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Al Dobson Jr.
Xingu
120 bpm • C# min • 02:33 • -14.38db
42% Popularity • 88% Danceability • 74% Energy • 13% Liveness
94% Instrumentalness • 83% Positiveness
42% Popularity • 88% Danceability • 74% Energy • 13% Liveness
94% Instrumentalness • 83% Positiveness
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The Colours That Rise
Deep Space - Extended Version
120 bpm • C min • 08:06 • -13.95db
12% Popularity • 72% Danceability • 34% Energy • 33% Liveness
23% Instrumentalness • 60% Positiveness
12% Popularity • 72% Danceability • 34% Energy • 33% Liveness
23% Instrumentalness • 60% Positiveness
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Melodiesinfonie
Orion - Interlude
120 bpm • D# min • 01:21 • -11.55db
39% Popularity • 78% Danceability • 52% Energy • 9% Liveness
18% Instrumentalness • 91% Positiveness
39% Popularity • 78% Danceability • 52% Energy • 9% Liveness
18% Instrumentalness • 91% Positiveness
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Neue Grafik
Dance to Yemanja
120 bpm • B min • 05:08 • -10.98db
12% Popularity • 74% Danceability • 83% Energy • 30% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 74% Danceability • 83% Energy • 30% Liveness
85% Instrumentalness • 30% Positiveness
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Okvsho
Jazz Jam 3
120 bpm • E min • 03:11 • -10.28db
19% Popularity • 79% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 94% Positiveness
19% Popularity • 79% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 94% Positiveness
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30/70
Tastes Like Freedom - Radio Edit
120 bpm • D# min • 03:11 • -12db
11% Popularity • 57% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 57% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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First Beige
Sudden Weight
120 bpm • A min • 03:49 • -8.79db
14% Popularity • 77% Danceability • 86% Energy • 10% Liveness
27% Instrumentalness • 61% Positiveness
14% Popularity • 77% Danceability • 86% Energy • 10% Liveness
27% Instrumentalness • 61% Positiveness
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The Colours That Rise
Deep Space
120 bpm • C min • 03:49 • -14.01db
23% Popularity • 71% Danceability • 34% Energy • 27% Liveness
38% Instrumentalness • 67% Positiveness
23% Popularity • 71% Danceability • 34% Energy • 27% Liveness
38% Instrumentalness • 67% Positiveness
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Melodiesinfonie
Feel Me
120 bpm • A min • 04:18 • -6.62db
30% Popularity • 87% Danceability • 70% Energy • 8% Liveness
47% Instrumentalness • 96% Positiveness
30% Popularity • 87% Danceability • 70% Energy • 8% Liveness
47% Instrumentalness • 96% Positiveness
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Djosa
Amazone
120 bpm • C# Maj • 03:59 • -10.43db
21% Popularity • 68% Danceability • 53% Energy • 4% Liveness
78% Instrumentalness • 83% Positiveness
21% Popularity • 68% Danceability • 53% Energy • 4% Liveness
78% Instrumentalness • 83% Positiveness
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Saul
Coalesce
120 bpm • F# Maj • 04:51 • -8.59db
11% Popularity • 67% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 67% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Footshooter
Malaika
120 bpm • G# Maj • 05:31 • -8.79db
19% Popularity • 74% Danceability • 75% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
19% Popularity • 74% Danceability • 75% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
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Duke Hugh
Say No More
120 bpm • B Maj • 03:14 • -8.81db
30% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
30% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
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The Colours That Rise
The Juice
120 bpm • C# Maj • 06:31 • -16.97db
14% Popularity • 44% Danceability • 48% Energy • 26% Liveness
86% Instrumentalness • 33% Positiveness
14% Popularity • 44% Danceability • 48% Energy • 26% Liveness
86% Instrumentalness • 33% Positiveness
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30/70
Tastes Like Freedom
120 bpm • D# min • 09:09 • -11.49db
8% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Spacek
Waiting 4 You
120 bpm • C Maj • 07:30 • -10.53db
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Admin
Bright Moments
120 bpm • G Maj • 05:51 • -11.16db
18% Popularity • 78% Danceability • 65% Energy • 25% Liveness
18% Instrumentalness • 39% Positiveness
18% Popularity • 78% Danceability • 65% Energy • 25% Liveness
18% Instrumentalness • 39% Positiveness
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Jitwam
Maryjane
120 bpm • E min • 05:08 • -5.52db
15% Popularity • 49% Danceability • 57% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
15% Popularity • 49% Danceability • 57% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
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Sampology
My Place
120 bpm • G Maj • 03:45 • -11.04db
12% Popularity • 65% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 65% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Allysha Joy
FNFL
120 bpm • C min • 04:42 • -8.51db
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Wu
A3
120 bpm • C min • 01:25 • -19.78db
25% Popularity • 93% Danceability • 17% Energy • 56% Liveness
71% Instrumentalness • 74% Positiveness
25% Popularity • 93% Danceability • 17% Energy • 56% Liveness
71% Instrumentalness • 74% Positiveness
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Tenderlonious
Song for My Father - Mixed
120 bpm • B Maj • 03:07 • -11.78db
15% Popularity • 87% Danceability • 40% Energy • 23% Liveness
3% Instrumentalness • 94% Positiveness
15% Popularity • 87% Danceability • 40% Energy • 23% Liveness
3% Instrumentalness • 94% Positiveness
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Les Sins
Grind (Moodymann Edit) - Mixed
121 bpm • A# min • 03:19 • -13.05db
36% Popularity • 70% Danceability • 54% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
36% Popularity • 70% Danceability • 54% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
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Horatio Luna
Patrice
119 bpm • F min • 03:32 • -9.36db
19% Popularity • 74% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
19% Popularity • 74% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Pinty
Honey
121 bpm • F# min • 03:48 • -8.24db
24% Popularity • 84% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 60% Positiveness
24% Popularity • 84% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 60% Positiveness
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Summer Vee
Judas
119 bpm • F# min • 04:55 • -7db
36% Popularity • 77% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
36% Popularity • 77% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Ebi Soda
Libre
121 bpm • C# min • 03:39 • -9.68db
33% Popularity • 49% Danceability • 73% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
33% Popularity • 49% Danceability • 73% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Al Dobson Jr.
Muscavado Sounds
121 bpm • A# min • 03:11 • -11.3db
30% Popularity • 97% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 97% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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David Versace
Love Expressions
121 bpm • B min • 05:00 • -12.76db
28% Popularity • 57% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
28% Popularity • 57% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Jitwam
busstop
119 bpm • G Maj • 03:39 • -8db
42% Popularity • 76% Danceability • 61% Energy • 37% Liveness
31% Instrumentalness • 47% Positiveness
42% Popularity • 76% Danceability • 61% Energy • 37% Liveness
31% Instrumentalness • 47% Positiveness
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Henry Wu
Natural Complexion - Tenderlonious
119 bpm • A min • 04:08 • -15db
15% Popularity • 79% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
15% Popularity • 79% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Chaos In The CBD
Accidental Meetings
121 bpm • C# min • 06:28 • -14db
34% Popularity • 44% Danceability • 64% Energy • 16% Liveness
87% Instrumentalness • 27% Positiveness
34% Popularity • 44% Danceability • 64% Energy • 16% Liveness
87% Instrumentalness • 27% Positiveness
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Kokoroko
Uman - Mixed
121 bpm • C Maj • 03:48 • -7.3db
29% Popularity • 71% Danceability • 75% Energy • 14% Liveness
74% Instrumentalness • 27% Positiveness
29% Popularity • 71% Danceability • 75% Energy • 14% Liveness
74% Instrumentalness • 27% Positiveness
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Tenderlonious
G Flex
121 bpm • F min • 05:10 • -12.17db
15% Popularity • 62% Danceability • 61% Energy • 3% Liveness
48% Instrumentalness • 87% Positiveness
15% Popularity • 62% Danceability • 61% Energy • 3% Liveness
48% Instrumentalness • 87% Positiveness
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Dan Kye
Sober
121 bpm • B min • 05:31 • -12.36db
30% Popularity • 63% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
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Steve Spacek
African Dream
119 bpm • C Maj • 04:09 • -10.23db
9% Popularity • 92% Danceability • 58% Energy • 9% Liveness
20% Instrumentalness • 70% Positiveness
9% Popularity • 92% Danceability • 58% Energy • 9% Liveness
20% Instrumentalness • 70% Positiveness
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BODUR
Talking to the Walls - Ash Walker Remix
121 bpm • B Maj • 04:32 • -8.64db
19% Popularity • 72% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
19% Popularity • 72% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Reginald Omas Mamode IV
400 Years
119 bpm • C Maj • 03:12 • -12.48db
12% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
12% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Jay Daniel
1001 Nights
122 bpm • F# Maj • 06:13 • -12.72db
12% Popularity • 78% Danceability • 83% Energy • 28% Liveness
92% Instrumentalness • 94% Positiveness
12% Popularity • 78% Danceability • 83% Energy • 28% Liveness
92% Instrumentalness • 94% Positiveness
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Shigeto
MCW
122 bpm • F# min • 06:19 • -9.62db
20% Popularity • 63% Danceability • 48% Energy • 3% Liveness
67% Instrumentalness • 37% Positiveness
20% Popularity • 63% Danceability • 48% Energy • 3% Liveness
67% Instrumentalness • 37% Positiveness
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Afronaught
Shapin' Fluid
122 bpm • F# Maj • 07:00 • -10.66db
12% Popularity • 46% Danceability • 67% Energy • 75% Liveness
88% Instrumentalness • 64% Positiveness
12% Popularity • 46% Danceability • 67% Energy • 75% Liveness
88% Instrumentalness • 64% Positiveness
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Horatio Luna
Brunswick Massive Pt. 2
122 bpm • A# min • 02:02 • -10.21db
18% Popularity • 52% Danceability • 52% Energy • 20% Liveness
80% Instrumentalness • 46% Positiveness
18% Popularity • 52% Danceability • 52% Energy • 20% Liveness
80% Instrumentalness • 46% Positiveness
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Glenn Astro
One for Viktor
122 bpm • C Maj • 04:36 • -8.78db
16% Popularity • 83% Danceability • 66% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
16% Popularity • 83% Danceability • 66% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
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Okvsho
Orange Wine
118 bpm • D# min • 04:45 • -12.27db
41% Popularity • 86% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
41% Popularity • 86% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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Jay Daniel
Aja
118 bpm • C min • 04:38 • -8db
21% Popularity • 79% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
21% Popularity • 79% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
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WheelUP
Good Love
118 bpm • C# min • 04:04 • -6.71db
14% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Bryony Jarman-Pinto
Sour Face - dego Remix
122 bpm • D Maj • 04:12 • -7db
29% Popularity • 85% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 85% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Mark de Clive-Lowe
Brukstep - Atjazz Astro Remix
122 bpm • C min • 07:20 • -9.61db
18% Popularity • 36% Danceability • 68% Energy • 28% Liveness
94% Instrumentalness • 83% Positiveness
18% Popularity • 36% Danceability • 68% Energy • 28% Liveness
94% Instrumentalness • 83% Positiveness
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Makèz
Holy Sun
122 bpm • A# min • 04:23 • -10db
29% Popularity • 90% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 90% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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Dan Kye
Moving
122 bpm • D Maj • 05:15 • -12db
42% Popularity • 90% Danceability • 76% Energy • 9% Liveness
63% Instrumentalness • 90% Positiveness
42% Popularity • 90% Danceability • 76% Energy • 9% Liveness
63% Instrumentalness • 90% Positiveness
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musclecars
The Man Who Kept Bedstuy Warm
118 bpm • C Maj • 06:41 • -12.89db
11% Popularity • 73% Danceability • 60% Energy • 8% Liveness
71% Instrumentalness • 40% Positiveness
11% Popularity • 73% Danceability • 60% Energy • 8% Liveness
71% Instrumentalness • 40% Positiveness
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Interface Palm
Readymade
118 bpm • G min • 04:22 • -8.75db
14% Popularity • 53% Danceability • 50% Energy • 19% Liveness
93% Instrumentalness • 87% Positiveness
14% Popularity • 53% Danceability • 50% Energy • 19% Liveness
93% Instrumentalness • 87% Positiveness
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FYI Chris
On Tik
122 bpm • G# Maj • 04:21 • -9db
20% Popularity • 74% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
20% Popularity • 74% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
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30/70
N.Y.P. - SAUL Remix
118 bpm • A# Maj • 05:17 • -6db
11% Popularity • 71% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 38% Positiveness
11% Popularity • 71% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 38% Positiveness
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Kuna Maze
Again Again
122 bpm • C# Maj • 05:05 • -8.06db
21% Popularity • 75% Danceability • 85% Energy • 6% Liveness
87% Instrumentalness • 76% Positiveness
21% Popularity • 75% Danceability • 85% Energy • 6% Liveness
87% Instrumentalness • 76% Positiveness
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Dan Kye
Rainbow Road
122 bpm • C Maj • 05:27 • -11.28db
32% Popularity • 85% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 70% Positiveness
32% Popularity • 85% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 70% Positiveness
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Duke Hugh
2005
118 bpm • E min • 03:53 • -13.77db
28% Popularity • 62% Danceability • 44% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
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Jitwam
India
118 bpm • A Maj • 04:56 • -8.22db
24% Popularity • 60% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 60% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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Jay Daniel
Paradise Valley
118 bpm • A# min • 04:42 • -8.29db
34% Popularity • 79% Danceability • 89% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
34% Popularity • 79% Danceability • 89% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Tenderlonious
Bob's Riddim
122 bpm • C# Maj • 08:23 • -9.75db
8% Popularity • 92% Danceability • 55% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
8% Popularity • 92% Danceability • 55% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
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30/70
Tempted
118 bpm • F min • 04:31 • -7.41db
8% Popularity • 38% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Ratgrave
Ein Kola Bitte! - Mixed
123 bpm • C# Maj • 03:14 • -14.22db
18% Popularity • 78% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
18% Popularity • 78% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Tall Black Guy
Sip of You
123 bpm • G Maj • 03:37 • -8db
17% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Acidslop
Forever Is a Dollar
123 bpm • E min • 03:01 • -10.2db
22% Popularity • 55% Danceability • 65% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
22% Popularity • 55% Danceability • 65% Energy • 20% Liveness
4% Instrumentalness • 19% Positiveness
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Auntie Flo
Havana Rhythm Dance
117 bpm • C Maj • 03:53 • -11.34db
23% Popularity • 80% Danceability • 53% Energy • 5% Liveness
40% Instrumentalness • 66% Positiveness
23% Popularity • 80% Danceability • 53% Energy • 5% Liveness
40% Instrumentalness • 66% Positiveness
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The Expansions
Ivory Mountain
123 bpm • A min • 06:08 • -10.58db
9% Popularity • 35% Danceability • 72% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
9% Popularity • 35% Danceability • 72% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Henry Wu
Neezy - Wok
117 bpm • A# min • 04:21 • -10.37db
9% Popularity • 59% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 72% Positiveness
9% Popularity • 59% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 72% Positiveness
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Duke Hugh
Greenleaf
117 bpm • A min • 04:29 • -16db
41% Popularity • 80% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
41% Popularity • 80% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Kamaal Williams
1989
117 bpm • F# Maj • 03:22 • -12db
31% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
31% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
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K15
Oceans
123 bpm • F min • 04:19 • -8.71db
10% Popularity • 75% Danceability • 77% Energy • 31% Liveness
60% Instrumentalness • 29% Positiveness
10% Popularity • 75% Danceability • 77% Energy • 31% Liveness
60% Instrumentalness • 29% Positiveness
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Oscar Jerome
No Need - Extended Mix
117 bpm • B min • 06:02 • -11db
36% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
36% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
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Hector Plimmer
Communication Control
117 bpm • C Maj • 03:04 • -11.37db
17% Popularity • 81% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
17% Popularity • 81% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
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Linkwood Family
Milles Away
117 bpm • D# min • 08:38 • -12db
34% Popularity • 79% Danceability • 42% Energy • 13% Liveness
61% Instrumentalness • 9% Positiveness
34% Popularity • 79% Danceability • 42% Energy • 13% Liveness
61% Instrumentalness • 9% Positiveness
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Galcher Lustwerk
Another Story
117 bpm • F# min • 04:06 • -14.46db
33% Popularity • 77% Danceability • 44% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
33% Popularity • 77% Danceability • 44% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
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Neue Grafik
To Peckham Rye
117 bpm • A Maj • 06:35 • -10.59db
15% Popularity • 69% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 12% Positiveness
15% Popularity • 69% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 12% Positiveness
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Melodiesinfonie
Tropicololo
117 bpm • C# Maj • 05:32 • -10.01db
37% Popularity • 84% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 82% Positiveness
37% Popularity • 84% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 82% Positiveness
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Oscar Jerome
No Need - Edit
117 bpm • B min • 03:26 • -11.53db
46% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
46% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
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Kamaal Williams
Save Me
123 bpm • A# min • 05:58 • -8.54db
24% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
24% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
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Hidden Spheres
Words Can't Explain
117 bpm • B min • 05:09 • -10.85db
24% Popularity • 74% Danceability • 55% Energy • 27% Liveness
22% Instrumentalness • 20% Positiveness
24% Popularity • 74% Danceability • 55% Energy • 27% Liveness
22% Instrumentalness • 20% Positiveness
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Werkha
Favourite Corner
124 bpm • G Maj • 06:01 • -7.9db
23% Popularity • 68% Danceability • 54% Energy • 46% Liveness
57% Instrumentalness • 34% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 46% Liveness
57% Instrumentalness • 34% Positiveness
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DJ Harrison
2021 Disco
124 bpm • C Maj • 03:39 • -9.7db
15% Popularity • 56% Danceability • 81% Energy • 17% Liveness
44% Instrumentalness • 84% Positiveness
15% Popularity • 56% Danceability • 81% Energy • 17% Liveness
44% Instrumentalness • 84% Positiveness
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Horatio Luna
Boom Boom
116 bpm • G Maj • 06:23 • -9.1db
8% Popularity • 70% Danceability • 77% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
8% Popularity • 70% Danceability • 77% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
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Julien Dyne
Design
116 bpm • G# min • 04:53 • -9.61db
11% Popularity • 69% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 67% Positiveness
11% Popularity • 69% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 67% Positiveness
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Scrimshire
After
124 bpm • D min • 06:03 • -7.72db
9% Popularity • 62% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
9% Popularity • 62% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
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Sampology
Suffer and Swim
124 bpm • A min • 03:28 • -12.75db
28% Popularity • 78% Danceability • 71% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
28% Popularity • 78% Danceability • 71% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Dego
Acting up on that Shit Don't Count
124 bpm • C# Maj • 06:10 • -11.41db
8% Popularity • 67% Danceability • 67% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
8% Popularity • 67% Danceability • 67% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
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30/70
N.Y.P.
116 bpm • D min • 04:18 • -8.18db
10% Popularity • 59% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Horatio Luna
Fuck The System
116 bpm • G Maj • 02:13 • -10.59db
16% Popularity • 79% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
16% Popularity • 79% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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RAS
Pharoah
116 bpm • F min • 03:10 • -12.21db
29% Popularity • 84% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 74% Positiveness
29% Popularity • 84% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 74% Positiveness
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Allysha Joy
Let It!
116 bpm • D Maj • 05:12 • -7.19db
11% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Diggs Duke
Something in My Soul
124 bpm • A min • 01:44 • -11.15db
39% Popularity • 67% Danceability • 52% Energy • 10% Liveness
72% Instrumentalness • 88% Positiveness
39% Popularity • 67% Danceability • 52% Energy • 10% Liveness
72% Instrumentalness • 88% Positiveness
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Tenderlonious
Song for My Mother
116 bpm • C min • 09:09 • -12.54db
18% Popularity • 64% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
18% Popularity • 64% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Bentley
Bingo Bongo
124 bpm • F# min • 02:35 • -8.29db
27% Popularity • 51% Danceability • 75% Energy • 13% Liveness
59% Instrumentalness • 74% Positiveness
27% Popularity • 51% Danceability • 75% Energy • 13% Liveness
59% Instrumentalness • 74% Positiveness
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Emanative
Love & Light
116 bpm • E min • 06:10 • -10.16db
31% Popularity • 72% Danceability • 71% Energy • 67% Liveness
2% Instrumentalness • 52% Positiveness
31% Popularity • 72% Danceability • 71% Energy • 67% Liveness
2% Instrumentalness • 52% Positiveness
