Songs like Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
58 bpm • E min • 02:46 • -18.76db
69% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
69% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Franz Liszt
Liebestraume, S541/R211 : No. 3: Nocturn...
60 bpm • G# Maj • 04:30 • -25.59db
60% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
60% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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John Williams
The Throne Room and End Title
58 bpm • C Maj • 05:34 • -11.99db
47% Popularity • 30% Danceability • 37% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
47% Popularity • 30% Danceability • 37% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
55 bpm • C min • 10:16 • -20db
51% Popularity • 14% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 14% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation for male da...
61 bpm • G# Maj • 01:10 • -27db
47% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
47% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50
62 bpm • F# min • 06:25 • -26.8db
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Invadable Harmony
Once Upon a Dream
62 bpm • F Maj • 01:00 • -15.39db
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Scherezade
54 bpm • E Maj • 02:17 • -20.36db
19% Popularity • 20% Danceability • 16% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 16% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 9 In D Minor
62 bpm • A# Maj • 01:25 • -38.72db
60% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
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Claude Debussy
Rêverie, L. 68
63 bpm • F Maj • 03:53 • -31.62db
60% Popularity • 25% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
60% Popularity • 25% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Hans Zimmer
Time
63 bpm • G Maj • 04:35 • -16.81db
73% Popularity • 29% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
73% Popularity • 29% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse
63 bpm • E Maj • 02:56 • -33.66db
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A, Op. 92: 2. Allegret...
63 bpm • E min • 08:29 • -19.94db
34% Popularity • 18% Danceability • 6% Energy • 14% Liveness
62% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 6% Energy • 14% Liveness
62% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: The Swan
65 bpm • G Maj • 02:30 • -24.81db
62% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
62% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Claude Debussy
2 Arabesques, L. 66: I. Andantino con mo...
65 bpm • F# min • 04:12 • -35.32db
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
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Franz Gordon
The French Library
65 bpm • D# Maj • 02:59 • -25.23db
64% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
64% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Max Richter
On the Nature of Daylight
65 bpm • A# min • 06:11 • -12.74db
67% Popularity • 6% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
67% Popularity • 6% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
J.S. Bach: J.S. Bach: Orchestral Suite N...
66 bpm • D Maj • 04:37 • -17.82db
44% Popularity • 21% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
44% Popularity • 21% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Rigoletto, Act III: La donna è mobile
66 bpm • F# Maj • 02:22 • -16.27db
58% Popularity • 39% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 39% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Claude Debussy
Clair de Lune, L. 32
66 bpm • C# Maj • 04:28 • -31.65db
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C major, Op. 48:...
66 bpm • G Maj • 03:29 • -22.41db
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
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Joe Hisaishi
You're in Love
67 bpm • G min • 01:11 • -27.86db
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Aram Khachaturian
Masquerade (Suite): 1. Waltz - Excerpt
67 bpm • C Maj • 02:10 • -15.13db
47% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
47% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
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George Frideric Handel
Handel / Orch. Hale: Keyboard Suite No. ...
67 bpm • D min • 03:27 • -24.04db
65% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
65% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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London Symphony Orchestra
Scene, Act 2 from Swan Lake
68 bpm • E min • 02:48 • -20.21db
15% Popularity • 20% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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James Horner
For The Love Of A Princess
69 bpm • A min • 04:07 • -25.77db
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Samuel Barber
Adagio for Strings
69 bpm • A# min • 07:57 • -13.27db
47% Popularity • 7% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 7% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Ennio Morricone
The Mission: Gabriel's Oboe
70 bpm • D Maj • 03:12 • -13.91db
56% Popularity • 16% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
56% Popularity • 16% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: III. Adagio
70 bpm • A Maj • 14:21 • -26.48db
40% Popularity • 6% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
40% Popularity • 6% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 1812 Overture in E-Flat Maj...
71 bpm • D# Maj • 15:05 • -18.85db
49% Popularity • 17% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
49% Popularity • 17% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
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Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
36% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Alena Cherny
Gnossienne No. 1
72 bpm • F min • 04:56 • -31.62db
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Joe Hisaishi
Merry-Go-Round of Life - from 'Howl's Mo...
72 bpm • G min • 05:11 • -12.57db
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
48% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
48% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Emile Pandolfi
Once Upon a December
73 bpm • B min • 04:12 • -19.35db
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Evergreen Symphony Orchestra
La Bayadere, Act I, Scene 1: 6. “Flute...
73 bpm • C min • 01:58 • -33.53db
27% Popularity • 29% Danceability • 2% Energy • 9% Liveness
51% Instrumentalness • 12% Positiveness
27% Popularity • 29% Danceability • 2% Energy • 9% Liveness
51% Instrumentalness • 12% Positiveness
► Preview
Vitamin String Quartet
Howl's Moving Castle - Merry-Go-Round of...
73 bpm • D min • 03:04 • -13.82db
57% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
► Preview
Adolphe Adam
Giselle: No. 21 - Andante
73 bpm • D# Maj • 04:22 • -39.33db
26% Popularity • 7% Danceability • 0% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
26% Popularity • 7% Danceability • 0% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
El Lago De Los Cisnes - Op. 20, Acto II:...
73 bpm • B min • 03:06 • -18.44db
47% Popularity • 10% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
47% Popularity • 10% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
73 bpm • G Maj • 02:32 • -18.75db
70% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
70% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
► Preview
John Williams
Princess Leia's Theme
73 bpm • F Maj • 04:23 • -18.99db
45% Popularity • 8% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Eric Christian
Valse Sentimentale No. 2
73 bpm • D min • 04:44 • -20.4db
49% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
49% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Samuel Coleridge-Taylor
Danse Nègre - Remastered
73 bpm • D Maj • 06:04 • -14db
11% Popularity • 39% Danceability • 24% Energy • 37% Liveness
83% Instrumentalness • 9% Positiveness
11% Popularity • 39% Danceability • 24% Energy • 37% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Kurt-Heinz Stolze
Stolze & Tchaikovsky: Onegin: Final Scen...
73 bpm • A min • 07:14 • -18.01db
13% Popularity • 9% Danceability • 14% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 14% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Swan Lake (Suite), Op. 20a, TH. 219: I. ...
74 bpm • E min • 03:03 • -16db
54% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
John Williams
Leaving Hogwarts
73 bpm • D Maj • 02:13 • -21.27db
58% Popularity • 18% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 18% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
► Preview
Martin Bloch
Debussy - Claire De Lune
74 bpm • C# Maj • 05:30 • -26db
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
75 bpm • G min • 07:34 • -18db
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
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John Williams
Hedwig's Theme
73 bpm • D min • 05:09 • -17.1db
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Lucio Dalla
Caruso
76 bpm • G min • 05:30 • -8db
47% Popularity • 20% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 20% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Evergreen Symphony Orchestra
La Bayadere, Act III: 39. "Entrance of t...
76 bpm • D Maj • 08:03 • -32.83db
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Yehezkel Raz
Ballerina
76 bpm • D# Maj • 01:11 • -35.71db
75% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
75% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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London Symphony Orchestra
Romeo and Juliet
76 bpm • D Maj • 04:02 • -16db
14% Popularity • 21% Danceability • 27% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 27% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Grissini Project
Merry Go Round of Life
77 bpm • G min • 05:42 • -10.46db
52% Popularity • 24% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
52% Popularity • 24% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
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Gustav Holst
The Planets, Op. 32: I. Mars, the Bringe...
77 bpm • G Maj • 07:09 • -14.71db
43% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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![Orchestral Suite No. 3 in D Major, BWV 1068: Air cover art]()
Frank Shipway
Orchestral Suite No. 3 in D Major, BWV 1...
78 bpm • D Maj • 03:25 • -23.87db
35% Popularity • 10% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
35% Popularity • 10% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov 2nd Piano Concerto
78 bpm • E Maj • 04:48 • -13db
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
