Songs like Te Deum: I. Prélude by Marc-Antoine Charpentier
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Joseph Mouret
Suite de symphonies No. 1 in D Major: I....
81 bpm • A Maj • 01:51 • -18.4db
13% Popularity • 55% Danceability • 28% Energy • 35% Liveness
84% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 28% Energy • 35% Liveness
84% Instrumentalness • 57% Positiveness
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Johann Pachelbel
Canon in D for Strings and Continuo
81 bpm • D Maj • 04:48 • -17.42db
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Marc-Antoine Charpentier
Te Deum: I. Prélude
81 bpm • C# Maj • 01:44 • -14.86db
27% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
27% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:33 • -21db
32% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Jean-Joseph Mouret
Premiere Suite de Symphonies: Rondeau
81 bpm • D Maj • 01:46 • -11.81db
17% Popularity • 75% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 93% Positiveness
17% Popularity • 75% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 93% Positiveness
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Le Concert Des Nations
Premier Concert: Gavotte - Notes Égales...
81 bpm • F min • 01:31 • -22db
12% Popularity • 40% Danceability • 20% Energy • 20% Liveness
99% Instrumentalness • 94% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 20% Liveness
99% Instrumentalness • 94% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Antonio Salieri
Imperial Fanfare
80 bpm • F min • 01:15 • -17db
25% Popularity • 67% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 69% Positiveness
25% Popularity • 67% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 69% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
80 bpm • A min • 06:02 • -32.46db
30% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Prelude from 'Te Deum', H.146
80 bpm • D Maj • 01:21 • -15.16db
18% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
18% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
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Marin Marais
Quatrième suite, Airs pour les matelots...
80 bpm • A min • 02:01 • -26db
7% Popularity • 17% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 7% Positiveness
7% Popularity • 17% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 7% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Maurerische Trauermusik K. 477
80 bpm • C Maj • 05:24 • -21.31db
17% Popularity • 8% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: V. Tu se’ morta
82 bpm • D min • 02:27 • -23.21db
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Féry Rebel
Les Éléments: IV. Ramage : L’Air
80 bpm • C# Maj • 01:17 • -29.66db
19% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
19% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
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Samuel Scheidt
Scheidt: Ludi musici, Part 1: No. 18, Ca...
82 bpm • C Maj • 03:22 • -17.17db
4% Popularity • 25% Danceability • 13% Energy • 14% Liveness
46% Instrumentalness • 40% Positiveness
4% Popularity • 25% Danceability • 13% Energy • 14% Liveness
46% Instrumentalness • 40% Positiveness
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Philidor le Cadet
Marche de Timbales, H. 547
80 bpm • A Maj • 01:22 • -28.17db
15% Popularity • 38% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 38% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214
83 bpm • A Maj • 02:34 • -15.84db
30% Popularity • 63% Danceability • 43% Energy • 16% Liveness
9% Instrumentalness • 75% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 16% Liveness
9% Instrumentalness • 75% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Anonymous
Danze Veneziane: Pavana del Re
79 bpm • F Maj • 01:56 • -22.61db
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Le Concert Des Nations
Les Musiques Royales De 1643 À 1650: In...
79 bpm • C Maj • 02:31 • -17.84db
4% Popularity • 35% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
4% Popularity • 35% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Montserrat Figueras
Tourdion: Quand je bois du vin (Anonyme)
79 bpm • B min • 04:05 • -19.11db
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
31% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Marche...
79 bpm • C# Maj • 02:03 • -14.49db
22% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
22% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Mozart : Requiem K. 626 - Confutatis
79 bpm • F# min • 02:09 • -22.63db
17% Popularity • 26% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum: III. Te aeternum patrem
79 bpm • C# Maj • 01:55 • -18.63db
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 9 in D Minor, Op...
79 bpm • D Maj • 03:11 • -21db
10% Popularity • 28% Danceability • 16% Energy • 37% Liveness
2% Instrumentalness • 31% Positiveness
10% Popularity • 28% Danceability • 16% Energy • 37% Liveness
2% Instrumentalness • 31% Positiveness
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Le Concert Des Nations
Concert Donné A Louis XIII En 1627 Par ...
78 bpm • G Maj • 02:32 • -21.8db
3% Popularity • 43% Danceability • 15% Energy • 13% Liveness
4% Instrumentalness • 68% Positiveness
3% Popularity • 43% Danceability • 15% Energy • 13% Liveness
4% Instrumentalness • 68% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Act I: Second air pour ...
79 bpm • C Maj • 00:53 • -18.19db
9% Popularity • 12% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 12% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Hermann Schein
Zion spricht : Der Herr hat mich verlass...
83 bpm • F# min • 06:26 • -17.89db
4% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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![Pièces de viole du Troisième Livre, suite VII en sol majeur: 2è Muzette [106] (1711) cover art](https://i.scdn.co/image/ab67616d00001e02800b71517c4125aa993d85e9)
Marin Marais
Pièces de viole du Troisième Livre, su...
78 bpm • F# Maj • 02:39 • -15.06db
4% Popularity • 22% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
4% Popularity • 22% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
35% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
35% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
27% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
27% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Alessandro Marcello
Concerto in D minor, S. Z799: 1. Andante...
78 bpm • D min • 03:11 • -16.28db
25% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Marc-Antoine Charpentier
David et Jonathas, H. 490, Acte I Scène...
83 bpm • C Maj • 01:52 • -15.83db
3% Popularity • 31% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
3% Popularity • 31% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Traditionnel
Ha lahma ‘anya – Plainte en Araméen
78 bpm • E min • 02:27 • -27.1db
5% Popularity • 7% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air pour les guerri...
84 bpm • C# Maj • 01:27 • -17db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
66% Instrumentalness • 29% Positiveness
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
66% Instrumentalness • 29% Positiveness
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Jordi Savall
Pièces De Violes Suite #2 - La Chemise ...
84 bpm • G Maj • 04:37 • -20.02db
0% Popularity • 39% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 84% Positiveness
0% Popularity • 39% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 84% Positiveness
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![Folias (Imperfectas) [Harp] cover art](https://i.scdn.co/image/ab67616d00001e02ee51bb12c37d93e807a54227)
La Capella Reial De Catalunya
Folias (Imperfectas) [Harp]
78 bpm • A min • 01:19 • -37.48db
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
53% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Messe de Minuit, H. 9: Agnus Dei
79 bpm • C Maj • 03:35 • -22.58db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
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Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
85 bpm • C# Maj • 01:29 • -15.42db
11% Popularity • 59% Danceability • 18% Energy • 9% Liveness
41% Instrumentalness • 31% Positiveness
11% Popularity • 59% Danceability • 18% Energy • 9% Liveness
41% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Klarinettenkonzert A-Dur, K. 622: 2. Ada...
78 bpm • D Maj • 07:57 • -27.89db
44% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jordi Savall
Pièces De Viole Du Livre V - Suite En S...
77 bpm • F# min • 02:05 • -22.78db
0% Popularity • 40% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 53% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 53% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Vasily Titov
Beznevéstnaya Dévo (O Virgo)
76 bpm • G# min • 03:25 • -17.72db
2% Popularity • 13% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
2% Popularity • 13% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Les Indes galantes: Air des Sauvages
85 bpm • F# min • 01:58 • -19.13db
26% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
26% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
77 bpm • C# Maj • 02:22 • -17.59db
16% Popularity • 49% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
16% Popularity • 49% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Angel Antonio González
Tocata y Fuga in D Minor, BWV 565
76 bpm • D min • 09:45 • -13db
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Le Concert Des Nations
Quatrième Concert: Allemande - Légère...
76 bpm • D min • 01:34 • -18.19db
4% Popularity • 36% Danceability • 18% Energy • 20% Liveness
99% Instrumentalness • 63% Positiveness
4% Popularity • 36% Danceability • 18% Energy • 20% Liveness
99% Instrumentalness • 63% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Magnificat, H. 74: I. Sinfo...
83 bpm • D min • 01:05 • -23.81db
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
► Preview
Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
22% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
22% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes Galantes - Air pour les esclav...
86 bpm • F# min • 01:39 • -18db
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
86 bpm • D# Maj • 03:00 • -26.07db
23% Popularity • 19% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
23% Popularity • 19% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
► Preview
Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
86 bpm • F# min • 01:39 • -16.5db
19% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
19% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
► Preview
Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Baroque Festival Orchestra
Winter (L'Inverno) Op.8 No.4 F Minor: La...
87 bpm • A# Maj • 01:44 • -32db
50% Popularity • 22% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 22% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Mateo Flecha
Teresica Hermana
76 bpm • G min • 02:14 • -15.19db
2% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
2% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
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Marc-Antoine Charpentier
Charpentier : Te Deum H146 : III Te aete...
78 bpm • C# Maj • 04:10 • -18.35db
1% Popularity • 26% Danceability • 18% Energy • 30% Liveness
58% Instrumentalness • 26% Positiveness
1% Popularity • 26% Danceability • 18% Energy • 30% Liveness
58% Instrumentalness • 26% Positiveness
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Traditional
Greensleeves
87 bpm • D min • 03:34 • -24.28db
14% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
28% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 2....
75 bpm • A# Maj • 01:55 • -17.92db
27% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
27% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
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Hans Christian Lumbye
Britta Polka (1864)
87 bpm • A Maj • 02:34 • -19.56db
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VII. "Aeterna fac cum s...
86 bpm • A# min • 02:22 • -20db
15% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Gavott...
75 bpm • A# Maj • 01:41 • -18.48db
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Hespèrion XXI
Las Estrellas De Los Cielos - Musica Ins...
75 bpm • G Maj • 03:55 • -35.02db
4% Popularity • 38% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
4% Popularity • 38% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214 "Triqui T...
88 bpm • A Maj • 04:34 • -12.96db
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
86 bpm • C Maj • 01:37 • -18.4db
12% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
12% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Edward Elgar
Pomp and Circumstance March No. 1 in D M...
89 bpm • D Maj • 05:48 • -16db
23% Popularity • 22% Danceability • 33% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 33% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Ii A...
74 bpm • G# Maj • 04:01 • -23.05db
27% Popularity • 12% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 12% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VIII. "Dignare Domine"
76 bpm • F# Maj • 01:58 • -28db
14% Popularity • 20% Danceability • 3% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 3% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude (Versi...
74 bpm • G Maj • 02:43 • -18.62db
16% Popularity • 39% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 20% Positiveness
16% Popularity • 39% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 20% Positiveness
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Ambrosio Cotes
Philippus Rex Hispaniæ
89 bpm • B Maj • 01:23 • -14.16db
3% Popularity • 23% Danceability • 42% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
3% Popularity • 23% Danceability • 42% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air des Incas pour ...
74 bpm • G# Maj • 02:20 • -15.44db
15% Popularity • 44% Danceability • 19% Energy • 19% Liveness
9% Instrumentalness • 41% Positiveness
15% Popularity • 44% Danceability • 19% Energy • 19% Liveness
9% Instrumentalness • 41% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
74 bpm • A Maj • 05:26 • -24.59db
15% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Richard Strauss
Wiener Philharmoniker Fanfare
89 bpm • D# Maj • 02:35 • -17db
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
