Songs like Teddy O'neill by Brian Hughes
Based on a tempo of (+/- 10%) and a similar genre
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Tom Grant
Blue Voyage
78 bpm • C Maj • 05:02 • -13.54db
34% Popularity • 54% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 57% Positiveness
34% Popularity • 54% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 57% Positiveness
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Acoustic Alchemy
The Beautiful Game
78 bpm • C min • 05:16 • -10db
36% Popularity • 60% Danceability • 67% Energy • 13% Liveness
91% Instrumentalness • 63% Positiveness
36% Popularity • 60% Danceability • 67% Energy • 13% Liveness
91% Instrumentalness • 63% Positiveness
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Paula Atherton
Without You - Instrumental Sax Version
77 bpm • F min • 04:35 • -6.34db
14% Popularity • 58% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
14% Popularity • 58% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Alex Bugnon
108 Degrees - Radio Edit
80 bpm • G min • 03:07 • -9.03db
37% Popularity • 62% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Les Sabler
Lonely Girl
80 bpm • E min • 04:45 • -6.69db
19% Popularity • 64% Danceability • 67% Energy • 10% Liveness
31% Instrumentalness • 79% Positiveness
19% Popularity • 64% Danceability • 67% Energy • 10% Liveness
31% Instrumentalness • 79% Positiveness
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Brian Tarquin
Katchina
80 bpm • F min • 04:40 • -8.86db
12% Popularity • 60% Danceability • 70% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 70% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Kim Pensyl
That's The Way Of The World
76 bpm • F# Maj • 05:43 • -12db
42% Popularity • 67% Danceability • 37% Energy • 4% Liveness
13% Instrumentalness • 63% Positiveness
42% Popularity • 67% Danceability • 37% Energy • 4% Liveness
13% Instrumentalness • 63% Positiveness
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Philippe Saisse
Topanga Moon Dance
81 bpm • F Maj • 06:25 • -11.13db
14% Popularity • 64% Danceability • 56% Energy • 11% Liveness
77% Instrumentalness • 56% Positiveness
14% Popularity • 64% Danceability • 56% Energy • 11% Liveness
77% Instrumentalness • 56% Positiveness
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3rd Force
Ask Me Why
81 bpm • F min • 04:27 • -7.82db
28% Popularity • 68% Danceability • 66% Energy • 12% Liveness
74% Instrumentalness • 77% Positiveness
28% Popularity • 68% Danceability • 66% Energy • 12% Liveness
74% Instrumentalness • 77% Positiveness
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Jay Soto
Daydreamin'
75 bpm • A# Maj • 04:56 • -7.07db
20% Popularity • 60% Danceability • 63% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
20% Popularity • 60% Danceability • 63% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Nick Colionne
You Were There For Me
75 bpm • F Maj • 05:14 • -12.77db
32% Popularity • 71% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 42% Positiveness
32% Popularity • 71% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 42% Positiveness
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Brian Tarquin
Last Kiss Goodbye
75 bpm • E min • 04:35 • -8.94db
11% Popularity • 63% Danceability • 49% Energy • 18% Liveness
81% Instrumentalness • 56% Positiveness
11% Popularity • 63% Danceability • 49% Energy • 18% Liveness
81% Instrumentalness • 56% Positiveness
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Freddie Ravel
Bolerino Bella
75 bpm • D min • 04:34 • -10.91db
38% Popularity • 49% Danceability • 39% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
38% Popularity • 49% Danceability • 39% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Steve Oliver
Long Road
81 bpm • E min • 04:21 • -8.74db
45% Popularity • 40% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
45% Popularity • 40% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Braxton Brothers
Sunset Bay
82 bpm • E Maj • 04:57 • -8db
39% Popularity • 60% Danceability • 58% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
39% Popularity • 60% Danceability • 58% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
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Jeff Kashiwa
Ecstasy
83 bpm • G# Maj • 04:19 • -8.99db
18% Popularity • 61% Danceability • 51% Energy • 10% Liveness
71% Instrumentalness • 48% Positiveness
18% Popularity • 61% Danceability • 51% Energy • 10% Liveness
71% Instrumentalness • 48% Positiveness
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Renato Falaschi
Waiting in Vain
83 bpm • C Maj • 06:32 • -9.3db
36% Popularity • 54% Danceability • 51% Energy • 9% Liveness
96% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 51% Energy • 9% Liveness
96% Instrumentalness • 53% Positiveness
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Paul Jackson, Jr.
Athens Park
83 bpm • A min • 04:01 • -10.28db
36% Popularity • 65% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 82% Positiveness
36% Popularity • 65% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 82% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Bobby's Mood
83 bpm • D min • 04:56 • -12.44db
14% Popularity • 58% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 68% Positiveness
14% Popularity • 58% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 68% Positiveness
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Steve Laury
Astoria
83 bpm • G Maj • 05:01 • -11db
15% Popularity • 63% Danceability • 81% Energy • 4% Liveness
36% Instrumentalness • 88% Positiveness
15% Popularity • 63% Danceability • 81% Energy • 4% Liveness
36% Instrumentalness • 88% Positiveness
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Nick Colionne
Keepin' It Cool
83 bpm • F min • 03:34 • -8db
48% Popularity • 73% Danceability • 65% Energy • 7% Liveness
83% Instrumentalness • 82% Positiveness
48% Popularity • 73% Danceability • 65% Energy • 7% Liveness
83% Instrumentalness • 82% Positiveness
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Steve Oliver
She's got the Way-O
83 bpm • E min • 04:12 • -8.05db
20% Popularity • 48% Danceability • 60% Energy • 22% Liveness
85% Instrumentalness • 48% Positiveness
20% Popularity • 48% Danceability • 60% Energy • 22% Liveness
85% Instrumentalness • 48% Positiveness
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Renato Falaschi
Summer Rain
83 bpm • A# min • 04:53 • -11db
45% Popularity • 39% Danceability • 38% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
45% Popularity • 39% Danceability • 38% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
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Andy Snitzer
You've Changed
73 bpm • C# min • 05:02 • -9.8db
38% Popularity • 62% Danceability • 51% Energy • 6% Liveness
69% Instrumentalness • 29% Positiveness
38% Popularity • 62% Danceability • 51% Energy • 6% Liveness
69% Instrumentalness • 29% Positiveness
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alan hewitt
So In Love
84 bpm • A min • 04:27 • -9.12db
17% Popularity • 61% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
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Brian Hughes
Sleeping Angel
73 bpm • C Maj • 03:44 • -13.97db
22% Popularity • 40% Danceability • 15% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 15% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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Brian Tarquin
One Arabian Knight
85 bpm • B min • 04:45 • -9.56db
33% Popularity • 59% Danceability • 61% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
33% Popularity • 59% Danceability • 61% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
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Bob Mamet
News from the Blues
85 bpm • E min • 04:01 • -12db
32% Popularity • 56% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
32% Popularity • 56% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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Bobby Lyle
Poinciana
85 bpm • D Maj • 04:38 • -13db
35% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
35% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
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Andy Snitzer
Marseille
84 bpm • A min • 05:11 • -11db
49% Popularity • 43% Danceability • 50% Energy • 13% Liveness
65% Instrumentalness • 16% Positiveness
49% Popularity • 43% Danceability • 50% Energy • 13% Liveness
65% Instrumentalness • 16% Positiveness
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Tom Grant
Fantasy
86 bpm • E min • 04:54 • -10.24db
33% Popularity • 32% Danceability • 64% Energy • 14% Liveness
80% Instrumentalness • 31% Positiveness
33% Popularity • 32% Danceability • 64% Energy • 14% Liveness
80% Instrumentalness • 31% Positiveness
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Shilts
Say Something
86 bpm • D# Maj • 04:08 • -6db
35% Popularity • 73% Danceability • 65% Energy • 32% Liveness
25% Instrumentalness • 69% Positiveness
35% Popularity • 73% Danceability • 65% Energy • 32% Liveness
25% Instrumentalness • 69% Positiveness
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Euge Groove
Livin' Large
87 bpm • G Maj • 04:31 • -7.8db
37% Popularity • 64% Danceability • 70% Energy • 12% Liveness
75% Instrumentalness • 55% Positiveness
37% Popularity • 64% Danceability • 70% Energy • 12% Liveness
75% Instrumentalness • 55% Positiveness
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Birds of a Feather
View From Here
87 bpm • A# Maj • 04:52 • -11.81db
15% Popularity • 66% Danceability • 67% Energy • 8% Liveness
92% Instrumentalness • 75% Positiveness
15% Popularity • 66% Danceability • 67% Energy • 8% Liveness
92% Instrumentalness • 75% Positiveness
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3rd Force
Here Comes The Night
88 bpm • F# Maj • 04:59 • -11.21db
37% Popularity • 65% Danceability • 53% Energy • 18% Liveness
72% Instrumentalness • 61% Positiveness
37% Popularity • 65% Danceability • 53% Energy • 18% Liveness
72% Instrumentalness • 61% Positiveness
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Torcuato Mariano
Ipanema Sunset
88 bpm • E Maj • 04:57 • -16.19db
17% Popularity • 68% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
17% Popularity • 68% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Renato Falaschi
Where Are You? (Instrumental Version)
87 bpm • F min • 05:36 • -8.86db
41% Popularity • 62% Danceability • 71% Energy • 30% Liveness
54% Instrumentalness • 78% Positiveness
41% Popularity • 62% Danceability • 71% Energy • 30% Liveness
54% Instrumentalness • 78% Positiveness
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Bob Mamet
Greenstreet
88 bpm • E min • 03:58 • -12.12db
46% Popularity • 69% Danceability • 49% Energy • 5% Liveness
82% Instrumentalness • 78% Positiveness
46% Popularity • 69% Danceability • 49% Energy • 5% Liveness
82% Instrumentalness • 78% Positiveness
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Euge Groove
Café Del Soul
86 bpm • A min • 04:23 • -7.37db
31% Popularity • 70% Danceability • 73% Energy • 14% Liveness
24% Instrumentalness • 63% Positiveness
31% Popularity • 70% Danceability • 73% Energy • 14% Liveness
24% Instrumentalness • 63% Positiveness
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Brian Clay
Maputo
88 bpm • F Maj • 05:10 • -10.97db
25% Popularity • 69% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
25% Popularity • 69% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Tim Bowman
Tan Hermosa (So Beautiful)
88 bpm • F Maj • 04:16 • -13.24db
24% Popularity • 65% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
24% Popularity • 65% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Brendan Rothwell
Think of You
88 bpm • A# min • 04:00 • -12.79db
44% Popularity • 66% Danceability • 33% Energy • 13% Liveness
82% Instrumentalness • 28% Positiveness
44% Popularity • 66% Danceability • 33% Energy • 13% Liveness
82% Instrumentalness • 28% Positiveness
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Acoustic Alchemy
Tete A Tete
88 bpm • B min • 04:43 • -10.16db
33% Popularity • 62% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
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Bob Mamet
Conversation at 29th St.
88 bpm • A# Maj • 03:35 • -11.05db
16% Popularity • 58% Danceability • 52% Energy • 22% Liveness
74% Instrumentalness • 34% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 22% Liveness
74% Instrumentalness • 34% Positiveness
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Kim Waters
Midnight At The Oasis
89 bpm • G# Maj • 05:20 • -8.24db
50% Popularity • 64% Danceability • 64% Energy • 4% Liveness
78% Instrumentalness • 42% Positiveness
50% Popularity • 64% Danceability • 64% Energy • 4% Liveness
78% Instrumentalness • 42% Positiveness
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Renato Falaschi
Breezin'
89 bpm • C# Maj • 04:44 • -7.2db
47% Popularity • 69% Danceability • 69% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
47% Popularity • 69% Danceability • 69% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Jeff Golub
Temptation
89 bpm • F min • 03:17 • -10.05db
45% Popularity • 60% Danceability • 57% Energy • 22% Liveness
77% Instrumentalness • 57% Positiveness
45% Popularity • 60% Danceability • 57% Energy • 22% Liveness
77% Instrumentalness • 57% Positiveness
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Brendan Rothwell
Meant to Be
88 bpm • A min • 04:16 • -10.56db
16% Popularity • 58% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
16% Popularity • 58% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Paul Jackson, Jr.
Personal Touch
89 bpm • A min • 05:55 • -13.98db
33% Popularity • 61% Danceability • 73% Energy • 14% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 73% Energy • 14% Liveness
89% Instrumentalness • 66% Positiveness
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Nite Flyte
Dawn
90 bpm • B Maj • 03:29 • -10db
35% Popularity • 61% Danceability • 68% Energy • 22% Liveness
80% Instrumentalness • 74% Positiveness
35% Popularity • 61% Danceability • 68% Energy • 22% Liveness
80% Instrumentalness • 74% Positiveness
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Shilts
A Promise is a Promise
90 bpm • F min • 04:39 • -5.07db
16% Popularity • 67% Danceability • 80% Energy • 10% Liveness
81% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 80% Energy • 10% Liveness
81% Instrumentalness • 71% Positiveness
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Jessy J
Una Mas
90 bpm • D min • 03:37 • -7.75db
51% Popularity • 56% Danceability • 67% Energy • 12% Liveness
59% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 67% Energy • 12% Liveness
59% Instrumentalness • 48% Positiveness
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Jeff Golub
Simple Pleasures
90 bpm • G min • 04:00 • -8.96db
39% Popularity • 72% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 64% Positiveness
39% Popularity • 72% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 64% Positiveness
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Blake Aaron
Harmonious Funk
90 bpm • C Maj • 04:53 • -8.57db
35% Popularity • 65% Danceability • 65% Energy • 9% Liveness
80% Instrumentalness • 69% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 9% Liveness
80% Instrumentalness • 69% Positiveness
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Acoustic Alchemy
Playing For Time
90 bpm • B min • 06:04 • -10.28db
40% Popularity • 62% Danceability • 70% Energy • 5% Liveness
38% Instrumentalness • 91% Positiveness
40% Popularity • 62% Danceability • 70% Energy • 5% Liveness
38% Instrumentalness • 91% Positiveness
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Nite Flyte
Dawn
90 bpm • G# min • 05:47 • -12db
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 74% Positiveness
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Brian Tarquin
Summer Nights
90 bpm • F# min • 04:17 • -12.21db
26% Popularity • 59% Danceability • 49% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
26% Popularity • 59% Danceability • 49% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
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Rocco Ventrella
Secret Agent
90 bpm • E min • 04:26 • -12.48db
20% Popularity • 74% Danceability • 57% Energy • 3% Liveness
36% Instrumentalness • 88% Positiveness
20% Popularity • 74% Danceability • 57% Energy • 3% Liveness
36% Instrumentalness • 88% Positiveness
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Kool&Klean
Defying Gravity
90 bpm • G Maj • 05:42 • -13db
26% Popularity • 71% Danceability • 73% Energy • 6% Liveness
83% Instrumentalness • 84% Positiveness
26% Popularity • 71% Danceability • 73% Energy • 6% Liveness
83% Instrumentalness • 84% Positiveness
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Steve Oliver
Skyway
90 bpm • G# min • 03:42 • -7.63db
33% Popularity • 59% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 83% Positiveness
33% Popularity • 59% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 83% Positiveness
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Chris Geith
Groove Detective
90 bpm • D Maj • 04:22 • -7.16db
48% Popularity • 60% Danceability • 80% Energy • 3% Liveness
78% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 80% Energy • 3% Liveness
78% Instrumentalness • 76% Positiveness
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3rd Force
Revelation Of The Heart
90 bpm • C Maj • 05:09 • -12.72db
49% Popularity • 68% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 68% Positiveness
49% Popularity • 68% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 68% Positiveness
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Kim Waters
Until Dawn
90 bpm • G min • 04:59 • -9.38db
29% Popularity • 68% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
29% Popularity • 68% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
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Larry Coryell
A Sketch Of Spain (Concierto De Aranjuez...
91 bpm • E min • 04:33 • -9.13db
28% Popularity • 64% Danceability • 56% Energy • 7% Liveness
88% Instrumentalness • 65% Positiveness
28% Popularity • 64% Danceability • 56% Energy • 7% Liveness
88% Instrumentalness • 65% Positiveness
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Acoustic Alchemy
The Panama Cat
90 bpm • E min • 05:02 • -7.53db
29% Popularity • 64% Danceability • 69% Energy • 7% Liveness
60% Instrumentalness • 64% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 7% Liveness
60% Instrumentalness • 64% Positiveness
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Kim Pensyl
Morning Isle
91 bpm • G min • 05:36 • -11.58db
9% Popularity • 70% Danceability • 59% Energy • 16% Liveness
89% Instrumentalness • 65% Positiveness
9% Popularity • 70% Danceability • 59% Energy • 16% Liveness
89% Instrumentalness • 65% Positiveness
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Marion Meadows
Whisper
91 bpm • C min • 04:16 • -7.34db
50% Popularity • 65% Danceability • 69% Energy • 33% Liveness
21% Instrumentalness • 39% Positiveness
50% Popularity • 65% Danceability • 69% Energy • 33% Liveness
21% Instrumentalness • 39% Positiveness
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3rd Force
In The Full Moon Light
90 bpm • A# min • 04:43 • -11.06db
30% Popularity • 68% Danceability • 67% Energy • 3% Liveness
90% Instrumentalness • 85% Positiveness
30% Popularity • 68% Danceability • 67% Energy • 3% Liveness
90% Instrumentalness • 85% Positiveness
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Bryan Savage
Soul Temptation
91 bpm • G min • 04:46 • -11db
25% Popularity • 71% Danceability • 46% Energy • 8% Liveness
82% Instrumentalness • 58% Positiveness
25% Popularity • 71% Danceability • 46% Energy • 8% Liveness
82% Instrumentalness • 58% Positiveness
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Freddie Ravel
Erotika
91 bpm • A min • 03:45 • -13db
35% Popularity • 67% Danceability • 50% Energy • 5% Liveness
34% Instrumentalness • 56% Positiveness
35% Popularity • 67% Danceability • 50% Energy • 5% Liveness
34% Instrumentalness • 56% Positiveness
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Bob Baldwin
Summer Breeze
91 bpm • E min • 05:08 • -14db
37% Popularity • 64% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
37% Popularity • 64% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
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Yulara
Flyin' High featuring Brian Hughes
91 bpm • F Maj • 04:45 • -8db
22% Popularity • 68% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 68% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Tom Grant
Luxurium
91 bpm • G min • 05:21 • -10db
14% Popularity • 61% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
14% Popularity • 61% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Marcus Johnson
18th & M
91 bpm • G# Maj • 03:30 • -8.12db
49% Popularity • 79% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
49% Popularity • 79% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
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Brian Hughes
Omaha Unbound
91 bpm • G Maj • 06:03 • -10.76db
3% Popularity • 57% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
3% Popularity • 57% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Steve Cole
When I Think of You
91 bpm • C# Maj • 04:09 • -10.06db
42% Popularity • 56% Danceability • 60% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
42% Popularity • 56% Danceability • 60% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Avenue Blue (Featuring Jeff Golub)
A Woman's Touch
91 bpm • G min • 05:00 • -12db
16% Popularity • 68% Danceability • 55% Energy • 20% Liveness
87% Instrumentalness • 72% Positiveness
16% Popularity • 68% Danceability • 55% Energy • 20% Liveness
87% Instrumentalness • 72% Positiveness
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Andy Snitzer
Mystique
91 bpm • C# min • 04:52 • -9db
11% Popularity • 62% Danceability • 55% Energy • 28% Liveness
63% Instrumentalness • 31% Positiveness
11% Popularity • 62% Danceability • 55% Energy • 28% Liveness
63% Instrumentalness • 31% Positiveness
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Acoustic Alchemy
Mr. Chow
91 bpm • G Maj • 03:08 • -14.8db
44% Popularity • 66% Danceability • 46% Energy • 28% Liveness
62% Instrumentalness • 71% Positiveness
44% Popularity • 66% Danceability • 46% Energy • 28% Liveness
62% Instrumentalness • 71% Positiveness
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Brian Tarquin
Tangled Web
92 bpm • F# Maj • 04:02 • -8db
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Brian Hughes
Gotcha!
91 bpm • E min • 07:37 • -7.79db
15% Popularity • 57% Danceability • 92% Energy • 24% Liveness
93% Instrumentalness • 85% Positiveness
15% Popularity • 57% Danceability • 92% Energy • 24% Liveness
93% Instrumentalness • 85% Positiveness
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Warren Hill
Tell Me All Your Secrets
92 bpm • F min • 06:02 • -7db
35% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
35% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Seventh Heaven
92 bpm • F Maj • 05:10 • -12db
49% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
49% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
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Bob Baldwin
Imagine (Living as One)
92 bpm • C Maj • 05:09 • -9db
45% Popularity • 79% Danceability • 49% Energy • 10% Liveness
56% Instrumentalness • 59% Positiveness
45% Popularity • 79% Danceability • 49% Energy • 10% Liveness
56% Instrumentalness • 59% Positiveness
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Acoustic Alchemy
Milo
92 bpm • A# min • 04:49 • -15db
38% Popularity • 73% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 65% Positiveness
38% Popularity • 73% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 65% Positiveness
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Oli Silk
Tokyo
92 bpm • D Maj • 05:35 • -8db
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Brian Hughes
Endless Road
91 bpm • G# Maj • 03:29 • -11.34db
6% Popularity • 54% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
6% Popularity • 54% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Rocco Ventrella
I Receive Your Love - Instrumental
92 bpm • A# min • 04:46 • -7.35db
16% Popularity • 58% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 58% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Nelson Rangell
The Way To You
92 bpm • D Maj • 04:51 • -7db
37% Popularity • 62% Danceability • 64% Energy • 9% Liveness
26% Instrumentalness • 39% Positiveness
37% Popularity • 62% Danceability • 64% Energy • 9% Liveness
26% Instrumentalness • 39% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Always There
92 bpm • G Maj • 04:59 • -11db
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
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Darren Rahn
Tale of Two Cities
92 bpm • A Maj • 04:15 • -8db
36% Popularity • 62% Danceability • 70% Energy • 7% Liveness
70% Instrumentalness • 41% Positiveness
36% Popularity • 62% Danceability • 70% Energy • 7% Liveness
70% Instrumentalness • 41% Positiveness
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Bobby Lyle
Aruban Nights
92 bpm • G Maj • 05:10 • -12db
37% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
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Bill Evans
The Sunday After
92 bpm • F min • 06:00 • -11.58db
32% Popularity • 69% Danceability • 44% Energy • 7% Liveness
85% Instrumentalness • 52% Positiveness
32% Popularity • 69% Danceability • 44% Energy • 7% Liveness
85% Instrumentalness • 52% Positiveness
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Nate Harasim
Can't Get Enough
93 bpm • G# Maj • 03:15 • -8.97db
26% Popularity • 62% Danceability • 80% Energy • 18% Liveness
10% Instrumentalness • 89% Positiveness
26% Popularity • 62% Danceability • 80% Energy • 18% Liveness
10% Instrumentalness • 89% Positiveness
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Tim Bowman
Summer Groove
93 bpm • G Maj • 04:39 • -9db
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Paul Jackson, Jr.
Down the Road
93 bpm • C# Maj • 05:09 • -8.36db
26% Popularity • 68% Danceability • 56% Energy • 12% Liveness
39% Instrumentalness • 76% Positiveness
26% Popularity • 68% Danceability • 56% Energy • 12% Liveness
39% Instrumentalness • 76% Positiveness
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Rob Zinn
I Can See It in Your Eyes
93 bpm • A# min • 04:20 • -7.58db
23% Popularity • 57% Danceability • 53% Energy • 6% Liveness
54% Instrumentalness • 52% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 6% Liveness
54% Instrumentalness • 52% Positiveness
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Rocco Ventrella
Soulful Strut
93 bpm • C Maj • 03:58 • -8.24db
32% Popularity • 61% Danceability • 73% Energy • 10% Liveness
63% Instrumentalness • 92% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 10% Liveness
63% Instrumentalness • 92% Positiveness
