Songs like Teenage Headache Dreams (with Ellie Rowsell) by Mura Masa
Based on a tempo of (+/- 10%) and a similar genre
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Mura Masa
Teenage Headache Dreams
172 bpm • F# Maj • 04:43 • -8.07db
39% Popularity • 35% Danceability • 41% Energy • 10% Liveness
64% Instrumentalness • 40% Positiveness
39% Popularity • 35% Danceability • 41% Energy • 10% Liveness
64% Instrumentalness • 40% Positiveness
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San Fermin
The Hunger
172 bpm • C Maj • 03:45 • -5.48db
29% Popularity • 57% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Shura
What's It Gonna Be?
172 bpm • G# Maj • 03:34 • -5.53db
48% Popularity • 57% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 57% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Eternal Crush
Beige
172 bpm • G Maj • 03:33 • -10db
17% Popularity • 48% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
17% Popularity • 48% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Soccer Mommy
bloodstream
172 bpm • A Maj • 05:37 • -6db
42% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
42% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
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Chairlift
I Belong In Your Arms
173 bpm • F Maj • 03:27 • -5.97db
50% Popularity • 50% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 50% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Lo
Floating
172 bpm • A# Maj • 03:37 • -5.98db
25% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Homer
Boredom
171 bpm • C Maj • 04:01 • -10.09db
4% Popularity • 55% Danceability • 59% Energy • 15% Liveness
4% Instrumentalness • 70% Positiveness
4% Popularity • 55% Danceability • 59% Energy • 15% Liveness
4% Instrumentalness • 70% Positiveness
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Lowell
No Talk
174 bpm • D# min • 02:29 • -8.06db
42% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Mura Masa
vicarious living anthem
174 bpm • G Maj • 02:05 • -6.67db
19% Popularity • 48% Danceability • 75% Energy • 22% Liveness
53% Instrumentalness • 51% Positiveness
19% Popularity • 48% Danceability • 75% Energy • 22% Liveness
53% Instrumentalness • 51% Positiveness
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Grand Pax
PWR
174 bpm • D# Maj • 03:22 • -8db
12% Popularity • 51% Danceability • 62% Energy • 29% Liveness
5% Instrumentalness • 42% Positiveness
12% Popularity • 51% Danceability • 62% Energy • 29% Liveness
5% Instrumentalness • 42% Positiveness
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The Districts
Hey Jo
174 bpm • A Maj • 03:55 • -5.48db
26% Popularity • 41% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 41% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Holy Holy
Teach Me About Dying
170 bpm • C Maj • 03:25 • -5.38db
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kacy Hill
To Someone Else
170 bpm • C# Maj • 02:59 • -8.26db
30% Popularity • 62% Danceability • 56% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
30% Popularity • 62% Danceability • 56% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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Middle Kids
Questions
170 bpm • C Maj • 02:53 • -6db
35% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Jack Larsen
Bubba
170 bpm • E Maj • 05:00 • -8db
31% Popularity • 27% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 27% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Diamond Thug
Gaiafy
170 bpm • F# Maj • 04:21 • -8.3db
11% Popularity • 54% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
11% Popularity • 54% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
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Twin Shadow
Saturdays
170 bpm • A Maj • 03:25 • -4.75db
56% Popularity • 47% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 47% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Baby Queen
Want Me
170 bpm • F# min • 04:18 • -4.59db
45% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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LCD Soundsystem
oh baby
169 bpm • F Maj • 05:49 • -12.01db
56% Popularity • 58% Danceability • 62% Energy • 65% Liveness
65% Instrumentalness • 78% Positiveness
56% Popularity • 58% Danceability • 62% Energy • 65% Liveness
65% Instrumentalness • 78% Positiveness
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Arlo Parks
Eugene
174 bpm • G min • 03:43 • -7.19db
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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Active Child
In Another Life
175 bpm • A# Maj • 03:48 • -7.81db
26% Popularity • 13% Danceability • 66% Energy • 39% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 13% Danceability • 66% Energy • 39% Liveness
43% Instrumentalness • 12% Positiveness
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Soccer Mommy
circle the drain
169 bpm • A Maj • 04:40 • -5.22db
54% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jade Bird
Burn The Hard Drive
176 bpm • C Maj • 03:12 • -7.25db
47% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fender
Dead Boys
168 bpm • C Maj • 03:23 • -3.63db
54% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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APE DOS MIL
Darkside
168 bpm • A# Maj • 03:22 • -11.77db
29% Popularity • 52% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 60% Positiveness
29% Popularity • 52% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 60% Positiveness
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Pink Paint
Want You
177 bpm • F# min • 04:10 • -8db
20% Popularity • 15% Danceability • 61% Energy • 17% Liveness
48% Instrumentalness • 17% Positiveness
20% Popularity • 15% Danceability • 61% Energy • 17% Liveness
48% Instrumentalness • 17% Positiveness
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Nilüfer Yanya
Heat Rises
176 bpm • C Maj • 03:26 • -7.39db
27% Popularity • 53% Danceability • 90% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
27% Popularity • 53% Danceability • 90% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Sharon Van Etten
Jupiter 4
178 bpm • F# Maj • 05:14 • -10.63db
47% Popularity • 32% Danceability • 50% Energy • 14% Liveness
49% Instrumentalness • 6% Positiveness
47% Popularity • 32% Danceability • 50% Energy • 14% Liveness
49% Instrumentalness • 6% Positiveness
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King Princess
Prophet
166 bpm • D Maj • 04:09 • -3.05db
44% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Killers
Caution
178 bpm • G Maj • 04:29 • -4.84db
55% Popularity • 23% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
55% Popularity • 23% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Biig Piig
Oh No
166 bpm • G Maj • 02:44 • -9.15db
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Universal Production Music
When You Call
166 bpm • B min • 03:43 • -5.84db
36% Popularity • 48% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 48% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Holly Humberstone
Vanilla
166 bpm • C Maj • 03:44 • -6db
38% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Foster The People
Lamb's Wool
179 bpm • G# min • 04:36 • -7.59db
55% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Haux
Arrows
179 bpm • A# Maj • 02:29 • -19.67db
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Chet Faker
Whatever Tomorrow
165 bpm • G Maj • 04:23 • -8.08db
42% Popularity • 40% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
42% Popularity • 40% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Mura Masa
No Hope Generation
165 bpm • D Maj • 03:54 • -8.21db
27% Popularity • 54% Danceability • 87% Energy • 12% Liveness
50% Instrumentalness • 70% Positiveness
27% Popularity • 54% Danceability • 87% Energy • 12% Liveness
50% Instrumentalness • 70% Positiveness
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Bibio
Curls
165 bpm • E Maj • 03:17 • -11db
58% Popularity • 43% Danceability • 35% Energy • 72% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 43% Danceability • 35% Energy • 72% Liveness
80% Instrumentalness • 22% Positiveness
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Tohji
Oreo - Mura Masa eternal mix
165 bpm • G Maj • 05:49 • -10.69db
14% Popularity • 60% Danceability • 52% Energy • 14% Liveness
57% Instrumentalness • 65% Positiveness
14% Popularity • 60% Danceability • 52% Energy • 14% Liveness
57% Instrumentalness • 65% Positiveness
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Nilüfer Yanya
Heavyweight Champion of the Year
180 bpm • F# Maj • 04:42 • -8.64db
23% Popularity • 64% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 64% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Young Ejecta
Welcome to Love
180 bpm • F Maj • 04:22 • -8db
32% Popularity • 68% Danceability • 36% Energy • 13% Liveness
8% Instrumentalness • 48% Positiveness
32% Popularity • 68% Danceability • 36% Energy • 13% Liveness
8% Instrumentalness • 48% Positiveness
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Gingerlys
New Toys
163 bpm • G# Maj • 02:59 • -6.04db
11% Popularity • 33% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 33% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Everything Everything
Violent Sun
162 bpm • A min • 04:00 • -5db
39% Popularity • 40% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 40% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Wasuremono
Are You OK?
163 bpm • C# Maj • 04:23 • -3.32db
41% Popularity • 48% Danceability • 68% Energy • 35% Liveness
34% Instrumentalness • 65% Positiveness
41% Popularity • 48% Danceability • 68% Energy • 35% Liveness
34% Instrumentalness • 65% Positiveness
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Hazel English
Never Going Home
162 bpm • D Maj • 03:55 • -6db
37% Popularity • 43% Danceability • 77% Energy • 9% Liveness
65% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 77% Energy • 9% Liveness
65% Instrumentalness • 29% Positiveness
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Jim-E Stack
Jeanie
162 bpm • G# Maj • 02:47 • -6.31db
35% Popularity • 67% Danceability • 85% Energy • 6% Liveness
80% Instrumentalness • 63% Positiveness
35% Popularity • 67% Danceability • 85% Energy • 6% Liveness
80% Instrumentalness • 63% Positiveness
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Soccer Mommy
yellow is the color of her eyes
161 bpm • B Maj • 07:15 • -7db
50% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
50% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
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Tame Impala
Lost In Yesterday
183 bpm • C# Maj • 04:09 • -4.12db
68% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
68% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
58% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Inhaler
We Have To Move On
160 bpm • E min • 04:12 • -5.01db
44% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Arlo Parks
Caroline
160 bpm • A# Maj • 03:36 • -8db
58% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 49% Positiveness
58% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 49% Positiveness
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Metronomy
Lately
160 bpm • G# Maj • 03:14 • -7.89db
51% Popularity • 67% Danceability • 67% Energy • 11% Liveness
15% Instrumentalness • 31% Positiveness
51% Popularity • 67% Danceability • 67% Energy • 11% Liveness
15% Instrumentalness • 31% Positiveness
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Wet Leg
Chaise Longue
160 bpm • G Maj • 03:16 • -6.57db
61% Popularity • 68% Danceability • 75% Energy • 14% Liveness
11% Instrumentalness • 94% Positiveness
61% Popularity • 68% Danceability • 75% Energy • 14% Liveness
11% Instrumentalness • 94% Positiveness
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Mura Masa
Raw Youth Collage
160 bpm • G# Maj • 03:38 • -10.81db
24% Popularity • 69% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
24% Popularity • 69% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
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Lia Ices
How We Are
160 bpm • C# Maj • 03:37 • -5.96db
27% Popularity • 57% Danceability • 76% Energy • 16% Liveness
62% Instrumentalness • 69% Positiveness
27% Popularity • 57% Danceability • 76% Energy • 16% Liveness
62% Instrumentalness • 69% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
58% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Japanese Wallpaper
Ready / Waiting
158 bpm • G# Maj • 04:51 • -6.04db
7% Popularity • 46% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 46% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Tennis
Runner
157 bpm • G Maj • 03:36 • -6.08db
46% Popularity • 53% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 53% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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HAIM
Hallelujah - Bonus Track
188 bpm • G# Maj • 03:10 • -6.88db
49% Popularity • 26% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 26% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Wet Leg
Too Late Now
156 bpm • G Maj • 03:29 • -7.33db
50% Popularity • 36% Danceability • 66% Energy • 10% Liveness
64% Instrumentalness • 44% Positiveness
50% Popularity • 36% Danceability • 66% Energy • 10% Liveness
64% Instrumentalness • 44% Positiveness
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Liz Lawrence
California Screaming
155 bpm • A Maj • 03:17 • -8.16db
30% Popularity • 61% Danceability • 80% Energy • 63% Liveness
92% Instrumentalness • 82% Positiveness
30% Popularity • 61% Danceability • 80% Energy • 63% Liveness
92% Instrumentalness • 82% Positiveness
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Efterklang
Monument
156 bpm • C min • 05:38 • -16.7db
22% Popularity • 50% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
22% Popularity • 50% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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W. H. Lung
Second Death of My Face
155 bpm • A# min • 05:32 • -4.99db
20% Popularity • 53% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
20% Popularity • 53% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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LÃ¥psley
My Love Was Like the Rain
192 bpm • C# Maj • 04:12 • -11.1db
33% Popularity • 52% Danceability • 58% Energy • 10% Liveness
33% Instrumentalness • 15% Positiveness
33% Popularity • 52% Danceability • 58% Energy • 10% Liveness
33% Instrumentalness • 15% Positiveness
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Yuno
Sunlight - 2012
154 bpm • D Maj • 03:29 • -6db
26% Popularity • 34% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
26% Popularity • 34% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Everything Everything
No Reptiles
155 bpm • F Maj • 04:42 • -9.04db
48% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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MorMor
Won't Let You
193 bpm • G# Maj • 03:25 • -8db
29% Popularity • 33% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 33% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Japanese House
Chewing Cotton Wool
151 bpm • D Maj • 03:29 • -11.43db
47% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Active Child
Cruel World
151 bpm • C min • 05:15 • -6.83db
40% Popularity • 36% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 11% Positiveness
40% Popularity • 36% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 11% Positiveness
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Mura Masa
Terrible Love
150 bpm • E min • 04:01 • -10.02db
28% Popularity • 72% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 72% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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Alice Longyu Gao
She Abunai
150 bpm • G# Maj • 03:36 • -7db
27% Popularity • 88% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 88% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Baby Queen
Colours Of You
150 bpm • F min • 04:15 • -7.88db
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hazel English
Wake UP!
150 bpm • C# min • 03:33 • -5.97db
4% Popularity • 52% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
4% Popularity • 52% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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The Japanese House
Dionne
150 bpm • E Maj • 04:44 • -6.1db
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Far Caspian
Finding My Way Home
149 bpm • A Maj • 04:09 • -10.29db
42% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
42% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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Mura Masa
What If I Go?
200 bpm • G Maj • 03:15 • -7.8db
54% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Fenne Lily
To Be A Woman Pt. 2
148 bpm • F min • 03:15 • -7.96db
16% Popularity • 51% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
16% Popularity • 51% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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BENEE
Happen To Me
149 bpm • C Maj • 03:51 • -7.66db
47% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Metronomy
Wedding Bells
147 bpm • G Maj • 04:18 • -5.54db
32% Popularity • 75% Danceability • 79% Energy • 10% Liveness
71% Instrumentalness • 96% Positiveness
32% Popularity • 75% Danceability • 79% Energy • 10% Liveness
71% Instrumentalness • 96% Positiveness
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Yumi Zouma
Powder Blue / Cascine Park
147 bpm • A# Maj • 03:48 • -9db
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
35% Instrumentalness • 55% Positiveness
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
35% Instrumentalness • 55% Positiveness
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Jadu Heart
Purity
204 bpm • G min • 04:50 • -7.1db
32% Popularity • 24% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 10% Positiveness
32% Popularity • 24% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 10% Positiveness
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Billie Marten
Betsy
204 bpm • G min • 03:32 • -11.06db
38% Popularity • 50% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
