Songs like Tel jour, telle nuit, FP 86: No. 9, Nous avons fait la nuit by Francis Poulenc
Based on a tempo of (+/- 10%) and a similar genre
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Francis Poulenc
Deux poèmes de Louis Aragon, FP 122: I....
108 bpm • G# min • 02:46 • -21db
9% Popularity • 31% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ernest Chausson
Poème de l'amour et de la mer, Op. 19: ...
108 bpm • G# Maj • 02:17 • -29.6db
20% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 10 in G-Flat Ma...
109 bpm • F# Maj • 03:57 • -33.33db
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Paul Éluard
Le travail du peintre: Pablo Picasso
110 bpm • G# Maj • 02:40 • -16.27db
1% Popularity • 32% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 9% Positiveness
1% Popularity • 32% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 9% Positiveness
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Francis Poulenc
Sonate pour hautbois et piano: Déplorat...
108 bpm • A# min • 04:19 • -29db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48:IV. Pie Jesu (Arr. for P...
110 bpm • A# Maj • 03:09 • -36.6db
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Paul Éluard
Le travail du peintre: Jacques Villon
110 bpm • F Maj • 02:22 • -16.9db
0% Popularity • 32% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Francis Poulenc
Gloria, FP 144: I. Gloria
109 bpm • C Maj • 02:25 • -14.52db
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: No. 1 Berc...
111 bpm • D Maj • 02:56 • -31.6db
30% Popularity • 33% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 33% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
44% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Paul Éluard
Le travail du peintre: Marc Chagall
105 bpm • C# Maj • 01:08 • -20db
1% Popularity • 42% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
1% Popularity • 42% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 3. O quam tristis
111 bpm • F# Maj • 02:19 • -31db
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: II. Largo
112 bpm • F# min • 02:11 • -33.07db
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VII. Eja mater, fo...
105 bpm • D# Maj • 01:26 • -13db
10% Popularity • 34% Danceability • 22% Energy • 30% Liveness
34% Instrumentalness • 33% Positiveness
10% Popularity • 34% Danceability • 22% Energy • 30% Liveness
34% Instrumentalness • 33% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
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Béla Bartók
44 Duos for 2 Violins, BB 104, Vol. 1: P...
112 bpm • B min • 00:53 • -24.71db
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
103 bpm • A# Maj • 03:38 • -20.34db
36% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
111 bpm • B min • 05:40 • -18.91db
10% Popularity • 45% Danceability • 19% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Darius Milhaud
Le printemps, Op. 18
103 bpm • F# min • 02:14 • -16db
17% Popularity • 29% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 29% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 3, Andan...
103 bpm • B min • 07:27 • -31.32db
23% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Francis Poulenc
Gloria, FP 144: IV. Domini Fili Unigenit...
113 bpm • G Maj • 01:20 • -16.35db
23% Popularity • 52% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 84% Positiveness
23% Popularity • 52% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 84% Positiveness
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Paul Éluard
Le travail du peintre: Juan Gris
102 bpm • E min • 02:09 • -18db
1% Popularity • 29% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
1% Popularity • 29% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Erik Satie
Croquis et agaceries d'un gros bonhomme ...
102 bpm • C Maj • 01:58 • -22db
20% Popularity • 46% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 46% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: IV. Kitty-Valse
101 bpm • D# Maj • 02:42 • -31db
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Franz Schubert
Introduction et variations sur La belle ...
101 bpm • D Maj • 01:37 • -19.58db
39% Popularity • 27% Danceability • 16% Energy • 45% Liveness
94% Instrumentalness • 48% Positiveness
39% Popularity • 27% Danceability • 16% Energy • 45% Liveness
94% Instrumentalness • 48% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 6. Vidit suum
103 bpm • C Maj • 03:32 • -25.73db
15% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Paul Hindemith
In einer Nacht, Op. 15: No. 2, Sehr lang...
100 bpm • C# min • 01:24 • -34db
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Erik Satie
Avant-dernières pensées: I. Idylle
115 bpm • A min • 00:55 • -27.29db
22% Popularity • 33% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
22% Popularity • 33% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Francis Poulenc
Concert champêtre, FP 49: II. Andante
114 bpm • D# Maj • 06:44 • -27.93db
10% Popularity • 24% Danceability • 2% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Avant-dernières pensées: II. Aubade
116 bpm • G Maj • 01:23 • -22.51db
21% Popularity • 76% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
21% Popularity • 76% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Alban Berg
Schließe mir die Augen beide
117 bpm • C Maj • 01:08 • -23db
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Julian Scriabin
Prelude in C Major, Op. 2: II. Prelude i...
117 bpm • B Maj • 01:15 • -28db
37% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
► Preview
Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
116 bpm • B min • 05:24 • -20db
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
23% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:20 • -24db
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Béla Bartók
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
► Preview
Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
97 bpm • D Maj • 03:08 • -24db
38% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
38% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
120 bpm • E min • 00:57 • -21.65db
30% Popularity • 50% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 58% Positiveness
30% Popularity • 50% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 58% Positiveness
► Preview
John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:05 • -22.5db
13% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Francis Poulenc
Suite francaise, FP 80 (after C. Gervais...
99 bpm • C Maj • 01:36 • -25.86db
7% Popularity • 68% Danceability • 15% Energy • 7% Liveness
76% Instrumentalness • 62% Positiveness
7% Popularity • 68% Danceability • 15% Energy • 7% Liveness
76% Instrumentalness • 62% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Francis Poulenc
Caprice, FP 155: Capriccio d'apres Le ba...
118 bpm • G# Maj • 04:44 • -25.18db
6% Popularity • 46% Danceability • 12% Energy • 22% Liveness
89% Instrumentalness • 20% Positiveness
6% Popularity • 46% Danceability • 12% Energy • 22% Liveness
89% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
43% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
43% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Johannes Brahms
Violin Sonata No. 3 in D Minor, Op. 108:...
94 bpm • A Maj • 05:14 • -29.31db
31% Popularity • 12% Danceability • 3% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 3% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Francis Poulenc
Pastourelle, FP 45
97 bpm • D# Maj • 02:33 • -25.47db
8% Popularity • 42% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Ernest John Moeran
Prelude for Cello & Piano
93 bpm • E Maj • 04:49 • -26.43db
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: 5. Quis est homo
97 bpm • A min • 01:14 • -14db
16% Popularity • 38% Danceability • 34% Energy • 26% Liveness
96% Instrumentalness • 29% Positiveness
16% Popularity • 38% Danceability • 34% Energy • 26% Liveness
96% Instrumentalness • 29% Positiveness