Songs like Tell Her She's The Light Of The World by Winhill/Losehill
Based on a tempo of (+/- 10%) and a similar genre
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Slowgold
Som En Sten
133 bpm • G Maj • 03:40 • -12.07db
10% Popularity • 55% Danceability • 29% Energy • 10% Liveness
67% Instrumentalness • 30% Positiveness
10% Popularity • 55% Danceability • 29% Energy • 10% Liveness
67% Instrumentalness • 30% Positiveness
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Solen
Inne i mitt huvud
133 bpm • D# Maj • 03:00 • -10db
23% Popularity • 31% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 31% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nicolai Dunger
Clouds
133 bpm • D# Maj • 03:07 • -16db
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Winhill/Losehill
Tell Her She's The Light Of The World
133 bpm • D Maj • 04:50 • -10.07db
9% Popularity • 41% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steget
Baby Baby Baby
132 bpm • E Maj • 03:15 • -10db
17% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Deportees
Turn BackTime
133 bpm • G Maj • 03:13 • -5.54db
24% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Folke Nikanor
Den ljusa kvällen
132 bpm • F Maj • 03:35 • -12.8db
13% Popularity • 62% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 62% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Solen
Gävle
133 bpm • G# min • 06:11 • -5.95db
29% Popularity • 34% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 34% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Tiger Tape
Om jag går sönder
132 bpm • G Maj • 03:20 • -7db
30% Popularity • 29% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
30% Popularity • 29% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Hederos & Hellberg
Mellow My Mind
132 bpm • D Maj • 03:53 • -10.45db
9% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Linus Hasselberg
Granada, Granada
134 bpm • C Maj • 06:09 • -9db
12% Popularity • 42% Danceability • 56% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
12% Popularity • 42% Danceability • 56% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
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Silver Lining
The Dream
134 bpm • G Maj • 03:13 • -6.97db
9% Popularity • 51% Danceability • 51% Energy • 33% Liveness
2% Instrumentalness • 47% Positiveness
9% Popularity • 51% Danceability • 51% Energy • 33% Liveness
2% Instrumentalness • 47% Positiveness
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Vit Päls
Bättre hemma
134 bpm • B Maj • 04:05 • -9db
14% Popularity • 47% Danceability • 43% Energy • 30% Liveness
19% Instrumentalness • 40% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 30% Liveness
19% Instrumentalness • 40% Positiveness
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Emil Jensen
Vinden bär oss
134 bpm • A Maj • 03:28 • -16.19db
12% Popularity • 50% Danceability • 27% Energy • 14% Liveness
6% Instrumentalness • 40% Positiveness
12% Popularity • 50% Danceability • 27% Energy • 14% Liveness
6% Instrumentalness • 40% Positiveness
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Sarah Klang
Belly Shots
132 bpm • D# Maj • 02:35 • -9.82db
48% Popularity • 67% Danceability • 36% Energy • 14% Liveness
7% Instrumentalness • 34% Positiveness
48% Popularity • 67% Danceability • 36% Energy • 14% Liveness
7% Instrumentalness • 34% Positiveness
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Highasakite
Everything Sank in You
132 bpm • C Maj • 04:38 • -5.83db
26% Popularity • 56% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Amanda Bergman
Sitting By the River
132 bpm • A# Maj • 03:44 • -9.48db
30% Popularity • 59% Danceability • 64% Energy • 28% Liveness
32% Instrumentalness • 31% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 28% Liveness
32% Instrumentalness • 31% Positiveness
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Säkert!
Kommer hända
134 bpm • G min • 03:00 • -7.8db
29% Popularity • 46% Danceability • 78% Energy • 53% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 53% Liveness
1% Instrumentalness • 56% Positiveness
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Björn Olsson
anna norling
134 bpm • G# Maj • 02:31 • -12.79db
15% Popularity • 60% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Det Stora Monstret
Manifest
132 bpm • A# Maj • 03:15 • -7.34db
14% Popularity • 49% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 49% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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The Northern Belle
Kaleidoscope Dream
132 bpm • E Maj • 03:39 • -8db
11% Popularity • 54% Danceability • 66% Energy • 35% Liveness
10% Instrumentalness • 54% Positiveness
11% Popularity • 54% Danceability • 66% Energy • 35% Liveness
10% Instrumentalness • 54% Positiveness
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Nyiko Mhlarhi
Ka Wena
134 bpm • D Maj • 03:29 • -8.46db
7% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ebbot Lundberg
For The Ages To Come
132 bpm • A Maj • 04:32 • -8.43db
8% Popularity • 24% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 24% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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El Rojo Adios
On a Train
134 bpm • F Maj • 03:24 • -12.02db
16% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
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Johan Airijoki
Följ med ut
134 bpm • A Maj • 04:14 • -8.65db
21% Popularity • 42% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 42% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Frøkedal
SØN
132 bpm • C min • 03:23 • -8db
16% Popularity • 50% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 50% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Björn Olsson
Anna Norling 2015
134 bpm • D Maj • 02:31 • -8.61db
14% Popularity • 57% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 82% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 82% Positiveness
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Steget
SÃ¥na som du
131 bpm • A# Maj • 04:29 • -7.86db
37% Popularity • 43% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 43% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Deportees
Terror
131 bpm • D min • 04:41 • -6.71db
22% Popularity • 54% Danceability • 67% Energy • 10% Liveness
48% Instrumentalness • 16% Positiveness
22% Popularity • 54% Danceability • 67% Energy • 10% Liveness
48% Instrumentalness • 16% Positiveness
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Daniel Norgren
Once a Queen
135 bpm • F Maj • 03:17 • -9.03db
35% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Winhill/Losehill
The Grief Pt. 1
136 bpm • F Maj • 04:09 • -9.73db
4% Popularity • 31% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 31% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Säkert!
Snooza
131 bpm • F Maj • 03:42 • -10db
31% Popularity • 34% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
31% Popularity • 34% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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GRIM
Lead Me On or Leave Me Be
130 bpm • F Maj • 04:35 • -9.76db
17% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Real Ones
Sister to All
130 bpm • C Maj • 04:20 • -6db
20% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Deportees
Out Pretending
131 bpm • D Maj • 02:28 • -10.64db
32% Popularity • 30% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
32% Popularity • 30% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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The Northern Belle
Chicago
136 bpm • B Maj • 04:39 • -11.37db
27% Popularity • 47% Danceability • 34% Energy • 17% Liveness
76% Instrumentalness • 24% Positiveness
27% Popularity • 47% Danceability • 34% Energy • 17% Liveness
76% Instrumentalness • 24% Positiveness
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Winhill/Losehill
Minelands
136 bpm • A Maj • 08:39 • -10.12db
1% Popularity • 40% Danceability • 34% Energy • 7% Liveness
16% Instrumentalness • 7% Positiveness
1% Popularity • 40% Danceability • 34% Energy • 7% Liveness
16% Instrumentalness • 7% Positiveness
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Eric Palmqwist
Kom En Liten Stund
136 bpm • A Maj • 04:20 • -8.52db
8% Popularity • 70% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 70% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Victor Furbacken
Call (Original)
130 bpm • A# min • 02:38 • -6.04db
33% Popularity • 50% Danceability • 81% Energy • 12% Liveness
36% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 81% Energy • 12% Liveness
36% Instrumentalness • 52% Positiveness
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Hello Saferide
Berlin
130 bpm • G Maj • 03:45 • -8.46db
13% Popularity • 54% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Firstnighter
Baltic Sea
130 bpm • G# Maj • 03:00 • -13.57db
20% Popularity • 58% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
20% Popularity • 58% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Vasas flora och fauna
Stängningsdax
130 bpm • A min • 04:08 • -8.73db
19% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Folke Nikanor
Olika håll
130 bpm • A min • 03:39 • -14db
22% Popularity • 56% Danceability • 24% Energy • 10% Liveness
13% Instrumentalness • 16% Positiveness
22% Popularity • 56% Danceability • 24% Energy • 10% Liveness
13% Instrumentalness • 16% Positiveness
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Deportees
Hard Rain
130 bpm • E min • 03:55 • -5.46db
11% Popularity • 47% Danceability • 83% Energy • 17% Liveness
2% Instrumentalness • 40% Positiveness
11% Popularity • 47% Danceability • 83% Energy • 17% Liveness
2% Instrumentalness • 40% Positiveness
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Joel Alme
Aldrig bra på livet
136 bpm • E Maj • 03:46 • -11.24db
27% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Vit Päls
På nätterna drömmer jag
137 bpm • E Maj • 03:00 • -16.48db
22% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Winhill/Losehill
Stay Another Day
129 bpm • E min • 05:24 • -10.53db
1% Popularity • 33% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 33% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Jens Lekman
Black Cab
129 bpm • A Maj • 04:38 • -6.38db
21% Popularity • 65% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
21% Popularity • 65% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Johan Airijoki
Krossen
137 bpm • G Maj • 03:03 • -13db
29% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Deportees
Come Give Me Love
137 bpm • D# Maj • 04:29 • -6.53db
26% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Steget
Kom Igen
129 bpm • D# Maj • 03:51 • -6db
19% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tomas Andersson Wij
Romantiken
128 bpm • A# Maj • 03:51 • -10.99db
20% Popularity • 33% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 32% Positiveness
20% Popularity • 33% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 32% Positiveness
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Vasas flora och fauna
Leevi & the Leavings
138 bpm • B Maj • 03:59 • -5db
34% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Säkert!
FÃ¥r jag
128 bpm • A Maj • 03:10 • -13.13db
35% Popularity • 66% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
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Dolce
Gröna höjder
128 bpm • C Maj • 01:48 • -14.23db
38% Popularity • 47% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 47% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Håkan Hellström
Det dom aldrig nämner - Alternativ mix
128 bpm • F# Maj • 05:01 • -6.58db
17% Popularity • 60% Danceability • 71% Energy • 29% Liveness
9% Instrumentalness • 50% Positiveness
17% Popularity • 60% Danceability • 71% Energy • 29% Liveness
9% Instrumentalness • 50% Positiveness
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Amason
Yellow Moon
128 bpm • G Maj • 04:27 • -7.73db
26% Popularity • 65% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 65% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Winhill/Losehill
You And Your Father
128 bpm • G Maj • 02:31 • -5.94db
4% Popularity • 57% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 57% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Björn Olsson
låt i d
128 bpm • D Maj • 02:22 • -12.22db
2% Popularity • 48% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 39% Positiveness
2% Popularity • 48% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 39% Positiveness
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Isolation Years
Say Oh Say
138 bpm • E Maj • 03:07 • -9.99db
14% Popularity • 47% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 47% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Steget
Hela Gråbo e sån ångest
128 bpm • D Maj • 04:13 • -10db
25% Popularity • 40% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 40% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nicole Sabouné
I Surrender (Bonus Track)
128 bpm • E Maj • 03:42 • -5db
33% Popularity • 50% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
33% Popularity • 50% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Christian Kjellvander
The Valley
139 bpm • C# min • 03:50 • -8.72db
19% Popularity • 48% Danceability • 52% Energy • 9% Liveness
35% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 52% Energy • 9% Liveness
35% Instrumentalness • 32% Positiveness
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Johan Airijoki
Lo och björn
139 bpm • E Maj • 05:33 • -18.67db
9% Popularity • 30% Danceability • 10% Energy • 37% Liveness
44% Instrumentalness • 12% Positiveness
9% Popularity • 30% Danceability • 10% Energy • 37% Liveness
44% Instrumentalness • 12% Positiveness
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Me And My Army
Me And My Army
139 bpm • F Maj • 05:14 • -5.55db
15% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jonas Lundqvist
Vissa nätter
139 bpm • F# min • 04:24 • -4.93db
25% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Deportees
Love Me Like I'm Gone
127 bpm • A Maj • 04:04 • -4.67db
34% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mi von Ahn
With Blue Eyes
139 bpm • B Maj • 03:50 • -9.19db
9% Popularity • 52% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 52% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Vit Päls
Mina moves - Edit 2013
127 bpm • F Maj • 03:06 • -7.97db
11% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tommy Tokyo
Imposter
140 bpm • F Maj • 03:57 • -8.49db
12% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sibille Attar
Come Night
127 bpm • E min • 03:29 • -5.56db
23% Popularity • 45% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 45% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Kjellvander
Portugal
127 bpm • B min • 03:30 • -8.58db
27% Popularity • 38% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Morten Myklebust
Heartbroken
127 bpm • F Maj • 04:05 • -9.17db
11% Popularity • 57% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 28% Positiveness
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Lars Bygdén
The Hole
126 bpm • D min • 04:20 • -9.46db
20% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Säkert!
Tjacket
126 bpm • E Maj • 01:28 • -14.19db
34% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Henning
Enheten för saknade brev
140 bpm • E Maj • 03:29 • -8.13db
20% Popularity • 74% Danceability • 56% Energy • 11% Liveness
33% Instrumentalness • 78% Positiveness
20% Popularity • 74% Danceability • 56% Energy • 11% Liveness
33% Instrumentalness • 78% Positiveness
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Iiris Viljanen
Nytt kapitel
140 bpm • C Maj • 03:36 • -6.85db
17% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Frida Hyvönen
Förlorat dig
127 bpm • A Maj • 02:43 • -7db
22% Popularity • 55% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
22% Popularity • 55% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Easy October
Rocket Man
140 bpm • D Maj • 02:59 • -7.74db
15% Popularity • 52% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Tapefly
Canine Prey
140 bpm • D Maj • 03:19 • -6db
22% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Det Stora Monstret
Kolibrins Vingar
140 bpm • F Maj • 03:23 • -10.48db
18% Popularity • 61% Danceability • 44% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
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Christian Kjellvander
The Bloodline
126 bpm • D Maj • 03:26 • -15.66db
7% Popularity • 29% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 29% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Styva Linan
Nu var det längesen
126 bpm • C Maj • 05:34 • -9.29db
20% Popularity • 61% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 61% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Winhill/Losehill
Wounded Notes
126 bpm • B Maj • 02:50 • -10.21db
0% Popularity • 42% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 42% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Loosegoats
Drift from the Tracks
140 bpm • E Maj • 04:12 • -5.19db
10% Popularity • 23% Danceability • 83% Energy • 23% Liveness
28% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 83% Energy • 23% Liveness
28% Instrumentalness • 7% Positiveness
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Jonas Lundqvist
Trevligt Väder
126 bpm • F# Maj • 03:47 • -6db
20% Popularity • 70% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 70% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Isolation Years
Albino Child
126 bpm • C# Maj • 03:27 • -6.7db
13% Popularity • 52% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
13% Popularity • 52% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Dolce
Fyfan va skönt
141 bpm • E Maj • 02:29 • -7.93db
29% Popularity • 36% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 36% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Franska Trion
In i din famn
126 bpm • C# Maj • 03:40 • -8.65db
31% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sibille Attar
Alcoholics
125 bpm • A Maj • 03:07 • -5.14db
15% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ebbot Lundberg
Coming Down Cold
141 bpm • F Maj • 03:09 • -12.08db
21% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
21% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Jonas Lundqvist
Lyft och försvinn
126 bpm • E Maj • 04:05 • -4.87db
20% Popularity • 31% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 31% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Alme
Innan staden vaknar
125 bpm • A Maj • 02:41 • -5.85db
28% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Säkert!
Funky nassau
125 bpm • C Maj • 03:40 • -12.26db
22% Popularity • 67% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 67% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
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Markus Krunegård
Askan är den bästa jorden
125 bpm • A Maj • 03:07 • -5.69db
47% Popularity • 50% Danceability • 64% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
47% Popularity • 50% Danceability • 64% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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Vit Päls
Hösten talar med oss
125 bpm • A Maj • 02:32 • -8.34db
15% Popularity • 86% Danceability • 38% Energy • 13% Liveness
6% Instrumentalness • 64% Positiveness
15% Popularity • 86% Danceability • 38% Energy • 13% Liveness
6% Instrumentalness • 64% Positiveness
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Christian Kjellvander
Log at 25
125 bpm • E Maj • 04:52 • -15.78db
15% Popularity • 32% Danceability • 19% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Amason
Went to War
125 bpm • C Maj • 03:04 • -11db
33% Popularity • 84% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
33% Popularity • 84% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
