Songs like Tell Me All About It by Natalie Cole
Based on a tempo of (+/- 10%) and a similar genre
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Heather Rigdon
Spring
132 bpm • C# Maj • 03:25 • -11.62db
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Citrus Sun
What Color Is Love
132 bpm • C min • 04:20 • -8db
26% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Natalie Cole
Tell Me All About It
132 bpm • E min • 04:10 • -11db
33% Popularity • 66% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 66% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Gerardo Frisina
Beyond The Moon
132 bpm • G# Maj • 03:21 • -8db
37% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Mark
The City
132 bpm • G Maj • 04:58 • -14db
26% Popularity • 73% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 53% Positiveness
26% Popularity • 73% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 53% Positiveness
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Manhattan Jazz Quartett
Isn't She Lovely
132 bpm • C Maj • 05:10 • -8db
41% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Renee Olstead
What a Wonderful World
131 bpm • D min • 03:17 • -8.81db
31% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ida Sand
Here Comes the Rain Again
131 bpm • C Maj • 04:03 • -11.92db
47% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Emilie-Claire Barlow
Raindrops Keep Falling on My Head
133 bpm • C# Maj • 04:14 • -10.6db
39% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Natalie Cole
I'm Glad There Is You
131 bpm • C# Maj • 05:16 • -12.1db
9% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby McFerrin
Heaven's Design
133 bpm • A Maj • 05:57 • -15.89db
18% Popularity • 68% Danceability • 36% Energy • 7% Liveness
46% Instrumentalness • 46% Positiveness
18% Popularity • 68% Danceability • 36% Energy • 7% Liveness
46% Instrumentalness • 46% Positiveness
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Ray Charles
Fever
134 bpm • B min • 03:30 • -10.21db
56% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Renee Olstead
Breaking up Is Hard to Do
131 bpm • F Maj • 04:11 • -10.83db
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Oleta Adams
Hold Me For A While
130 bpm • C Maj • 05:11 • -12db
28% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gregory Porter
Insanity
130 bpm • F# min • 05:37 • -11db
26% Popularity • 65% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Natalie Cole
Let There Be Love
134 bpm • D min • 03:50 • -12.16db
15% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Hiroshima
The Door Is Open
134 bpm • F Maj • 04:36 • -13db
34% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Gabin
The Alchemist
134 bpm • C Maj • 04:14 • -8db
39% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Renee Olstead
My Baby Just Cares for Me
130 bpm • C Maj • 03:03 • -8.68db
32% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Angela Bofill
Stop Look Listen
134 bpm • B min • 04:30 • -11.58db
23% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sophie Milman
Speak Low
134 bpm • F min • 04:26 • -16.32db
20% Popularity • 63% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 63% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Natalie Cole
Inseparable
129 bpm • G# Maj • 02:26 • -14.49db
43% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hiroshima
Roomful of Mirrors
130 bpm • D Maj • 04:02 • -7db
32% Popularity • 48% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 48% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Brenda Russell
Ain't No Smoke
135 bpm • C Maj • 04:40 • -7.76db
13% Popularity • 80% Danceability • 53% Energy • 8% Liveness
4% Instrumentalness • 81% Positiveness
13% Popularity • 80% Danceability • 53% Energy • 8% Liveness
4% Instrumentalness • 81% Positiveness
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Tom Scott
Anytime, Anyplace
129 bpm • F min • 05:04 • -11.57db
34% Popularity • 61% Danceability • 39% Energy • 13% Liveness
13% Instrumentalness • 35% Positiveness
34% Popularity • 61% Danceability • 39% Energy • 13% Liveness
13% Instrumentalness • 35% Positiveness
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CHIC
A Warm Summer Night
136 bpm • A min • 06:04 • -12.68db
41% Popularity • 59% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
41% Popularity • 59% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
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Dee Dee Bridgewater
Maybe Today
136 bpm • A Maj • 06:52 • -10.43db
11% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Natalie Cole
La Costa
128 bpm • B Maj • 03:51 • -14db
24% Popularity • 60% Danceability • 49% Energy • 86% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 60% Danceability • 49% Energy • 86% Liveness
0% Instrumentalness • 43% Positiveness
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Juliana Aquino
Stayin' alive
128 bpm • A min • 04:36 • -11db
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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[re:jazz]
Quiet Nights
128 bpm • C min • 04:00 • -12.4db
20% Popularity • 68% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
20% Popularity • 68% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Aaron Tesser & The New Jazz Affair
Lights And Stars
128 bpm • F Maj • 04:51 • -6.81db
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
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Jarrod Lawson
Be The Change
128 bpm • C Maj • 05:00 • -8.57db
23% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Cincotti
He's Watching
136 bpm • B Maj • 04:48 • -9.93db
27% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Karrin Allyson
Night And Day
137 bpm • A Maj • 05:24 • -22.57db
26% Popularity • 70% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 70% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Natalie Cole
My Baby Just Cares For Me
127 bpm • G Maj • 04:27 • -7.16db
24% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Oleta Adams
I've Got A Right
137 bpm • G# Maj • 03:58 • -12.81db
34% Popularity • 67% Danceability • 54% Energy • 7% Liveness
3% Instrumentalness • 62% Positiveness
34% Popularity • 67% Danceability • 54% Energy • 7% Liveness
3% Instrumentalness • 62% Positiveness
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Stevie Wonder
Ribbon In The Sky
137 bpm • A# min • 05:37 • -13.71db
54% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kenny G
The Way You Move
126 bpm • G min • 04:41 • -7.65db
29% Popularity • 76% Danceability • 55% Energy • 26% Liveness
8% Instrumentalness • 66% Positiveness
29% Popularity • 76% Danceability • 55% Energy • 26% Liveness
8% Instrumentalness • 66% Positiveness
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Peter Cincotti
I'd Rather Be With You
138 bpm • F min • 04:50 • -13.34db
30% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Can 7
Eternally
126 bpm • F min • 05:18 • -11db
24% Popularity • 77% Danceability • 60% Energy • 15% Liveness
56% Instrumentalness • 66% Positiveness
24% Popularity • 77% Danceability • 60% Energy • 15% Liveness
56% Instrumentalness • 66% Positiveness
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Natalie Cole
Soon
126 bpm • F Maj • 03:13 • -7.74db
9% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Angela Bofill
On And On
139 bpm • F Maj • 03:22 • -9.97db
19% Popularity • 58% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 58% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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Gregg Karukas
Looking Up
126 bpm • D min • 04:49 • -10.52db
24% Popularity • 76% Danceability • 64% Energy • 20% Liveness
85% Instrumentalness • 88% Positiveness
24% Popularity • 76% Danceability • 64% Energy • 20% Liveness
85% Instrumentalness • 88% Positiveness
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Gregory Porter
On My Way to Harlem
139 bpm • A# Maj • 07:40 • -10.65db
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Peter Cincotti
I Love Paris
139 bpm • G min • 03:47 • -8db
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
16% Instrumentalness • 59% Positiveness
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
16% Instrumentalness • 59% Positiveness
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Sarah Vaughan
Copacabana
125 bpm • G# Maj • 03:35 • -17.76db
43% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Cole
Better Than Anything
126 bpm • G Maj • 03:35 • -9.09db
29% Popularity • 65% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 65% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Bennett
Watch What Happens
125 bpm • A min • 02:08 • -6.98db
33% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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John Pizzarelli
Silly Love Songs
140 bpm • E min • 03:51 • -14.01db
29% Popularity • 57% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 81% Positiveness
29% Popularity • 57% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 81% Positiveness
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Ronnie Laws
Every Generation - Remastered
140 bpm • B min • 05:49 • -8.45db
34% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Lee
Lately
140 bpm • F min • 04:40 • -12db
29% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Cincotti
Are You The One?
140 bpm • F min • 03:55 • -12db
35% Popularity • 63% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 63% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Jonathan Fritzén
Can't Get You out of My Mind
140 bpm • F# min • 05:12 • -12.93db
25% Popularity • 68% Danceability • 40% Energy • 6% Liveness
73% Instrumentalness • 61% Positiveness
25% Popularity • 68% Danceability • 40% Energy • 6% Liveness
73% Instrumentalness • 61% Positiveness
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Angela Bofill
I Just Wanna Stop
140 bpm • A# Maj • 04:31 • -7.67db
26% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Danny White
La Luna
140 bpm • F min • 04:05 • -7.33db
25% Popularity • 80% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 80% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Nu Braz
Donna
140 bpm • G Maj • 04:55 • -8db
35% Popularity • 69% Danceability • 64% Energy • 15% Liveness
16% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 64% Energy • 15% Liveness
16% Instrumentalness • 45% Positiveness
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Gladys Knight & The Pips
Neither One Of Us (Wants To Be The First...
140 bpm • F Maj • 04:24 • -14db
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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The Manhattan Transfer
Sometimes I Do
124 bpm • C# Maj • 04:54 • -9.92db
17% Popularity • 70% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 70% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Juliana Aquino
On the Radio
124 bpm • D Maj • 04:30 • -12db
55% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Love Unlimited Orchestra
Midnight And You
141 bpm • B Maj • 05:15 • -13db
36% Popularity • 67% Danceability • 47% Energy • 15% Liveness
68% Instrumentalness • 80% Positiveness
36% Popularity • 67% Danceability • 47% Energy • 15% Liveness
68% Instrumentalness • 80% Positiveness
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Molly Johnson
Body And Soul
141 bpm • A min • 04:39 • -11db
27% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Louis Hayes
Song for My Father
123 bpm • F min • 05:51 • -9db
26% Popularity • 57% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 57% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Natureboy
Sweet Is the Air
123 bpm • E Maj • 04:47 • -15.16db
28% Popularity • 71% Danceability • 34% Energy • 41% Liveness
23% Instrumentalness • 29% Positiveness
28% Popularity • 71% Danceability • 34% Energy • 41% Liveness
23% Instrumentalness • 29% Positiveness
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Patricia Barber
Easy To Love
141 bpm • D min • 03:36 • -14.22db
42% Popularity • 74% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
42% Popularity • 74% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Juliana Aquino
Don't Let Me Be Misunderstood
124 bpm • C min • 04:27 • -12.43db
51% Popularity • 83% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 83% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Maria Luiza
Speak Low
122 bpm • F Maj • 03:56 • -10.94db
41% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Molly Johnson
Messin' Around
123 bpm • F Maj • 03:35 • -8.73db
32% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Renee Olstead
Is You Is or Is You Ain't My Baby
122 bpm • A min • 03:19 • -9.27db
30% Popularity • 66% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 66% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Lira
Get Into Action
122 bpm • E min • 04:04 • -10.42db
10% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Manhattan Jazz Quartett
Summertime
122 bpm • A min • 03:24 • -8.89db
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Lazarus
Morning
143 bpm • C# Maj • 03:47 • -9.6db
33% Popularity • 62% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 62% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Natalie Cole
Like A Lover
122 bpm • F Maj • 05:17 • -13.2db
7% Popularity • 54% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 54% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Gino Vannelli
I Just Wanna Stop
122 bpm • D Maj • 04:51 • -5.56db
38% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Regina Belle
Lazy Afternoon
143 bpm • F Maj • 05:19 • -11.76db
11% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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James Day
Natural Thing
144 bpm • G Maj • 03:40 • -7.03db
18% Popularity • 62% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 62% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Halie Loren
A Whiter Shade of Pale
145 bpm • A min • 04:43 • -11.12db
44% Popularity • 54% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 54% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Juliana Aquino
I'm so Glad That I'm a Woman
145 bpm • F# Maj • 05:08 • -11db
44% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Cole
You Go To My Head
144 bpm • G# Maj • 05:24 • -11.59db
16% Popularity • 38% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 38% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Gino Vannelli
Felicia
121 bpm • C min • 03:03 • -16.52db
36% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
36% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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[re:jazz]
Tears
120 bpm • B min • 04:07 • -12.13db
7% Popularity • 73% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 73% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Patti LaBelle
The Jazz in You
145 bpm • G min • 03:59 • -6db
20% Popularity • 41% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 41% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Earl Klugh
Living Inside Your Love - Remastered
145 bpm • G Maj • 05:41 • -8.69db
36% Popularity • 56% Danceability • 61% Energy • 8% Liveness
22% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 61% Energy • 8% Liveness
22% Instrumentalness • 54% Positiveness
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Natalie Cole
Why Don't You Do Right?
121 bpm • D min • 04:02 • -9.66db
14% Popularity • 81% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 81% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Beady Belle
Bella
120 bpm • C Maj • 05:45 • -9db
13% Popularity • 70% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 46% Positiveness
13% Popularity • 70% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 46% Positiveness
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Karen Souza
Every Breath You Take
120 bpm • C Maj • 02:47 • -10db
60% Popularity • 77% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 77% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Cassandra Beck
Jump
120 bpm • G Maj • 03:29 • -6db
43% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Avery*Sunshine
Like This
120 bpm • F Maj • 06:02 • -11.81db
30% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gregg Karukas
Girl In The Red Dress
120 bpm • F min • 04:56 • -12db
53% Popularity • 76% Danceability • 53% Energy • 9% Liveness
71% Instrumentalness • 84% Positiveness
53% Popularity • 76% Danceability • 53% Energy • 9% Liveness
71% Instrumentalness • 84% Positiveness
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Gato Barbieri
Straight Into The Sunrise
120 bpm • C min • 05:36 • -8.63db
31% Popularity • 54% Danceability • 60% Energy • 4% Liveness
8% Instrumentalness • 37% Positiveness
31% Popularity • 54% Danceability • 60% Energy • 4% Liveness
8% Instrumentalness • 37% Positiveness
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Jamie Lancaster
Billie Jean
120 bpm • E min • 03:34 • -10db
49% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lonnie Liston Smith
Quiet Moments
120 bpm • C Maj • 03:53 • -15.02db
31% Popularity • 63% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
31% Popularity • 63% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Dionne Warwick
Deja Vu
146 bpm • C# min • 05:04 • -12.59db
43% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Natalie Cole
Calling You
120 bpm • D Maj • 05:00 • -10.07db
16% Popularity • 51% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 51% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Cooltrane Quartet
Holding Back the Years
146 bpm • C Maj • 03:57 • -9.58db
45% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Dee Dee Bridgewater
Yes, I'm Ready
147 bpm • F min • 04:57 • -7db
23% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Juliana Aquino
Don't Leave Me This Way
118 bpm • F Maj • 04:53 • -8.98db
50% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness