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Tell Me
Songs like
Tell Me
by
Joan As Police Woman
Based on a tempo of (+/- 10%) and a similar genre
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Joan As Police Woman
Tell Me
144 bpm • A# min • 03:37 • -6db
20% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
4% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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Laura Marling
Soothing
143 bpm • D min • 04:16 • -12db
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Nadine Shah
To Be a Young Man
145 bpm • C Maj • 05:00 • -6.56db
19% Popularity • 43% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 44% Positiveness
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Other Lives
Lost Day
145 bpm • A min • 02:55 • -8db
43% Popularity • 45% Danceability • 71% Energy • 7% Liveness
5% Instrumentalness • 55% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Ghostpoet
Freakshow
146 bpm • C# Maj • 04:05 • -8db
30% Popularity • 62% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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Calexico
Woven Birds
146 bpm • A min • 03:46 • -14db
16% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Beck
Paper Tiger
142 bpm • A Maj • 04:35 • -10db
40% Popularity • 37% Danceability • 55% Energy • 18% Liveness
74% Instrumentalness • 46% Positiveness
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Nadine Shah
Holiday Destination
145 bpm • E Maj • 05:39 • -6db
19% Popularity • 53% Danceability • 72% Energy • 9% Liveness
16% Instrumentalness • 47% Positiveness
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Modern Nature
Footsteps
146 bpm • D Maj • 05:19 • -11db
18% Popularity • 68% Danceability • 65% Energy • 15% Liveness
64% Instrumentalness • 91% Positiveness
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Joan As Police Woman
Witness
142 bpm • B min • 04:43 • -8.66db
9% Popularity • 69% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 67% Positiveness
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Ghostpoet
Shedding Skin
142 bpm • A min • 04:24 • -14.25db
27% Popularity • 50% Danceability • 28% Energy • 10% Liveness
58% Instrumentalness • 7% Positiveness
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Django Django
Firewater
142 bpm • A Maj • 04:49 • -5.31db
35% Popularity • 71% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
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Melanie De Biasio
Let Me Love You
146 bpm • E min • 04:08 • -20db
27% Popularity • 61% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Beyond The Wizards Sleeve
Black Crow
146 bpm • D min • 03:41 • -7.55db
29% Popularity • 40% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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GusGus
Why?
141 bpm • D Maj • 04:04 • -18db
32% Popularity • 69% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Duke Garwood
Blue
147 bpm • G# Maj • 02:57 • -12db
33% Popularity • 58% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Baxter Dury
White Men
147 bpm • F# Maj • 03:55 • -13.04db
29% Popularity • 50% Danceability • 40% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
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Laura Veirs
Fire Snakes
141 bpm • G Maj • 04:57 • -13db
18% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
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Joan As Police Woman
Warning Bell
141 bpm • C Maj • 03:16 • -7.64db
19% Popularity • 60% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 28% Positiveness
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Karen O
Ministry
141 bpm • B Maj • 05:06 • -10.24db
37% Popularity • 47% Danceability • 66% Energy • 7% Liveness
7% Instrumentalness • 23% Positiveness
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Stuart A. Staples
Goodbye to Old Friends
140 bpm • F# min • 06:13 • -8.82db
25% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
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Nev Cottee
Open Eyes
148 bpm • A Maj • 03:43 • -14db
33% Popularity • 48% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
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Zwanie Jonson
Golden Song
140 bpm • A min • 04:04 • -9.73db
22% Popularity • 80% Danceability • 67% Energy • 14% Liveness
46% Instrumentalness • 97% Positiveness
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Joan As Police Woman
Chemmie
148 bpm • G Maj • 04:47 • -6.21db
13% Popularity • 38% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Melanie De Biasio
Gold Junkies
140 bpm • B min • 03:19 • -15db
36% Popularity • 67% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Matthew E. White
Signature Move
140 bpm • F min • 04:04 • -11.95db
14% Popularity • 74% Danceability • 45% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
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Willy Mason
Talk Me Down
148 bpm • C Maj • 03:04 • -6db
37% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Charles Watson
Voices Carry Through the Mist
140 bpm • A min • 05:25 • -10.9db
29% Popularity • 44% Danceability • 52% Energy • 16% Liveness
6% Instrumentalness • 20% Positiveness
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Air
The Vagabond
140 bpm • G# Maj • 05:37 • -4.78db
40% Popularity • 61% Danceability • 51% Energy • 5% Liveness
23% Instrumentalness • 31% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Billy Nomates
Heels
139 bpm • B Maj • 03:57 • -8.46db
22% Popularity • 72% Danceability • 68% Energy • 10% Liveness
7% Instrumentalness • 69% Positiveness
► Preview
Nadine Shah
Club Cougar
149 bpm • C Maj • 04:46 • -9.73db
21% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Sophie Hunger
Breaking the Waves
140 bpm • G# Maj • 02:38 • -9.13db
25% Popularity • 51% Danceability • 36% Energy • 14% Liveness
16% Instrumentalness • 18% Positiveness
► Preview
Joan As Police Woman
Ringleader Man
139 bpm • D min • 03:33 • -7.09db
14% Popularity • 60% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Gruff Rhys
Liberty (Is Where We'll Be)
149 bpm • C# min • 04:54 • -5.19db
19% Popularity • 55% Danceability • 87% Energy • 9% Liveness
55% Instrumentalness • 84% Positiveness
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Zero 7
Throw It All Away
138 bpm • C min • 05:25 • -10.26db
37% Popularity • 42% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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The Beta Band
Squares
150 bpm • F min • 03:46 • -11.52db
45% Popularity • 68% Danceability • 45% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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múm
The Colorful Stabwound
150 bpm • B min • 03:40 • -7.96db
32% Popularity • 65% Danceability • 91% Energy • 9% Liveness
79% Instrumentalness • 30% Positiveness
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Sophie Hunger
Approximately Gone
149 bpm • B Maj • 01:33 • -11.9db
21% Popularity • 77% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
► Preview
Laura Marling
Gurdjieff's Daughter
150 bpm • C# min • 04:22 • -7.46db
22% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ferdinando Arno
Dream on Me
138 bpm • B Maj • 02:55 • -9.06db
13% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Warhaus
Against the Rich
138 bpm • C min • 03:14 • -8.25db
26% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Joan As Police Woman
Under Control
138 bpm • G Maj • 03:41 • -11.58db
14% Popularity • 46% Danceability • 33% Energy • 19% Liveness
3% Instrumentalness • 34% Positiveness
► Preview
Nick Cave & The Bad Seeds
Mermaids
137 bpm • D min • 03:49 • -16.87db
41% Popularity • 29% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cocosuma
Charlotte's On Fire
137 bpm • E min • 04:59 • -10.24db
24% Popularity • 76% Danceability • 65% Energy • 12% Liveness
80% Instrumentalness • 44% Positiveness
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William Shatner
Thunder and Fire
137 bpm • A min • 04:53 • -7.74db
3% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
40% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
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Tricky
Valentine
151 bpm • A# min • 03:16 • -13.3db
29% Popularity • 78% Danceability • 32% Energy • 11% Liveness
58% Instrumentalness • 17% Positiveness
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Ben Watt
Balanced On A Wire
151 bpm • F# min • 03:47 • -7db
8% Popularity • 41% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Zero 7
Crosses
136 bpm • G Maj • 06:45 • -10.38db
41% Popularity • 59% Danceability • 56% Energy • 13% Liveness
33% Instrumentalness • 62% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
44% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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Diagrams
Under The Graphite Sky
152 bpm • D# min • 04:48 • -11.71db
16% Popularity • 34% Danceability • 43% Energy • 37% Liveness
1% Instrumentalness • 24% Positiveness
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Baxter Dury
Leak at the Disco
152 bpm • F# Maj • 05:13 • -8db
29% Popularity • 59% Danceability • 82% Energy • 34% Liveness
65% Instrumentalness • 36% Positiveness
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Howe Gelb
Torque (Tango de la Tongue)
136 bpm • F# min • 04:19 • -11.8db
17% Popularity • 61% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 40% Positiveness
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Groove Armada
At The River
136 bpm • C# Maj • 06:34 • -7.16db
38% Popularity • 69% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 57% Positiveness
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John Parish
Sorry For Your Loss
153 bpm • G# min • 03:25 • -11.04db
12% Popularity • 65% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
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Anna Calvi
I'll Be Your Man
136 bpm • F# Maj • 03:10 • -8.45db
17% Popularity • 58% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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The Leisure Society
Nothing Like This
153 bpm • G Maj • 02:43 • -9.15db
21% Popularity • 64% Danceability • 61% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Baxter Dury
Hotel in Brixton
136 bpm • A Maj • 03:53 • -12.97db
20% Popularity • 92% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Gaz Coombes
20/20
135 bpm • G min • 04:14 • -5.68db
27% Popularity • 54% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Joan As Police Woman
Broke Me in Two
135 bpm • D Maj • 02:54 • -6.08db
17% Popularity • 63% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
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Jim White
Still Waters
154 bpm • C Maj • 06:36 • -15.06db
26% Popularity • 51% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 52% Positiveness
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The Chemical Brothers
The State We're In
134 bpm • A Maj • 06:26 • -8.31db
39% Popularity • 31% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Billy Nomates
No
154 bpm • G# min • 02:58 • -7.53db
37% Popularity • 74% Danceability • 83% Energy • 11% Liveness
61% Instrumentalness • 97% Positiveness
► Preview
TaxiWars
Drop Shot
154 bpm • G Maj • 05:07 • -12db
21% Popularity • 56% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Olivier Libaux
No One Knows
134 bpm • C min • 03:53 • -8.93db
36% Popularity • 71% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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Joan As Police Woman
Holy City
135 bpm • G# Maj • 04:44 • -7.29db
31% Popularity • 68% Danceability • 77% Energy • 7% Liveness
20% Instrumentalness • 83% Positiveness
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Baxter Dury
Happy Soup
134 bpm • C min • 03:46 • -5db
26% Popularity • 47% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 27% Positiveness
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Nadine Shah
Dillydally
155 bpm • E Maj • 03:47 • -11.2db
15% Popularity • 81% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 96% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
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Fink
Blueberry Pancakes
133 bpm • A# Maj • 04:22 • -10db
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
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Grinderman
Go Tell the Women
134 bpm • G Maj • 03:24 • -10.91db
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
47% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
42% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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Nadine Shah
Big Hands
134 bpm • A min • 03:47 • -9.31db
16% Popularity • 52% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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PJ Harvey
The Community Of Hope
133 bpm • A Maj • 02:23 • -8db
34% Popularity • 61% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Nick Cave & The Bad Seeds
Wide Lovely Eyes
157 bpm • G Maj • 03:40 • -16.15db
40% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Soap&Skin
Spiracle
132 bpm • C min • 02:50 • -11db
31% Popularity • 63% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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Joan As Police Woman
Run for Love
134 bpm • G# min • 05:37 • -6.32db
11% Popularity • 49% Danceability • 79% Energy • 53% Liveness
58% Instrumentalness • 74% Positiveness
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Baxter Dury
Samurai
132 bpm • C# min • 03:22 • -7.31db
23% Popularity • 70% Danceability • 62% Energy • 33% Liveness
90% Instrumentalness • 80% Positiveness
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Michael Stipe
L'Hôtel
132 bpm • A Maj • 04:23 • -8.71db
15% Popularity • 70% Danceability • 43% Energy • 8% Liveness
75% Instrumentalness • 61% Positiveness
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She Keeps Bees
Feather Lighter
132 bpm • E min • 02:45 • -14.2db
33% Popularity • 88% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Nick Cave
Cosmic Dancer
132 bpm • C Maj • 05:54 • -12.3db
44% Popularity • 36% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Calibro 35
The Ballad of Sacco and Vanzetti
132 bpm • F min • 04:51 • -11.76db
9% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Joan As Police Woman
What Was It Like
156 bpm • D min • 04:11 • -8.04db
13% Popularity • 72% Danceability • 48% Energy • 8% Liveness
77% Instrumentalness • 70% Positiveness
► Preview
Nick Mulvey
Juramidam
132 bpm • D Maj • 05:16 • -9db
37% Popularity • 73% Danceability • 70% Energy • 9% Liveness
24% Instrumentalness • 57% Positiveness
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PJ Harvey
The Words That Maketh Murder
158 bpm • D min • 03:45 • -8.84db
37% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Peter and Kerry
One Thing
131 bpm • E min • 03:30 • -5db
38% Popularity • 29% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Baxter Dury
Isabel
131 bpm • A Maj • 03:45 • -5.36db
30% Popularity • 76% Danceability • 78% Energy • 9% Liveness
38% Instrumentalness • 96% Positiveness
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Pumarosa
Barefoot
131 bpm • F# min • 04:21 • -7.66db
32% Popularity • 68% Danceability • 57% Energy • 14% Liveness
11% Instrumentalness • 18% Positiveness
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Joan As Police Woman
I Was Everyone
131 bpm • B min • 06:05 • -6.68db
8% Popularity • 34% Danceability • 49% Energy • 13% Liveness
19% Instrumentalness • 37% Positiveness
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Rozi Plain
Jogalong
158 bpm • F Maj • 03:57 • -13db
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
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Anna Calvi
Surrender
130 bpm • F# Maj • 02:20 • -9.03db
27% Popularity • 57% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Caribou
Hello Hammerheads
130 bpm • G# min • 02:42 • -20db
48% Popularity • 71% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 88% Positiveness
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Sophie Hunger
Citylights Forever
130 bpm • D Maj • 03:26 • -12.27db
20% Popularity • 62% Danceability • 54% Energy • 11% Liveness
4% Instrumentalness • 39% Positiveness
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Tell Me