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Tell Me
Songs like
Tell Me
by
Hunter Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Bella Taylor Smith
Higher - Acoustic
125 bpm • E Maj • 03:40 • -5.81db
27% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Marano
Worst Kind of Hurt
125 bpm • B min • 02:44 • -9db
40% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hunter Hayes
Tell Me
125 bpm • F Maj • 03:54 • -5.84db
38% Popularity • 44% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Tenille Arts
Missing You
126 bpm • G# Maj • 02:57 • -5.8db
33% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jamie Harrison
Flawless
126 bpm • A Maj • 03:48 • -11.01db
30% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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River Atley
Fixing Me Breaking You
126 bpm • D Maj • 03:32 • -6.82db
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Avery Anna
what made you think?
124 bpm • F Maj • 03:41 • -5.65db
42% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Hunter Hayes
Roses
126 bpm • D Maj • 03:29 • -8.22db
27% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Cam
Girl Like Me
124 bpm • G Maj • 03:30 • -9.27db
33% Popularity • 78% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dan + Shay
Give In To You
124 bpm • B Maj • 02:23 • -8.18db
40% Popularity • 55% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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RaeLynn
Say
124 bpm • G# Maj • 02:58 • -4.49db
43% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Steven Ryan
I Should've Loved You Better
127 bpm • F Maj • 04:16 • -6.75db
21% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Proehl
Falling Into You
123 bpm • A Maj • 03:26 • -8db
37% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Hunter Hayes
Wallflower
124 bpm • B Maj • 03:24 • -6.38db
19% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jeffrey East
Because Of Yours
127 bpm • F# Maj • 04:00 • -7db
26% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Daughtry
Call You Mine
127 bpm • A min • 04:15 • -6.59db
37% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Charlotte Ave
Anyone / Still the One
122 bpm • D Maj • 02:26 • -4.33db
32% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Scotty McCreery
Lonely
122 bpm • D Maj • 04:32 • -5.45db
9% Popularity • 52% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Abby Anderson
Daddy
128 bpm • G Maj • 03:41 • -10db
38% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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FINMAR
If It Weren't For You
128 bpm • C# Maj • 03:16 • -6.57db
40% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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BRELAND
Strawberry Wine - Spotify Singles
122 bpm • A Maj • 04:20 • -8.27db
39% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmie Allen
Un-Break My Heart (Spotify Singles)
122 bpm • G# Maj • 04:16 • -8.21db
34% Popularity • 65% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Smithfield
I'll Never Stop
122 bpm • C# Maj • 03:32 • -6db
41% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Hunter Hayes
No
129 bpm • C# Maj • 03:23 • -6.33db
19% Popularity • 42% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ingrid Andress
We're Not Friends
121 bpm • D Maj • 03:12 • -6.3db
41% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other (Sad Ver...
130 bpm • D Maj • 02:44 • -10.78db
28% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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We Three
HALF HEARTED
130 bpm • E Maj • 03:52 • -10db
56% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Mitch Rossell
Ran into You
130 bpm • D Maj • 03:33 • -6.09db
43% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Hunter Hayes
When Did You Stop Loving Me
130 bpm • F# Maj • 04:28 • -7.6db
27% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ingrid Andress
Feel Like This
130 bpm • G Maj • 03:16 • -5db
59% Popularity • 54% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Parmalee
Forget You
130 bpm • F# Maj • 02:57 • -4.41db
34% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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We Three
Half Hearted - Radio Edit
130 bpm • E Maj • 02:43 • -9.57db
31% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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RaeLynn
She Chose Me
130 bpm • E Maj • 03:38 • -4.61db
41% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Hunter Hayes
Loving You
120 bpm • B Maj • 03:57 • -8.12db
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
34% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Brent Morgan
Deserve You
120 bpm • A# min • 03:00 • -17.14db
33% Popularity • 68% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Kelsea Ballerini
HEARTFIRST
120 bpm • C Maj • 03:07 • -5db
55% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Hueston
Held On Too Long
130 bpm • G Maj • 02:48 • -6.69db
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Levi Hummon
A Home
120 bpm • G# Maj • 02:19 • -5.92db
22% Popularity • 71% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Hunter Hayes
One Shot
120 bpm • F# min • 02:30 • -6db
45% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Matthew Nolan
One Night
120 bpm • B min • 03:25 • -8.14db
47% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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CHASE WRIGHT
Never Loved Before
120 bpm • A Maj • 03:03 • -7db
32% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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David Nail
Someone Like You - Piano Vocal
120 bpm • D Maj • 05:20 • -7.44db
41% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Lockett
Call Me In The Morning
132 bpm • G# Maj • 03:38 • -10.14db
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Dan + Shay
I Should Probably Go To Bed
132 bpm • C# Maj • 02:50 • -8.82db
57% Popularity • 71% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Hayes
More
120 bpm • A# Maj • 02:37 • -4.94db
32% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jon Mullins
Survive
132 bpm • F Maj • 03:23 • -6.9db
24% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jana Kramer
Voices
132 bpm • D# min • 03:16 • -5db
42% Popularity • 66% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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CHASE WRIGHT
Intertwined
132 bpm • G# Maj • 03:02 • -5.61db
37% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Avery Anna
Critic
132 bpm • G# Maj • 03:11 • -5db
41% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hunter Hayes
Missing You
120 bpm • C Maj • 02:42 • -7db
34% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Alexandra Kay
That's What Love Is
118 bpm • C# Maj • 04:04 • -8.04db
57% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Jon Robert Hall
On the Way
118 bpm • A Maj • 03:34 • -7.72db
16% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Caroline Jones
Million Little Bandaids - Acoustic Vers...
118 bpm • E Maj • 02:54 • -7.6db
13% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsea Ballerini
Mountain With A View
118 bpm • A# Maj • 02:57 • -7.15db
57% Popularity • 44% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Ingrid Andress
Blue
117 bpm • G# Maj • 03:21 • -10db
40% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Hunter Hayes
Dear God
120 bpm • G# min • 02:55 • -7db
45% Popularity • 65% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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John Legend
All of Me
133 bpm • G# Maj • 04:19 • -6.77db
44% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Reeves
Forever Isn't Long Enough
117 bpm • G Maj • 03:48 • -7db
23% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
54% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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My Brothers And I
Always Be Loving You
117 bpm • B Maj • 03:28 • -9db
36% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Gone West
I'm Never Getting Over You
134 bpm • A# Maj • 03:50 • -9.61db
42% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hunter Hayes
You Should Be Loved
120 bpm • F# Maj • 02:56 • -6db
30% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Brother Joe
Remember the Dance
134 bpm • G Maj • 03:24 • -7.47db
29% Popularity • 43% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Adeline Hill
How Can It Be Time Already
134 bpm • G Maj • 04:31 • -6db
27% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Carly Pearce
Halfway Home
117 bpm • F Maj • 03:21 • -4db
39% Popularity • 46% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Kaylee Bell
Silver Linings
134 bpm • G Maj • 03:32 • -6.82db
25% Popularity • 62% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Hunter Hayes
Night and Day
118 bpm • A min • 03:45 • -7.38db
25% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Scott
She
134 bpm • A Maj • 03:29 • -10.68db
47% Popularity • 51% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 12% Positiveness
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Ron Pope
The Good Old Days
134 bpm • D# Maj • 03:38 • -11.24db
28% Popularity • 70% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
52% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Chris and Bri
Found You
135 bpm • A# Maj • 03:44 • -10db
24% Popularity • 34% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Eric Van Houten
Anyone
116 bpm • D Maj • 02:51 • -14.98db
40% Popularity • 68% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Brent Morgan
Pretending
135 bpm • F Maj • 03:10 • -9.45db
35% Popularity • 52% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Hunter Hayes
Madness
135 bpm • D Maj • 03:31 • -5.98db
23% Popularity • 50% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Lauren Jones
Compare to You
116 bpm • C Maj • 03:24 • -10.63db
30% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dan + Shay
Let Me Get Over Her
135 bpm • C Maj • 03:02 • -6.59db
37% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Shaw
Say Nothing
135 bpm • D Maj • 03:45 • -10.86db
13% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Alexandria Corn
Back Together Again
135 bpm • B Maj • 03:45 • -7db
34% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Maddie Zahm
Beautifully Human
135 bpm • E Maj • 04:25 • -10db
24% Popularity • 44% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Brent Morgan
Should I Leave
115 bpm • D Maj • 04:11 • -5.99db
32% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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FINMAR
Mess This Up
136 bpm • D# Maj • 03:07 • -7.08db
25% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
36% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Dylan Schneider
Carhartt
114 bpm • G Maj • 02:25 • -4.78db
8% Popularity • 78% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Avery Anna
I Love You More
137 bpm • D Maj • 03:24 • -4.83db
46% Popularity • 58% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Brent Morgan
The Fixer
115 bpm • F# Maj • 03:08 • -11.55db
48% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dan + Shay
One Direction
137 bpm • C Maj • 03:17 • -6.09db
38% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lauren Duski
World Before You
114 bpm • D# Maj • 02:58 • -8.23db
35% Popularity • 36% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Lauren Alaina
It Was Me
114 bpm • F# Maj • 04:43 • -5.97db
23% Popularity • 37% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Tenille Arts
Jealous of Myself
138 bpm • C Maj • 03:26 • -4.23db
40% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Knight
Maybe That
138 bpm • G# Maj • 03:36 • -7.3db
20% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Brent Morgan
What Dreams Are Made Of
115 bpm • E Maj • 02:28 • -13.26db
62% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Edwards
Monday
138 bpm • D Maj • 03:02 • -5.54db
32% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Griffin
Love Don't
138 bpm • F# Maj • 03:15 • -5.31db
39% Popularity • 59% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Tell Me