Songs like Telstar by The Tornados
Based on a tempo of (+/- 10%) and a similar genre
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Manfred Mann
Sha La La
145 bpm • F Maj • 02:31 • -4db
27% Popularity • 36% Danceability • 84% Energy • 86% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 36% Danceability • 84% Energy • 86% Liveness
0% Instrumentalness • 87% Positiveness
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The Swinging Blue Jeans
Shakin' All Over
145 bpm • A# Maj • 02:04 • -9.75db
31% Popularity • 53% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 53% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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The Tornados
Telstar
145 bpm • A Maj • 03:18 • -10.11db
38% Popularity • 31% Danceability • 67% Energy • 36% Liveness
89% Instrumentalness • 77% Positiveness
38% Popularity • 31% Danceability • 67% Energy • 36% Liveness
89% Instrumentalness • 77% Positiveness
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Carole King
It Might as Well Rain Until September
146 bpm • C Maj • 02:27 • -6.72db
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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John Leyton
Johnny Remember Me
144 bpm • C min • 02:40 • -8.71db
35% Popularity • 34% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 34% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Dave Clark Five
Bits and Pieces (2019 - Remaster)
144 bpm • C Maj • 01:58 • -8.88db
39% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
39% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Manfred Mann
Ha! Ha! Said the Clown - Mono
146 bpm • D Maj • 02:27 • -6.99db
38% Popularity • 54% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 54% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Honeycombs
Colour Slide
146 bpm • C# Maj • 02:53 • -8.84db
12% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Tornados
Telstar
145 bpm • A Maj • 03:17 • -4db
32% Popularity • 33% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 79% Positiveness
32% Popularity • 33% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 79% Positiveness
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The Swinging Blue Jeans
Good Golly Miss Molly
147 bpm • A Maj • 02:05 • -11db
34% Popularity • 40% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 40% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Apollo 100
Jazz Pizzicato
147 bpm • G Maj • 01:44 • -16.6db
15% Popularity • 70% Danceability • 39% Energy • 8% Liveness
14% Instrumentalness • 97% Positiveness
15% Popularity • 70% Danceability • 39% Energy • 8% Liveness
14% Instrumentalness • 97% Positiveness
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Del Shannon
Handy Man
147 bpm • A Maj • 02:14 • -3.17db
21% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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John Barry
Hit & Miss
147 bpm • E Maj • 02:02 • -6.33db
20% Popularity • 63% Danceability • 82% Energy • 11% Liveness
73% Instrumentalness • 97% Positiveness
20% Popularity • 63% Danceability • 82% Energy • 11% Liveness
73% Instrumentalness • 97% Positiveness
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Guy Mitchell
Singing the Blues
143 bpm • D Maj • 02:27 • -12.67db
31% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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The Tornados
Telstar - Alternative Edit
145 bpm • A Maj • 02:43 • -10.51db
3% Popularity • 22% Danceability • 81% Energy • 39% Liveness
87% Instrumentalness • 72% Positiveness
3% Popularity • 22% Danceability • 81% Energy • 39% Liveness
87% Instrumentalness • 72% Positiveness
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Gerry & The Pacemakers
I Like It (Main)
148 bpm • G Maj • 02:15 • -10.33db
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Kidd & The Pirates
I'll Never Get Over You
142 bpm • A Maj • 02:07 • -8db
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Mike Berry & The Outlaws
Tribute to Buddy Holly
142 bpm • E Maj • 02:58 • -14db
26% Popularity • 42% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 42% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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The Tornados
Robot
144 bpm • D Maj • 02:41 • -4.73db
10% Popularity • 29% Danceability • 92% Energy • 30% Liveness
94% Instrumentalness • 79% Positiveness
10% Popularity • 29% Danceability • 92% Energy • 30% Liveness
94% Instrumentalness • 79% Positiveness
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Gerry & The Pacemakers
How Do You Do It? - Mono
142 bpm • A Maj • 01:54 • -6db
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Jan & Dean
Surf City
148 bpm • G# Maj • 02:27 • -12.87db
51% Popularity • 53% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 53% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Russ Conway
The Harry Lime Theme
142 bpm • D# Maj • 02:18 • -10db
34% Popularity • 62% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
34% Popularity • 62% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Mitchell
Singing the Blues
141 bpm • E Maj • 02:25 • -8db
26% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Tornados
Robot
144 bpm • D Maj • 02:40 • -6.07db
3% Popularity • 24% Danceability • 89% Energy • 34% Liveness
79% Instrumentalness • 59% Positiveness
3% Popularity • 24% Danceability • 89% Energy • 34% Liveness
79% Instrumentalness • 59% Positiveness
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The New Seekers
What Have The Done To My Song Ma
141 bpm • A Maj • 03:15 • -9db
34% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Alan Price Set
Hi Lili Hi Lo
141 bpm • A# Maj • 02:48 • -9.44db
17% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Laine
High Noon (Do Not Forsake Me)
141 bpm • D# Maj • 02:39 • -11.89db
32% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Del Shannon
Keep Searchin' (We'll Follow the Sun)
149 bpm • E min • 02:08 • -9.47db
35% Popularity • 41% Danceability • 68% Energy • 81% Liveness
93% Instrumentalness • 86% Positiveness
35% Popularity • 41% Danceability • 68% Energy • 81% Liveness
93% Instrumentalness • 86% Positiveness
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The Tremeloes
Even the Bad Times Are Good (Stereo Vers...
141 bpm • G Maj • 02:36 • -4.71db
31% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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The Tornados
Telstar
146 bpm • A Maj • 03:18 • -10.35db
3% Popularity • 30% Danceability • 68% Energy • 38% Liveness
80% Instrumentalness • 76% Positiveness
3% Popularity • 30% Danceability • 68% Energy • 38% Liveness
80% Instrumentalness • 76% Positiveness
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Frank Ifield
Waltzing Matilda
141 bpm • G# min • 02:27 • -7.72db
18% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The New Christy Minstrels
Green, Green
140 bpm • F Maj • 02:07 • -10.32db
31% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mungo Jerry
Lady Rose
150 bpm • B Maj • 03:10 • -10.67db
38% Popularity • 64% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 64% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Gerry & The Pacemakers
All Quiet on the Mersey Front - Stereo ...
140 bpm • E min • 02:08 • -9.99db
22% Popularity • 52% Danceability • 65% Energy • 22% Liveness
96% Instrumentalness • 84% Positiveness
22% Popularity • 52% Danceability • 65% Energy • 22% Liveness
96% Instrumentalness • 84% Positiveness
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Gene Pitney
Mecca
140 bpm • D min • 02:20 • -7.04db
26% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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The Tornados
Life on Venus
144 bpm • A# Maj • 02:26 • -4.98db
7% Popularity • 35% Danceability • 70% Energy • 13% Liveness
7% Instrumentalness • 70% Positiveness
7% Popularity • 35% Danceability • 70% Energy • 13% Liveness
7% Instrumentalness • 70% Positiveness
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Pat Boone
Moody River
139 bpm • F min • 02:33 • -7.37db
27% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Holly
Heartbeat
151 bpm • A Maj • 02:08 • -9.5db
51% Popularity • 62% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 62% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Harpers Bizarre
Anything Goes - Remastered Version
151 bpm • C# Maj • 02:03 • -9.95db
22% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Billy J. Kramer
Magic Carpet
151 bpm • A Maj • 01:55 • -8.3db
18% Popularity • 45% Danceability • 62% Energy • 21% Liveness
31% Instrumentalness • 96% Positiveness
18% Popularity • 45% Danceability • 62% Energy • 21% Liveness
31% Instrumentalness • 96% Positiveness
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Cliff Richard & The Shadows
I Could Easily Fall (In Love with You)
151 bpm • A Maj • 02:55 • -10db
24% Popularity • 34% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 34% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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The Tornados
Love and Fury
143 bpm • D Maj • 02:41 • -6.34db
10% Popularity • 20% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 20% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hurricane Smith
Oh, Babe What Would You Say
152 bpm • C Maj • 03:29 • -7.11db
37% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Helen Shapiro
Don't Treat Me Like a Child
152 bpm • G# Maj • 02:34 • -7db
24% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Chantays
Pipeline
152 bpm • A min • 02:19 • -16db
49% Popularity • 44% Danceability • 46% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
49% Popularity • 44% Danceability • 46% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
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Terry Stafford
Suspicion
138 bpm • D Maj • 02:34 • -11db
45% Popularity • 60% Danceability • 57% Energy • 13% Liveness
29% Instrumentalness • 88% Positiveness
45% Popularity • 60% Danceability • 57% Energy • 13% Liveness
29% Instrumentalness • 88% Positiveness
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The Dave Clark Five
Glad All Over (2019 - Remaster)
138 bpm • D Maj • 02:43 • -8.35db
46% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Tornados
Love and Fury
142 bpm • G Maj • 02:40 • -4.83db
6% Popularity • 32% Danceability • 81% Energy • 12% Liveness
4% Instrumentalness • 68% Positiveness
6% Popularity • 32% Danceability • 81% Energy • 12% Liveness
4% Instrumentalness • 68% Positiveness
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Chris Montez
Let's Dance
153 bpm • C# Maj • 02:29 • -6.3db
45% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Billy J. Kramer
Do You Want to Know a Secret?
137 bpm • E Maj • 02:03 • -9.83db
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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The Laurie Johnson Orchestra
Theme from ''The Avengers''
137 bpm • D min • 02:19 • -7.6db
26% Popularity • 31% Danceability • 65% Energy • 16% Liveness
70% Instrumentalness • 59% Positiveness
26% Popularity • 31% Danceability • 65% Energy • 16% Liveness
70% Instrumentalness • 59% Positiveness
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John D. Loudermilk
Language of Love
153 bpm • D Maj • 01:47 • -12db
37% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Tornados
Telstar (Alternate Take)
141 bpm • F# min • 03:15 • -7.93db
19% Popularity • 37% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
19% Popularity • 37% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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The Honeycombs
That's the Way
137 bpm • F# Maj • 02:59 • -9.51db
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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The Move
Fire Brigade - 2007 Remaster
154 bpm • G Maj • 02:24 • -3.8db
28% Popularity • 33% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 33% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Herb Alpert
Casino Royale Theme
137 bpm • D Maj • 02:36 • -13db
40% Popularity • 69% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 89% Positiveness
40% Popularity • 69% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 89% Positiveness
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The Seekers
Georgy Girl
154 bpm • E Maj • 02:20 • -7.45db
55% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Russ Conway
Pixilated Penguin
137 bpm • G Maj • 02:53 • -11.78db
18% Popularity • 64% Danceability • 56% Energy • 35% Liveness
76% Instrumentalness • 92% Positiveness
18% Popularity • 64% Danceability • 56% Energy • 35% Liveness
76% Instrumentalness • 92% Positiveness
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The Tornados
Do You Come Here Often?
141 bpm • A min • 03:54 • -8.07db
6% Popularity • 46% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 46% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Andrè Brasseur
Holiday
136 bpm • C Maj • 02:23 • -8.57db
11% Popularity • 71% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
11% Popularity • 71% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Peter And Gordon
The Knight in Rusty Armour - Stereo; 201...
136 bpm • B Maj • 02:38 • -7db
19% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Roe
Sheila
136 bpm • E Maj • 02:07 • -9db
45% Popularity • 42% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 42% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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The Fortunes
You've Got Your Troubles
136 bpm • B min • 03:21 • -11.48db
42% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Harpers Bizarre
59th Street Bridge Song (Feelin' Groovy)...
135 bpm • C# Maj • 02:39 • -13.28db
39% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Tornados
Earthy
140 bpm • F Maj • 01:59 • -6.09db
11% Popularity • 55% Danceability • 96% Energy • 24% Liveness
72% Instrumentalness • 97% Positiveness
11% Popularity • 55% Danceability • 96% Energy • 24% Liveness
72% Instrumentalness • 97% Positiveness
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Ron Goodwin
Elizabethan Serenade - 2003 Remaster
155 bpm • F Maj • 02:51 • -11.16db
21% Popularity • 29% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 53% Positiveness
21% Popularity • 29% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 53% Positiveness
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Johnny Tillotson
Poetry In Motion
135 bpm • G# Maj • 02:34 • -7.42db
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Equals
Baby Come Back
135 bpm • C Maj • 02:32 • -16.49db
50% Popularity • 72% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 72% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Swinging Blue Jeans
Promise You'll Tell Her
135 bpm • E Maj • 02:09 • -6.92db
24% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Booker T. & the M.G.'s
Time Is Tight
135 bpm • A min • 03:15 • -14.6db
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
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The Tornados
Early Bird
140 bpm • C# Maj • 02:25 • -5.87db
3% Popularity • 26% Danceability • 92% Energy • 12% Liveness
86% Instrumentalness • 65% Positiveness
3% Popularity • 26% Danceability • 92% Energy • 12% Liveness
86% Instrumentalness • 65% Positiveness
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Small Faces
Sha La La La Lee - Mono Version
135 bpm • E Maj • 02:54 • -4.25db
32% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Gerry & The Pacemakers
Jambalaya (On the Bayou) - Stereo; 1997 ...
156 bpm • D Maj • 02:41 • -10.33db
39% Popularity • 56% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 56% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Mr. Bloe
Groovin' With Mr. Bloe
134 bpm • G Maj • 02:40 • -8db
32% Popularity • 82% Danceability • 43% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
32% Popularity • 82% Danceability • 43% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Apollo 100
Mendelssohn's 4th (Second Movement)
134 bpm • G Maj • 02:38 • -11.95db
10% Popularity • 59% Danceability • 63% Energy • 24% Liveness
92% Instrumentalness • 82% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 24% Liveness
92% Instrumentalness • 82% Positiveness
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1910 Fruitgum Company
Simon Says
134 bpm • A Maj • 02:18 • -11db
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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The Tornados
Popeye Twist
150 bpm • D Maj • 02:29 • -4.23db
6% Popularity • 28% Danceability • 95% Energy • 36% Liveness
69% Instrumentalness • 89% Positiveness
6% Popularity • 28% Danceability • 95% Energy • 36% Liveness
69% Instrumentalness • 89% Positiveness
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Kai Winding
More (Theme From Mondo Cane)
134 bpm • E min • 02:02 • -12.07db
31% Popularity • 44% Danceability • 55% Energy • 16% Liveness
91% Instrumentalness • 75% Positiveness
31% Popularity • 44% Danceability • 55% Energy • 16% Liveness
91% Instrumentalness • 75% Positiveness
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Johnny & The Hurricanes
Ja-Da
157 bpm • D Maj • 02:04 • -11.78db
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Petula Clark
Don't Sleep In the Subway
134 bpm • A# Maj • 02:55 • -7.33db
37% Popularity • 42% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 42% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
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Scott Walker
Jackie
134 bpm • G Maj • 03:21 • -15.16db
35% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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The Equals
Baby, Come Back - Re-Recorded
133 bpm • B min • 02:28 • -15db
31% Popularity • 80% Danceability • 66% Energy • 14% Liveness
15% Instrumentalness • 70% Positiveness
31% Popularity • 80% Danceability • 66% Energy • 14% Liveness
15% Instrumentalness • 70% Positiveness
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The Tornados
The Breeze and I
151 bpm • A Maj • 02:17 • -5.37db
4% Popularity • 31% Danceability • 95% Energy • 37% Liveness
39% Instrumentalness • 70% Positiveness
4% Popularity • 31% Danceability • 95% Energy • 37% Liveness
39% Instrumentalness • 70% Positiveness
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John Leyton
Wild Wind
158 bpm • D Maj • 02:15 • -7db
19% Popularity • 17% Danceability • 70% Energy • 80% Liveness
5% Instrumentalness • 60% Positiveness
19% Popularity • 17% Danceability • 70% Energy • 80% Liveness
5% Instrumentalness • 60% Positiveness
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Johnny & The Hurricanes
Bam-Boo
158 bpm • E min • 02:27 • -7.08db
12% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
12% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
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Cliff Richard & The Shadows
In the Country
158 bpm • D Maj • 02:44 • -12db
20% Popularity • 44% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 44% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Dave Berry
Little Things
132 bpm • B min • 02:23 • -8.48db
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Andrè Brasseur
Early Bird
132 bpm • F Maj • 02:14 • -10db
30% Popularity • 64% Danceability • 49% Energy • 22% Liveness
83% Instrumentalness • 82% Positiveness
30% Popularity • 64% Danceability • 49% Energy • 22% Liveness
83% Instrumentalness • 82% Positiveness
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The Tornados
Telstar - Original Speed Clean Version
135 bpm • G# Maj • 03:12 • -10.24db
4% Popularity • 38% Danceability • 64% Energy • 28% Liveness
99% Instrumentalness • 66% Positiveness
4% Popularity • 38% Danceability • 64% Energy • 28% Liveness
99% Instrumentalness • 66% Positiveness
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Kathy Kirby
Secret Love
132 bpm • C Maj • 02:31 • -6.99db
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Peter And Gordon
Nobody I Know - Mono; 2002 Remaster
132 bpm • C Maj • 02:30 • -6.57db
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Cochran
Three Steps To Heaven - Single Version
132 bpm • A# Maj • 02:24 • -12.71db
54% Popularity • 68% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 68% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The New Seekers
You Won't Find Another Fool Like Me
131 bpm • E min • 03:12 • -7.7db
37% Popularity • 53% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 53% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmie Rodgers
English Country Garden
131 bpm • B Maj • 02:43 • -13.19db
22% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
