Songs like Tema Dell'addio by Piero Umiliani
Based on a tempo of (+/- 10%) and a similar genre
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Piero Umiliani
Luna d'agosto - Con clavicembalo
119 bpm • C# Maj • 02:36 • -17.84db
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Trevor Duncan
Windshift
119 bpm • G min • 03:07 • -17db
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Nino Nardini
Tropical Call
119 bpm • D# Maj • 02:35 • -12.64db
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Sandro Brugnolini
Silvana
119 bpm • G min • 03:53 • -17db
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Alain Goraguer
Course de Terr
118 bpm • E min • 00:53 • -10.67db
27% Popularity • 63% Danceability • 57% Energy • 21% Liveness
89% Instrumentalness • 13% Positiveness
27% Popularity • 63% Danceability • 57% Energy • 21% Liveness
89% Instrumentalness • 13% Positiveness
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Piero Umiliani
Tema Dell'addio
119 bpm • F min • 02:32 • -19.32db
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
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Gianni Oddi
Dedicato a Twiggy
120 bpm • C min • 02:26 • -19.37db
31% Popularity • 69% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 69% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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I Marc 4
Aspettando July
118 bpm • A min • 02:37 • -17.59db
40% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
40% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Sun Ra
I Could Have Danced All Night
118 bpm • C Maj • 03:11 • -7.69db
27% Popularity • 37% Danceability • 50% Energy • 29% Liveness
76% Instrumentalness • 52% Positiveness
27% Popularity • 37% Danceability • 50% Energy • 29% Liveness
76% Instrumentalness • 52% Positiveness
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Peter Thomas Sound Orchester
Playboy
118 bpm • D# Maj • 01:29 • -16.14db
21% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
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Piero Umiliani
Blue Lagoon
120 bpm • G Maj • 03:42 • -19db
20% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Stelvio Cipriani
Soft Love Theme
118 bpm • D# Maj • 03:44 • -8.51db
18% Popularity • 55% Danceability • 76% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
18% Popularity • 55% Danceability • 76% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
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Franco Micalizzi
Jessica's Theme
121 bpm • G# Maj • 04:06 • -11.6db
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Alain Goraguer
Strip Tease
121 bpm • D min • 02:24 • -15db
36% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
36% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
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Alan Tew
The Fence (B)
121 bpm • C Maj • 02:13 • -25db
39% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
39% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Martial Solal
L'amour la mort - Bande originale du fil...
117 bpm • C Maj • 02:06 • -15.46db
22% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
22% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
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Gene Harris
Soft Cycles
121 bpm • F min • 02:30 • -17.29db
32% Popularity • 54% Danceability • 20% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
32% Popularity • 54% Danceability • 20% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Nino Nardini
Bagheera
116 bpm • B min • 02:18 • -10.52db
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Cortex
Sabbat, pt. 2
121 bpm • C min • 03:20 • -8.99db
36% Popularity • 45% Danceability • 69% Energy • 59% Liveness
83% Instrumentalness • 92% Positiveness
36% Popularity • 45% Danceability • 69% Energy • 59% Liveness
83% Instrumentalness • 92% Positiveness
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Alain Goraguer
La femme
121 bpm • C# min • 02:12 • -15db
32% Popularity • 43% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 43% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Roberto Pregadio
Erika, Seq. 3
122 bpm • A min • 03:07 • -23.21db
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
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Arthur Lyman
Dahil Sayo
116 bpm • F Maj • 02:28 • -27.73db
30% Popularity • 65% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 56% Positiveness
30% Popularity • 65% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 56% Positiveness
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Luigi Malatesta
Bakenda Beat
122 bpm • A# Maj • 04:43 • -12.03db
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
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Alan Tew
The Detectives (Interlude)
122 bpm • F Maj • 01:48 • -23.2db
35% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
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Piero Umiliani
Darling - Remastered
122 bpm • D min • 03:16 • -19.44db
26% Popularity • 41% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
26% Popularity • 41% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
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Alan Parker
Black Light
122 bpm • E min • 02:43 • -18.74db
15% Popularity • 78% Danceability • 42% Energy • 7% Liveness
85% Instrumentalness • 36% Positiveness
15% Popularity • 78% Danceability • 42% Energy • 7% Liveness
85% Instrumentalness • 36% Positiveness
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Bruno Nicolai
Barlington - Version 2
116 bpm • G# Maj • 01:03 • -16db
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
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Tony Kinsey
Day by Day
116 bpm • A# min • 03:11 • -19.28db
19% Popularity • 45% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 48% Positiveness
19% Popularity • 45% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 48% Positiveness
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Laura Betti
E Invece No
115 bpm • E min • 03:29 • -10.43db
7% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Hareton Salvanini
Espairecendo
115 bpm • F Maj • 03:38 • -10.57db
29% Popularity • 60% Danceability • 53% Energy • 7% Liveness
95% Instrumentalness • 51% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 7% Liveness
95% Instrumentalness • 51% Positiveness
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David Snell
International Flight
123 bpm • F min • 02:02 • -18.88db
31% Popularity • 47% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 87% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 87% Positiveness
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Yusef Lateef
Woodward Avenue
123 bpm • E min • 02:14 • -16db
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
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Triste Janero
T.J. Blues
115 bpm • D Maj • 07:54 • -12.34db
19% Popularity • 49% Danceability • 60% Energy • 10% Liveness
62% Instrumentalness • 38% Positiveness
19% Popularity • 49% Danceability • 60% Energy • 10% Liveness
62% Instrumentalness • 38% Positiveness
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Bruno Nicolai
Labirinto - Film Version
115 bpm • G# Maj • 02:09 • -15.06db
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
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Alberto Baldan Bembo
Gonzales Go
124 bpm • A# Maj • 02:14 • -11db
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
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Maurizio De Angelis
Ankara
123 bpm • D Maj • 02:13 • -19db
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
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Piero Umiliani
Volto di donna - Orchestra Version
114 bpm • C Maj • 03:28 • -10.68db
15% Popularity • 24% Danceability • 34% Energy • 32% Liveness
20% Instrumentalness • 13% Positiveness
15% Popularity • 24% Danceability • 34% Energy • 32% Liveness
20% Instrumentalness • 13% Positiveness
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Fred Bongusto
Funny People
114 bpm • A# Maj • 02:06 • -20.33db
24% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
24% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
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François de Roubaix
Opération FR1
114 bpm • G min • 03:05 • -13.93db
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Rigol
Sembrava sincera
114 bpm • F min • 02:52 • -18.61db
15% Popularity • 41% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
15% Popularity • 41% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 56% Positiveness
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Roberto Pregadio
Erika, Seq. 1
124 bpm • F Maj • 04:43 • -17db
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
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Berto Pisano
Free Hammond
124 bpm • F Maj • 02:51 • -18db
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Manny Lopez
Terra Bella (Que Bonita Es Mi Tierra)
114 bpm • C Maj • 02:57 • -16db
10% Popularity • 64% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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Alberto Baldan Bembo
Night Samba
124 bpm • C# Maj • 02:23 • -7.98db
32% Popularity • 67% Danceability • 84% Energy • 15% Liveness
94% Instrumentalness • 97% Positiveness
32% Popularity • 67% Danceability • 84% Energy • 15% Liveness
94% Instrumentalness • 97% Positiveness
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Alain Goraguer
Méditation des enfants
125 bpm • C min • 01:33 • -16.91db
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Tamba 4
Baiano
124 bpm • E min • 02:49 • -22db
35% Popularity • 58% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
35% Popularity • 58% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
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Brazilian Octopus
Pavane
114 bpm • G min • 02:35 • -11.71db
13% Popularity • 51% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
13% Popularity • 51% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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Nora Orlandi
Sweet Sweet Love
125 bpm • F Maj • 04:55 • -12.27db
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
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Hugo Montenegro & His Orchestra
A Martini Built for Two
125 bpm • C Maj • 02:22 • -21.76db
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
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Piero Umiliani
Il tuo volto
113 bpm • C Maj • 02:05 • -11.13db
23% Popularity • 69% Danceability • 34% Energy • 16% Liveness
96% Instrumentalness • 48% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 16% Liveness
96% Instrumentalness • 48% Positiveness
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Robert Drasnin
You
125 bpm • A min • 02:25 • -28db
27% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
27% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
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Lesiman
Colloquio
125 bpm • A# min • 02:54 • -14db
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Alan Parker
Sweet Summer (A)
125 bpm • G# Maj • 02:10 • -18.67db
13% Popularity • 53% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
13% Popularity • 53% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
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Nora Orlandi
Uccidere in silenzio 3
125 bpm • G Maj • 01:31 • -22db
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Alessandro Alessandroni
Foggy Town
113 bpm • C Maj • 03:02 • -11.41db
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Dudley Moore Trio
The Millionaire
125 bpm • A# min • 05:17 • -13.78db
28% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
28% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
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Fred Bongusto
L'artista e io
113 bpm • B min • 01:08 • -27db
43% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
43% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
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Nino Nardini
Shere Khan
125 bpm • G Maj • 02:00 • -10db
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Piero Umiliani
Cantata per Maryam
126 bpm • D min • 01:56 • -9.46db
26% Popularity • 64% Danceability • 53% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
26% Popularity • 64% Danceability • 53% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
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Jean-Pierre Mirouze
Sexopolis
112 bpm • G min • 04:42 • -4.59db
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
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Chico Hamilton
Monday Monday
112 bpm • C Maj • 02:23 • -22.07db
34% Popularity • 66% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 57% Positiveness
34% Popularity • 66% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 57% Positiveness
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I Marc 4
Nichole
126 bpm • E min • 02:42 • -11.48db
31% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Arawak
Accadde a Cuzco
112 bpm • A min • 03:09 • -22.41db
14% Popularity • 31% Danceability • 7% Energy • 11% Liveness
34% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 11% Liveness
34% Instrumentalness • 5% Positiveness
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Agustin Pereyra Lucena
Samba do Aviao
126 bpm • G# Maj • 03:30 • -15.48db
27% Popularity • 40% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 54% Positiveness
27% Popularity • 40% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 54% Positiveness
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Piero Umiliani
Goodmorning Sun
126 bpm • C min • 04:44 • -19.24db
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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ã‚»ã‚トオ・シゲオ
処女航海
126 bpm • A# Maj • 06:58 • -13.53db
39% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Ennio Morricone
Beat n. 3
112 bpm • C Maj • 02:47 • -10.57db
20% Popularity • 70% Danceability • 67% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
20% Popularity • 70% Danceability • 67% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Jean-Pierre Mirouze
Tivoli Garden
112 bpm • A min • 02:56 • -9db
12% Popularity • 35% Danceability • 18% Energy • 28% Liveness
93% Instrumentalness • 31% Positiveness
12% Popularity • 35% Danceability • 18% Energy • 28% Liveness
93% Instrumentalness • 31% Positiveness
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Pierre Cavalli
Tempo In Tempo
112 bpm • A Maj • 02:48 • -12db
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Alan Tew
White Elephant Walk
112 bpm • A# min • 01:25 • -22.76db
36% Popularity • 85% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 75% Positiveness
36% Popularity • 85% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 75% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Berto Pisano
Voice in the Night - Version 2
111 bpm • F Maj • 03:04 • -10.97db
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
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Piero Umiliani
Notte di luna
111 bpm • C# Maj • 02:42 • -17.56db
23% Popularity • 42% Danceability • 20% Energy • 17% Liveness
77% Instrumentalness • 28% Positiveness
23% Popularity • 42% Danceability • 20% Energy • 17% Liveness
77% Instrumentalness • 28% Positiveness
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Lalo Schifrin
The Aftermath of Love
111 bpm • A min • 02:49 • -23.12db
25% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
25% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
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Jack DeJohnette
Four Levels Of Joy
128 bpm • A# Maj • 03:12 • -20.87db
33% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
33% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
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Alan Tew
Drama Backcloth (2)
112 bpm • C Maj • 01:01 • -35.57db
24% Popularity • 56% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 22% Positiveness
24% Popularity • 56% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 22% Positiveness
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Alessandro Alessandroni
Tema di Susie
128 bpm • G# Maj • 01:33 • -14.74db
42% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
42% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
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Fred Bongusto
Motivo di Giorgia, pt. 2
111 bpm • D# Maj • 01:20 • -19db
47% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
47% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
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Piero Umiliani
Pelle di luna - Hammond & Percussion Ver...
111 bpm • G min • 03:17 • -10.68db
23% Popularity • 32% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
23% Popularity • 32% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Jean-Pierre Mirouze
Scène du port
128 bpm • C min • 03:49 • -5.98db
14% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
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Robert Drasnin
Orinoco
128 bpm • E min • 02:19 • -21.4db
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
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Augusto Martelli
Mood
110 bpm • G# Maj • 02:59 • -17db
14% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
14% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
36% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
36% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Fred Bongusto
Motivo di Giorgia
110 bpm • D# Maj • 01:20 • -25db
47% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
47% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Luigi Malatesta
Africa nuova
111 bpm • F# min • 01:29 • -21.14db
13% Popularity • 35% Danceability • 10% Energy • 34% Liveness
41% Instrumentalness • 15% Positiveness
13% Popularity • 35% Danceability • 10% Energy • 34% Liveness
41% Instrumentalness • 15% Positiveness
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Bixio
Vai gorilla - Colonna sonora del film "V...
129 bpm • D# min • 02:56 • -14.2db
19% Popularity • 38% Danceability • 57% Energy • 31% Liveness
47% Instrumentalness • 76% Positiveness
19% Popularity • 38% Danceability • 57% Energy • 31% Liveness
47% Instrumentalness • 76% Positiveness
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O'Donel Levy
Watch What Happens
129 bpm • A# Maj • 03:34 • -15.1db
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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Orchestra Berto Pisano
Sotto Le Stelle
110 bpm • G Maj • 03:16 • -15.57db
14% Popularity • 51% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 43% Positiveness
14% Popularity • 51% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 43% Positiveness
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François de Roubaix
Jeanne et Marceau - Bande originale du f...
110 bpm • G Maj • 02:02 • -17.57db
29% Popularity • 63% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
29% Popularity • 63% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
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Johnny Pate
Jazar's Theme - Soundtrack
129 bpm • C min • 01:35 • -12.69db
38% Popularity • 38% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
38% Popularity • 38% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Piero Umiliani
Epilogo - Take 2
109 bpm • D# Maj • 04:34 • -17.84db
15% Popularity • 63% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
15% Popularity • 63% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
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Armando Trovajoli
Francoise
129 bpm • A min • 02:49 • -23.51db
19% Popularity • 39% Danceability • 3% Energy • 9% Liveness
75% Instrumentalness • 45% Positiveness
19% Popularity • 39% Danceability • 3% Energy • 9% Liveness
75% Instrumentalness • 45% Positiveness
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Pierre Cavalli
Alegria
109 bpm • D min • 03:11 • -11.34db
15% Popularity • 58% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
15% Popularity • 58% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
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Stelvio Cipriani
Tenerezza - Originale
129 bpm • E min • 02:00 • -32.46db
36% Popularity • 41% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
36% Popularity • 41% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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I Marc 4
Sweet-Beat
109 bpm • F# Maj • 02:19 • -11db
36% Popularity • 72% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
36% Popularity • 72% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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Bobbi Humphrey
It's Too Late
109 bpm • F Maj • 03:08 • -12.64db
25% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
25% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness