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Ten of Clubs - DangerouslyClose Mix
Songs like
Ten of Clubs - DangerouslyClose Mix
by
Deathline
Based on a tempo of (+/- 10%) and a similar genre
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The Ice-Cream Guy
Ice Cream World Domination
130 bpm • G# Maj • 02:30 • -12.11db
12% Popularity • 37% Danceability • 74% Energy • 20% Liveness
54% Instrumentalness • 78% Positiveness
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Harri Pick
Insecure
130 bpm • D# Maj • 02:44 • -10.28db
9% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Paceshifters
Sirens
130 bpm • C# min • 03:58 • -7.9db
8% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Finn Howard
there is always no boundaries within lim...
130 bpm • G# Maj • 04:28 • -16.02db
15% Popularity • 46% Danceability • 74% Energy • 17% Liveness
94% Instrumentalness • 49% Positiveness
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The Fireman's Goat
The Great Thinker
130 bpm • E Maj • 02:10 • -5.8db
9% Popularity • 62% Danceability • 58% Energy • 40% Liveness
65% Instrumentalness • 85% Positiveness
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The Yum Yums
Candy
130 bpm • C Maj • 03:17 • -11.27db
19% Popularity • 59% Danceability • 62% Energy • 20% Liveness
27% Instrumentalness • 82% Positiveness
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Melo Anon
Closest
130 bpm • D Maj • 04:33 • -8.96db
9% Popularity • 47% Danceability • 49% Energy • 8% Liveness
67% Instrumentalness • 28% Positiveness
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Amka
Ophelia
130 bpm • A Maj • 05:34 • -10.42db
8% Popularity • 53% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 5% Positiveness
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Roberto Monstruo
Química y persecución
130 bpm • G# Maj • 03:09 • -9.17db
11% Popularity • 60% Danceability • 87% Energy • 30% Liveness
80% Instrumentalness • 55% Positiveness
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Jebediah
IWANNAGETOUT
130 bpm • A# min • 02:30 • -4.57db
20% Popularity • 50% Danceability • 94% Energy • 15% Liveness
82% Instrumentalness • 54% Positiveness
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Deathline
Kick Ass
130 bpm • B min • 02:33 • -4.63db
0% Popularity • 73% Danceability • 94% Energy • 17% Liveness
98% Instrumentalness • 96% Positiveness
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FOX VIOLET
Long Way Down
130 bpm • B Maj • 03:48 • -12.75db
12% Popularity • 64% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
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Prouza
Schválně
130 bpm • C Maj • 05:40 • -6.6db
8% Popularity • 55% Danceability • 80% Energy • 22% Liveness
37% Instrumentalness • 77% Positiveness
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David Hilliard
Dirty Rock 'n' Roll
130 bpm • C# Maj • 03:16 • -6.36db
17% Popularity • 44% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 12% Positiveness
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אורן בן סימון ולהקתו
האוטו האדום
130 bpm • C Maj • 02:02 • -5.6db
14% Popularity • 57% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Résiste capture l'obsession
Today's Not Unfair - Space Remix
130 bpm • D Maj • 02:26 • -7.16db
11% Popularity • 61% Danceability • 76% Energy • 20% Liveness
26% Instrumentalness • 9% Positiveness
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The Fours
Facedown
130 bpm • G Maj • 03:08 • -8.38db
18% Popularity • 53% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Deathline
Return
130 bpm • A# Maj • 02:45 • -3.11db
0% Popularity • 40% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
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The Reds, Pinks and Purples
Nothing Between The Lines At All
130 bpm • E Maj • 02:29 • -11.83db
18% Popularity • 51% Danceability • 49% Energy • 18% Liveness
8% Instrumentalness • 70% Positiveness
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Hoffman
Voices In My Head
130 bpm • G# Maj • 01:59 • -5.92db
16% Popularity • 48% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 55% Positiveness
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Allen Smith
Squint
130 bpm • G# Maj • 02:52 • -9.14db
26% Popularity • 45% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Jason Flanagan
The Great
130 bpm • B min • 03:10 • -7.39db
28% Popularity • 53% Danceability • 92% Energy • 23% Liveness
87% Instrumentalness • 47% Positiveness
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Sunken Shout
21st Century One Man Band
130 bpm • D Maj • 03:31 • -5.55db
9% Popularity • 17% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Deathline
Ten of Clubs
130 bpm • F Maj • 02:33 • -7.31db
0% Popularity • 37% Danceability • 69% Energy • 12% Liveness
77% Instrumentalness • 37% Positiveness
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Rudimentary Paste
Monkman Vs Seagull
130 bpm • D Maj • 02:37 • -7.05db
11% Popularity • 46% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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David Hilliard
Shine Unto the Sun
130 bpm • F min • 04:33 • -12db
25% Popularity • 28% Danceability • 55% Energy • 32% Liveness
28% Instrumentalness • 29% Positiveness
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Eden Baker
Semilight
131 bpm • D Maj • 04:21 • -10.5db
27% Popularity • 49% Danceability • 72% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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The Fours
Trains
131 bpm • E Maj • 03:09 • -7.67db
13% Popularity • 49% Danceability • 89% Energy • 16% Liveness
18% Instrumentalness • 85% Positiveness
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Neon Kittens
Schrodinger's Party Animal
129 bpm • D Maj • 02:17 • -7.8db
22% Popularity • 48% Danceability • 83% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Wlison Yiorenze
Second
129 bpm • E Maj • 03:45 • -11.9db
28% Popularity • 42% Danceability • 76% Energy • 12% Liveness
27% Instrumentalness • 77% Positiveness
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Quasar Kelly
I Quit My Job Today
128 bpm • A# min • 01:08 • -7.35db
12% Popularity • 57% Danceability • 61% Energy • 19% Liveness
3% Instrumentalness • 61% Positiveness
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Squints
Routines
128 bpm • F# Maj • 03:37 • -9.37db
13% Popularity • 38% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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PETARDOS ILEGALES
Los Niños No Son un Trofeo de Guerra
128 bpm • B min • 03:03 • -4.33db
8% Popularity • 46% Danceability • 82% Energy • 4% Liveness
23% Instrumentalness • 10% Positiveness
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The Fours
Lately
132 bpm • A Maj • 02:33 • -4.12db
20% Popularity • 40% Danceability • 87% Energy • 7% Liveness
97% Instrumentalness • 73% Positiveness
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Marty S
Tin Foil Hat
128 bpm • A Maj • 03:19 • -8.31db
12% Popularity • 36% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Atin Alonzo
Again Again
128 bpm • E Maj • 02:08 • -16.11db
47% Popularity • 44% Danceability • 53% Energy • 29% Liveness
18% Instrumentalness • 61% Positiveness
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Deathline
Every Dying Breath
128 bpm • A min • 04:02 • -5.75db
0% Popularity • 17% Danceability • 89% Energy • 49% Liveness
90% Instrumentalness • 20% Positiveness
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Artware Allstars
It Is Ok
128 bpm • C Maj • 04:02 • -3.55db
11% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Parlor Snakes
100 Miles from the Shore
128 bpm • C Maj • 04:35 • -8.1db
9% Popularity • 50% Danceability • 51% Energy • 7% Liveness
69% Instrumentalness • 21% Positiveness
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The Wivez
Boy Toy
132 bpm • D Maj • 02:09 • -3.34db
9% Popularity • 34% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Tulpas
Cordyceps
128 bpm • E min • 03:05 • -7.76db
16% Popularity • 66% Danceability • 58% Energy • 5% Liveness
7% Instrumentalness • 60% Positiveness
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the suicide attempts
Feed My Demon
128 bpm • G Maj • 02:46 • -7.54db
12% Popularity • 46% Danceability • 86% Energy • 10% Liveness
20% Instrumentalness • 48% Positiveness
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Deathline
Every Dying Breath - Holm and Mirland Mi...
128 bpm • C# Maj • 03:42 • -10.19db
0% Popularity • 60% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
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Cemetery Orbit
Suspended Animation
128 bpm • F Maj • 02:19 • -4.35db
9% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Ahacoma
Vultures
128 bpm • A Maj • 03:56 • -6.99db
16% Popularity • 43% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 33% Positiveness
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Willard Stamm
Belonging To
132 bpm • F min • 03:05 • -11.43db
28% Popularity • 55% Danceability • 70% Energy • 15% Liveness
77% Instrumentalness • 63% Positiveness
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Melts
Shelter Of The Shade
132 bpm • A# min • 04:55 • -10db
16% Popularity • 31% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Lucie Cheval
Unlike Other
133 bpm • D Maj • 03:33 • -7.27db
14% Popularity • 70% Danceability • 80% Energy • 9% Liveness
41% Instrumentalness • 81% Positiveness
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Deathline
Something Is You
128 bpm • A min • 03:16 • -3.63db
0% Popularity • 55% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Pointers
Chained Together
133 bpm • E Maj • 02:38 • -6.92db
8% Popularity • 25% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Barnett Finn
Expect
132 bpm • G Maj • 02:41 • -5.29db
35% Popularity • 33% Danceability • 94% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
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Wlison Yiorenze
Normalization
127 bpm • E min • 05:22 • -13.53db
28% Popularity • 24% Danceability • 75% Energy • 27% Liveness
14% Instrumentalness • 24% Positiveness
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Melts
Main Sequence
132 bpm • A# min • 04:53 • -11.12db
15% Popularity • 52% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Sex Organs
Sex shop
133 bpm • A Maj • 03:30 • -9.11db
7% Popularity • 29% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Deathline
Every Dying Breath
128 bpm • D min • 03:57 • -3.98db
0% Popularity • 40% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Woodrow Jeremiah
Close Chance
133 bpm • C# min • 04:15 • -1.78db
22% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Karen
Estuary
133 bpm • D Maj • 03:01 • -6.74db
12% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Singapore Sling
Sick Fuck
133 bpm • E Maj • 02:01 • -7.87db
14% Popularity • 46% Danceability • 86% Energy • 55% Liveness
1% Instrumentalness • 63% Positiveness
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Wallstone
Mr.Lear
133 bpm • G Maj • 03:33 • -7.67db
8% Popularity • 41% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Qween Kong
Like A Dog
127 bpm • E min • 02:51 • -5.79db
11% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Deathline
Lacka Lacka (Firecracka)
132 bpm • A Maj • 03:32 • -6.75db
0% Popularity • 71% Danceability • 86% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
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Of Mountains and Seas
Disappear
133 bpm • B min • 03:15 • -5.65db
21% Popularity • 65% Danceability • 81% Energy • 13% Liveness
82% Instrumentalness • 94% Positiveness
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Cor de Lux
Nail Biter
127 bpm • A# Maj • 03:50 • -13.06db
7% Popularity • 59% Danceability • 48% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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PALES
1518
133 bpm • G Maj • 04:44 • -8.47db
17% Popularity • 56% Danceability • 73% Energy • 38% Liveness
20% Instrumentalness • 21% Positiveness
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Bonpland
Stendec
127 bpm • D Maj • 03:20 • -7.08db
33% Popularity • 58% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 59% Positiveness
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Arctic Lights
King of America
133 bpm • A Maj • 03:25 • -7.93db
7% Popularity • 53% Danceability • 82% Energy • 4% Liveness
30% Instrumentalness • 68% Positiveness
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Thomas Davy
See You
133 bpm • B Maj • 03:30 • -9.49db
20% Popularity • 42% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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Wiiince
Don't Wanna Leave The House
127 bpm • A Maj • 01:52 • -6.95db
15% Popularity • 56% Danceability • 74% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Banquiff
Wrap
127 bpm • D Maj • 02:58 • -8.58db
22% Popularity • 55% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Ghosts of You
So Am I
134 bpm • C Maj • 02:08 • -3.92db
12% Popularity • 46% Danceability • 96% Energy • 10% Liveness
14% Instrumentalness • 35% Positiveness
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Fuzzy Thinking
Fuzz
134 bpm • E Maj • 03:55 • -10.06db
9% Popularity • 53% Danceability • 70% Energy • 56% Liveness
82% Instrumentalness • 33% Positiveness
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Blanche Zephaniah
A Shot
134 bpm • A min • 03:11 • -7.33db
23% Popularity • 44% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 53% Positiveness
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Dirt
Outta Time
134 bpm • B min • 02:48 • -5.91db
10% Popularity • 52% Danceability • 92% Energy • 34% Liveness
60% Instrumentalness • 69% Positiveness
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Tamara
Vzdej to
134 bpm • A# min • 03:51 • -9.35db
8% Popularity • 59% Danceability • 51% Energy • 7% Liveness
4% Instrumentalness • 17% Positiveness
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Dr. Don
It Feels Like I Love You
126 bpm • F# min • 03:35 • -12.69db
17% Popularity • 58% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Minerves
Dick is Dead
134 bpm • B min • 02:29 • -8.71db
7% Popularity • 51% Danceability • 84% Energy • 12% Liveness
72% Instrumentalness • 45% Positiveness
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Stereonoise
Eclipses
134 bpm • F Maj • 02:24 • -4.9db
0% Popularity • 38% Danceability • 86% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Jhonny Chris
My Precious Babygirl
134 bpm • D Maj • 03:24 • -10.88db
19% Popularity • 43% Danceability • 42% Energy • 35% Liveness
82% Instrumentalness • 14% Positiveness
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New Candys
Involution
126 bpm • G# Maj • 05:13 • -7.95db
12% Popularity • 40% Danceability • 92% Energy • 10% Liveness
70% Instrumentalness • 66% Positiveness
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Ask Opinion
Link Preparation
126 bpm • B min • 04:19 • -10.92db
17% Popularity • 61% Danceability • 81% Energy • 7% Liveness
15% Instrumentalness • 70% Positiveness
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Poni
Kevät
126 bpm • B min • 04:30 • -7.13db
22% Popularity • 54% Danceability • 90% Energy • 10% Liveness
9% Instrumentalness • 42% Positiveness
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Ralap Daisy
Psychological Tuesday
125 bpm • F# Maj • 02:57 • -12.16db
17% Popularity • 44% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
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Girlfriends and Boyfriends
Hi-Tops
135 bpm • C Maj • 04:05 • -7.74db
9% Popularity • 40% Danceability • 90% Energy • 14% Liveness
92% Instrumentalness • 46% Positiveness
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Wiiince
Pigeon Milk
135 bpm • D Maj • 02:33 • -8.42db
15% Popularity • 57% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Spader Kung
Asfaltsbarnens klagan
135 bpm • D Maj • 03:31 • -8.78db
14% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Dead Speak
Rats
135 bpm • A# min • 04:07 • -5.51db
10% Popularity • 67% Danceability • 74% Energy • 21% Liveness
18% Instrumentalness • 89% Positiveness
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Anagram
Thrill Of Separation
135 bpm • B Maj • 03:40 • -8.72db
8% Popularity • 48% Danceability • 70% Energy • 97% Liveness
2% Instrumentalness • 7% Positiveness
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Deathline
Buffalo 1867
125 bpm • A Maj • 02:36 • -4.04db
0% Popularity • 40% Danceability • 58% Energy • 14% Liveness
96% Instrumentalness • 52% Positiveness
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Love of Everything
Dance with Death
125 bpm • E min • 03:29 • -11.02db
15% Popularity • 64% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Wiiince
Migeon Pilk
135 bpm • D Maj • 01:52 • -5.63db
14% Popularity • 60% Danceability • 84% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
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bigott
Spiders Sing
135 bpm • D Maj • 01:10 • -12.02db
12% Popularity • 42% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Hammuravi
El Rencor
125 bpm • G Maj • 03:12 • -7.52db
9% Popularity • 50% Danceability • 88% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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KgiBlack
Disident
125 bpm • A min • 02:26 • -1.96db
7% Popularity • 71% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Daisy Rader
Ruta Fantasma
125 bpm • G min • 03:30 • -8.48db
14% Popularity • 61% Danceability • 78% Energy • 16% Liveness
74% Instrumentalness • 71% Positiveness
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Delia Hume
Join Friar
135 bpm • E Maj • 03:10 • -12.22db
29% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Magic Shoppe
The Field Where I Died
125 bpm • C Maj • 04:38 • -5.13db
25% Popularity • 34% Danceability • 90% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Marbled Eye
Corners
125 bpm • A# Maj • 02:42 • -6.33db
11% Popularity • 49% Danceability • 91% Energy • 35% Liveness
88% Instrumentalness • 76% Positiveness
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The Fours
Nobody Wants Me
125 bpm • C Maj • 02:56 • -7.12db
26% Popularity • 26% Danceability • 64% Energy • 13% Liveness
7% Instrumentalness • 58% Positiveness
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Gustaf
Mine - Audiotree Live Version
136 bpm • A# min • 02:22 • -8.23db
13% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Escape Artist Lovers
Out Where I Can Wander
136 bpm • C Maj • 03:14 • -5.36db
9% Popularity • 43% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Ten of Clubs - DangerouslyClose Mix