Songs like Ten of Clubs - draGnet Motorik Mix by Deathline
Based on a tempo of (+/- 10%) and a similar genre
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The Ice-Cream Guy
Ice Cream World Domination
130 bpm • G# Maj • 02:30 • -12.11db
12% Popularity • 37% Danceability • 74% Energy • 20% Liveness
54% Instrumentalness • 78% Positiveness
12% Popularity • 37% Danceability • 74% Energy • 20% Liveness
54% Instrumentalness • 78% Positiveness
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Anagram
Qualify
130 bpm • F# Maj • 03:38 • -6.75db
8% Popularity • 57% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 57% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Harri Pick
Insecure
130 bpm • D# Maj • 02:44 • -10.28db
7% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Motorpsycho
Psycholab - Single Edit
130 bpm • A Maj • 03:52 • -9.74db
29% Popularity • 50% Danceability • 93% Energy • 35% Liveness
28% Instrumentalness • 71% Positiveness
29% Popularity • 50% Danceability • 93% Energy • 35% Liveness
28% Instrumentalness • 71% Positiveness
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Paceshifters
Sirens
130 bpm • C# min • 03:58 • -7.9db
9% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Fireman's Goat
The Great Thinker
130 bpm • E Maj • 02:10 • -5.8db
9% Popularity • 62% Danceability • 58% Energy • 40% Liveness
65% Instrumentalness • 85% Positiveness
9% Popularity • 62% Danceability • 58% Energy • 40% Liveness
65% Instrumentalness • 85% Positiveness
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Melo Anon
Closest
130 bpm • D Maj • 04:33 • -8.96db
11% Popularity • 47% Danceability • 49% Energy • 8% Liveness
67% Instrumentalness • 28% Positiveness
11% Popularity • 47% Danceability • 49% Energy • 8% Liveness
67% Instrumentalness • 28% Positiveness
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Amka
Ophelia
130 bpm • A Maj • 05:34 • -10.42db
8% Popularity • 53% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 53% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 5% Positiveness
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FOX VIOLET
Long Way Down
130 bpm • B Maj • 03:48 • -12.75db
9% Popularity • 64% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
9% Popularity • 64% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
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Deathline
Kick Ass
130 bpm • B min • 02:33 • -4.63db
0% Popularity • 73% Danceability • 94% Energy • 17% Liveness
98% Instrumentalness • 96% Positiveness
0% Popularity • 73% Danceability • 94% Energy • 17% Liveness
98% Instrumentalness • 96% Positiveness
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Chuck Sturgeon
Happy Song
130 bpm • G Maj • 03:20 • -2.27db
12% Popularity • 56% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 35% Positiveness
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David Hilliard
Dirty Rock 'n' Roll
130 bpm • C# Maj • 03:16 • -6.36db
17% Popularity • 44% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 44% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 12% Positiveness
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Anagram
Buffalo
130 bpm • D# min • 03:36 • -7.3db
8% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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It's for us
Trapped
130 bpm • F# min • 04:45 • -5db
11% Popularity • 52% Danceability • 94% Energy • 11% Liveness
81% Instrumentalness • 60% Positiveness
11% Popularity • 52% Danceability • 94% Energy • 11% Liveness
81% Instrumentalness • 60% Positiveness
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Résiste capture l'obsession
Today's Not Unfair - Space Remix
130 bpm • D Maj • 02:26 • -7.16db
11% Popularity • 61% Danceability • 76% Energy • 20% Liveness
26% Instrumentalness • 9% Positiveness
11% Popularity • 61% Danceability • 76% Energy • 20% Liveness
26% Instrumentalness • 9% Positiveness
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The Fours
Facedown
130 bpm • G Maj • 03:08 • -8.38db
21% Popularity • 53% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
21% Popularity • 53% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Deathline
Ten of Clubs
130 bpm • F Maj • 02:33 • -7.31db
0% Popularity • 37% Danceability • 69% Energy • 12% Liveness
77% Instrumentalness • 37% Positiveness
0% Popularity • 37% Danceability • 69% Energy • 12% Liveness
77% Instrumentalness • 37% Positiveness
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Hoffman
Voices In My Head
130 bpm • G# Maj • 01:59 • -5.92db
13% Popularity • 48% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 55% Positiveness
13% Popularity • 48% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 55% Positiveness
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Allen Smith
Squint
130 bpm • G# Maj • 02:52 • -9.14db
21% Popularity • 45% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 45% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Rudimentary Paste
Monkman Vs Seagull
130 bpm • D Maj • 02:37 • -7.05db
18% Popularity • 46% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
18% Popularity • 46% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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lizarion
Fashion Girl
130 bpm • G Maj • 03:51 • -8.61db
17% Popularity • 36% Danceability • 77% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 36% Danceability • 77% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Dirt Devil
Nightshade
130 bpm • G Maj • 03:22 • -8.64db
8% Popularity • 36% Danceability • 72% Energy • 12% Liveness
67% Instrumentalness • 44% Positiveness
8% Popularity • 36% Danceability • 72% Energy • 12% Liveness
67% Instrumentalness • 44% Positiveness
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Deathline
Return
130 bpm • A# Maj • 02:45 • -3.11db
0% Popularity • 40% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
0% Popularity • 40% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
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David Hilliard
Falling Down
130 bpm • G Maj • 04:05 • -8.93db
11% Popularity • 18% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Eden Baker
Semilight
131 bpm • D Maj • 04:21 • -10.5db
23% Popularity • 49% Danceability • 72% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
23% Popularity • 49% Danceability • 72% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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The Fours
Trains
131 bpm • E Maj • 03:09 • -7.67db
19% Popularity • 49% Danceability • 89% Energy • 16% Liveness
18% Instrumentalness • 85% Positiveness
19% Popularity • 49% Danceability • 89% Energy • 16% Liveness
18% Instrumentalness • 85% Positiveness
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Neon Kittens
Schrodinger's Party Animal
129 bpm • D Maj • 02:17 • -7.8db
18% Popularity • 48% Danceability • 83% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 48% Danceability • 83% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Dirt Devil
Poison Ivy
130 bpm • C Maj • 03:59 • -7.08db
8% Popularity • 31% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 22% Positiveness
8% Popularity • 31% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 22% Positiveness
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Stellar Sea
State Of Mind
129 bpm • D Maj • 02:26 • -4.44db
13% Popularity • 38% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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David Hilliard
Shine Unto the Sun
130 bpm • F min • 04:33 • -12db
25% Popularity • 28% Danceability • 55% Energy • 32% Liveness
28% Instrumentalness • 29% Positiveness
25% Popularity • 28% Danceability • 55% Energy • 32% Liveness
28% Instrumentalness • 29% Positiveness
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Shit Present
Winter Coat
128 bpm • F Maj • 03:09 • -9.77db
15% Popularity • 47% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
15% Popularity • 47% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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The Fours
Don't Worry Buddy
132 bpm • D Maj • 01:08 • -8.65db
20% Popularity • 39% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
20% Popularity • 39% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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Quasar Kelly
I Quit My Job Today
128 bpm • A# min • 01:08 • -7.35db
10% Popularity • 57% Danceability • 61% Energy • 19% Liveness
3% Instrumentalness • 61% Positiveness
10% Popularity • 57% Danceability • 61% Energy • 19% Liveness
3% Instrumentalness • 61% Positiveness
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Dirt Devil
The Green Plants On The Wall
129 bpm • A min • 04:18 • -8.15db
9% Popularity • 26% Danceability • 74% Energy • 28% Liveness
84% Instrumentalness • 35% Positiveness
9% Popularity • 26% Danceability • 74% Energy • 28% Liveness
84% Instrumentalness • 35% Positiveness
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Iris
Wit and Wendy
129 bpm • C min • 02:15 • -9.67db
14% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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dunkie
Lucky
132 bpm • B min • 03:58 • -10.66db
0% Popularity • 44% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Marty S
Tin Foil Hat
128 bpm • A Maj • 03:19 • -8.31db
11% Popularity • 36% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 36% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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The Fours
Lately
132 bpm • A Maj • 02:33 • -4.12db
22% Popularity • 40% Danceability • 87% Energy • 7% Liveness
97% Instrumentalness • 73% Positiveness
22% Popularity • 40% Danceability • 87% Energy • 7% Liveness
97% Instrumentalness • 73% Positiveness
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The Confusions
Waterfall
128 bpm • F# min • 04:04 • -2.54db
12% Popularity • 45% Danceability • 90% Energy • 22% Liveness
2% Instrumentalness • 49% Positiveness
12% Popularity • 45% Danceability • 90% Energy • 22% Liveness
2% Instrumentalness • 49% Positiveness
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LUMER
Against Ourselves
132 bpm • G Maj • 05:47 • -5.77db
11% Popularity • 42% Danceability • 93% Energy • 8% Liveness
5% Instrumentalness • 16% Positiveness
11% Popularity • 42% Danceability • 93% Energy • 8% Liveness
5% Instrumentalness • 16% Positiveness
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Deathline
Every Dying Breath
128 bpm • A min • 04:02 • -5.75db
0% Popularity • 17% Danceability • 89% Energy • 49% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 17% Danceability • 89% Energy • 49% Liveness
90% Instrumentalness • 20% Positiveness
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Stephen Pastel
We Have Sex
132 bpm • A min • 02:57 • -5.25db
23% Popularity • 41% Danceability • 94% Energy • 3% Liveness
44% Instrumentalness • 40% Positiveness
23% Popularity • 41% Danceability • 94% Energy • 3% Liveness
44% Instrumentalness • 40% Positiveness
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Artware Allstars
It Is Ok
128 bpm • C Maj • 04:02 • -3.55db
8% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Pinned Comment
GODT ØL!
132 bpm • B min • 02:34 • -11.64db
10% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Hawkestrel
Walking The Wheel
132 bpm • C Maj • 05:20 • -8.57db
8% Popularity • 36% Danceability • 49% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 36% Danceability • 49% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Lung Leg
Maid to Minx
132 bpm • E min • 04:49 • -12.64db
7% Popularity • 57% Danceability • 65% Energy • 7% Liveness
15% Instrumentalness • 44% Positiveness
7% Popularity • 57% Danceability • 65% Energy • 7% Liveness
15% Instrumentalness • 44% Positiveness
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Deathline
Every Dying Breath - Holm and Mirland Mi...
128 bpm • C# Maj • 03:42 • -10.19db
0% Popularity • 60% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
0% Popularity • 60% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
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Isolation
Creature Lies
128 bpm • D Maj • 03:08 • -12.42db
16% Popularity • 49% Danceability • 59% Energy • 9% Liveness
77% Instrumentalness • 43% Positiveness
16% Popularity • 49% Danceability • 59% Energy • 9% Liveness
77% Instrumentalness • 43% Positiveness
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Cemetery Orbit
Suspended Animation
128 bpm • F Maj • 02:19 • -4.35db
9% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Kindsight
Love You Baby All the Time
132 bpm • B Maj • 03:52 • -7.04db
15% Popularity • 53% Danceability • 91% Energy • 12% Liveness
72% Instrumentalness • 84% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 12% Liveness
72% Instrumentalness • 84% Positiveness
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Cold Machine
Not Even Love
132 bpm • E Maj • 04:27 • -8.88db
1% Popularity • 62% Danceability • 63% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
1% Popularity • 62% Danceability • 63% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
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Willard Stamm
Belonging To
132 bpm • F min • 03:05 • -11.43db
24% Popularity • 55% Danceability • 70% Energy • 15% Liveness
77% Instrumentalness • 63% Positiveness
24% Popularity • 55% Danceability • 70% Energy • 15% Liveness
77% Instrumentalness • 63% Positiveness
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Deathline
Something Is You
128 bpm • A min • 03:16 • -3.63db
0% Popularity • 55% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 55% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Barnett Finn
Expect
132 bpm • G Maj • 02:41 • -5.29db
33% Popularity • 33% Danceability • 94% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
33% Popularity • 33% Danceability • 94% Energy • 16% Liveness
4% Instrumentalness • 46% Positiveness
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Kilo Tango
Swell
132 bpm • A Maj • 01:20 • -6.36db
3% Popularity • 22% Danceability • 34% Energy • 28% Liveness
18% Instrumentalness • 25% Positiveness
3% Popularity • 22% Danceability • 34% Energy • 28% Liveness
18% Instrumentalness • 25% Positiveness
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Wilbur Fielding
That Car Around
132 bpm • G# min • 02:38 • -9.48db
30% Popularity • 54% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 54% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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David Hilliard
Auf Wiedersehen
128 bpm • F# min • 03:22 • -10.97db
14% Popularity • 32% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 23% Positiveness
14% Popularity • 32% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 23% Positiveness
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Psyched Up Janis
Whack Kids
127 bpm • B min • 03:04 • -5.48db
9% Popularity • 26% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 26% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Deathline
Every Dying Breath
128 bpm • D min • 03:57 • -3.98db
0% Popularity • 40% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 40% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Wlison Yiorenze
Normalization
127 bpm • E min • 05:22 • -13.53db
24% Popularity • 24% Danceability • 75% Energy • 27% Liveness
14% Instrumentalness • 24% Positiveness
24% Popularity • 24% Danceability • 75% Energy • 27% Liveness
14% Instrumentalness • 24% Positiveness
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Woodrow Jeremiah
Close Chance
133 bpm • C# min • 04:15 • -1.78db
19% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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FOX VIOLET
Something Like Love
127 bpm • D Maj • 03:57 • -14.21db
8% Popularity • 30% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 24% Positiveness
8% Popularity • 30% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 24% Positiveness
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Karen
Estuary
133 bpm • D Maj • 03:01 • -6.74db
9% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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buttplug explosion
My appetite
127 bpm • B Maj • 02:06 • -12.81db
11% Popularity • 23% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Deathline
Lacka Lacka (Firecracka)
132 bpm • A Maj • 03:32 • -6.75db
0% Popularity • 71% Danceability • 86% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
0% Popularity • 71% Danceability • 86% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
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Singapore Sling
Sick Fuck
133 bpm • E Maj • 02:01 • -7.87db
13% Popularity • 46% Danceability • 86% Energy • 55% Liveness
1% Instrumentalness • 63% Positiveness
13% Popularity • 46% Danceability • 86% Energy • 55% Liveness
1% Instrumentalness • 63% Positiveness
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Qween Kong
Like A Dog
127 bpm • E min • 02:51 • -5.79db
12% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Of Mountains and Seas
Disappear
133 bpm • B min • 03:15 • -5.65db
17% Popularity • 65% Danceability • 81% Energy • 13% Liveness
82% Instrumentalness • 94% Positiveness
17% Popularity • 65% Danceability • 81% Energy • 13% Liveness
82% Instrumentalness • 94% Positiveness
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The Wesleys
Fucked Up
133 bpm • F Maj • 01:48 • -8.78db
18% Popularity • 62% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 81% Positiveness
18% Popularity • 62% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 81% Positiveness
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The Coyotes
Houses
133 bpm • C# min • 04:12 • -4.81db
7% Popularity • 56% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 56% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Bonpland
Stendec
127 bpm • D Maj • 03:20 • -7.08db
34% Popularity • 58% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 59% Positiveness
34% Popularity • 58% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 59% Positiveness
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Wiiince
Don't Wanna Leave The House
127 bpm • A Maj • 01:52 • -6.95db
14% Popularity • 56% Danceability • 74% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
14% Popularity • 56% Danceability • 74% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Richie Thorogood
The Big Mouth
127 bpm • D Maj • 03:16 • -6db
26% Popularity • 27% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 27% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Davy
See You
133 bpm • B Maj • 03:30 • -9.49db
16% Popularity • 42% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 42% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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Anagram
Madly
133 bpm • A min • 03:38 • -5.48db
8% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Banquiff
Wrap
127 bpm • D Maj • 02:58 • -8.58db
19% Popularity • 55% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
19% Popularity • 55% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Ghosts of You
So Am I
134 bpm • C Maj • 02:08 • -3.92db
12% Popularity • 46% Danceability • 96% Energy • 10% Liveness
14% Instrumentalness • 35% Positiveness
12% Popularity • 46% Danceability • 96% Energy • 10% Liveness
14% Instrumentalness • 35% Positiveness
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Poise
Thicker Than Blood
134 bpm • C Maj • 02:39 • -7.69db
13% Popularity • 28% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 28% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Blanche Zephaniah
A Shot
134 bpm • A min • 03:11 • -7.33db
19% Popularity • 44% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 53% Positiveness
19% Popularity • 44% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 53% Positiveness
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Dr. Don
It Feels Like I Love You
126 bpm • F# min • 03:35 • -12.69db
21% Popularity • 58% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
21% Popularity • 58% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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New Candys
Involution
126 bpm • G# Maj • 05:13 • -7.95db
13% Popularity • 40% Danceability • 92% Energy • 10% Liveness
70% Instrumentalness • 66% Positiveness
13% Popularity • 40% Danceability • 92% Energy • 10% Liveness
70% Instrumentalness • 66% Positiveness
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Minerves
Dick is Dead
134 bpm • B min • 02:29 • -8.71db
8% Popularity • 51% Danceability • 84% Energy • 12% Liveness
72% Instrumentalness • 45% Positiveness
8% Popularity • 51% Danceability • 84% Energy • 12% Liveness
72% Instrumentalness • 45% Positiveness
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Rain Recordings
I'll Be the Air
135 bpm • A min • 03:22 • -12.64db
11% Popularity • 43% Danceability • 29% Energy • 86% Liveness
2% Instrumentalness • 28% Positiveness
11% Popularity • 43% Danceability • 29% Energy • 86% Liveness
2% Instrumentalness • 28% Positiveness
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Rose Lyon
Little Gods
135 bpm • B min • 04:20 • -6.57db
13% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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20 FT BOOGER
Black Cloud
135 bpm • D Maj • 03:30 • -7.49db
15% Popularity • 45% Danceability • 90% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
15% Popularity • 45% Danceability • 90% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Anagram
Thrill Of Separation
135 bpm • B Maj • 03:40 • -8.72db
8% Popularity • 48% Danceability • 70% Energy • 97% Liveness
2% Instrumentalness • 7% Positiveness
8% Popularity • 48% Danceability • 70% Energy • 97% Liveness
2% Instrumentalness • 7% Positiveness
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The Dead Speak
Rats
135 bpm • A# min • 04:07 • -5.51db
11% Popularity • 67% Danceability • 74% Energy • 21% Liveness
18% Instrumentalness • 89% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 21% Liveness
18% Instrumentalness • 89% Positiveness
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Chico
Big Joke
135 bpm • A min • 02:39 • -5.49db
14% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Cambre
Your Lies
135 bpm • A Maj • 02:20 • -6.84db
16% Popularity • 55% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 67% Positiveness
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Wiiince
Migeon Pilk
135 bpm • D Maj • 01:52 • -5.63db
14% Popularity • 60% Danceability • 84% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 60% Danceability • 84% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
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Deathline
Buffalo 1867
125 bpm • A Maj • 02:36 • -4.04db
0% Popularity • 40% Danceability • 58% Energy • 14% Liveness
96% Instrumentalness • 52% Positiveness
0% Popularity • 40% Danceability • 58% Energy • 14% Liveness
96% Instrumentalness • 52% Positiveness
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As Particles Collide
I'd Buy That for a Dollar
125 bpm • G Maj • 02:41 • -3.07db
15% Popularity • 60% Danceability • 91% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
15% Popularity • 60% Danceability • 91% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Love of Everything
Dance with Death
125 bpm • E min • 03:29 • -11.02db
15% Popularity • 64% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
15% Popularity • 64% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Delia Hume
Join Friar
135 bpm • E Maj • 03:10 • -12.22db
25% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Too Old To Dance
His Light
125 bpm • A Maj • 02:57 • -5.76db
11% Popularity • 62% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 62% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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The Fours
Nobody Wants Me
125 bpm • C Maj • 02:56 • -7.12db
22% Popularity • 26% Danceability • 64% Energy • 13% Liveness
7% Instrumentalness • 58% Positiveness
22% Popularity • 26% Danceability • 64% Energy • 13% Liveness
7% Instrumentalness • 58% Positiveness
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Marbled Eye
Corners
125 bpm • A# Maj • 02:42 • -6.33db
10% Popularity • 49% Danceability • 91% Energy • 35% Liveness
88% Instrumentalness • 76% Positiveness
10% Popularity • 49% Danceability • 91% Energy • 35% Liveness
88% Instrumentalness • 76% Positiveness
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Gustaf
Mine - Audiotree Live Version
136 bpm • A# min • 02:22 • -8.23db
12% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
