Songs like Tenebrae Responsories, Feria quinta: II. Tristis est anima mea by Carlo Gesualdo
Based on a tempo of (+/- 10%) and a similar genre
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: II....
171 bpm • D min • 04:34 • -23db
33% Popularity • 11% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
33% Popularity • 11% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
171 bpm • G# min • 02:58 • -23db
24% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Domine s...
171 bpm • A# min • 03:10 • -20.84db
15% Popularity • 16% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
170 bpm • D Maj • 03:44 • -20db
20% Popularity • 27% Danceability • 28% Energy • 20% Liveness
74% Instrumentalness • 84% Positiveness
20% Popularity • 27% Danceability • 28% Energy • 20% Liveness
74% Instrumentalness • 84% Positiveness
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Heinrich Schütz
Selig sind die Toten, SWV 391
170 bpm • F Maj • 04:14 • -17db
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
172 bpm • D# Maj • 05:10 • -26.16db
28% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 30, Resv...
169 bpm • E min • 05:26 • -20.14db
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Valentin Silvestrov
Maidan 2014 / Cycle I: III. Give Rest, O...
174 bpm • C# Maj • 02:04 • -36.46db
25% Popularity • 8% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: IV. Redde mihi laetitiam
174 bpm • F min • 02:56 • -22db
15% Popularity • 13% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Musikalische Exequien, Op. 7: II. Motett...
170 bpm • C Maj • 03:46 • -20.23db
9% Popularity • 15% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Credo RV 592 Crucifixus
169 bpm • E min • 02:51 • -20db
35% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear My Prayer
175 bpm • B min • 02:12 • -20db
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
167 bpm • D Maj • 04:57 • -20.24db
18% Popularity • 9% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 3% Positiveness
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Girolamo Frescobaldi
Se l'aura spira tutta vezzosa, F7.15
176 bpm • G min • 03:41 • -18db
19% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Juan Ponce
Allá se me ponga el sol à 4
176 bpm • D min • 02:55 • -38.7db
22% Popularity • 8% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 8% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Sabbato sancto: V...
166 bpm • E min • 03:10 • -23.33db
3% Popularity • 12% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Die mit Tr...
178 bpm • B min • 04:01 • -26.66db
12% Popularity • 12% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Henry Purcell
Hail! bright Cecilia, Z. 328: VIII. Wond...
175 bpm • C# Maj • 02:27 • -23.54db
26% Popularity • 33% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 33% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 52% Positiveness
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Antonio Lotti
Lotti : Crucifixus a 8
178 bpm • C min • 02:57 • -24.65db
21% Popularity • 10% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
21% Popularity • 10% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Pérotin
Viderunt omnes... (4-part organum)
180 bpm • C# Maj • 05:14 • -19.31db
17% Popularity • 10% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 10% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude, BWV 227: I. Choral "...
189 bpm • D# min • 01:03 • -23db
33% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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John Dowland
The Shoemaker's Wife. A Toy, P 58
151 bpm • D# Maj • 01:06 • -27.47db
34% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
34% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness