Songs like Tennessie Girl by Max Greger
Based on a tempo of (+/- 10%) and a similar genre
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Die Amigos
Arrivederci (Instrumental)
96 bpm • C# Maj • 03:55 • -6.36db
27% Popularity • 63% Danceability • 48% Energy • 12% Liveness
19% Instrumentalness • 22% Positiveness
27% Popularity • 63% Danceability • 48% Energy • 12% Liveness
19% Instrumentalness • 22% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
34% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
34% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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World Sound Orchestra
Morgens um sieben ist die Welt noch in O...
96 bpm • G min • 03:42 • -10.05db
23% Popularity • 50% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
23% Popularity • 50% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
29% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
29% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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Max Greger
Tennessie Girl
96 bpm • C Maj • 03:07 • -9.52db
12% Popularity • 60% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
12% Popularity • 60% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
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Blue Heaven
Aber Dich Gibt's Nur Einmal Für Mich
96 bpm • D Maj • 03:27 • -9.16db
15% Popularity • 49% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 71% Positiveness
15% Popularity • 49% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 71% Positiveness
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Gebroeders Brouwer
What A Wonderfull World
96 bpm • E Maj • 02:30 • -11.17db
12% Popularity • 35% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 25% Positiveness
12% Popularity • 35% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 25% Positiveness
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Roberto Delgado
Cielito Lindo
96 bpm • C Maj • 03:06 • -8.56db
16% Popularity • 76% Danceability • 45% Energy • 15% Liveness
10% Instrumentalness • 94% Positiveness
16% Popularity • 76% Danceability • 45% Energy • 15% Liveness
10% Instrumentalness • 94% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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RIAS Big Band
Night Train
96 bpm • C# Maj • 02:47 • -9.19db
3% Popularity • 64% Danceability • 61% Energy • 31% Liveness
45% Instrumentalness • 81% Positiveness
3% Popularity • 64% Danceability • 61% Energy • 31% Liveness
45% Instrumentalness • 81% Positiveness
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Max Greger
Sail Along Silvery Moon
96 bpm • F Maj • 02:12 • -10.61db
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Eddie Calvert
Sucu Sucu
95 bpm • A# Maj • 02:11 • -7.43db
33% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Gebroeders Brouwer
El Silencio
96 bpm • A# Maj • 02:51 • -16.17db
14% Popularity • 27% Danceability • 33% Energy • 35% Liveness
91% Instrumentalness • 17% Positiveness
14% Popularity • 27% Danceability • 33% Energy • 35% Liveness
91% Instrumentalness • 17% Positiveness
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Willy Schobben
Somewhere My Love
97 bpm • A# Maj • 02:17 • -13db
29% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
29% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
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Alfred Hause
Beautiful Dreamer
97 bpm • A# Maj • 02:49 • -10db
26% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
26% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Max Greger
Wenn ein Stern vom Himmel fällt
95 bpm • D Maj • 03:07 • -11.19db
12% Popularity • 44% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
12% Popularity • 44% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Stef Meeder
Dream, Red Roses For A Blue Lady, Till I...
95 bpm • F Maj • 04:20 • -16db
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
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Orchester
American Patrol
97 bpm • C min • 03:16 • -5.95db
1% Popularity • 61% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
1% Popularity • 61% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Willy Schobben
Golden Trumpets
95 bpm • C min • 02:34 • -11db
21% Popularity • 62% Danceability • 37% Energy • 4% Liveness
26% Instrumentalness • 89% Positiveness
21% Popularity • 62% Danceability • 37% Energy • 4% Liveness
26% Instrumentalness • 89% Positiveness
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The Romantic Sound Orchestra
An der schönen blauen Donau
97 bpm • D Maj • 04:21 • -12.79db
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Digno GarcÃa
La luna de asuncion
97 bpm • F Maj • 03:55 • -8db
15% Popularity • 72% Danceability • 48% Energy • 13% Liveness
76% Instrumentalness • 53% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 13% Liveness
76% Instrumentalness • 53% Positiveness
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The Desperates
Terang Boelan
95 bpm • A Maj • 02:43 • -9db
25% Popularity • 42% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 75% Positiveness
25% Popularity • 42% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 75% Positiveness
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Francis Dupont
Theme From 'Elvira Madigan'
98 bpm • F Maj • 03:35 • -19db
22% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
22% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Henry Arland
Blue Bayou
98 bpm • G Maj • 02:43 • -9.5db
22% Popularity • 47% Danceability • 46% Energy • 30% Liveness
93% Instrumentalness • 50% Positiveness
22% Popularity • 47% Danceability • 46% Energy • 30% Liveness
93% Instrumentalness • 50% Positiveness
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Max Greger
Golden Bavaria
94 bpm • A# Maj • 03:18 • -9.06db
7% Popularity • 39% Danceability • 49% Energy • 30% Liveness
95% Instrumentalness • 44% Positiveness
7% Popularity • 39% Danceability • 49% Energy • 30% Liveness
95% Instrumentalness • 44% Positiveness
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Stef Meeder
Maria Elena, Dream A Little Dream Of Me,...
98 bpm • C Maj • 04:29 • -16db
9% Popularity • 69% Danceability • 25% Energy • 21% Liveness
84% Instrumentalness • 33% Positiveness
9% Popularity • 69% Danceability • 25% Energy • 21% Liveness
84% Instrumentalness • 33% Positiveness
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Daniela de Santos
Ein liebes Wort
94 bpm • F Maj • 03:01 • -4.82db
17% Popularity • 47% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 47% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Gentlemen Of Trumpets
Quando Quando
98 bpm • C Maj • 02:53 • -5.4db
35% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
35% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
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RIAS Big Band
One O'Clock Jump
94 bpm • C# Maj • 04:16 • -10.96db
2% Popularity • 67% Danceability • 46% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
2% Popularity • 67% Danceability • 46% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
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Willy Schobben
Heisser Sand
94 bpm • G# Maj • 01:55 • -11db
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
28% Popularity • 41% Danceability • 50% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
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Blue Heaven
Sail Along Silv'ry Moon
94 bpm • F Maj • 02:14 • -11.02db
38% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Max Greger
San Miguel
98 bpm • A# Maj • 03:21 • -13.8db
10% Popularity • 50% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 56% Positiveness
10% Popularity • 50% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 56% Positiveness
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Kevin Pabst
La Pastorella
98 bpm • D# Maj • 04:09 • -7.86db
13% Popularity • 38% Danceability • 49% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
13% Popularity • 38% Danceability • 49% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Daniela de Santos
Patrona Bavarie
98 bpm • C Maj • 02:36 • -5.89db
22% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Roberto Delgado
Un Poco Rio
98 bpm • G Maj • 02:19 • -10db
28% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
28% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
20% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
20% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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Digno GarcÃa
The Bird
93 bpm • F Maj • 02:03 • -7.87db
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Gebroeders Brouwer
La paloma
99 bpm • G# Maj • 03:57 • -14db
13% Popularity • 29% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
13% Popularity • 29% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
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Max Greger
When A Man Loves A Woman
99 bpm • C# Maj • 03:37 • -9.56db
4% Popularity • 58% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
4% Popularity • 58% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
PRETEND
93 bpm • F Maj • 03:03 • -11.59db
9% Popularity • 68% Danceability • 38% Energy • 12% Liveness
79% Instrumentalness • 56% Positiveness
9% Popularity • 68% Danceability • 38% Energy • 12% Liveness
79% Instrumentalness • 56% Positiveness
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RIAS Big Band
Opus One
93 bpm • F min • 02:46 • -9.05db
14% Popularity • 70% Danceability • 56% Energy • 34% Liveness
25% Instrumentalness • 68% Positiveness
14% Popularity • 70% Danceability • 56% Energy • 34% Liveness
25% Instrumentalness • 68% Positiveness
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Francis Dupont
Zambezi
93 bpm • C Maj • 02:32 • -11db
30% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
30% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Max Greger
La Paloma
99 bpm • C# Maj • 01:30 • -7.52db
11% Popularity • 46% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 69% Positiveness
11% Popularity • 46% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 69% Positiveness
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The Black Devils
Rockin wheels
92 bpm • A Maj • 02:26 • -8.38db
24% Popularity • 63% Danceability • 83% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
24% Popularity • 63% Danceability • 83% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
STRANGERS IN THE NIGHT
100 bpm • C Maj • 02:25 • -9db
21% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
21% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
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Tumbleweeds
Mojave
100 bpm • A Maj • 02:00 • -12.56db
33% Popularity • 57% Danceability • 49% Energy • 8% Liveness
80% Instrumentalness • 85% Positiveness
33% Popularity • 57% Danceability • 49% Energy • 8% Liveness
80% Instrumentalness • 85% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Gebroeders Brouwer
Ik Heb 'n Vraag
100 bpm • A Maj • 02:47 • -15.95db
10% Popularity • 39% Danceability • 31% Energy • 7% Liveness
96% Instrumentalness • 46% Positiveness
10% Popularity • 39% Danceability • 31% Energy • 7% Liveness
96% Instrumentalness • 46% Positiveness
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Pepe Solera
Rote Rosen schenk' ich Dir
100 bpm • D# Maj • 02:59 • -7.01db
28% Popularity • 19% Danceability • 52% Energy • 32% Liveness
81% Instrumentalness • 61% Positiveness
28% Popularity • 19% Danceability • 52% Energy • 32% Liveness
81% Instrumentalness • 61% Positiveness
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Orchester Ambros Seelos
Goodbye My Love, Goodbye
100 bpm • A# Maj • 03:31 • -5.8db
25% Popularity • 57% Danceability • 52% Energy • 21% Liveness
87% Instrumentalness • 43% Positiveness
25% Popularity • 57% Danceability • 52% Energy • 21% Liveness
87% Instrumentalness • 43% Positiveness
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Blue Heaven
Tropical Island
100 bpm • D# Maj • 02:52 • -9.54db
17% Popularity • 64% Danceability • 46% Energy • 9% Liveness
82% Instrumentalness • 69% Positiveness
17% Popularity • 64% Danceability • 46% Energy • 9% Liveness
82% Instrumentalness • 69% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
32% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
32% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Francis Dupont
Oh Mein Papa
100 bpm • A# Maj • 02:39 • -12db
30% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
30% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
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Max Greger
Blueberry Hill
100 bpm • D# Maj • 02:14 • -10.95db
18% Popularity • 55% Danceability • 39% Energy • 8% Liveness
79% Instrumentalness • 64% Positiveness
18% Popularity • 55% Danceability • 39% Energy • 8% Liveness
79% Instrumentalness • 64% Positiveness
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Pepe Solera
Cucurucucu Paloma
100 bpm • A Maj • 03:18 • -4db
33% Popularity • 44% Danceability • 80% Energy • 15% Liveness
92% Instrumentalness • 68% Positiveness
33% Popularity • 44% Danceability • 80% Energy • 15% Liveness
92% Instrumentalness • 68% Positiveness
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Claudius Alzner
Limelight - April in Paris - Santa Lucia
100 bpm • G Maj • 03:11 • -14db
15% Popularity • 39% Danceability • 25% Energy • 17% Liveness
41% Instrumentalness • 33% Positiveness
15% Popularity • 39% Danceability • 25% Energy • 17% Liveness
41% Instrumentalness • 33% Positiveness
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Orchester Marc Alpina
Solang Es Dir Gut Geht
92 bpm • G Maj • 03:17 • -10.35db
17% Popularity • 48% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
17% Popularity • 48% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
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Benny Bailey
Night Train
92 bpm • C# Maj • 02:50 • -8.7db
1% Popularity • 50% Danceability • 54% Energy • 28% Liveness
95% Instrumentalness • 77% Positiveness
1% Popularity • 50% Danceability • 54% Energy • 28% Liveness
95% Instrumentalness • 77% Positiveness
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Kurt Edelhagen
Loch Lomond, Auld Lang Syne
92 bpm • C Maj • 02:31 • -16.15db
22% Popularity • 49% Danceability • 28% Energy • 14% Liveness
45% Instrumentalness • 48% Positiveness
22% Popularity • 49% Danceability • 28% Energy • 14% Liveness
45% Instrumentalness • 48% Positiveness
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Max Greger
La Golondrina
100 bpm • D# Maj • 02:48 • -10.07db
17% Popularity • 49% Danceability • 51% Energy • 14% Liveness
89% Instrumentalness • 53% Positiveness
17% Popularity • 49% Danceability • 51% Energy • 14% Liveness
89% Instrumentalness • 53% Positiveness
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Das Orchester Claudius Alzner
Santa Lucia
101 bpm • C Maj • 02:31 • -9db
20% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
20% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
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Claudius Alzner
Never ending song of love - You are my s...
100 bpm • C Maj • 02:27 • -11db
33% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
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Billy Vaughn y su Orquesta
Sail Along Silvery Moon
101 bpm • E Maj • 02:02 • -7db
32% Popularity • 39% Danceability • 38% Energy • 10% Liveness
78% Instrumentalness • 66% Positiveness
32% Popularity • 39% Danceability • 38% Energy • 10% Liveness
78% Instrumentalness • 66% Positiveness
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Bernie Saxophone Entertainer
Mexico
91 bpm • D# Maj • 02:32 • -6db
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
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Kurt Edelhagen
Blue Hawaii
101 bpm • B Maj • 02:01 • -12.15db
15% Popularity • 30% Danceability • 30% Energy • 19% Liveness
69% Instrumentalness • 74% Positiveness
15% Popularity • 30% Danceability • 30% Energy • 19% Liveness
69% Instrumentalness • 74% Positiveness
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Max Greger
Bella Vita
91 bpm • C# Maj • 04:02 • -13.48db
10% Popularity • 50% Danceability • 38% Energy • 4% Liveness
78% Instrumentalness • 45% Positiveness
10% Popularity • 50% Danceability • 38% Energy • 4% Liveness
78% Instrumentalness • 45% Positiveness
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The Jumping Jewels
Mexico
91 bpm • D Maj • 02:40 • -9.14db
29% Popularity • 53% Danceability • 73% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
29% Popularity • 53% Danceability • 73% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
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Alfred Hause
Barcarole - Exklusive Neuaufnahme
102 bpm • A# Maj • 02:55 • -7.68db
13% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Das Orchester Claudius Alzner
Jambalaya , Schmidtchen Schleicher , Mil...
102 bpm • C Maj • 03:57 • -15db
20% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
20% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
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Pepe Solera
Ich Danke Gott Für All Die Schönen Jah...
91 bpm • A# Maj • 03:05 • -4db
28% Popularity • 11% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 52% Positiveness
28% Popularity • 11% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 52% Positiveness
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Gary Freeman
Something Stupid
102 bpm • F Maj • 02:39 • -11.41db
31% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
31% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
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Max Greger
Wenn die Glocken hell erklingen
92 bpm • D Maj • 02:46 • -12.74db
21% Popularity • 43% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
21% Popularity • 43% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Die Amigos
Zwei goldene Ringe (Instumental)
102 bpm • E Maj • 03:45 • -5.71db
16% Popularity • 56% Danceability • 70% Energy • 32% Liveness
92% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 70% Energy • 32% Liveness
92% Instrumentalness • 53% Positiveness
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Bandit
Arrivederci Maria
102 bpm • D Maj • 02:47 • -6.55db
43% Popularity • 52% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 52% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Willy Schobben
Mexico - Radio Edit
90 bpm • D Maj • 02:34 • -12.34db
28% Popularity • 56% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 56% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Taylor Orchestra
Guitar Tiger
90 bpm • A Maj • 02:33 • -6.78db
12% Popularity • 48% Danceability • 95% Energy • 30% Liveness
80% Instrumentalness • 72% Positiveness
12% Popularity • 48% Danceability • 95% Energy • 30% Liveness
80% Instrumentalness • 72% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
23% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
23% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Max Greger
La Provence
102 bpm • A# Maj • 03:56 • -11.96db
11% Popularity • 53% Danceability • 32% Energy • 32% Liveness
44% Instrumentalness • 39% Positiveness
11% Popularity • 53% Danceability • 32% Energy • 32% Liveness
44% Instrumentalness • 39% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Bandit
Paris
90 bpm • A# Maj • 02:48 • -5.15db
38% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
BRAZIL
103 bpm • A# min • 02:13 • -8db
18% Popularity • 68% Danceability • 64% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
18% Popularity • 68% Danceability • 64% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
45% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
45% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Willy Schobben
The French Song (Quand Le Soleil Dit Bon...
103 bpm • F Maj • 02:44 • -11db
17% Popularity • 22% Danceability • 37% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
17% Popularity • 22% Danceability • 37% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
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Max Greger
Love Me Tender
90 bpm • C# Maj • 02:40 • -11.21db
8% Popularity • 54% Danceability • 38% Energy • 33% Liveness
81% Instrumentalness • 44% Positiveness
8% Popularity • 54% Danceability • 38% Energy • 33% Liveness
81% Instrumentalness • 44% Positiveness
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Pepe Solera
(Medley) It's Now Or Never - Muss I Denn
103 bpm • A# Maj • 03:46 • -7.56db
17% Popularity • 22% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
17% Popularity • 22% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Pasapoga Light Orchestra
Cuando Calienta el Sol
103 bpm • C Maj • 02:42 • -11.49db
23% Popularity • 35% Danceability • 31% Energy • 43% Liveness
48% Instrumentalness • 42% Positiveness
23% Popularity • 35% Danceability • 31% Energy • 43% Liveness
48% Instrumentalness • 42% Positiveness
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Nikos Ignatiadis
I Love You
103 bpm • B Maj • 02:46 • -17.39db
26% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
26% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Blue Heaven
The Last Waltz
103 bpm • C Maj • 03:20 • -7.81db
20% Popularity • 41% Danceability • 46% Energy • 35% Liveness
66% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 46% Energy • 35% Liveness
66% Instrumentalness • 36% Positiveness
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Claudius Alzner
Alexanders Ragtime Band - Yes Sir, thats...
103 bpm • F Maj • 02:05 • -12db
28% Popularity • 68% Danceability • 58% Energy • 21% Liveness
41% Instrumentalness • 91% Positiveness
28% Popularity • 68% Danceability • 58% Energy • 21% Liveness
41% Instrumentalness • 91% Positiveness
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Max Greger
Aber dich gibt's nur einmal für mich
102 bpm • A# Maj • 03:19 • -11db
30% Popularity • 62% Danceability • 46% Energy • 24% Liveness
90% Instrumentalness • 56% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 24% Liveness
90% Instrumentalness • 56% Positiveness
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Kurt Edelhagen
Langsamer Walzer: 30 Takte Pro Minute - ...
89 bpm • G# Maj • 03:02 • -12.15db
31% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
31% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
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The Black Devils
Indonesian Memories (Instr.)
103 bpm • C Maj • 03:06 • -10.43db
18% Popularity • 71% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
18% Popularity • 71% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
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The Jumping Jewels
Theme for Dreamers
103 bpm • A Maj • 03:18 • -10.53db
10% Popularity • 61% Danceability • 48% Energy • 18% Liveness
96% Instrumentalness • 31% Positiveness
10% Popularity • 61% Danceability • 48% Energy • 18% Liveness
96% Instrumentalness • 31% Positiveness
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Captain Cook Und Seine Singenden Saxophone
Wenn wir auseinandergeh'n (Please Releas...
104 bpm • G# Maj • 02:13 • -9.41db
41% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
