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Tequila & Lemonade
Songs like
Tequila & Lemonade
by
merci, mercy
Based on a tempo of (+/- 10%) and a similar genre
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Collins
Backseat Valentine
152 bpm • E Maj • 03:25 • -4.96db
17% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cat & Calmell
Maneater - triple j Like A Version
152 bpm • A# min • 03:51 • -10.17db
12% Popularity • 56% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Aodhan
Empty Spaces
152 bpm • G# Maj • 03:47 • -5.37db
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
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Yb.
Change Your Mind
153 bpm • D Maj • 03:31 • -7db
17% Popularity • 26% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Mansionair
Still Dont Know My Name - triple j Like ...
153 bpm • F Maj • 03:11 • -9.39db
27% Popularity • 32% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Teen Jesus and the Jean Teasers
Treat Me Better
150 bpm • D Maj • 03:36 • -5.4db
33% Popularity • 47% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Teenage Dads
Thank You for the Honey, Honey
150 bpm • B Maj • 03:33 • -2.32db
34% Popularity • 34% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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SOFY
socks
154 bpm • F Maj • 03:38 • -4.59db
36% Popularity • 61% Danceability • 76% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Sløtface
Fight Back Time
154 bpm • G Maj • 03:17 • -4.65db
22% Popularity • 49% Danceability • 94% Energy • 30% Liveness
30% Instrumentalness • 63% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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King Stingray
Lookin' Out
150 bpm • B Maj • 03:47 • -5.36db
41% Popularity • 48% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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The Moving Stills
My Delirium - triple j Like A Version
150 bpm • A min • 04:05 • -7.55db
39% Popularity • 46% Danceability • 73% Energy • 24% Liveness
7% Instrumentalness • 52% Positiveness
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Teenage Dads
Tale Of A Man
150 bpm • G Maj • 02:46 • -4.77db
46% Popularity • 66% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 97% Positiveness
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George Alice
Hold On
150 bpm • A Maj • 03:15 • -10.48db
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Middle Kids
Cellophane (Brain)
150 bpm • C Maj • 03:30 • -6.6db
33% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Vera Blue
Alright Now
154 bpm • F# min • 03:32 • -8db
30% Popularity • 66% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Teenage Joans
Wine
150 bpm • A Maj • 04:09 • -4.85db
33% Popularity • 55% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Odette
I Miss You, I’m Sorry
149 bpm • B Maj • 03:16 • -5.78db
21% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Buoys
Blues Point Road
155 bpm • C# min • 02:46 • -3.28db
28% Popularity • 49% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 35% Positiveness
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Apricot Ink
Call Me Good
155 bpm • A# Maj • 02:54 • -9.18db
14% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Azure Ryder
Oh What A Relief
155 bpm • A min • 03:21 • -7.82db
33% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Stevan
Hello Goodbye
148 bpm • E min • 02:18 • -5.7db
25% Popularity • 67% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Teenage Joans
Terrible
156 bpm • B Maj • 03:38 • -4.22db
28% Popularity • 27% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Beddy Rays
Better In Blak - triple j Like A Version
156 bpm • C# min • 03:00 • -12.19db
37% Popularity • 31% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Mitch Santiago
Talk To Me
156 bpm • C# Maj • 03:43 • -6.19db
20% Popularity • 45% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Sycco
Rockstar - Spotify Singles
156 bpm • G Maj • 03:23 • -7.91db
29% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Vera Blue
Wherever We Go
156 bpm • E Maj • 03:19 • -7.99db
25% Popularity • 70% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Taylor
Stallin'
156 bpm • C Maj • 04:25 • -6db
32% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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Lime Cordiale
Colin
148 bpm • D Maj • 03:39 • -6.93db
48% Popularity • 56% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Death by Denim
My House is a Club
156 bpm • A Maj • 03:13 • -5db
15% Popularity • 53% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Collins
Just My Luck
156 bpm • G Maj • 02:23 • -4.48db
19% Popularity • 55% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Moving Stills
In Your City
148 bpm • C# Maj • 03:21 • -6.92db
24% Popularity • 54% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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The Rions
Scary Movies
148 bpm • G# Maj • 03:15 • -4.82db
53% Popularity • 63% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
52% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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MAY-A
SUPERIOR LIAR
156 bpm • D Maj • 02:49 • -5.44db
21% Popularity • 40% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Headon
2009 TOYOTA
157 bpm • F# Maj • 02:21 • -3.77db
42% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Ūla
SCANDAL
147 bpm • E Maj • 02:25 • -4.76db
30% Popularity • 44% Danceability • 94% Energy • 34% Liveness
3% Instrumentalness • 68% Positiveness
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Sycco
Jinx
147 bpm • G# Maj • 02:46 • -4.96db
27% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Teenage Dads
Cheerleader
147 bpm • G Maj • 03:06 • -4.84db
40% Popularity • 66% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Teenage Joans
5 Things I Can Taste
157 bpm • A Maj • 03:56 • -3.62db
30% Popularity • 37% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Maddy Jane
It's a Lot
158 bpm • E Maj • 03:54 • -5.98db
19% Popularity • 49% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Buoys
Carpark
158 bpm • D Maj • 03:06 • -4db
22% Popularity • 46% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Aodhan
When You're Ready
158 bpm • G Maj • 03:56 • -7.11db
9% Popularity • 51% Danceability • 76% Energy • 9% Liveness
40% Instrumentalness • 56% Positiveness
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merci, mercy
Lonely & Horny
158 bpm • F Maj • 03:13 • -6.72db
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dulcie
Nothing Left
158 bpm • C# Maj • 03:03 • -6.61db
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Tyne-James Organ
The Fire
158 bpm • C# Maj • 03:05 • -5.39db
17% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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aleksiah
24
146 bpm • D Maj • 04:14 • -5.86db
43% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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CLEWS
Feel
159 bpm • D# Maj • 04:03 • -4.64db
20% Popularity • 40% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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G Flip
7 Days
159 bpm • C Maj • 02:52 • -4.09db
43% Popularity • 59% Danceability • 79% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Teenage Dads
Hey, Diego!
159 bpm • A Maj • 03:14 • -3.48db
41% Popularity • 56% Danceability • 78% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
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Forest Claudette
Gone Without a Trace
145 bpm • B Maj • 03:02 • -4.14db
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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HANNI
See Through
145 bpm • G Maj • 03:14 • -6.62db
20% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Cry Club
Nine Of Swords
145 bpm • F# min • 03:53 • -4db
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Jem Cassar-Daley
Slow Down
145 bpm • D Maj • 03:08 • -7.33db
37% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mitch Santiago
How I See You
145 bpm • E Maj • 03:49 • -6.66db
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Middle Kids
Highlands
145 bpm • F Maj • 03:31 • -3.95db
38% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Sycco
Germs
145 bpm • F# min • 03:51 • -5.95db
33% Popularity • 66% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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flowerovlove
Next Best Exit
160 bpm • D Maj • 02:46 • -5.23db
41% Popularity • 54% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Teenage Dads
Piano Girl
160 bpm • C# Maj • 02:59 • -4db
31% Popularity • 52% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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CXLOE
Cheating on Myself
160 bpm • B Maj • 02:53 • -5.5db
34% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Claire Rosinkranz
Screw Time
160 bpm • E Maj • 03:05 • -6.61db
38% Popularity • 55% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Vallis Alps
Set It Off, Set It Right
160 bpm • F Maj • 03:39 • -4.88db
24% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Telenova
Stained Glass Love
160 bpm • G min • 05:54 • -5.86db
23% Popularity • 50% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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This Week in the Universe
Salt
160 bpm • D# min • 03:48 • -6.73db
24% Popularity • 51% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Teenage Dads
Exit Sign
160 bpm • A Maj • 03:32 • -3db
32% Popularity • 56% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Cheap Date
Beside Me
160 bpm • E Maj • 03:57 • -13.48db
12% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Mitch Santiago
Seeing Straight
144 bpm • G min • 04:38 • -6.12db
32% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Dulcie
Sore Loser
144 bpm • E Maj • 02:50 • -4.76db
27% Popularity • 58% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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The Jungle Giants
Rakata
144 bpm • C Maj • 03:02 • -5.68db
40% Popularity • 66% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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SOFY
supermarket
144 bpm • F# min • 02:58 • -4.64db
26% Popularity • 53% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Gretta Ray
Upgraded
143 bpm • B min • 03:33 • -4.11db
34% Popularity • 62% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Rions
Halfway Out
143 bpm • G min • 03:18 • -5db
40% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dulcie
tell ur friends
144 bpm • G# Maj • 02:41 • -5.06db
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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flowerkid
Diss and Disappoint
143 bpm • C min • 02:57 • -6.53db
32% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
37% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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edith
Falling Away
162 bpm • C# Maj • 03:39 • -3.55db
19% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Pacific Avenue
Strawberry Daydream
162 bpm • G Maj • 03:07 • -3.39db
50% Popularity • 17% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 36% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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The Moving Stills
Westside
162 bpm • D min • 02:54 • -6.06db
33% Popularity • 38% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Teen Jesus and the Jean Teasers
I Love You
142 bpm • B min • 03:06 • -4.61db
34% Popularity • 59% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 33% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
42% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Mitch Santiago
Final Blow
142 bpm • G# Maj • 04:27 • -6.51db
27% Popularity • 44% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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George Alice
Healed
163 bpm • A# Maj • 03:19 • -7.39db
29% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tyne-James Organ
All On Me
162 bpm • B Maj • 03:10 • -4.98db
42% Popularity • 58% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Moving Stills
Better
162 bpm • F Maj • 03:01 • -7.5db
25% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Kita Alexander
Ocean Blue
163 bpm • F# Maj • 03:22 • -4.98db
34% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Thelma Plum
Backseat of My Mind - Radio Edit
143 bpm • D Maj • 03:30 • -7.19db
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
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Mitch Santiago
Home and In Love
142 bpm • F# min • 03:22 • -6.4db
28% Popularity • 48% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chloe Dadd
Hesitate
163 bpm • E min • 03:24 • -6.95db
30% Popularity • 55% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 62% Positiveness
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Carla Wehbe
You Make Me Sick
164 bpm • F Maj • 03:07 • -3.73db
33% Popularity • 51% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Dulcie
Sake Of Sound
164 bpm • B min • 02:59 • -7db
9% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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G Flip
Be Your Man
140 bpm • G# Maj • 03:32 • -3.11db
52% Popularity • 56% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Teenage Dads
I Like It
140 bpm • B min • 03:01 • -4.75db
41% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Ūla
god complex
140 bpm • E Maj • 03:08 • -6.6db
29% Popularity • 54% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Pacific Avenue
Spin Me Like Your Records
140 bpm • E Maj • 03:11 • -2.87db
45% Popularity • 45% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Cat & Calmell
Cry
140 bpm • C Maj • 03:09 • -6.53db
29% Popularity • 60% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
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Nieve Ella
Girlfriend
165 bpm • D Maj • 03:57 • -7.74db
35% Popularity • 34% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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MAY-A
Your Funeral
140 bpm • E Maj • 02:51 • -3.84db
27% Popularity • 64% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 83% Positiveness
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Tequila & Lemonade