Songs like Tequilla by Cuban Summer
Based on a tempo of (+/- 10%) and a similar genre
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Eldar Djangirov
Variations on a Bach Prelude
152 bpm • C# Maj • 04:36 • -15.42db
11% Popularity • 29% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
11% Popularity • 29% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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ARTEMIS
Slink
152 bpm • G min • 07:05 • -13.3db
14% Popularity • 47% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
14% Popularity • 47% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Cuban Summer
Tequilla
152 bpm • G# Maj • 06:31 • -12.44db
0% Popularity • 41% Danceability • 54% Energy • 13% Liveness
44% Instrumentalness • 70% Positiveness
0% Popularity • 41% Danceability • 54% Energy • 13% Liveness
44% Instrumentalness • 70% Positiveness
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Rasmus Sørensen
Wave Dance
151 bpm • D# Maj • 05:21 • -14.74db
10% Popularity • 40% Danceability • 46% Energy • 16% Liveness
19% Instrumentalness • 37% Positiveness
10% Popularity • 40% Danceability • 46% Energy • 16% Liveness
19% Instrumentalness • 37% Positiveness
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Jim Rotondi
Biru Kirusai
153 bpm • G# min • 05:26 • -9.45db
7% Popularity • 35% Danceability • 62% Energy • 10% Liveness
50% Instrumentalness • 63% Positiveness
7% Popularity • 35% Danceability • 62% Energy • 10% Liveness
50% Instrumentalness • 63% Positiveness
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Ben Williams
Mr. Dynamite
153 bpm • C# Maj • 05:32 • -10.09db
16% Popularity • 39% Danceability • 60% Energy • 24% Liveness
78% Instrumentalness • 74% Positiveness
16% Popularity • 39% Danceability • 60% Energy • 24% Liveness
78% Instrumentalness • 74% Positiveness
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Yoko Miwa Trio
Keep Talkin'
151 bpm • G# Maj • 04:16 • -12.14db
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
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Brad Mehldau Trio
Still Crazy After All These Years
150 bpm • G Maj • 05:19 • -17db
30% Popularity • 40% Danceability • 22% Energy • 9% Liveness
71% Instrumentalness • 21% Positiveness
30% Popularity • 40% Danceability • 22% Energy • 9% Liveness
71% Instrumentalness • 21% Positiveness
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Ramon Valle
Puentes
150 bpm • B min • 05:57 • -14.19db
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
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Alliance
Maiden Voyage
150 bpm • A# Maj • 08:32 • -12.18db
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
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Ibrahim Maalouf
Visite de l'appartement
154 bpm • C min • 01:26 • -12.79db
14% Popularity • 39% Danceability • 50% Energy • 12% Liveness
11% Instrumentalness • 29% Positiveness
14% Popularity • 39% Danceability • 50% Energy • 12% Liveness
11% Instrumentalness • 29% Positiveness
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Patricia Barber
Just One Of Those Things
150 bpm • C Maj • 03:47 • -8db
8% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Theo Croker
Just Let It Ride
150 bpm • G# min • 05:30 • -12.03db
7% Popularity • 58% Danceability • 70% Energy • 8% Liveness
94% Instrumentalness • 85% Positiveness
7% Popularity • 58% Danceability • 70% Energy • 8% Liveness
94% Instrumentalness • 85% Positiveness
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Billy Childs
Dori
150 bpm • G min • 07:34 • -10.09db
11% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
11% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
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Will Bonness
Bullet With Butterfly Wings
155 bpm • A# min • 04:42 • -14.1db
24% Popularity • 37% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
24% Popularity • 37% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
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Escalandrum
Primavera Porteña
156 bpm • G min • 06:42 • -10db
14% Popularity • 38% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
14% Popularity • 38% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
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Jesse Palter
Hey Jude
147 bpm • C Maj • 06:28 • -10.74db
42% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Medeski, Martin & Wood
Hermeto's Daydream
148 bpm • A Maj • 07:12 • -13.9db
9% Popularity • 36% Danceability • 61% Energy • 8% Liveness
43% Instrumentalness • 34% Positiveness
9% Popularity • 36% Danceability • 61% Energy • 8% Liveness
43% Instrumentalness • 34% Positiveness
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Christian Scott aTunde Adjuah
American't
157 bpm • A# Maj • 07:04 • -10.49db
11% Popularity • 32% Danceability • 52% Energy • 16% Liveness
84% Instrumentalness • 20% Positiveness
11% Popularity • 32% Danceability • 52% Energy • 16% Liveness
84% Instrumentalness • 20% Positiveness
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Elisabeth Melander
Like Someone in Love
147 bpm • G# Maj • 04:25 • -12.08db
37% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Eric Legnini Trio
Big Boogaloo
146 bpm • B min • 05:26 • -7.78db
11% Popularity • 53% Danceability • 56% Energy • 10% Liveness
83% Instrumentalness • 70% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 10% Liveness
83% Instrumentalness • 70% Positiveness
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Connie Lansberg
Angel Tears
146 bpm • E min • 04:04 • -11.37db
15% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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John Zorn
Blue Equinox
146 bpm • D Maj • 06:11 • -12.79db
14% Popularity • 33% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 38% Positiveness
14% Popularity • 33% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 38% Positiveness
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Linda Sikhakhane
Umbhedesho
145 bpm • C Maj • 01:43 • -15db
24% Popularity • 49% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
24% Popularity • 49% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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Kurt Elling
From One Island to Another
159 bpm • F# Maj • 06:04 • -8.86db
7% Popularity • 26% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 26% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Lawrence
A Tragic Tango Comedy
145 bpm • A# min • 05:00 • -10.74db
11% Popularity • 59% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
11% Popularity • 59% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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SE-Quartet
Stardust
145 bpm • G min • 05:39 • -12.11db
8% Popularity • 46% Danceability • 40% Energy • 9% Liveness
43% Instrumentalness • 32% Positiveness
8% Popularity • 46% Danceability • 40% Energy • 9% Liveness
43% Instrumentalness • 32% Positiveness
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Mika Krstic
Vlad
160 bpm • F min • 04:11 • -10.13db
9% Popularity • 66% Danceability • 41% Energy • 8% Liveness
75% Instrumentalness • 38% Positiveness
9% Popularity • 66% Danceability • 41% Energy • 8% Liveness
75% Instrumentalness • 38% Positiveness
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Ramon Valle
A Cuban Lost
144 bpm • A Maj • 05:37 • -12.89db
9% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
9% Popularity • 57% Danceability • 50% Energy • 16% Liveness
87% Instrumentalness • 76% Positiveness
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Robert Glasper
Rise And Shine
144 bpm • G# Maj • 07:39 • -13db
27% Popularity • 38% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
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Tingvall Trio
Woodpecker
144 bpm • D min • 04:28 • -16.51db
34% Popularity • 63% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 80% Positiveness
34% Popularity • 63% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 80% Positiveness
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Joshua Redman
Unknowing
161 bpm • G# min • 03:28 • -18.53db
12% Popularity • 49% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 23% Positiveness
12% Popularity • 49% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 23% Positiveness
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Henri Texier
Miss Canthus
144 bpm • D min • 09:54 • -8.54db
11% Popularity • 41% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 25% Positiveness
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Franck Avitabile
Tempus Fugit
161 bpm • C Maj • 02:22 • -11.02db
16% Popularity • 34% Danceability • 62% Energy • 28% Liveness
67% Instrumentalness • 70% Positiveness
16% Popularity • 34% Danceability • 62% Energy • 28% Liveness
67% Instrumentalness • 70% Positiveness
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Esbjörn Svensson Trio
Do the Jangle
143 bpm • F min • 05:58 • -16.96db
9% Popularity • 47% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 71% Positiveness
9% Popularity • 47% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 71% Positiveness
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Kyle Eastwood
The Good, the Bad and the Ugly "Main The...
143 bpm • C Maj • 07:32 • -9.57db
11% Popularity • 28% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 28% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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The Brecker Brothers
The Nightwalker
143 bpm • A# min • 08:45 • -16.01db
8% Popularity • 63% Danceability • 34% Energy • 6% Liveness
80% Instrumentalness • 54% Positiveness
8% Popularity • 63% Danceability • 34% Energy • 6% Liveness
80% Instrumentalness • 54% Positiveness
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Roy Hargrove
Nothing Serious
143 bpm • B min • 03:52 • -8db
28% Popularity • 46% Danceability • 71% Energy • 8% Liveness
96% Instrumentalness • 51% Positiveness
28% Popularity • 46% Danceability • 71% Energy • 8% Liveness
96% Instrumentalness • 51% Positiveness
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Alex Mercado Trio
Nothing Changes
163 bpm • A# min • 03:45 • -12.52db
12% Popularity • 36% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 63% Positiveness
12% Popularity • 36% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 63% Positiveness
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Travel Collective
RAIN IN SEOUL
141 bpm • C Maj • 05:19 • -9.5db
5% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
5% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
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Pearl Brothers
陰謀は夜明けに笑う
164 bpm • B min • 03:10 • -6.44db
13% Popularity • 38% Danceability • 72% Energy • 58% Liveness
31% Instrumentalness • 70% Positiveness
13% Popularity • 38% Danceability • 72% Energy • 58% Liveness
31% Instrumentalness • 70% Positiveness
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Chihiro Yamanaka
八木節
142 bpm • E min • 06:01 • -10.51db
9% Popularity • 35% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Jean Vernheres
Haumea city
141 bpm • G# min • 05:31 • -16.05db
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
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Kinga Glyk
Walking Baby
164 bpm • A# Maj • 06:15 • -8.32db
15% Popularity • 46% Danceability • 58% Energy • 7% Liveness
80% Instrumentalness • 74% Positiveness
15% Popularity • 46% Danceability • 58% Energy • 7% Liveness
80% Instrumentalness • 74% Positiveness
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Tingvall Trio
Sevilla
141 bpm • F min • 06:58 • -14db
10% Popularity • 46% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
10% Popularity • 46% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Tigran Hamasyan
De-Dah
140 bpm • E Maj • 04:15 • -13.74db
23% Popularity • 41% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
23% Popularity • 41% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
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Jun Iida
Forgotten Memories
140 bpm • G min • 06:30 • -13.55db
8% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 47% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Terri Lyne Carrington
Uplifted Heart
165 bpm • E min • 06:46 • -11.43db
17% Popularity • 45% Danceability • 51% Energy • 86% Liveness
68% Instrumentalness • 27% Positiveness
17% Popularity • 45% Danceability • 51% Energy • 86% Liveness
68% Instrumentalness • 27% Positiveness
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Zachary Bornheimer
Red Moon
140 bpm • F Maj • 08:06 • -7.69db
14% Popularity • 52% Danceability • 66% Energy • 67% Liveness
27% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 66% Energy • 67% Liveness
27% Instrumentalness • 38% Positiveness
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Cuban Summer
Lesson No.5
140 bpm • B Maj • 08:20 • -17.38db
0% Popularity • 44% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 20% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 20% Positiveness
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Jon Batiste
On The River Front
140 bpm • A# Maj • 05:32 • -15.73db
22% Popularity • 46% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 29% Positiveness
22% Popularity • 46% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 29% Positiveness
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Kaira
Weight of Scales
139 bpm • F# Maj • 09:47 • -10.96db
10% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
10% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
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Curtis Taylor
Kham's Dilemma
166 bpm • C min • 07:49 • -12.34db
8% Popularity • 36% Danceability • 50% Energy • 35% Liveness
87% Instrumentalness • 38% Positiveness
8% Popularity • 36% Danceability • 50% Energy • 35% Liveness
87% Instrumentalness • 38% Positiveness
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SFJAZZ Collective
Witness But Not Measured
139 bpm • A# min • 06:05 • -10.58db
11% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
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Joey Alexander
Blue
139 bpm • E min • 06:46 • -14.55db
33% Popularity • 54% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
33% Popularity • 54% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
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Yoav Eshed
Sad Song For Happy Times
139 bpm • F Maj • 04:45 • -16.05db
13% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
13% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Kathrine Windfeld
First Speech
139 bpm • C min • 07:18 • -11.36db
8% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Anthony D'Alessandro
Outbreak
139 bpm • G Maj • 05:07 • -9.57db
14% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
14% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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Aldo Romano
Il camino, Pt. 3
167 bpm • B min • 01:58 • -11.38db
15% Popularity • 34% Danceability • 47% Energy • 25% Liveness
98% Instrumentalness • 70% Positiveness
15% Popularity • 34% Danceability • 47% Energy • 25% Liveness
98% Instrumentalness • 70% Positiveness
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Enrico Pieranunzi
Mr. Gollywogg (D’après Gollywogg’s ...
138 bpm • C Maj • 03:51 • -14.01db
15% Popularity • 38% Danceability • 55% Energy • 23% Liveness
92% Instrumentalness • 75% Positiveness
15% Popularity • 38% Danceability • 55% Energy • 23% Liveness
92% Instrumentalness • 75% Positiveness
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Chihiro Yamanaka
ピアノ・ソナタ第4番
138 bpm • B Maj • 05:34 • -16.16db
11% Popularity • 52% Danceability • 45% Energy • 5% Liveness
53% Instrumentalness • 44% Positiveness
11% Popularity • 52% Danceability • 45% Energy • 5% Liveness
53% Instrumentalness • 44% Positiveness
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Armando Luongo
New Lands
167 bpm • F Maj • 05:18 • -13.81db
19% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
19% Popularity • 38% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 44% Positiveness
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Tarek Yamani
Lamma Bada Yatathanna
137 bpm • D# Maj • 05:05 • -13.55db
19% Popularity • 41% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Nduduzo Makhathini
Amathongo
137 bpm • G Maj • 06:26 • -13.93db
28% Popularity • 51% Danceability • 50% Energy • 7% Liveness
83% Instrumentalness • 24% Positiveness
28% Popularity • 51% Danceability • 50% Energy • 7% Liveness
83% Instrumentalness • 24% Positiveness
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Kelly Green
Street Cleaning
137 bpm • G# Maj • 07:04 • -11.35db
3% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
3% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
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Bob James
Boss Lady
137 bpm • G Maj • 04:42 • -14.78db
10% Popularity • 68% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
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Lawrence Fields
New Season Blues
137 bpm • A# Maj • 06:39 • -15.37db
11% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
11% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
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John Zorn
Shalmiel
136 bpm • C# Maj • 05:25 • -9db
7% Popularity • 56% Danceability • 47% Energy • 12% Liveness
11% Instrumentalness • 24% Positiveness
7% Popularity • 56% Danceability • 47% Energy • 12% Liveness
11% Instrumentalness • 24% Positiveness
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Brad Mehldau
Aquelas Coisas Todas
136 bpm • A Maj • 06:01 • -15db
15% Popularity • 43% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
15% Popularity • 43% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
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Wajdi Riahi
Hroub
135 bpm • C min • 02:06 • -15.95db
25% Popularity • 22% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
25% Popularity • 22% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
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Alex Mercado Trio
Wise
171 bpm • G# Maj • 07:15 • -14.97db
13% Popularity • 35% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
13% Popularity • 35% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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The Bad Plus
Trace
135 bpm • C Maj • 05:00 • -11.89db
11% Popularity • 60% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
11% Popularity • 60% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
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Joshua Redman
East of the Sun (And West of the Sun)
135 bpm • G Maj • 05:35 • -11db
8% Popularity • 52% Danceability • 45% Energy • 36% Liveness
33% Instrumentalness • 40% Positiveness
8% Popularity • 52% Danceability • 45% Energy • 36% Liveness
33% Instrumentalness • 40% Positiveness
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Patrick Prouty
Remembering Section 403
135 bpm • F min • 06:09 • -15.83db
14% Popularity • 41% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 27% Positiveness
14% Popularity • 41% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 27% Positiveness
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Makoto Ozone
Momentary Moment
135 bpm • D Maj • 04:46 • -16.5db
18% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
18% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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insaneintherainmusic
Tetris A
135 bpm • F Maj • 04:57 • -11.46db
20% Popularity • 67% Danceability • 47% Energy • 15% Liveness
91% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 47% Energy • 15% Liveness
91% Instrumentalness • 47% Positiveness
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Roy Hargrove
I'm Not So Sure
171 bpm • F# Maj • 05:48 • -10.03db
33% Popularity • 45% Danceability • 54% Energy • 8% Liveness
66% Instrumentalness • 70% Positiveness
33% Popularity • 45% Danceability • 54% Energy • 8% Liveness
66% Instrumentalness • 70% Positiveness
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Zela Margossian Quintet
The Good That Exists
135 bpm • G# Maj • 08:38 • -12.72db
10% Popularity • 42% Danceability • 42% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
10% Popularity • 42% Danceability • 42% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
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齐海
万籁俱寂
135 bpm • G min • 01:16 • -8.98db
8% Popularity • 51% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
8% Popularity • 51% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Takashi Matsunaga
歓喜の歌
135 bpm • G Maj • 03:22 • -11.7db
11% Popularity • 42% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
11% Popularity • 42% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Tony Glausi
new mantra
172 bpm • G Maj • 06:00 • -19.38db
13% Popularity • 46% Danceability • 22% Energy • 16% Liveness
74% Instrumentalness • 16% Positiveness
13% Popularity • 46% Danceability • 22% Energy • 16% Liveness
74% Instrumentalness • 16% Positiveness
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Chihiro Yamanaka
クロース・トゥ・ユー
134 bpm • G Maj • 05:21 • -15.94db
12% Popularity • 34% Danceability • 47% Energy • 13% Liveness
84% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 47% Energy • 13% Liveness
84% Instrumentalness • 31% Positiveness
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Robert Glasper Trio
59 South
134 bpm • C# Maj • 06:11 • -13db
22% Popularity • 44% Danceability • 59% Energy • 6% Liveness
46% Instrumentalness • 20% Positiveness
22% Popularity • 44% Danceability • 59% Energy • 6% Liveness
46% Instrumentalness • 20% Positiveness
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Esbjörn Svensson Trio
Spunky Sprawl
172 bpm • G Maj • 06:24 • -13.59db
11% Popularity • 36% Danceability • 58% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
11% Popularity • 36% Danceability • 58% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
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Nicola Bottos
Down the Hill
134 bpm • B min • 06:18 • -19.09db
9% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
9% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
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Jun Iida
Evergreen
134 bpm • G Maj • 06:08 • -11.89db
15% Popularity • 60% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
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Cuban Summer
Carioca Sol y Umbra
134 bpm • F min • 05:45 • -11.29db
0% Popularity • 38% Danceability • 58% Energy • 10% Liveness
41% Instrumentalness • 73% Positiveness
0% Popularity • 38% Danceability • 58% Energy • 10% Liveness
41% Instrumentalness • 73% Positiveness
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Amir Darabi
Hiraeth
133 bpm • A min • 08:04 • -14.92db
9% Popularity • 43% Danceability • 32% Energy • 11% Liveness
50% Instrumentalness • 18% Positiveness
9% Popularity • 43% Danceability • 32% Energy • 11% Liveness
50% Instrumentalness • 18% Positiveness
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Triosence
No Risk, No Fun
173 bpm • G# Maj • 03:25 • -14.89db
7% Popularity • 31% Danceability • 51% Energy • 30% Liveness
83% Instrumentalness • 50% Positiveness
7% Popularity • 31% Danceability • 51% Energy • 30% Liveness
83% Instrumentalness • 50% Positiveness
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Lars Jansson
Simple Song Simple Life
133 bpm • C Maj • 06:25 • -16.85db
8% Popularity • 54% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
8% Popularity • 54% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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GoGo Penguin
Fanfares
133 bpm • C Maj • 04:53 • -12.98db
16% Popularity • 42% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
16% Popularity • 42% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Alan Baylock Jazz Orchestra
The Phrygian Five
174 bpm • E Maj • 06:37 • -6.06db
21% Popularity • 47% Danceability • 74% Energy • 30% Liveness
32% Instrumentalness • 41% Positiveness
21% Popularity • 47% Danceability • 74% Energy • 30% Liveness
32% Instrumentalness • 41% Positiveness
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Aaron Parks
Travelers
133 bpm • A# min • 05:34 • -18db
31% Popularity • 40% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
31% Popularity • 40% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Neil Cowley Trio
Stereoface
174 bpm • F# Maj • 06:05 • -16.82db
11% Popularity • 41% Danceability • 41% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
11% Popularity • 41% Danceability • 41% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
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Fernández 4
Kua Nalu
133 bpm • F min • 07:16 • -14.17db
11% Popularity • 39% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
11% Popularity • 39% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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Douglas Brown
Slonimsky Made Me Do It
133 bpm • F min • 06:03 • -9.36db
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
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松井 秀太郎
LEGEND
132 bpm • G min • 05:54 • -5.99db
13% Popularity • 45% Danceability • 80% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
13% Popularity • 45% Danceability • 80% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Itamar Zion
Medea Home
175 bpm • B min • 10:11 • -16.83db
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
